Finding Aid to the Anne F. Clapp Papers

Col. 589


© Winterthur Museum, Garden, and Library  
Winterthur, DE 19735  

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Table of contents
Abstract
The papers reflect Anne Clapp's career as an art conservator.

Background note:
Anne Fanshaw Clapp was born November 1, 1910, in Cambridge, Massachusetts. Both her parents were artists, and she began painting in childhood. Ms. Clapp studied fine arts at Radcliffe College. In 1941, she enrolled in a course to prepare women to be aviation engineers' assistants, studying aerodynamics, mechanical drawing, and advanced math. She worked in the patent office at the Massachusetts Institute of Technology, but in 1946 took a job at the Fogg Art Museum at Harvard University because she wanted to combine her interests in art and science. At the Fogg, Ms. Clapp worked under Richard Buck and Minna Horowitz, learning how to treat oil paintings and paintings on wood panels. Later, she worked at the Worcester Art Museum, and there she studied paper conservation with George Stout.

From 1950 to 1954, Ms. Clapp worked at the Institute of Jamaica, first establishing a conservation laboratory and then working on the problems of the preservation of paintings and works of art on paper in a tropical climate. In 1954, she returned to the United States and opened a conservation lab at Independence National Historic Park in Philadelphia. She treated paintings by Charles Willson Peale, Gilbert Stuart, and other noted early American artists, as well as analyzed paint in the historic buildings in the park. From 1959 or 1960 until 1970, Ms. Clapp worked at the Intermuseum Conservation Association in Oberlin, Ohio, primarily treating paintings.

In 1970, Ms. Clapp came to Winterthur Museum as the Print and Paper Conservator; she retired in 1981. She cared for the museum and library collections and taught paper conservation to the fellows in the Winterthur/University of Delaware Program in Art Conservation (WUDPAC). The lectures for the first year students focused on preventive conservation, including the importance of proper housing and the effects of relative humidity and light on paper artifacts. The second year students documented and treated objects of all kinds, including watercolors, prints, collages, papyrus, architectural drawings, band boxes, and wallpaper. Ms. Clapp was very devoted to her students, interested in both their professional careers and their personal lives.

Ms. Clapp wrote Curatorial Care of Works of Art on Paper, which was first published in 1973. Later editions came out in 1974, 1978, and 1987. For about ten years after her retirement from her full-time position as a conservator, Ms. Clapp continued to work one day per week in the Downs collection at Winterthur, doing conservation work on manuscripts. She also taught classes in paper conservation at the International Centre for the Study of the Preservation and the Restoration of Cultural Property (ICCROM) in Rome and gave talks at various conferences. Moreover, she maintained her own private laboratory in her apartment, where she conserved paintings and paper for both individual clients and museums, working until the late 1990s. Anne Clapp died on May 11, 2000.

Scope and content
The papers reflect Anne Clapp's professional life, particularly her private conservation practice and her teaching. The papers include her notes about items on which she performed conservation work, including slides of some of them; correspondence with colleagues and clients; information about the class in paper conservation which she taught for several years at ICCROM; notes which she collected over the years about the history of papermaking and conservation; and catalogs and samples received from suppliers of conservation materials.

Organization
The papers are grouped according to topic, although they are not arranged in formal series. Notes, slides, and other papers dealing with conservation treatments which she performed are in Boxes 1-5. Other papers related to her business, correspondence, papers related to professional organizations, and miscellaneous notes are in Boxes 5-8. Catalogs and samples of conservation materials are in boxes 8-9. Boxes 10 and 11 contain note cards, the ones in Box 10 are about the history of papermaking, while those in Box 11 contain information on a variety of topics.


Administrative information

Restrictions
None

Provenance
Gift from John Clapp, nephew of Anne Clapp.


Additional descriptive information

Note
OVERVIEW OF THE COLLECTION Extent: 3 cu.ft. Date range: 1950-1995 Creator: Anne F. Clapp Title: Papers Dates: 1950-1995 Call No.: Col. 589 Acc. No.: 00×132 Quantity: 11 boxes (5 linear feet) Location: 18 L 4 and 5


Other descriptive information

Notes
The Winterthur Library

The Joseph Downs Collection of Manuscripts and Printed Ephemera


Added entries

Subjects
  • Art - Conservation and restoration.
  • Art restorers.
  • Painting - Conservation and restoration
  • Paper - Conservation and restoration
  • Winterthur Program in Art Conservation.

    Contact information

    Winterthur Museum, Garden, and Library
    [http://www.winterthur.org]
    Winterthur, DE 19735

     


    Collection inventory


    Treatment notes
    Box 1


    Treatment slides and photographs
    Box 2


    Work completed: A-Y, 1970s
    1970s
    Box 3: Folder 1


    Work completed: A-F, 1986-1995
    1986-1995
    Folder 2


    Work completed: A-F, post-1990
    post-1990
    Folder 3


    Work completed: G-K
    Folder 4


    Work completed: L-N
    Folder 5


    Work completed: O-S
    Folder 6


    Work completed: T-Z
    Folder 7


    Work completed: Attix
    Folder 8


    Work completed: Brandywine River Museum
    Folder 9


    Work completed: Brokaw, H.P. and Tom
    Box 4: Folder 1


    Work completed: Burroughs, Mr. and Mrs. Richard
    Folder 2


    Work completed: Carspecken-Scott Gallery
    Folder 3


    Work completed: Chadds Ford Gallery, B. Moore, director
    Folder 4


    Work completed: Chester County Historical Society
    Folder 5


    Work completed: Delaware Art Museum
    Folder 6


    Work completed: Delaware State Archives and State Museum
    Folder 7


    Work completed: Gordon, John
    Folder 8


    Work completed: Hewitt Maps of Jamaica
    Folder 9


    Work completed: Historical Society of Delaware
    Folder 10


    Work completed: Hotchkiss, Horace
    Folder 11


    Work completed: Independence National Historical Park
    Folder 12


    Work completed: Macculloch Hall Historical Museum
    Folder 13


    Work completed: Mutual Assurance Society
    Folder 14


    Work completed: New Castle Historical Society
    Folder 15


    Work completed: Raley, Robert
    Folder 16


    Work completed: Rockwood Museum
    Folder 17


    Work completed: Shirley, Mrs. Carl
    Folder 18


    Work completed: The Station Gallery
    Folder 19


    Work completed: Taylor, John R.
    Box 5: Folder 1


    Work completed: van Ravenswaay, Charles
    Folder 2


    Work completed: Woodlawn Trustees, Inc.
    Folder 3


    Objects not examined
    Folder 4


    Objects examined, treatment not authorized
    Folder 5


    Treatment authorized: pending or during treatment
    Folder 6


    Receipt of authorization forms (Clapp's own and samples from others)
    Folder 7


    Laboratory forms from various sources
    Folder 8


    Examination and treatment forms (blank)
    Folder 9


    Instruction sheets on equipment acquired
    Folder 10


    Insurance for studio
    Folder 11


    Correspondence: A-D
    Folder 12


    Correspondence: E-L
    Folder 13


    Correspondence: M-Z
    Box 6: Folder 1


    Correspondence: Chester County Historical Society
    Folder 2


    Correspondence: Nick Lyons Books, about publication of Curatorial Care of Works of Art on Paper
    Folder 3


    Correspondence: Schrock, Nancy Carlson
    Folder 4


    AIC (American Institute for Conservation of Historic and Artistic Works)
    Folder 5


    Campbell Center for Historic Preservation Studies
    Folder 6


    CCCI (Canadian Conservation Institute)
    Folder 7


    ICCROM: Correspondence with Christine and Paul about paper course
    Folder 8


    ICCROM: Paper conservation, 1984
    1984
    Folder 9


    ICCROM: Paper course, 1985
    1985
    Folder 10


    ICCROM: 1985 meeting: handouts
    Folder 11


    ICCROM: Stanley-Price, N., correspondence with
    Folder 12


    Institute of Paper Chemistry: Seminar for Paper Conservators, Oct. 1971, part 1
    Oct. 1971,
    Box 7: Folder 1


    Institute of Paper Chemistry: Seminar for Paper Conservators, Oct. 1971, part 2
    Oct. 1971,
    Folder 2


    Talks, paper critiques, and conferences actively participated in
    Folder 3


    Training centers
    Folder 4


    Winterthur/ U.Del. program: conservation fellows and class content
    Folder 5


    "Bright ideas" (mostly exam questions)
    Folder 6


    Information on Textiles, part 1
    Folder 7


    Information on Textiles, part 2
    Box 8: Folder 1


    Notes: lab notes, experiments and tests, acid tests, Stravinsky mss., ca. 1963- ca.1971
    ca. 1963- ca.1971
    Folder 2


    Notes: trip arranged by M. Anderson to museums so I could sound out directors re: interest in a communal conservation lab, 1950
    1950
    Folder 3


    Tests: light tests to various materials
    Folder 4


    Tests: papers tested after treatment with the deacidification solution Wei To solution no. 2, April 1978
    April 1978
    Folder 5


    Tests: pH tests
    Folder 6


    Catalogs and brochures, miscellaneous
    Folder 7


    Catalogs of conservation products
    Folder 8


    Samples of paper and paper board, part 1
    Box 9: Folder 1


    Samples of paper and paper board, part 2
    Folder 2


    Samples of paper and paper board, part 3
    Folder 3


    Samples of paper and paper board, part 4
    Folder 4


    Samples of synthetic materials
    Folder 5


    Papermaking (inc. wallpaper), parchment, design materials: history
    Box 10


    Information notes
    Box 11