Finding Aid to the Byrdcliffe (Art Colony) Records, ca. 1869-2000

Col. 209

© Winterthur Museum, Garden, and Library  
Winterthur, DE 19735  
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Background note:
In 1901, Ralph Radcliffe Whitehead purchased about 1,000 acres of land near Woodstock, New York, in order to establish an artists' colony. He named it “Byrdcliffe,” combining his wife's middle name, Byrd, with a portion of his own middle name, -cliffe. During the winter of 1902, Whitehead initiated the construction of buildings, including housing for residents and studios and workshops for their use. One year later, Byrdcliffe had facilities for metalsmithing, woodworking, and pottery production, as well as an art studio, dairy, and library; over time, about thirty buildings were erected. The Whitehead residence, the main house on the property, was called “White Pines.”

Born in 1854 to Francis Frederick and Isabella Dalglish Whitehead, Ralph grew up in Saddleworth, Yorkshire, England. His father was partner in a financially rewarding business that manufactured felt used for dampers in pianos. The business still exists today, though not as a Whitehead family enterprise. Young Ralph received his early education at Harrow. He then attended Balliol College, Oxford, where he studied under John Ruskin, acknowledged to be “the philosophical fountainhead of the arts and crafts movement,” and also traveled to Italy with him. On this trip, Whitehead chose a Florentine lily to be his personal emblem. This motif later appeared in designs at Byrdcliffe. Whitehead finished his education at Oxford in 1880 with a Master of Arts degree. Little is known about his activities during the 1880s, although there is some evidence that he tried to start utopian communities in Italy and Austria. He married a German -- some accounts say Polish -- woman, but the marriage lasted only a short time.

In 1892, Whitehead married Jane Byrd McCall of Philadelphia. She had been born in 1861 and was the daughter of Peter McCall, a former mayor of Philadelphia. They had met some time earlier in Europe, where she was traveling with her mother and sister, Gertrude. As a socialite in Europe, Jane had taken instruction in drawing from Ruskin, studied art at the Academie Julian in Paris, and was presented to Queen Victoria in 1886. After their marriage, the Whiteheads settled in Santa Barbara, California, building a home there that they called “Arcady,” and buying some of their furniture from the English firm Morris and Company. Both were active in arts and crafts pursuits in Santa Barbara. By the time Byrdcliffe had been established in 1903, Whitehead had become a citizen of the United States, and he and his wife had had two children, Ralph, Jr., born in 1899, and Geoffrey Jocelyn, born in 1901, who was called Peter beginning in 1912.

Names synonymous with the arts and crafts movement peopled Byrdcliffe during its early years, and they produced furniture, pottery, textiles, paintings, and artistic photographs. Jane Whitehead took particular interest in pottery and spent time in California taking lessons from Frederick Hurten Rhead. Whitehead's interest in photography encouraged other photographers, including Jessie Tarbox Beals, to spend time at Byrdcliffe. However, by choice, furniture making was the predominant craft. In 1904, the busiest year for furniture production, about 50 pieces were made, including tables, chairs, lamp stands, shelves, bookcases, sideboards, and chiffonniers. Craftspeople mostly used local poplar and oak; some few pieces were of cherry or mahogany. Observers have remarked about the simplicity of Byrdcliffe furniture and its lack of refined proportions. Zulma Steele and Edna Walker, graduates of the Pratt School of Design, produced many of the furniture designs, ornaments, and decorations. Furniture making lasted only a couple of years. Afterwards, the community concentrated on pottery, weaving, and frame making. Ralph joined his wife in making pottery; he was particularly interested in glazes, and he also wove textiles.

Ultimately, Byrdcliffe failed as a community of artists. Its founder, Ralph Radcliffe Whitehead, experienced difficulty relating to his residents, and after a time they left, never to return to his colony. In addition, it was hard to transport the furniture produced there to market. As time passed, Byrdcliffe simply became a place for the Whiteheads to raise their two children and to entertain family and friends, although the cottages built for craftspeople continued to be rented during the summers. In 1917, Jane wrote to her son, Ralph, Jr., “now let us realize that it has had its day--its raison d'etre has passed by.” Even so, because Byrdcliffe had acted as a magnet for arts and crafts practitioners, Woodstock, New York, lost its identity as a rural farming village and became a haven for artists.

Byrdcliffe remained in family hands for about seventy-five years. Ralph Whitehead died in 1929, only 25 years after Byrdcliffe had experienced its busiest times and just a few months after his eldest son had died in a shipwreck. Jane lived until 1955, surviving by selling their real estate in California, including “Arcady” and another house “Neroli,” both in Santa Barbara, and other property, as well as parts of the original Byrdcliffe tract. The youngest son, Peter, died at “White Pines,” the Whteheads' home at Byrdcliffe, in 1975. Today, the Woodstock Guild and private individuals own different portions of the property that once made up Byrdcliffe.

Scope and content
The Byrdcliffe archives includes family correspondence, featuring letters to and from Jane and Ralph Whitehead beginning in the 1890s; photographs, many of which are dated and the people in them identified (twenty of which were taken by Jesse Tarbox Beals); more than 600 original drawings and paintings, including furniture designs by Edna Walker and Zulma Steele, and colored designs for rugs created by Marie Little; approximately 575 issues of magazines; scrapbooks; over 700 study prints taken from large 19th century portfolios depicting ornaments from Medieval, Renaissance, and pre-Raphaelite sources; manuscript records of expenditures and income from items produced at the colony; Byrdcliffe's library card catalog, including both the cards and the physical square-shaped catalog; the Byrdcliffe Guest Register; trade catalogues of products used at Byrdcliffe; about 80 monographs, as well as publications written by Jane and Ralph Whitehead; land surveys; and legal documents. In addition, there are drawings of furniture available from the English firm of Morris and Company, and many unsigned drawings and paintings, mostly landscapes.

Organization
I. Designs, Drawings, and Paintings
II. Reproductions and Prints
III. Design Books
IV. Periodicals
V. Monographs and Trade Catalogs
VI. Business and Real Estate Records, Printed Ephemera
VII. Photographs, Glass Plate Negatives, Photo Albums, and Post Cards
VIII. Letters
IX. Calendars
X. Maps
XI. Newspapers and Miscellaneous

Organization
Administrative information
Restrictions
None

Copyright restrictions may apply

Many of the items, including photographs and drawings have been microfilmed on 2 rolls (M3002 and M3015). Researchers are asked to use the microfilm when possible to preserve original items in the collection. An index is found at the front of each reel.

Provenance
Gift of Mark Willcox.

A gift to the Joseph Downs Collection of Manuscripts and Printed Ephemera between 1991 and 200 by Mark Willcox, the nephew of Ralph and Jane Whitehead.

Additional descriptive information
Note
OVERVIEW OF THE COLLECTION Repository code: DeWint File name: col209.xml Abstract: The collection includes furniture and other designs and business records of the Byrdcliffe arts and crafts community in Woodstock, New York, as well as personal papers and photographs of its founder Ralph R. Whitehead, his wife Jane and their sons Ralph, Jr., and Peter. Extent: 60 linear feet Date range: Ca. 1869-2000 Related materials: Language: English Winterthur Museum, Garden, and Library Joseph Downs Collection of Manuscripts and Printed Ephemera Winterthur, DE 19732 (302) 888-4853 Byrdcliffe (Art Colony) Records Col. 209 Creator: Byrdcliffe (Art colony) Title: Records Dates: ca. 1869-2000 Call No.: Col. 209 Acc. No.: 92×39, 98×4 Quantity: ca. 165 cu. ft. Location: 41-42, Map Cases A and C

Added entries
Subjects
  • Artists' colonies - New York - Woodstock
  • Arts and crafts movement
  • Beals, Jessie Tarbox
  • Cabinet-work
  • Decoration and ornament
  • Furniture design
  • Furniture making
  • Little, Marie
  • Pottery
  • Steele, Zulma, 1881-1979
  • Walker, Edna M.
  • Weaving
  • Whitehead, Jane Byrd McCall, 1861-1955
  • Whitehead, Peter, 1901-1975
  • Whitehead, Ralph Radcliffe, 1854-1929
  • Whitehead, Ralph, Jr., 1899-1928

    Genre terms
  • Account books
  • Albums
  • Correspondence
  • Deeds
  • Drawings
  • Glass plate negatives
  • Letters
  • Maps
  • Photography
  • Photoprints
  • Prints
  • Trade catalogs
  • Watercolors

    Functions and occupations
  • Artists
  • Craftsmen

    Contact information

    Winterthur Museum, Garden, and Library
    [http://www.winterthur.org]
    Winterthur, DE 19735

     

    Collection inventory
    SERIES I: DESIGNS, DRAWINGS AND PAINTINGS

    .94.  Etching of examples of borders used for doors or bases of doorways. DID NOT FIND 9-22-2000
    9-22-2000

    Byrdcliffe furniture designs
    Box 1: Folder 1

    .294.  Watercolor of a sideboard, labeled on the front “Byrdcliffe furniture, 6' long, 5' 8" high, #22.” The vertical supports are decorated with lilies. The cabinet doors have long hinges. Labeled on the back: “Lily sideboard, $120, cherry wood, #22.” Mounted on heavy board; perhaps used as advertising material.

    .295.  Watercolor of a tulip poplar chair, labeled on front “Byrdcliffe furniture, #63A.” The tulip poplar design appears on the back of this chair. Labeled on back: “#63A, Tulip tree chair, low model, cherry, carved, $20.” A leather seat is drawn. This “low model” has a lower back than the high model (see.296, below; the arm chair model is.297, also below). Mounted on heavy board; perhaps used as advertising material. (The sketches for the designs of the back of these chairs are in Box 1, folder 8.)

    .296.  Watercolor of a tulip poplar chair, labeled on front “Byrdcliffe furniture, #63B.” The tulip poplar design appears in the back of this chair. Labeled on back: “#63B, Tulip tree flower, high model chair, carved, $20.” A leather seat appears in the picture, although not specified in the written description. This “high model” has a higher back than the low model (see.295, above; the arm chair model is.297, below). Mounted on heavy board; perhaps used as advertising material.

    .297.  Watercolor of a tulip poplar arm chair, labeled on front “Byrdcliffe furniture, #65.” The tulip poplar design appears in the back of this chair. Labeled on back:: “#65, tulip tree arm chair, carved, $40, leather seat.” (For matching side chairs, see.295 and.296, above). Mounted on heavy board; perhaps used as advertising material.

    Byrdcliffe furniture designs: tables, chairs, benches, cupboards and cabinets
    Folder 2

    .8.  Plan and dimensions for a writing table, with a drawer, and an open shelf underneath the drawer. A note on the sheet says “Make 1 table, 4 tall lampstands, 2 low lampstands, 3 tea tables,” possibly all to be in this same style.

    .408.  Measured drawings for three different tables, perhaps meant to be writing tables, and one chest of drawers, of which four were to be made in ash or oak. Two of the tables and the chest were to have castors on their feet.

    .21.  Dimensions for a design of a “garden chair at Therenc [?]”

    .405.  Sketch for a chiffonier, with very few details.

    .12.  Design for a corner cupboard with carved panels, large hinges, and a crenellated top, probably designed by Dawson Watson.

    .401.  Drawing for a cupboard, with carved panels and elaborate hinges and lock plates.

    Byrdcliffe furniture designs: miscellaneous pieces
    Folder 3

    .7.  Initial drawing for a chest of drawers, with side and front views; dimensions are given. Drawers vary in depth.

    .403.  Design for a bookcase with a cupboard in the upper right; dimensions are given.

    .377.  Drawing of a slant-top chest with ball-shaped feet (perhaps casters), to be made out of cypress or yellow pine. Front and side views are shown.

    .394.  Drawing of a chest, 8'6" in length, to be built of yellow pine or cypress, featuring three pairs of doors and three drawers. The word “Erlandsin” is also written on the paper. (see also.373, in Box 5, folder 11)

    .6.  Sketch of a wall cabinet with two open shelves, and a cupboard at one end; dimensions of the cabinet were 3 1/2' feet long by 20" tall. Unidentified sketch on the back of this sheet.

    .305.  Design for a hanging wall cabinet, with dimensions.

    .392.  Two views labeled “umbrella stand.” The interior was to have a metal trap for water. Front and side views are shown; dimensions are given.

    Byrdcliffe furniture designs: chestnut furniture, iris furniture, and tulip poplar chair
    Folder 4

    .31.  Side-view perspective of a small table with side panels decorated with Z. Steele's chestnut design, probably done in 1904. Dimensions read 4' 6" × 3" [sic] × 28".

    		(see Box 1, folder 8, for the design perhaps intended for this table)

    .32.  Drawing of a drop-front desk with 2 drawers, decorated with Z. Steele's chestnut design. Dimensions read 3' 1 3/4" × 4' 1/2".

    .33.  A design for a cabinet with shelves and drawers decorated with Z. Steele's chestnut design. Made to go with.32, to be used as a bedroom set. Dimensions read: height 4' 8 1/2", width 44".

    .36.  Drawing of a bookcase with a door decorated with an iris motif. According to the original folder, the bookcase was done by Z. Steele in 1905. Dimensions read 37 1/2" in width by 52" tall.

    .45.  Small drawing of a drop-front desk with drawers. The drop-front is decorated with three panels of irises, probably done by Z. Steele in 1905. (see also.363, in Box 5, folder 5,.354 in Map Case C, drawer 4, folder 7, and.372 in Map Case C, drawer 4, folder 8) (iris designs are in Box 1, folder 8)

    .47.  Small drawing of a plain chair with a simple iris motif on the chair back, possibly intended to go with the desk in.45. Probably done by Z. Steele in 1905. (See also.48, in Box 1, folder 8, the iris decorative motif probably intended for this chair.)

    .50c-d.  Two drawings of the tulip poplar chair, showing the design carved into the back.

    		(see also Box 1, folder 1)

    furniture designs, not Byrdcliffe
    Folder 5

    .396.  Drawing of a book- and map case with a top that lifts. (note: probably a sketch of a piece of English cabinetwork)

    .73.  Drawing labeled “Oak cabinet stained green, Morris and Company, 449 Oxford Street, W,” a piece of furniture available from this company. The drawing shows the cabinet (or sideboard) in a room setting with china displayed on it.

    .74.  Drawing of a cabinet or sideboard labeled “Morris and Company, 449 Oxford Street, W.” This cabinet is decorated with carved figures.

    Decorative motifs: seaweed, grapes, maple leaves
    Folder 6

    .9A.  Sketch of a decorative seaweed frieze. This horizontal motif by Edna M. Walker was a design for the top rail of “Cabinet no. 51.” Signed on back: E.M.W.

    .9B.  Vertical seaweed frieze, a companion to.9A, was for a post for “Cabinet no. 51.” The design was to run from the top of the cabinet to the bottom line of the lowest drawer. Signed E.M.W. `05.

    .10.  Seaweed design for door panels for “Cabinet no. 51,” signed E.M.W.

    .11.  Labeled: “Panels for Grape Bookcase, E.M. Walker - DES - '05, Private copy - R.R.W.” Design with grapes, leaves, and stems set against a cross-hatched background.

    .38.  Design of grapes, vines, and leaves, labeled on back “Right Hand Panel, Bookcase, Walker.” Companion to.39 and.40 below.

    .39.  Design of grapes, vines, and leaves initialed and dated “E.M.W. `04.” Companion to.38 above and.40 below.

    .40.  Design of grapes, vines, and leaves, labeled on back “Left Hand Panel, Bookcase, Walker.” Companion to.38 and.39 above.

    Decorative motifs: chestnuts, and tulip poplar leaves and flowers
    Folder 7

    .30.  Drawing of chestnuts and leaves. According to the original folder, this motif was to be placed on a chestnut desk. It was signed Z. Steele and dated `04. The motif encompasses the entire page. [Note: this pattern was used on a cabinet now at the Milwaukee Museum.]

    .34.  Labeled: “Panel for chestnut cabinet, Z. Steele - DES - '04, Private copy - R.W.W.” Companion to design.30 above, but smaller in size.

    .35.  Drawing of chestnut motif, signed Steele, dated `04. Probably a preliminary drawing for.34.

    .41.  Drawing of chestnuts and leaves, trapezoidal in shape. According to the original folder, this motif was intended for a chestnut table. Shape and dimension indicate that it was possibly intended for the side panels of the table in.31 (found in Box 1, folder 4).

    .50.  Labeled: “Panel for the Tulip [i.e. tulip poplar] Arm Chair, E.M. Walker - DES - '04, Private copy of R.R.W.” Design shows leaves and flowers of the tulip polar tree. (For sketches of the completed chairs, see Box 1, folder 1.)

    .50a.  Labeled: “Panel for the Tulip [i.e. tulip poplar] Chair, E.M. Walker - DES - '04, Private copy of R.R.W.” A companion to the design above.

    .50b.  Design labeled on back: “Tulip Arm Chair, Walker.” Almost identical to.50 above.

    Decorative motifs: irises and lilies
    Folder 8

    .46a.  Design of the middle iris panel for the desk in.45 (in Box 1, folder 4). Probably done by Z. Steele in 1905.

    .46b.  Right-hand iris motif panel intended for the desk in.45. Probably done by Z. Steele.

    .46c.  Left-hand iris motif panel intended for the desk in.45. Probably done by Z. Steele.

    .48.  Preliminary drawing of the iris motif intended to go on.47 chair (in Box 1, folder 4). Probably done by Z. Steele in 1905.

    .49.  Labeled: “Iris chair panel, ZSteele, DES, '05, Private copy of R.R.W.” Similar to.48 but more detailed.

    .29.  Drawing labeled “Lily Hanging Cabinet, Z. Steele, Dec. 20, 1904, Private copy R.W.R.” Design shows lilies only, not entire cabinet. Design area is 6" × 10[frac34]."

    Decorative motifs: Florentine lily
    Folder 9

    .15.  Stylized Florentine lily motif signed by Z. Steele and dated Jan. [or Jun.] 2, 1905. The dimensions read 15 1/16" long by 10 9/16" tall.
    dated Jan. [or Jun.] 2, 1905.

    .206.  Small part of Florentine lily design.

    .361.  Drawing of a Florentine lily, with the initials R.W. On back is a partial sketch of same design.

    Decorative motifs: maple leaves and oak leaves
    Folder 10

    .42.  Labeled: “Panels for Maple Bookcase, Z. Steele, DES, `05. Private copy of R.R.W.” Two panels with designs of maple leaves and branches.

    .365.  Three design panels that are the “Walker Oak Design for the Watson Chest,” possibly for the chest shown in.351 (Box 5, folder 1).

    .376.  Design motif incorporating oak leaves; a blank space in the design could be used for the placement of a handle. (note: this is a chest end panel designed by Watson, although it is not signed)

    .387.  Drawing labeled on back: “Oak Chest, Walker, End Panel,” showing placement of handle on the carved end of a chest.

    02x170.58.  Design labeled “Oak Chest no.1, E. M. Walker, des., 04, private copy, R.R.W.,” with blank spot left in the design, perhaps for a handle (see also .376 above).

    02x170.59-.60.  Designs of oak leaves.

    Decorative motifs: bird, fish, thistle
    Folder 11

    .16.  Drawing of a dove or pigeon within a decorative leaf border. The dimensions read 11 × 7 1/2.

    .17.  Design of two swimming fish, within a border of sea shells, drawn by E.M. Walker.

    .18.  Almost identical to the fish and border in.17 above, but with some scales drawn onto the fish, initialed E.M.W. `05.

    .19.  Sketch of a thistle on a trapezoid [note: this motif is found on a cricket, or foot stool, in the collection of the Woodstock Art Association]. Written at the top: “Allow for [illegible], 1/4 inch short.” Triangles have been cut out of the paper at the upper corners of the trapezoid. (see also item.399 in Map Case C, Drawer 3, folder 2)

    Decorative motifs and design for a lantern
    Folder 12

    .2.  Rough sketch showing the layout of a design of flowers, perhaps a design for a carved panel on a piece of furniture or a door panel. The design indicates the distance between flower stalks.

    .5.  Drawing of jonquils, perhaps a preliminary sketch for a painting or watercolor.

    .28.  “Design for Side of Lantern” by E.M. Walker, dated 1905. Dimensions for the opening of the lantern are 13 1/2 × 6 3/4. Design includes curved, fluid lines with nasturtium flowers in the four corners.
    dated 1905.

    .382.  Sketch of a floral border framing a plain rectangle.

    .385.  A sketch labeled “end panel,” with stylized flower.

    Decorative motifs
    Folder 13

    .4.  Two diamond-shaped abstract motifs.

    .23.  “Design for wood carving,” initialed B.C.B. Abstract design.

    .24.  Small drawings of a tree and branches; also a drawing of a drawer pull or door handle and another small feature, perhaps a decorative plate around a key hole.

    .25.  “Design for wood carving,” initialed B.C.B. Abstract design

    .210.  Painting of eucalyptus leaves, on a black background.

    .210a.  Painting of a wing-like design motif, done in black watercolor, perhaps a reference to Byrdcliffe's wing emblem. (on back of.210, above)

    .214.  Medieval-inspired design with four rosettes.

    .255.  Drawing of a diamond-shaped motif.

    .256.  Drawing of an egg-shaped design motif.

    .257.  Design, roughly egg-shaped, with bands of decoration, part of which represents eucalyptus leaves.

    Decorative motifs: pinpricked designs
    Folder 14

    .420a.  Pencil sketch of wreath of eucalyptus, pinpricked to transfer design to.420b, below.

    .420b.  Pinpricking of wreath of eucalyptus (see above).

    .421.  Pinpricking of daisy-like flowers; ink or paint on surface indicates that this was used to transfer design to another surface.

    .422.  Pinpricking of daisy-like flowers; design was transferred by blue paint.

    .423.  Pinpricking of border of flowers and leaves, scroll-like in design.

    .424.  Pinpricking with inscription “Freut euch des Lebenss, Wiel noch das lampchen Glüht, Plücht die Rose, Eh Sie ner blüht,” with decorations around words.

    .429.  Partially pinpricked watercolor, with letters on a banner or ribbon, forming a border around a central design. The letters look Greek, but “La Divina” can be read along one side; the initials R. R. appear on another side. (see also.430, below)

    .430.  Pinpricking of the banner or ribbon border, with central rectangle, as in.429, but without the letters and the design inside the rectangle. The pattern has been washed with ink or paint, indicating this pattern was transferred to another surface.

    .431.  Pinpricking of abstract leaf design, transferred by blue paint.
    Folder 15

    .432.  Pinpricking of abstract leaf design. Watermarked paper dated 1899.
    dated 1899.

    .433.  Pinpricking of daisies, from.434, below.

    .434.  Drawing of daisy border, pinpricked in order to transfer the design to another sheet of paper. Dated May 6, 1902.
    Dated May 6, 1902.

    .360.  Drawing of scroll pattern, done in the round, which has been pinpricked for transfer to another surface. (see also item.414 in Map Case C, Drawer 3, folder 3, and item.205 in Map Case C, Drawer 4, folder 10, which are similar)

    Byrdcliffe logo
    Box 2: Folder 1

    .362.  Drawing of a logo devised by Whitehead, incorporating his Florentine lily, the wing of a bird (to symbolize his wife), and an arrow (which was used to mark pottery they made at their White Pines Pottery), done on a royal blue background, used as a cover for something, perhaps a book. (for different Byrdcliffe logos, and some White Pine logos, see Box 2, folders 7 and 17)

    Designs for frames or molding
    Folder 2

    .1.  Design, probably for a picture frame, labeled: “Dotted lines show how frame was carved. Dash lines show construction.” The name Harrison appears on this sheet.

    .374.  Full size drawing, with dimensions, of molding or a frame.

    .378.  Drawing of the cross-section of picture frame molding, from which 6 frames were to be made. Signed and dated: “H.D. Murphy, August 27th 1903.”

    .379.  Drawing labeled “face of frame.” The names G.W. Eggers appear below the design. The frames were to be made of whitewood. The dimensions are given.

    .327.  Designs for moldings.

    .393.  Drawing of a three-part hinged mirror with a simple frame made in chestnut. Marked “Glass to be put in frame in Boston, Babbitt.”

    .321.  Design plan for door panels. It is noted that the “doorjamb [is] 5/8" on each side.”

    .1542.  Design for molding or frame.

    .1543.  Design for molding? with writing that is mostly illegible, except for words Bimbo and Amber.

    .1544a-b.  Designs for moldings or frames. (b is on back side of a)

    Pottery designs
    Folder 3

    .253.  Drawing of a pottery piece, indicating a design scheme as well as the shape.

    .254.  Drawing of a pitcher. (Part of another drawing appears on the back.)

    .258.  Outline of a two-handled object, perhaps a pottery piece.

    Designs for metalwork
    Folder 4

    .216.  Four similar designs (labeled A, B, C, and D), perhaps intended for hinges.

    .219a.  Design motif probably intended for metalwork.

    .219b.  Design motif probably intended for metalwork.

    .220.  Design, labeled E, probably intended for metalwork.

    .221.  Designs, labeled F & G, similar to those above.

    .222.  Design intended for metalwork, labeled H, similar to those above.

    .223a.  Design intended for metalwork, labeled I, similar to those above.

    .223b.  Design intended for metalwork, labeled F, but different from the F in.221, above.

    .224.  Drawing of drawer pulls, labeled A, B, and C. Also shown are designs for screws, escutcheons, and supports for pulls.

    .225.  Drawing of a heart-shaped hinge, 6 of which were to be made in iron.

    .226.  Drawing of metal drawer pulls or door handles. One drawing shows only half of a handle; the other shows a full handle.

    .227.  Drawing of a hinge, four of which were to be made “this size” (18" long).

    .215.  Drawing of a long hinge (labeled A) and a round handle (labeled B) for a cabinet. The back of the drawing is signed Watson. There is also a note about pricing in copper.
    Folder 5

    .217.  Drawing of large hinge (19" long); a set of four, all the same size, were to be made.

    .218.  Watercolor of hasp for a chest, labeled C, 12" long and 8" wide, with some decoration on it. (For side view, see.228, below. Matching hinge is depicted in.238, also below.)

    .228.  Drawing of a hasp for a chest, labeled C, to be made in either iron or copper. The sketch shows the loop for a bolt and indicates that the piece was to be 1/16 of an inch in thickness. (Watercolor of front of this piece is.218, above. Matching hinge is.238, below.)

    .229.  Drawing of a hinge, labeled D, to be 4[frac34]" long..

    .236a.  Sketches of knobs, four of which were to be made. Similar to.236b, below.

    .236b.  Sketches of door knobs, showing top and side view and a “cross-section of one side of middle. These section views are only suggestions, they are not accurate.” Four were to be made in iron. See also.236a, above.

    .237.  Design plan of a drawer pull, labeled B. Also shown is a side view, indicating screw placement and profile of piece.

    .238.  Etching of a hinge, labeled E, to be 14" long. “The blade of these hinges is same design as C.” (For related hasps, see.228 and.218, both above.)

    .239.  Front and side views of a design for a drawer pull, labeled F.

    .230.  Drawing, perhaps of metal hinges.
    Folder 6

    .231.  Drawing of a pull in the shape of a snake. Instructions as to how the pull works are in French.

    .232.  Sketch of a lock plate and handle labeled “Tulip, not to be taken from attic.” (same design as.71 in Box 5, folder 3)

    .233.  Drawing of half of a medieval-inspired metal piece, perhaps a lock plate.

    .234a.  Drawing of a door knob with a lock plate. Labeled “NThatcher [sic] - DES.” Both side and front views are shown.

    .234b.  Drawing of a door knob with a lock plate, similar to 234a above.

    .235.  Drawing of a pull with key hole, similar to.232 above.

    .1500.  Design for what seems to be a lock plate, commemorating the Whiteheads' wedding. It bears the inscription “Byrd Radcliffe = Whitehead, 1892.”

    .1501.  Design for what might be a hinge.

    .1502.  Sketch of something, perhaps part of a hinge.

    Drawings for logos for White Pines, Byrdcliffe, etc.
    Folder 7

    		(see also Box 2, folder 17)

    1505.  Sketches of possible designs for a logo for White Pines.

    .1506.  Sketch of the initials RW or PW, with the word Byrdcliffe, perhaps a design for a bookplate.

    .1507.  Sketch incorporating the Byrdcliffe logo (Florentine lily and arrow), but with a decorative border around it, and a motto that reads “Suntreader fors overcame.” Possibly a design for a bookplate.

    .1508.  Sketch of the initials PW, together with the name Peter, perhaps a design for a bookplate.

    .1509.  Sketch of a logo for Byrdcliffe: outstretched wings, with the word Byrdcliffe under them, and a lily under that, all forming a diamond shape.

    .1510-.1513.  Four drawings of a Byrdcliffe logo: an octagon with a lily in the middle, the word Byrdcliffe above it, and a date below. Three of these have the date 1903, the fourth has the date 1904.
    date 1903,

    Drawings
    Folder 8

    .270.  Watercolor of polyanthus flowers and leaves, as stated in label. Drawn along “Ashley Rd., near [illegible] 6 March.”

    .272.  Leaves and berries along a stem, labeled “Saligno, Al Miraden (?), flowers April.”

    .276.  Pencil sketch of eucalyptus leaves and seed pods.

    .279.  Studies of leaves, done in watercolors. Sea green color is predominant

    .277.  Watercolor painting, probably of a church with a graveyard.

    .289.  Watercolor painting of a snowy landscape, with a rooftop visible through the trees.

    .283.  Watercolor painting of a hill topped by a building, with part of a tower visible over the trees in the foreground.

    .288.  Watercolor of a mansion, labeled on back: “Cedar Park Mt (?), Residence of Col. J.F. Mercer, Chesapeake Bay, West River, Maryland.” Drawing is mounted onto cardboard.

    .284.  Watercolor painting of trees in a field, dated 1888.
    dated 1888.

    Painting
    Folder 9

    .261.  Oil painting on canvas of a orange lily.

    .267.  Oil painting on canvas of white lilies, with mountains in the background.
    Folder 10

    .269.  Oil painting of a landscape with a lone tree, a clump of trees, rocks, and mountains in the background.
    Folder 11

    .278.  Unfinished oil painting on canvas of an orange-red lily.
    Folder 12

    .265.  Oil painting on canvas of a portion of a lemon branch with leaves and two lemons (or perhaps they are unripe oranges).
    Folder 13

    Architectural drawings (not for Byrdcliffe)
    Folder 14

    .383.  A sketch of an Italian tower, with a partial view of a second tower. The picture is numbered 1a and has a caption in Italian.

    .384.  A sketch in purple ink of part of an Italian building. The picture focuses on a tower which rises above the main roof line. This picture is numbered 2a.

    .367.  Architectural drawing of an Italian building or tower.

    decorative initials
    Folder 15

    .1503.  Two sketches of decorative initials, one KB, the other Katharine B. (see also.1504 and.1532)

    .1504.  six sketches of decorative initials, all KB. (see also.1503 and.1532)

    .1514.  Decorative initial with wings.

    .1515.  Decorative initial: M on a banner pinned to a tree.

    .1516.  Decorative initial: W, next to a palm tree, with a satyr sitting under it.

    .1517.  Decorative initial: I.

    .1518.  Decorative initial: J, with a plant (jewelweed, perhaps).

    .1519.  Decorative initial: T, with a lyre.

    .1520.  Decorative initial: S, with seagulls and the ocean.

    .1521.  Decorative initial: M, with a castle.

    .1522.  Decorative initial: T, with a woman playing a lute.

    .1523.  Decorative initial: STIG, within a letter A, with outstretched wings underneath, trees on either side, and water under the wings.

    .1524.  Envelope labeled “[illegible] for motor car,” with held the decorative initials.

    .1525.  Design for a bookplate? The initials RRW above a shield decorated with three Florentine lilies.

    .1526.  Decorative initials: STG, with a sun in one corner, above the word Clearwater.

    		(see also. 1528, below)

    .1527.  Decorative initials: ES, with a sun above, water below, and palm trees on either side.

    .1528.  Same as.1526, above.

    .1529.  Decorative initial? Prow of gondola, interwined with a banner that is possibly trying to make a letter B.

    .1530.  Decorative initials: ES, with water above, and in between the letters the word Light, the initials MK, and a cross.

    .1531.  Decorative initial: B, with an angel.

    .1532.  Decorative initials: KB (see also.1503 and.1504)

    .1533.  Decorative initial: S, with a sybil.

    .1534.  The envelope in which.1526-.1533 were found, labeled Grey Gull Inn.

    Drawings
    Folder 16

    .1535a.  Pen sketch: Cupid, dated April 7th, 1878.
    dated April 7th, 1878.

    .1535b.  Watercolor: a cherry on a stem, with some writing on the page (on back of.1535a)

    .1536.  Watercolor: a blue table, set with two tall candlesticks, two plates or bowls, two vases of flowers, and a piece of poultry on a platter.

    .1537.  Pencil sketch: a branch of leaves, above a rock with ferns at its feet.

    .1538.  Pencil sketch: part of a house, labeled “Albury {[?] House, August '88.”

    .1539.  Pencil sketch: a mantel? An alcove? A shrine? Dated Aug. 15.
    Dated Aug. 15.

    .1540a.  Pencil sketch: a grove of trees.

    .1540b.  Watercolor sketch: a grove of trees (on back of.1540a).

    .1541.  Pencil sketch: a building, probably Blundell's School, in Tiverton, England, an advertisement for which is glued onto the same page. The paper is also decorated with dried flowers, most of which are now gone.

    Book of designs
    folder 17

    		(see also Box 2, folder 7)

    .1546.  Vellum-covered book with many drawings in it: logos for Byrdcliffe and Neroli; decorative initials for members of the Whitehead family and others (e.g. E.K, P.H., M.W., and M.L, the latter probably Marie Little, since one design also incorporates the word “Weavery”); pennant designs for Thacher School and Montecito, California; and assorted sketches of birds, horses, a boat, landscapes, what seems to be some pottery, a room, etc. Some of the drawings were done on other pieces of paper and have been glued into this volume. Media include pen, pencil, watercolor, and crayon. Glued onto the front flyleaf is a Byrdcliffe bookplate, with the initials R-W, a Florentine lily, and a stylized arrow set inside a diamond, with the word Byrdcliffe under that.

    Weaving
    Box 3: Folders 1-11

    .95-.202.  Rug Examples

    		One hundred eight examples, painted in watercolors, used to experiment with color schemes and design plans for Byrdcliffe's hand-woven rugs. Most of the rugs were striped, but a few incorporated floral designs. Some sheets of paper have drawings on both sides. Some examples are accompanied by notes about dyes, colors, or weaving. On the reverse of the design numbered.110 is a pencil sketch of a woman. The designs were probably done by Marie Little.

    .203.  A chart entitled “A Theory of Tone-Relations: Colors, Intensities, Neutrality Values,” copyrighted 1902. (in black and white)
    1902.
    Folder 12

    Pastel drawing
    Box 4: Folder 1

    .275.  Unfinished pastel drawing of a stalk of white lilies.

    Decorative motifs
    Folder 2

    .27.  Florentine lily design, signed Z Steele, dated Jan. 3, '05, and marked “Private copy R.R.W.”
    dated Jan. 3, '05,

    .207.  Partial sketch of a Florentine lily.

    .213.  Pencil sketches of lilies, very faint.

    Bracket designs and templates
    Folder 3

    .375.  Drawing of a decorative bracket. (see also.381, below)

    .380.  Possibly a template for a bracket of some sort.

    .381.  Template labeled “Library Bracket.” (see also.375, above)

    Picture frame design
    Folder 4

    .333.  Design for a picture frame, to be made of whitewood.

    Lampshades
    Folder 5

    .329.  Template for a section of a lampshade.

    .246.  “Design for paper lampshade, in two tones, 1903, B.C.B.” Design is of three-leaf clovers.
    1903,

    .250.  Design plan for a lampshade, showing two birds flying amongst tree branches with leaves and berries.

    .247.  Template for lampshade; no pattern is drawn, but four panels are marked.

    .248.  Same template as in.247, but done on thinner paper.

    .249.  Lampshade pattern the same size as in.247 and .248, but a lightly done sketch of flowers and foliage appears in each of the four panels on this pattern

    .251.  Another lampshade template, with no design but four panels, a different size from.247 and.248.

    .252.  Template for a larger lampshade, done on heavy paper. It is labeled “no.4.”

    Architectural drawings (Byrdcliffe and other places)
    Folder 6

    .89.  Notes on specifications for White Pines, by RRW.

    .85.  Pencil drawing of perspective elevation of two story lodge, with a basement and an attic with windows. Visible in the picture are two chimneys and two entranceways.

    .86.  Pen and ink drawing labeled “Suggestion of Front Elevation of our house,” the house the Whiteheads planned to build in Carmel, which they called “Neroli.”

    .88.  Elevations of fireplace wall and its adjoining window seat, which was flanked by shelves, including detailed drawings of the layout of the seat and shelves. Fireplace and seat arrangement are similar to that in the dining room at White Pines.

    .90.  Elevation of the exterior of a building which has dormer windows on the upper floor.

    .92a.  Exterior elevations and floor plan of a small cottage, possibly meant to be a residence for artists. There are two bed-sitting rooms, with a shared bathroom in between them; there is no kitchen. Probably drawn by RRW.

    .92b.  Profiles of “skirting boards,” probably by RRW.

    .93.  Two doorway elevations, drawn in pencil, one with “The Villetta” written over the door. (Villetta was a hotel or boarding house at Byrdcliffe.)

    .81.  Pencil drawing of designs for “Whitehead's Doors.” There are two patterns of doors, A and B, and A has two size variations. Drawn by Bolton Brown?

    .82.  Pencil drawing of two door designs for the Loom Room at White Pines. Probably drawn by RRW.

    .87.  Drawing of two doors and doorways. One door has round arched top, while the other frame has a shallower arch.

    .334.  Drawing of a narrow paneled door, or perhaps the front of a chest.

    .1545.  Drawing of septic system, on Byrdcliffe stationery, but dated from Santa Barbara, California, April 19, 1905.
    April 19, 1905.

    Architectural drawings
    Folder 7

    .13A.  Elevations of Loom Room addition to “White Pines.” (front side of sheet)

    .13B.  Elevations of Loom Room addition to “White Pines.” (back side of sheet)

    .75.  Architectural plans for the first and second floors of a home. Plan gives room dimensions. A dining area, a kitchen, a bathroom, and other rooms are located on the first floor; the second floor rooms are not labeled but were probably intended to be three bedrooms and a bathroom.

    .76.  Sketch of the exterior elevations for a large building or barn.

    .77a.  Pencil sketch of south elevation of Loom Room and bridge connecting it to White Pines, probably drawn by RRW. (see also.79, below)

    .77b.  Preliminary floor plan for Loom Room at White Pines, probably drawn by RRW. Also includes cross-sectional view showing proposed balcony. (on reverse side of.77a)

    .78.  Pencil drawing of floor plan and elevation for a residence., with a central living room and a bedroom on either side of that; a bathroom is also included, and a note states that a “kitchen could be added to the N.E. corner.” Furniture placement for the living room and one bedroom is indicated. Probably drawn by RRW.

    .79.  Revised floor plan and cross-section for Loom Room at White Pines, probably drawn by RRW. (see.77, above)

    .80a.  Two elevations and one section of west fireplace and chimney in Loom Room at White Pines, probably drawn by RRW.

    .80b.  Elevation of east interior wall of Loom Room. (on reverse side of.80a)

    .84.  Elevation of “Mrs. R W's room E. Wall” for White Pines, probably drawn by RRW.

    .91.  Original plan for the second floor of White Pines, drawn by RRW; a smaller copy was sent to JBMW. Rooms on the plan include a nursery, bathrooms, a room for one of their sons, a balcony, rooms for the cook and maid, and a linen storage room. (see also.91a)

    .91a.  Plan for the second floor of White Pines, more detailed than the plan in.91, above.

    .404.  Design for a chimney piece for the Loom Room in “White Pines.” (see also.406 and.407 below)

    .406.  Another sketch for the “White Pines” Loom Room chimney piece (see also.404, above, and.407, below.)

    .407.  Another sketch for the “White Pines” Loom Room chimney piece (see also.404 and.406, above). The sketch on the back of this paper may be a preliminary sketch of the layout of the tile surrounding the opening.

    Drawings
    Folder 8

    .368.  Watercolor of a branch of an apple tree in bloom, similar in style and design to a piece known to be by Zulma Steele, although this one is unmarked.

    .369.  Prints appear on both sides of this thin paper, both showing through to the other side and making both difficult to see. On one side is a colored print of a columbine stalk, initialed ZS. The other side is another plant, initialed EMW.

    .370.  Black and white print of a columbine stalk, initialed ZS.

    .371.  Black and white print, combining pine, bamboo, and plum branches.

    .259.  Watercolor of an Italian hill town, showing a bell tower, a clock tower, and mountains in the background. (Compare with photographs numbered.1140.399 and.1140.400, in Series VII, Box 2, folder 12.)
    Folder 9

    .273.  Watercolor of “E. [i.e. eucalyptus] corynocalyx flowering.”

    .274.  Watercolor of eucalyptus in flower.

    .280.  Two drawings on one sheet of paper of seated children playing instruments.
    Folder 10

    .285.  Pencil rendering of a staghorn sumac branches. Written on the drawing is, “Lalenue [?], Thick, good.”

    .287.  Watercolor study of eucalyptus leaves and flowers.

    .293.  Charcoal sketch of a datura blossom, dated November 5.
    dated November 5.

    .291.  Drawing of a apple blossom tree branch, only partly painted.
    Folder 11

    .292.  Pencil sketch of a seated child playing an instrument and wearing a cap.
    Folder 12

    Byrdcliffe furniture designs: oak chest and oak decorative motifs (for various pieces of furniture) (see also Map Case C, Drawer 4, folder 2)
    Box 5: Folder 1

    .344.  Drawing of a long panel with an oak leaf motif, signed “E.M. Walker, Nov. 21, 1904.”

    .346.  Drawing of “front of cabinet No. 2,” signed “Walker.” This is a long panel with an oak leaf motif.

    .347.  Drawing of “cabinet front post No. 3,” signed “Walker, Feb. 1905”; another long panel with an oak leaf motif.

    .350a.  Sketch of “Watson chest No. 2,” indicating placement of carved areas and a drawer; side and front views are shown; included is a detail of molding and notes about construction of chest. (see also item.365 in Box 1, folder 10)

    .350b.  Design of clear glass water pitcher and a spoon; the water pitcher is signed “B.C.B, 1903,” and has been crossed out. (on back of.350a)

    .351.  Drawing of “oak design, Watson seat,” signed “E.M. Walker, Dec. 30, 1904” and marked “Private copy R.R.W.” (see also.365 in Box 1, folder 10)

    .352.  Drawing of “oak design, Watson table,” with two panels showing different oak leaf motifs. Signed “E.M. Walker, Jan. 3, '05, Private copy R.R.W.”

    Byrdcliffe furniture designs: oak cupboard: furniture design with its decorative motifs (see also Map Case C, Drawer 4, folder 2)
    Folder 2

    .51.  Design of a cabinet decorated with carved panels of acorns and oak leaves; front and side views shown. Individual design motifs are listed below. (see also item.304 in Map Case C, Drawer 4, folder 2)

    .52a.  Acorn and leaf design for the door panels for the cabinet above. Labeled: “C, Panel for Oak Cabinet, E.M. Walker - DES - '05, Private copy R.R.W.”

    .52b.  Same design as above, but done on thinner paper. Labeled: “Oak Cabinet Doors, C, Walker.”

    .53.  Drawing of leaf border, labeled “front of cabinet, Walker, no. 1,” intended for the oak cabinet in.51 above. Part of the design is marked as being for the inside leg of the cabinet.

    .54a.  Acorn and leaf border for the top and middle rails of the cabinet in.51 above, as well as for the oak table. This is labeled “A,” and was signed “Walker.”

    .54b.  Acorn and leaf motif border, like that in.54a, but the pattern is a bit wider, as is was for the bottom rail of the cabinet in.51. This is labeled “D.”

    .55a.  Design of acorns for the oak cabinet in.51, labeled “B.”

    .55b.  Same design as in.55a, but a bit longer. Also labeled B.

    .56.  “Oak Design for top of cabinet.” A single acorn (design F) and a single leaf (design E) to be used to decorate the cornice of the cabinet in.51.

    .57.  Design motifs for the oak cabinet in.51 on a single sheet of paper, labeled “A-B-D Boarder [sic] Designs, E-F Battlement Designs for Oak Cabinet, E.M. Walker - DES - 1905, Private copy R.R.W.” (design C was the door panel,.52a, above)

    Byrdcliffe furniture designs: tulip poplar sideboard: furniture design with its decorative motifs and designs for its hinges (see also Map Case C, Drawer 4, folder 3)
    Folder 3

    .14.  Table, 8' × 3' 5 1/2 “× 29", with end panels decorated with the tulip poplar design

    		(see also Box 1, folder 7).

    .316.  Design of side of “tulip sideboard,” with details of “molding for top of posts.” Written on back: “Holst, 10 days.”

    .59.  Drawing of the “tulip sideboard,” decorated with the tulip poplar leaf and flower design.

    .60.  Design labeled “Panel for tulip cupboard, E.M. Walker - DES - '04, Private copy R.R.W.” This was the pattern for a door panel.

    .61.  Same design as in.60 above, but on thinner paper, and labeled “Cabinet.”

    .62.  Sketch of “Panel for tulip sideboard, E.M. Walker - DES - '04, Private copy R.R.W.” This was the pattern for a door panel.

    .63.  Same design panel in.62, above, but on thinner paper.

    .64.  Design of a hinge to be used on the “tulip cabinet.” Four were to be made in brass.

    .65.  Design of a brass hinge by to be used on the sideboard of the “tulip set.” This one is longer than the hinge in.64 above, but otherwise is of the same design. Four hinges were needed.

    .66.  Design plan of tulip serving table, with the tulip poplar leaf and flower motif.

    .58.  Drawing of the tulip poplar leaf and flower motif, labeled as being for the cabinet. Signed “E.M. Walker, `04.”

    .67.  Design for the “Panel for tulip serving table, E.M. Walker - DES - '04, Private copy R.R.W.” Probably for the piece depicted in.66 above.

    .68.  Same as.67 above but on thinner paper. Labeled “Tulip Set Serving Table, Walker.”

    .69a.  Design of brass drawer handle for the “tulip cabinet,” decorated with two poplar leaves and one flower.

    .69b.  Same design as in.69a. Labeled “not to go out of attic.”

    .70a.  Drawing of a brass handle intended for the “tulip sideboard,” decorated with two poplar leaves and a flower bud.

    .70b.  Same design as in.70a, labeled “not to go out of attic.”

    .71.  Design for a brass door pull intended for the “tulip cabinet,” initialed E.M.W. (same design as.232 in Box 2, folder 6)

    .72.  Design for a “brass latch & lock for tulip set,” decorated with two poplar leaves. Two of these pieces were needed for the cabinet and two for the sideboard.

    Byrdcliffe furniture designs: tables
    Folder 4

    .400.  Front and side views of splay legged table no. 3, with details of the cross-section of the end and of the shelf between the legs.

    .324.  Design of “1/2 of curve for shelf for the small splay legged table,” numbered 3, which was a writing table.

    .336.  Template for curve for the “Splay legged table no. 3.”

    .313a.  Design of a sideboard or cabinet with round feet or casters, showing front and side views. Signed “Babbitt.”

    .313b.  Smaller version of the piece in 313a. This one indicates placement of drawer pulls and door hinges, which the one above did not. The piece was intended to be made out of chestnut. This design is also signed “Babbitt.”

    .340.  Drawing of a folding chair or table, showing how the piece would look when folded.

    .402.  Front and side views of a table, with detail of curve at bottom of side.

    .391.  Drawing of a table, showing front and side views. R.R.W. ordered six to be made in whitewood or pine.

    .322.  Designs for two different style tables, with dimensions. The front and side view of one table is shown, and only one view of the other. The designs were evidently rejected because they are crossed out.

    Byrdcliffe furniture designs: desks
    Folder 5

    .326.  Design for a desk, showing front, back, and side views. The desk was intended to have open shelves, drawers, and a cabinet. Details of the leg and the moldings are also shown.

    .337.  Drawing of a slant-top desk, with details of the hinge and a sketch of the interior of the desk section.

    .363.  Drawing of “Iris desk, Desk No. 2,” to be made in cherry. This is a drop-front desk with drawers. The drop front has three rectangular panels which display the iris motif. Also shown are details of the hinges and molding. (see also.45 in Box 1, folder 4,.354 in Map Case C, drawer 4, folder 7, and.372 in Map Case C, drawer 4, folder 8)

    Byrdcliffe furniture designs: chairs and benches
    Folder 6

    .212.  Front and side views of a chair.

    .314.  Design plan of an armchair, showing side and front views, as well as the top of the seat and the brace underneath the seat. No decoration is shown on the chair.

    .331.  Drawing of a side chair, with front and side views, a sketch of the bottom of the leg of the chair, and a view of the seat.

    .386.  A drawing of a side chair with side and front views, a view of the seat, and what is probably the brace underneath the seat. There is no decorative motif shown on it, but it was to be made of oak.

    .325.  Design for a bench, probably a garden bench, with front and side views.

    .390.  Drawing of what might be a garden bench, front view only.

    Byrdcliffe furniture designs: cupboards and cabinets
    Folder 7

    .323a.  Design of a cupboard, intended to be made out of chestnut, but the design was evidently rejected because it is crossed out.

    .323b.  Preliminary plans of architectural features? (on the back of.323a)

    .330.  Drawing of a piece of furniture, possibly a cupboard, with a detail of the molding.

    .20.  Design plan for a cabinet with doors and drawers, to be 57" long, by 68 ½ “tall, by 14” deep.

    .37.  Design labeled “Grape cabinet,” initialed “ZS.” (for grape motifs, see Box 1, folder 6, although those were for a bookcase)

    .315.  Design plan for a narrow (6 [frac34]" wide) set of shelves with doors at the top and a “moveable” shelf. The designer was thinking about making the piece in chestnut. Added to this drawing is a smaller sketch of another piece of furniture, with some notes about construction and design.

    .328.  Design for “kid cabinet,” signed Z. Steele, 1904, to be made out of oak. Cabinet had open shelves, drawers, and a cupboard section (i.e. a section behind doors). Side and front views are shown, as well as detail of the molding, the interior of the cupboard, and the interiors of some of the drawers, which were to be divided into sections. (see also.335, below)
    1904,

    .335.  Drawing labeled “full size curve for `kid cabinet.' ” (see also.328, above)

    Byrdcliffe furniture designs: bedstead
    Folder 8

    .409b.  Side view of a bedstead to be made of chestnut, marked “Drawn by B.C.Brown, Feb. 1903.” Also gives general directions and details for design and construction, and shows headboard and footboard. (see also.409a in Map Case C, Drawer 3, folder 2)

    .410a.  “Suggestion for Mr. Whitehead's bed's footboard panel - B.L.(?)B. Feb. 1903”. Design to be painted in flat dark brown tint; flowers in cadmium orange. Design has been torn and only part survives.

    .410b.  Design for “Whitehead's bed,” including side view, top view, and views of head and footboards. Written on back: “Printer's address - to Mr. Whitehead.”

    Byrdcliffe furniture designs: suite of bedroom furniture
    Folder 9

    .366.  Drawing of a suite of bedroom furniture, showing an oval mirror, side and front views of a dressing tabled, a straight chair, front and side views of a chest of drawers, a blanket chest, front and side views of a rocking chair, a bedstead, and an unknown piece of furniture (perhaps a bedside table or a washstand).

    Byrdcliffe furniture designs: cricket [i.e. footstool]
    Folder 10

    .364a.  Rough sketch of a cricket (i.e. a footstool), made out of whitewood in the Watson design.

    .364b.  Pencil sketch of a stalk of lilies in bloom (on back of.364a).

    .389.  Drawing of a “cricket” (i.e. a stool), from top, side, and front. The top was to be 17” long and had a hand hole cut into it.

    Byrdcliffe furniture designs: Miscellaneous furniture pieces
    Folder 11

    .22.  Dimensions and design plans for a table and for a “washing handstand.” Front and side views of the washstand are shown.

    .83.  Plan for a piece of furniture which is wider at the bottom than at the top and has a handle on the side, supposed to be a library cabinet.

    .373.  Drawing of a cabinet or sideboard, to be 8'6” long, with three pairs of doors and three drawers, to be made of cypress or yellow pine. A side view is also shown.

    		(see also.394 in Box 1, folder 3)

    .388.  Drawing of a chest, with front and side views, showing placement of design elements. The chest included a drawer, and there is a detailed drawing of the drawer pulls and back plates, to be made in “plain dull iron.” A pencilled note reads “I think the [illegible] enclosed would harmonize well with either table in machine shop or in Mr. Murphy's studio.”

    .395.  Measured drawing for a piece of furniture, possibly a sideboard. The hatched section in the middle may have been intended to be a side view.

    .397.  Measured drawing for a piece of furniture, perhaps a desk, a table, or a storage unit.

    Byrdcliffe furniture designs: templates and miscellaneous sketch
    Folder 12

    .318.  Graph of a curved design element, similar to that in.319, below.

    .319.  Graph of a curved design element, similar to that in.318, above.

    .338.  Design for an unknown item, which evidently was rejected as it has been crossed out.

    .429.  Oil on canvas - stalk of lilies
    Box 6: folder 1

    .430.  Oil on canvas - stalks of lilies
    folder 2

    .263a.  Pastel drawing of a bearded monk, dated May 4, 1887, numbered 2; a three-quarter length view.
    dated May 4, 1887,
    Box 7: folder 1

    .263b.  Pencil drawing of foliage displayed in a glass vase. (on back of.263a)

    .264.  Pastel drawing of a bearded monk, as in.263 above, but a full-length portrait, showing him from the side; dated May 5, 1887, with the number 5 written on it.
    dated May 5, 1887,

    .281.  Drawing of a large house with gables and tall chimneys.

    .282.  Pastel drawing of the various roofs of a house, with a tall chimney. Mounted on heavy paper.

    .286.  Eucalyptus leaves done in watercolor, in various shades of blue-green.

    .435.  Watercolor of a pine bough with the inscription: “The countless leaves [of] the Pine/ are strings/ tuned to the lay/ the Woodgod sings.” On the back are preliminary sketches of the boughs and the lettering.

    .432.  Oil on wood - landscape with trees, lake, hills (very dark and has some damage)
    folder 2

    .431.  OIl on wood - landscape with trees, mountains, hills (very dark and has some damage)
    folder 3

    .433.  Oil on wood - landscape with buildings (has some damage)
    folder 4

    .1159.  Portfolio containing ten watercolors of flowers painted by Jane Byrd McCall Whitehead in England, 1885-1890 (according to label on back). The portfolio has daffodils painted on the cover.
    1885-1890
    Box 8

    .415.  Charcoal drawing of bamboo.

    .418.  Pastel of lilies (has some water damage).
    Drawer 10

    .416.  Pastel of staghorn sumac.

    .399.  Full size pattern for “cricket [i.e. foot stool] for thistle design, to have Canada lily and also daffodil design adapted to it,” eight of which were to be made in oak.
    folder 2

    		(see also item.19 in Box 1, folder 11)

    .409a.  Side view of bed, signed B. C. Brown, labeled “Design no. 2, variation of no. 1, where see details.” (see also.409b in Box 5, folder 8)

    .412.  Design (probably full size) for the hollyhock lampstand.

    .411.  Pinpricked drawing for frame, featuring leaf scrolls. (see also.428, below)
    folder 3

    .413.  Pinpricking of grapes and leaves, brushed with ink or watercolors to transfer design.

    .414.  Pinpricked drawing of scrolled geometric design. (similar to.360, in Box 1, folder 15, and to.205 in Map Case C, Drawer 4, folder 10)

    .419.  Pinpricked drawing of lily blossoms. (see also.426, below)

    .425.  Pinpricking of stylized flowers. (see also.427, below)

    .426.  Pinpricking of lily blossoms. (see also.419, above)

    .427.  Pinpricked design of stylized flowers. (see also.425, above)

    .417.  Pinpricked drawing of eucalyptus.
    folder 4

    .428.  Pinpricked design of picture frame, with scrolled leaf pattern. (see also.411, above)
    folder 5

    .290.  Pastel drawing of stalks of white lilies.

    Byrdcliffe furniture design: oak cabinet and oak leaf decorative motif (see also Box 5, folders 1 and 2)
    folder 2

    .345.  Design of oak leaves to be used to decorate the back leg on side of oak cabinet, signed “Walker.” This is design no. 4, to correspond with the number on the working drawing of the cabinet.

    .304.  Design plan of an oak cabinet, done by E.M. Walker, dated 1905. Front and side views are shown; carved areas are indicated; top is crenellated.
    dated 1905.

    Byrdcliffe furniture design: tulip poplar furniture and decorative motifs (see also Box 5, folder 3)
    folder 3

    .357a.  Drawing labeled “Byrdcliffe Furniture, Tulip Design Extension Table.” The drawing includes a views of the extension mechanism, under the table top, in addition to front and side views. The table legs were to be decorated with tulip poplar flowers.

    .357b.  Design for “panel for leg of Tulip Table no. 2... E.M.W. '05.” A design of a tulip poplar flower and leaves to be used to decorate table legs, probably for the extension table above, or for a similar table.

    .355.  Drawing of the hinges for the tulip cabinet, two of which were to be made in brass, perhaps intended for the design in.302a, below.

    .302a.  Design for “cabinet with tulip [i.e. tulip poplar] decoration,” to be made in whitewood, with front and side views. Placement of door, hinges, drawers, and drawer pulls are shown.

    .302b.  Rough sketch of a cabinet, labeled “Ernest Holst, 10 days, started 23 of Aug., noon.” (on back of.302a)

    .309.  Design labeled “Front of tulip sideboard,” part of the tulip poplar dining room set.

    		(see also Box 5, folder 4)

    .342.  Drawing of “tulip serving table - two drawers - one open shelf, E.M. Walker - DES '04, private copy of R.R.W.” The drawing shows front and side views, indicating the placement of a carved panel across the back.

    .341.  Design of carved “panel for tulip sideboard, E.M. Walker - DES '04, Private copy of R.R.W.” showing tulip poplar leaves and flowers.

    .348.  Drawing of tulip poplar leaves and flowers to be used to decorate the carved panel of the tulip sideboard.

    .349.  Drawing of tulip poplar leaves and flowers to be used to decorate the carved panel of a table.

    Byrdcliffe furniture design: lily furniture and decorative motifs
    folder 4

    .26.  Template for a lampstand, with a lily design.

    .43a.  Design of a lily intended for a vertical panel.

    .43b.  Design of a lily intended for a vertical panel (similar to, but different from.43a).

    .358.  Drawing of the lily design to decorate the upper left of the lily sideboard. Signed “Z. Steele - DES '04, private copy of R.R.W.”

    .359.  Drawing of the lily design to decorate the lower part of the lily sideboard. Signed “Z. Steele - DES '04, private copy of R.R.W.”

    .44.  Template labeled “curve of shelf, full size, for sideboard with lily decoration.”

    .303.  Design of “sideboard with lily decorations.” Front and side views are shown. The posts were to be carved and painted.

    .353.  Drawing of “Lily sideboard,” signed “Z. Steele, DES '04, private copy of R.R.W.” There are front and side views, and a detail of what is probably a shelf.

    Byrdcliffe furniture design: tables
    folder 5

    .301.  Design plan of a table, shown with three views: front, side, and an aerial perspective. Labeled “chess [?] bar?”

    .307.  Design for a table with straight legs, a shelf, and two drawers. Front and side views are shown, and dimensions are given.

    .320.  Design plan labeled “full size drawing of the half of end of Watson table.”

    .310.  Design of “White Pines table,” a table made for use at the Whiteheads' Byrdcliffe home. Table is shown from front and side.

    .308a.  Full size pattern for the leg of a tea table, four of which were to be made of ash.

    .308b.  Full size pattern for the leg of a table, four of which were to be made of ash. (Different pattern from.308a.)

    Byrdcliffe furniture design: chairs, benches, couches
    folder 6

    .299a.  Design for a wooden bench, with front and side views.

    .299b.  Drawing of the seat of the wooden bench in.299a. (on back of.299a)

    .306.  Designs for two styles of chairs, A and B, which have the same side profile (which is shown), but have different styles of backs, as seen from the front views.

    .312.  Design of a couch, or chaise longue, to be made out of oak, and with casters on the feet. Side and back views are shown (a note indicates that the front was to be the same as the lower part of the back). (see also.332, below)

    .332.  Drawing labeled “top of couch”; on back: “Miss Walker, R.R.W.” (see also.312, above)

    Byrdcliffe furniture design: cabinets, cupboards, miscellaneous
    folder 7

    .300.  Design for “Bookcase no. 1,” with three movable shelves and a cupboard at the top, initialed E.M.W. Dimensions and detail of molding are shown.

    .354.  Drawing of a “desk with panels, No. 1 and II, and Woodbine.” This was a drop front desk; front views show the piece with the front closed (i.e. in the up position) and with it open (i.e. in the down position), giving a view of the interior of the desk. There is also a side view and a detail of the molding. Signed “Z. Steele - DES '04, private copy of R.R.W.” (for other iris desks, see.45 in Box 1, folder 4,.363 in Box 5, folder 5, and.372 in Map Case C, drawer 4, folder 8)

    .343.  Drawing of “chestnut cabinet,” showing front and side views, and indicating the placement of a carved panel of chestnut leaves. Signed “Z. Steele - DES '04, private copy of R.R.W.” Includes a detail of the molding.

    .311a.  The preliminary design for a serving table belonging to the tulip [i.e. tulip poplar] set, as explained in.311b (on back of this drawing).

    .311b.  Design plan of a serving table for the tulip [i.e. tulip poplar] set, as labeled. Serving table has two drawers, an open shelf at the bottom, and a carved panel across the back. (on back of.311a)

    .317.  Preliminary plan of a cabinet, probably a wall cabinet. Front and side views are shown.

    .356.  Drawing of a large cabinet, with nine drawers. The upper part of the piece is not labeled and it is not clear whether it had shelves or cupboards.

    Byrdcliffe furniture design: decorative motifs
    folder 8

    .211.  Four narrow designs of oak leaves that were the “panels for oak cabinet, E.M. Walker, DES, '05, Private copy R.R.W.” (for designs of oak furniture, see Box 5, folders 1 and 2, and Map Case C, Drawer 4, folder 3)

    .372.  Drawing of three panels for “Iris desk No. I,” all decorated with irises. Signed “Z. Steele, DES '04, private copy R.R.W.” (for other iris desks, see.45 in Box 1, folder 4,.363 in Box 5, folder 5, and.354 in Map Case C, drawer 4, folder 7)

    .3.  Design with dragon motifs (similar to a coat of arms).
    folder 9

    .205.  Three Celtic designs, one round and the other two with dragons and knotwork. (round design similar to.360 in Box 1, folder 15, and to.414 in Map Case C, Drawer 3, folder 3)
    folder 10

    .208.  Eight Celtic designs, with dragons and knotwork.

    .209.  Drawing of three Celtic designs, two with dragons and one with birds, and all with knotwork.

    .260.  Oil painting on canvas, of a sunset and a crescent moon.
    folder 11

    .262.  Watercolor painting of a branch of a eucalyptus tree.
    folder 12

    .266.  Oil painting on canvas of two fish hanging upside-down.
    folder 13

    .268.  Oil painting on canvas (mounted on cardboard) of a shore scene, with trees in the background.
    folder 14

    .271.  Watercolor painting of an eucalyptus branch. Marked on back: Neroli, 1913 [? date is not clear.]
    1913 [? date is not clear.]


    SERIES II: REPRODUCTIONS

    .436-.437.  “The Last Supper.” (two copies) (not the one by Leonardo da Vinci)
    Box 1

    .438.  Madonna and Child with two saints (probably John the Baptist and a bishop or pope), by Botticelli (?)

    .439.  Allegorical female figure relating to measuring, shown with men carrying books or measuring devices

    .440.  Madonna and Child; probably a medieval fresco.

    .441.  Baptism of Christ, with St. John the Baptist and angels. Cima da Conegliano.

    .442.  “Monumento A Giuliano de' Medici.” Sculpture by Michelangelo, in the Medici Chapel, Florence.

    .443.  “Profeta Daniele.” By Michelangelo, in the Sistine Chapel.

    .444.  “Ezechiele.” By Michelangelo, in the Sistine Chapel.

    .445.  “Ebrezza di Noe” = “The drunkenness of Noah,” by Michelangelo, in the Sistine Chapel.

    .446.  “Il Crepuscolo, statua del monumento Lorenzo de'Medici.” “Dusk” from the Tomb of Lorenzo di' Medici, by Michelangelo, in the Medici Chapel, Florence.

    .447.  “Sacrifizio di Noe” = “Sacrifice of Noah,” by Michelangelo, in the Sistine Chapel.

    .448.  “Isaja” By Michelangelo, in the Sistine Chapel.

    .449.  “Sibilla Delfica.” By Michelangelo, in the Sistine Chapel.

    .450.  “Zaccaria.” By Michelangelo, in the Sistine Chapel.

    .451.  “Ionas,” by Michelangelo, in the Sistine Chapel. (not labeled)
    Box 2

    .452.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel.

    .453.  “Creazione del Sole e della Luna.” “The Creation of the Sun and Moon, by Michelangelo, in the Sistine Chapel.

    .454.  “Lorenzo de' Medici, statua al suo momumento.” By Michelangelo, in the Medici Chapel, Florence.

    .455.  “Sibilla Persica.” By Michelangelo, in the Sistine Chapel.

    .456.  “L'Aurora, statua del monumento a Lorenzo de' Medici.” By Michelangelo, in the Medici Chapel, Florence.

    .457.  “Joelle” By Michelangelo, in the Sistine Chapel.

    .458.  “Giuliano de' Medici, statua al suo monumento.” By Michelangelo, in the Medici Chapel, Florence.

    .459.  “Separazione della Luce delle Tenebre” “Separation of Light from Darkness,” by Michelangelo, in the Sistine Chapel.

    .460.  “Incoronazione della Madonna.” By Raphael, in the Vatican.

    .461.  “Sibilla Eritirea” By Michelangelo, in the Sistine Chapel.

    .462.  St John the Baptist as a boy, by Caravaggio.
    Box 3

    .463.  “Il Presepio, in alto L'Eterno Padre,” with Adoration of the Shepherds, by Perugino, in the Chiesa di San Francesco, Montefalco. (another copy is.468, below)

    .464.  “L'Incoronazione di Carlo Magno.” In the Vatican.

    .465.  “La Battaglia di Constantino contro Massenzio.” In the Vatican.

    .466.  “Il Paradiso.” By Genozze Gozzoli.

    .467.  “Procession of the Magi on their way to Bethlehem.” By Benozzo Gozzoli, in the Medici Chapel, Florence.

    .468.  same as.463, above

    .469.  Madonna and Child. She holds a flower in her hand.

    .470.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel.

    .471.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel.

    .472.  “Metozzo da Forti, Music.” Also written on back: “pattern of size for [illegible] frame.”

    .473.  “La Vergine Col Bambino.” Botticelli.

    .474.  Allegorical picture of music? There is a woman on a throne, playing a violin-like instrument, accompanied by a guitar and a harp player. A singer has music in her hand. Cherubs are playing flutes.

    .475.  Woman on throne and a man on the stairs below her together hold a book.

    .476.  A fresco showing a woman praying while sitting (same picture as.496, in Box 5)

    .477.  Baby Jesus and Mary in heaven look down on a man on a horse, who is surrounded by saints.

    .478.  Salome with the head of St. John the Baptist, possibly by Botticelli.
    Box 4

    .479.  Presentation of the Virgin? (a young girl approaches an old man, possibly a Jewish priest, as a crowd looks on)

    .480.  “Diluvio Universale.” “The Flood” by Michelangelo, in the Sistine Chapel.

    .481.  “La Deposizione” [carrying the body of Christ to the tomb]. By Raphael, in the Call. Borghese.

    .482.  “Incendio di Borgo.” By Raphael, in the Vatican. (see also.642 in Box 10)

    .483.  “Giudizio Finale.” “The Last Judgment, by Michelangelo, in the Sistine Chapel.

    .484.  “Madonna,” Veneziano. The Virgin Mary is shown with an infant Jesus, John the Baptist, and another woman.

    .485.  “The Head of Medusa,.” Caravaggio.

    .486.  “Madonna and Child,” Alvise Vivarini.

    .487.  “The Coronation of Mary.”

    .488.  Heads of angels, detail of a painting by Botticelli.

    .489.  “Pieta,” a painting by Michelangelo.

    .490.  “Procession of the Three Kings,” by Benozzo Gozzoli, in the Medici Riccardi Palace.

    .491.  “Procession of the Three Kings,” by Benozzo Gozzoli, in the Medici Riccardi Palace. (different portion of work than what is shown in.490)

    .492.  “The Creation of Eve,” by Michelangelo, in the Sistine Chapel.

    .493.  “Profeta Geremia.” By Michelangelo, in the Sistine Chapel.

    .494.  “Madonna and Child,” by Botticelli.

    .495.  “L'Adorazione dei Pastori.” By Lorenzo di Credi, in the R. Galleria Antica e Moderna, Florence.
    Box 5

    .496.  A fresco showing a woman praying while sitting (same picture as.476, in Box 3)

    .497.  Allegorical figure? Woman with sword in one hand and an unidentified round object in the other, with men holding books.

    .498.  “Presentation of the Virgin.” By Carpacuo?

    .499.  Virgin and Child, with two saints, by Veneziano?.

    .500.  “Madonna and Child and Saints,” by Andrea del Sarto.

    .501.  Poster for the Prado in Madrid, with a picture of “Vue Prise dans les Jardins de La Villa Medicis A Rome,” by Velazquez. Printed in 1901.

    .502.  “Sibilla Cumana.” By Michelangelo, in the Sistine Chapel.

    .504.  Print signed by G.F. Watts, depicting a sleeping nude male with a woman hovering above him. Printed at The Rembrandt Head in Vigo Street. Other writing on the print is illegible.

    .505.  “Monumento a Lorenzo de' Medici.” By Michelangelo, in the Medici Chapel, Florence.

    .506.  “La Madonna Col Bambino Gesu.” By Michelangelo, in the Chiesa di S. Lorenzo, Florence.

    .507.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel.

    .509.  “II Crocifisso e la Maddelena al Lati La Vergine e Santi.” By Perugino, in the Chiostro di Santa Maria Maddelena de'Pazzi.

    .510.  “St. Catherine and St. Barbara.” By Memling. The two women are with John the Baptist. Also shown is a Nativity scene with two men.

    .511.  A female saint holding a cup with eyes in it. (same as.519, in Box 6)

    .512.  “Portrait of a Young Man,” by Antonello.

    .513.  “Portrait of a Cardinal,” by Mainardi.

    .514.  “Madonna and Child,” by Mainardi.

    .515.  “Portrait of Bindo Altorita,” by Raphael.

    .516.  “Portrait of a Young Girl,” by Verrocchio.

    .517.  “Portrait of a Young Lady,” by Mainardi.

    .518.  “St. Cecilia,” by Sir E. Burne-Jones.
    Box 6

    .519.  A female saint holding a cup with eyes in it. (same as.511, in Box 5)

    .520.  “La Vergine che adora il divin Figlio.” Scuola di Andrea della Robbia. R. Museo Nazionale, Firenze.

    .521.  Female saint holding a tooth extractor with a tooth.

    .522.  Same as.521

    .523.  “Interno della Cappella dei Depositi.” Sculptures by Michelangelo, Medici Chapel, Florence.

    .525.  “II Giorno, statuo del monumento a Giuliano de' Medici” “Day” by Michelangelo, Medici Chapel, Florence..

    .526.  A group of male saints, with Christ on a cross up in the sky.

    .527.  “L'Ultima Cena di Gesu con gli Apostoli.” “The Last Supper” by Andrea del Sarto, in the Convento di San Salvi, Florence.

    .528.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude figure over the “Drunkenness of Noah.”
    Box 7

    .529.  “Jesse.” By Michelangelo, in the Sistine Chapel.

    .530.  “Giuditta con la testa di Oloferne.” “Judith and Holofernes” by Michelangelo, in the Sistine Chapel

    .531.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over the “Libyan Sibyl.”

    .532.  “Asa.” By Michelangelo, in the Sistine Chapel.

    .533.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. Nude over “Jeremiah.”

    .534.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over “The Creation of Eve.”

    .535.  “II Trionfo d'Ester.” “The Death of Haman” by Michelangelo, in the Sistine Chapel.

    .536.  “Salmon.” By Michelangelo, in the Sistine Chapel.

    .537.  “Josias.” By Michelangelo, in the Sistine Chapel.

    .538.  “Roboam.” By Michelangelo, in the Sistine Chapel.

    .539.  “Un dettaglio del quadro Gesu presentato a Simeone.” “The Presentation of Simon” by V. Carpaccio, in the Accademia di Belle Arti, Venice.

    .540.  “Santa Famiglia, dettaglio.” By Andrea del Sarto, in the Galleria Pitti, Florence.

    .541.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel.

    .542.  “II Serpente di Bronzo.” “The Bronze Serpent” by Michelangelo, in the Sistine Chapel.

    .543.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. Nude over “The Creation of Adam.”

    .544.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over “Jeremiah.”

    .545.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over “The Persian Sibyl.”

    .546.  “Portrait de Rubens” By Frans Hals, in the Musee du Louvre.

    .547.  “Madonna e Bambino.” “Madonna and Child” by Giambellino. Academia, Venice.

    .548.  “Dettaglio dell'Assuata (I due Angele a Destra).” Titian. Academia, Venice.

    .549.  Portrait of an Unknown Man, by Lorenzo Lotto.

    .550.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over “The Creation of Eve.”

    .551.  “Zorobaber.” By Michelangelo, in the Sistine Chapel.

    .552.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over “The Creation of Adam.”

    .553.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over “The Temptation and Expulsion from Paradise.”

    .554.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over “The Temptation and Expulsion from Paradise.”

    .555.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel.

    .556.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel.

    .557.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel.

    .558.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over “The Separation of Land from Water.”

    .559.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over “The Sacrifice of Noah.”

    .560.  “Ezechias.” By Michelangelo, in the Sistine Chapel.

    .561.  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over “The Separation of Land from Water.”

    .562..  “Figura Decorativa.” By Michelangelo, in the Sistine Chapel. A nude over “The Drunkenness of Noah.”

    .563.  “Davide che tronca la Testa a Golia.” “David and Goliath” by Michelangelo, in the Sistine Chapel.

    Wallpaper
    Box 8

    .564.  A print wallpaper of trees, mostly shades of green with browns and blues. (a flat sample with same number is in Map Case C, Drawer 4, folder 15)

    .565.  A floral print wallpaper, on an apricot background, marked “Furlong, Philadelphia, PA, ungrounded.” (This wallpaper is not in Box 8; the only sample is in Map Case C, Drawer 4, folder 16)

    .566.  Canvas material with a rectangle drawn on the surface with a pencil, 40"×20".

    .567.  Multicolored morning glories overprinted with small white flowers, labeled GLENFAST CONFORMS TO SPEC NO. CS. 16-29 US DEPT OF COMMERCE.

    .567a.  Same as above: Multicolored morning glories overprinted with small white flowers, labeled GLENFAST CONFORMS TO SPEC NO. CS. 16-29 US DEPT OF COMMERCE. (a flat sample with the same number is in Map Case C, Drawer 4, folder 17)

    .568.  A floral design, mostly pink and brown, printed to look like chiné fabric, with an overprinted diamond pattern. (a flat sample, with the same number is in Map Case C, Drawer 4, folder 18)

    .576.  Group of women, one of whom is playing a lute (a detail of.604, below).
    Box 9

    .577.  Group of men and women, several of whom are holding musical instruments. There are rabbits and three nude women each holding an apple. (see also.603, below)

    .578.  Photograph: Parthenon, c. 1890s.
    c. 1890s.

    .579.  Roman wall painting of a group of men and women.

    .580.  Portrait of a man with a landscape seen through the windows.

    .581.  Woman seated, with a mirror in one hand and a snake in the other.

    .582.  Madonna and Child.

    .583.  Madonna and Child, with Angels.

    .584.  Portrait of a man by the Antwerp Philippe de Croy Painter.

    .585.  Portrait of a man by Memling.

    .586.  “Madonna and Child,” by Bellinni.

    .587.  “The Young Man in Black,” a portrait from the 16th century Florentine School.

    .588.  “St. George and the Dragon.”

    .589.  “Virgin and Child Enthroned, with Saints and Angels.”

    .590.  Portrait of a man.

    .591.  The Sistine Chapel ceiling, by Michelangelo.

    .592.  “The Virgin and Child with Six Saints” (detail), by Alvise Vivarini, Venice.

    .593.  “The Last Judgment,” by Michelangelo, in the Sistine Chapel.

    .594.  “Madonna Enthroned,” detail of painting showing the name Ioannes Bellinnus and two cherubs.

    .595.  “Annunciation,” by Raphael.

    .596.  “Annunciation.”

    .597.  Altarpiece with Madonna and Child and eight saints.

    .598.  “The Nativity.”

    .599.  “The Nativity.”

    .600.  Man on a throne with a crowd of men around him.

    .601.  Mosaic from Ravenna.

    .602.  “Madonna Enthroned.,” with God, angels, and saints.

    .603.  Men and women in a garden with rabbits and swans. (see also.577, above)

    .604.  Woman driving a wagon with other figures around it (.576 above is a detail of this painting)

    .605.  Portrait of a boy or young man.

    .606.  Fresco of an angel.

    .607.  Old man (Zeus?) in a chariot drawn by large birds, perhaps eagles.

    .608.  “Madonna.”

    .609.  “Annunciation,” by Pinturricchio.

    .610.  “Christ and his angels.”

    .611.  Angels, by Botticelli.

    .612.  Nativity Scene.

    .613.  Goddess with crescent moon on her head in a chariot.

    .614.  “Annunciation,” by Giusto di Ravensburg. 1451, in the Cloister of S. Maria di Castello, Genoa.
    1451,

    .615.  Group of women approach a king, by Titian?

    .616.  Madonna Enthroned.

    .617.  Accension of Christ, with angels.

    .617a.  “The Infant Bacchus,” by Giovanni Bellini, 1505.
    1505.

    .618.  “Virgin and Child with Saint Joseph and St John,” by Andrea del Sarto.

    .618a.  “La Poverta” (Christ and saints), by Giotto, in the Chiesa Inferrore di S. Francesco, Assisi.

    .619.  “Annunciation,” by Francesco Francia, in the Palazzo Brera, Milano.

    .619a.  Fresco with allegorical figures?

    .619b.  Fresco with allegorical figures?

    .620.  “La Madonna in Gloria e Santi,” (detail), by Tiziano, in the Vatican.

    .621.  Portion of the Sistine Chapel, by Michelangelo.

    .622.  “Sibilla Delphica.” (not the one in the Sistine Chapel)

    .623.  “Parthenice.” (woman and cherubs with musical instruments)

    .624.  Procession of men with a port in the background.

    .625.  Group of men and women with two deer, around an altar (?) with dogs on it.

    .626.  Procession of men and pack animals on a mountain.

    .627.  Photograph: An Italian town with fields around it, c. 1890s. (not a reproduction of a painting)
    c. 1890s.

    .628.  Photograph: An Italian town with a castle and a church, and with haystacks in the foreground. (not a reproduction of a painting)

    .629.  Photograph: The façade of a building, probably Italian, with a sundial on it. (not a reproduction of a painting)

    .630.  Photograph: Picture of a tree-lined drive. (not a reproduction of a painting)

    .631.  “Ritratto di Michelangelo Buonarroti,” in the Galleria Capitolina, Roma.
    Box 10

    .632.  “Pordenone.” (portrait of a woman)

    .633.  Portrait of a young man.

    .634.  Portrait of a woman, with a view of a town in the background.

    .635-.638.  “Un Bambino,” Andrea della Robbia, Spedale degl'lnnocenti, Firenze. (see also.646-.648 and.653-655 below, and.878 in Box 19)

    .639.  Portrait of Angelo Doni.

    .640.  “La Presentazione al Tempio,” by Raphael, in the Vatican. (see also.676, below)

    .641.  A mythological or Biblical scene, with three women and a soldier in the background.

    .642.  “Dettaglio dell incendio del Borgo” (Burning of Borgo), by Raphael. (see also.482 in Box 4)

    .643.  Madonna and Child Enthroned, with saints and angels.

    .644.  Mercury in a chariot drawn by roosters.

    .645.  Madonna and Child. (not a Renaissance painting, probably 19th century)
    19th century)

    .646-.648.  “Un Bambino.” Andrea della Robbia. Spedale degl'Innocenti, Firenze. (see also.635-.638 above and.653-.655 below)

    .649.  “La Madonna in Adorazion,” Scuola di A. della Robbia. R. Museo Nazionale, Firenze.

    .650.  “Busto di un fanciullo.” (Calco in gesso dall'originale di Donatello) Firenze.

    .651.  “Cherub,” by Michelangelo, in the Sistine Chapel.

    .652.  “La Madonna col Bambino,” Casentino (Prov. di Arezzo), Chiesa del Sacro Eremo, Camaldoli.

    .653-.655.  “Un Bambino.” Andrea della Robbia. Spedale degl'Innocenti, Firenze. (see also.635-.638 and.646-.648 above)

    .656.  Portrait of a man. (17th century)
    (17th century)

    .657.  Self portrait, by Rembrandt.

    .658.  “St. Catherine.” (see also.666 below)

    .659.  Portrait of a young girl.

    .660.  St. Catherine, from “The Dispute of St. Catherine,” by Pinturrichio.

    .661.  Allegorical scene?

    .662.  Portrait of a woman. (19th century)
    (19th century)

    .663.  Portrait of a baby boy.

    .664.  Madonna and Child Enthroned. (19th century) (artist's name appears to be N. Barabinos)
    (19th century)

    .665.  Portrait of a woman holding a book.

    .666.  “St. Catherine.” (see also.658 above)

    .667.  Cupids. (detail of a larger work)

    .668.  Sleeping soldier (detail of “St George in the forest”?).

    .669.  Portrait of a man.

    .670.  Portrait of a man.

    .671.  Portrait of Maddalena Doni, by Raphael.

    .672.  A singing cherub with a lute (detail of a larger work).

    .673.  A portrait of a young boy.

    .674.  “St. George and the Dragon.”

    .675.  An old man with a lion; at the sight of them, monks are fleeing the abbey garden

    .676.  “Presentation in the Temple,” by Raphael. (see also.640, above)

    .677.  Figure on a wagon drawn by horse, men on one side of the road, women on the other. One woman is weaving, another is doing embroidery work, and others are sewing.

    .678.  Three bound prisoners on a raised platform, with onlookers.

    .679.  “Coronation of the Virgin,” by Raphael, in the Vatican.

    .680.  A young woman on a float pulled by swans. A knight kneels before her.

    .681.  A god (Mars?) in a chariot drawn by horses.

    .682.  Photograph labeled on back: “Ravenna, Panorama della Citta Visto da S. Maria in Prato,” showing the private dwellings as well as towers.
    Box 11

    .683.  Photograph: View of unidentified city, with a tree in the foreground.

    .684.  Photograph: An Italian villa.

    .685.  Photograph: An allée with a large dome (St. Peter's Cathedral?) in the background.

    .686.  Photograph: An aqueduct and a town.

    .687.  Photograph: A large carved stone fireplace.

    .688.  Photograph: Neoclassical gates, decorated with eagles, and walls, perhaps around a palace.

    .689.  Photograph: Ivy-covered building overlooking a lake (see also.704 below).

    .690.  Photograph: Terrace around a large building.

    .691.  Photograph: A large building, perhaps a villa. (see also.692)

    .692.  Photograph: Another view of the building in.691, taken from the garden.

    .693.  Photograph: View of Florence, with church domes, towers, houses, and gardens.

    .694.  Photograph: A villa.

    .695.  Photograph: In background: a large building. In foreground: hedges clipped to spell the name Mary.

    .696.  Photograph: Large villa with a small building nearby.

    .697.  Photograph labeled on back: “Avanzi della Chiesa dell'Abbazia. La parte posteriore.” S. Galgano. Provinca di Siena. A picture of a ruined stone church.

    .698.  Photograph: A picture of a long drive flanked by shrubs and trees. At the entrance there are stone balustrades and statues.

    .699.  Women with unicorns pulling a wagon on which other women sit or stand.

    .700.  Praying woman.

    .701-.702.  Photographs: Panoramic views of Florence and the countryside that surrounds it.

    .703.  Photograph: View of farm buildings and farms.

    .704.  Photograph: View of an ivy-covered villa overlooking a lake (see also.689, above).

    .705.  Photograph: Picture of a garden and a large villa.

    .706.  Photograph: View of an abbey? (see also.709. below)

    .707.  Photograph: View of a lake and the village overlooking it.

    .708.  Photograph: Trees and cows.

    .709.  Photograph: A different view of the buildings in.706, above.

    .710.  Photograph: View of gardens and large buildings. The name Alexander is on one of the buildings. (see also.714, below)

    .711.  Photograph: A picture of a woman standing underneath oak trees overlooking a lake.

    .712.  Photograph: Picture of an Italian fortress that is located at the edge of waterfalls.

    .713.  Photograph: A picture of an Italian villa with a view of the gardens.

    .714.  Photograph: View of gardens, fountain, and large building with arches. (see also.710, above)

    .715.  Photograph: View of villa and grounds.

    .716.  Photograph: Aerial perspective of an Italian hilltop village and a lake or the sea.

    .717.  Photograph: Picture of a castle and village, with a view of the surrounding countryside.

    .718.  Photograph: Picture of an Italian villa.

    .719.  Photograph: A picture of a drive with trees, and a view of the city in the background.

    .720.  Photograph: Picture of an Italian hill town, with a church near the top of the hill.

    .721.  Photograph: Picture of a park or small garden, with statues and a small building.

    .722.  Photograph labeled on back: “Pineta di S. Vitale Presso La Casa Nuova,” Ravenna, showing a dirt track leading through the countryside.

    .723.  Photograph: Picture of an Italian villa, with two fountains.

    .724.  Photograph: A photo of a wall overlooking a large domed building (St. Peter's in Rome?).

    .725.  Photograph: View of a villa from a lower portion of its garden.

    .726.  Photograph: A picture of a road with a large round building in the background and a column topped with a cross off to one side.

    .727.  Photograph: Picture of a villa and the trees around it.

    .728.  Photograph: Panoramic view of Florence.

    .729.  Photograph: A view of a hill town overlooking a lake or the sea.

    .730.  Photograph: A picture of a villa and its gardens and a fountain.

    .731.  Photograph: Picture of a garden and a fountain with an arched structure in the background.

    .732.  Photograph: A picture of a classical ruin with trees behind it.

    .733.  Female saint next to a fountain.
    Box 12

    .734.  “Annunciation,” by Raphael.

    .735.  Madonna and Child, by Alvise Vivarini.

    .736.  Madonna and Child in the sky, surrounded by angels, and with saints below them, by Alvise Vivarini.

    .737.  Madonna with the apostles.

    .738.  Monk (who is also a saint) standing on a ball, with other figures around him.

    .739.  Adoration of the Magi.

    .740.  Madonna, Child and Saints.

    .741.  Madonna Enthroned, surrounded by angels.

    .742.  Seated woman playing a violin-like instrument, surrounded by men playing other instruments.

    .743.  “Altarpiece, The Mystic Lamb,” by Jan Van Der Wyden. Detail showing men on horseback.

    .744.  Angel leading a boy carrying a fish, with two saints looking on.

    .745.  “Logging,” by A. Maurs (?). (a 19th century painting)

    .746.  Christ surrounded by heads of angels, hovering in the sky above an empty tomb.

    .747.  Female saint fleeing from a tower, with armed men nearby.

    .748.  Male saints in the wilderness, with female demons visiting them.

    .749.  “St. Sebastian.” He is tied to a column, with a landscape in the background; the archers are shown shooting him.

    .750.  “The Dispute of St Catherine,” by Pinturicchio. She is standing before a king seated on his throne. (the same as.760)

    .751.  Virgin Mary in the sky, surrounded by angels, with a man kneeling before an open tomb.

    .752.  “Due devoti,” G. A. Boltraffio. R. Pinacoteca di Brera, Milano.

    .753.  A knight kneeling in prayer.

    .754.  Photograph: Ruins of a building, probably a shrine or church.

    .755.  “Il Paradiso, particolare del Giudizio universale, Beato Angelico.” Accedemia de Belle Arti, Firenze. (angels and saints holding hands, almost forming a circle)

    .756.  “Gruppo d'Angeli fra le Nubi.” (Melozzo da Forli.) Basilica di S. Pietro, Capitolo dei Canonici, Roma.

    .757.  Knight leading his horse in the woods. (19th century painting)

    .758.  Portrait of a man kneeling in prayer, with a castle in the background.

    .759.  “Madonna with the Rabbit.” Titian. Also shown is another woman holding a baby and a man (a shepherd?) in the background.

    .760.  “The Dispute of St Catherine.” Pinturicchio. (same as.750)

    .761.  Alexander VI from The Resurrection, by Pinturicchio.

    .762.  “Adorazione dei Bambino.” Perugino. Firenze. The Virgin Mary and another baby worship the infant Christ, who is held by an angel.

    .763.  A mythological or classical scene, with a couple dancing before others, set in a rural landscape.

    .764.  The ceiling of the Pinturicchio.

    .244.  Print: man with a cane standing (with back to viewer) at a railing overlooking a lake.

    .298.  Print: Gothic door, with large hinges, lock plate, and latch. Taken from a publication titled in English Art Treasure (also has titles in other languages). It is labeled “1881. No. 155. Deutsche Arbeit. - Travail Allemand.”

    .1547.  Print: “By the Springs of Parnassus”: classical scene of a woman playing a recorder while sitting next to a fountain.

    .1548.  “La Circoncisione,” by A. Mantegna, from the Uffizi Gallery, Florence, showing two versions of the same picture (perhaps one is the current condition and the other a touch-up), in a folder from Fratelli Alinari Fotografi.

    .1549.  Print: “The Homestead, “by Richardson, a scene with a two story house, a barn, and large trees.

    .1550.  Print, labeled: “Odiam Castle, Hants., pub. 27th June 1784, by S. Hooper.” A print showing two men looking at a ruined castle.
    27th June 1784,

    .765.  “Il Viaggio dei Re Magi,” by Benozzo Gozzoli, in the Capella del Palazzo Piccardi, Milan.
    Box 13

    .766.  “Giustificazione di Leone III devati Carlo Magno,” in the Vatican.

    .767.  “Miracolo di Bolsena,” by Raphael, the Vatican.

    .768.  “Le Quattro Sibille,” by Raphael, in S.M. della Pace.

    .769.  Madonna and Child enthroned, surrounded by saints and musicians, a painting by Bellini.

    .770.  Poster for the Prado, in Madrid, with the painting “Sainte Brigitte Offrant des Fleurs à l'Enfant Jesus,” by Giorgione, printed 1897.
    1897.

    .771.  Photograph, labeled on back: “S. Giorgio,” a statue by Donatello, Museo Nazionale, Florence.

    .772a.  “La Vergine con il Bambino, S. Caterina e la Maddalena,” by Bellini, Venice.

    .772b.  Madonna and Child with saints

    .773.  A group of praying angels.

    .774.  “La Madonna Incoronata,” by Botticelli, in the Uffizi Gallery, Florence.

    .775.  Madonna and Child with an angel and saints.

    .776.  Poster for the Kaiserliche Gemälde-Galerie, in Vienna, showing the painting “Maria mit dem Kinde und mit Heiligen,” by Lorrenzo Lotto.

    .777.  Statue of the Virgin Mary and Child, by Michelangelo.

    .778.  Portrait of a man, 16th or 17th century.
    16th or 17th century.

    .779.  Poster for the Musée Staedel, Frankfort, showing the painting “Le Fils de Rubens,” by Rubens, printed 1900.
    1900.

    .780.  Poster for the National Gallery, London, showing the painting “Bacchus and Ariadne,” by Tiziano Vecellio.

    .781.  Print of a portrait of a man by Andrea del Sarto.

    .782a.  Poster for the Prado, Madrid, showing the painting “La Fabrique de Tapis de Sainte Isabella à Madrid, by Velazquez, printed 1897.
    1897.

    .782b.  Print of a portrait of a man, probably from Renaissance Italy.

    labeled “Italian; Pre-Raphaelite”
    Box 14

    .783a.  Poster for the Musée National de Luxembourg, showing the painting “Idyll,” by J-J. Henner, printed 1901.
    1901.

    .783b.  Print: detail of a feast from a painting by Andrea del Sarto.

    .784a.  Poster for Galerie du Capitole à Rome, showing the painting “Portriat de L”Artiste,” by Velazquez, printed 1900.
    1900.

    .784b.  Poster for the Palais de la Farnesina, Rome, showing the painting “La Sodoma.”

    		(see also.866 in Box 18)

    .785.  Photograph: stained glass window with angels and saints.

    .786.  Two mythological or classical figures, perhaps Orpheus and Eurydice.

    .787.  Print: “Spinster,” (i.e. woman spinning), by Romney.

    .788.  A mythological feast, including the Fates, Zeus, and Mercury.

    .789.  Photograph: part of the painted dome of a church, showing Christ enthroned and angels.

    .790.  Photograph: a stained glass window depicting Saint Cecilia.

    .791.  Print: Madonna and Child with children (19th century painting)

    Iabeled “Misc.”
    Box 15

    .792a.  Photograph: Reims Cathedral

    .792b.  Photograph: a Gothic cathedral

    .792c.  Photograph labeled: “Castel S. Angelo con Tevere (veduta antica),” showing people on a boat on the river and St. Peter's Cathedral in the background (a different view from that in.796, below)

    .792d.  Photograph: a Gothic cloister labeled Moissac (Tarn & Garonne)

    .792e.  Photograph labeled on back: “Portici delgi Uffizi.”

    .792f.  Photograph: The Acropolis, Athens.

    .792g.  Photograph labeled on back: “Piazza e Chiesa de S. Maria Novella,” Florence.

    .793.  Photograph: San Marco, piazza, and bell tower, Venice.

    .794.  Photograph of stairs in Florence.

    .795.  Photograph of an Italian hill town.

    .796.  Photograph: Castel S. Angelo, river, and St. Peter's, Rome (different view from.792c, above)

    .797.  Photograph labeled on back: “The Temple” (location unknown).

    .798.  Photograph of a Gothic cathedral.

    .799.  Photograph of a Gothic tower (possibly a church tower), with a river in the foreground.

    .800.  Photograph: possibly one of the colleges at Oxford or Cambridge.

    .801.  Photograph: carved stone doorway, same as.802, labeled on back: “Spoleto or Trevi?”

    .802.  Photograph: same as.801, labeled on back: “Trevi, Madonna delle Cacrine [?] portal.”

    .803.  Photograph of a villa

    .804.  Photograph of the cathedral in Florence.

    .805.  Poster for La Ca D'Oro, Venice.

    .806.  Photograph of a garden
    Box 16

    .807.  Photograph labeled on back: “Pineta, Villa Borghese,” Rome.

    .808.  Photograph labeled on back: “Villa Salviati ora Hagermann, Casa Colonica,” Florence, depicting two weavers working outdoors, and a man and a child with a cart outside a building. (see also.842 and.844 in Box 17)

    .809.  Photograph labeled on front: “Chiesa di S. Croce,” interior, Florence.

    .810a.  Photograph labeled on front: “Chiesa di S. Croce,” interior, Florence.

    .811.  Photograph labeled on front: “Teestudien [?] von P.E. Nickelsen in Westerland auf Sylt [?], 1890,” showing the remains of a boat wrecked on some rocks.

    .812.  Photograph labeled on front: “P.E. Nickelsen I, Sylt [?],” showing part of a shipwreck.

    .813.  Photograph labeled on front: “Frühlingsblumen, Spring Flowers, Pâquerettes,” showing two children picking flowers.

    .814.  Photograph of the statue of a monk who was also a saint.

    .815.  Photograph: detail of a statue of a pensive man.

    .816.  Photograph labeled on front: San Marco, Venice.

    .817.  Photograph labeled on front: “Agricultural Bldg., copyright 1901 by C.D. Arnold,” from the Pan-American Exposition in Buffalo, New York.

    .818.  Photograph: detail of a Gothic building, probably a church.

    .819.  Photograph labeled on back: “Chiesa inferiore di S. Francesco,” interior view, Assisi.

    .821.  Photograph of a classical statue of a man.

    .822.  Photograph labeled on back: “Chiesa Superture di S. Francesco,” Assisi, detail showing doorway.

    .823.  Photograph labeled on front: “Busto di Donato dei Medici di Antonio Rossellino, Cattedrale, Pistoia.”

    .824.  Photograph labeled on back: “Il Castello, Chiani.”

    .825.  Photograph: bas relief of mother and child, signed N. Carrilo (?), 1888.
    1888.

    .826.  Print, labeled on front: “Chateau de Pau (avant sa restauration),” signed E. Sadoux. (see also.833a in Box 17)

    .827.  Photograph (from a book?) labeled “Palazzo Publico, Siena, Italy.”

    .828.  Photograph of an Italian farmhouse.

    .829.  Photograph: bridge and building (perhaps a small church), in Italy.

    .830.  Photograph of an Italian farmhouse, with surrounding buildings.

    .831a.  Photograph of an Italian farmhouse.

    .832b.  Photograph labeled on back: “Monumento al Vescovo Salutati, il fianco sinistro, Cattedrale, Fiesole.”

    .832c.  Photograph showing a view of Oxford from the river.

    .833a.  Print labeled: “Château de Pau (vu de Jurançon),” by E. Sadoux (see also.826, in Box 16)
    Box 17

    .833b.  Photograph of an Italian villa (see label on back of photo).

    .835.  Photograph of one of the colleges at Oxford.

    .836.  Photograph of an Italian city, showing a very tall bell tower next to a building which might be the city hall.

    .837.  Three photographs mounted on the same card, showing a large building, perhaps a villa or a small chateau.

    .840.  Photograph labeled “Via delle Torri di Properzio,” Spello, showing a street inside a walled town, with three people outside a building: a woman who seems to be sewing, a boy carrying wheat, and a woman with a bowed head. (see also.843 below)

    .841.  Photograph labeled “Greti, Casa Colonica, Chianti,” showing four people outside a farmhouse.

    .842.  Photograph labeled “Villa Salviati ora Hagermann, Casa Colonica,” Florence (see also.808 in Box 16). This shows two men working at a pile of dirt, with several other people also in the courtyard.

    .843.  Photograph labeled “Via delle Torri di Properzio, Spello.” (see also.840 above) This view is of a different part of the street (probably further uphill). There are two women sitting, one on a wall, the other on steps.

    .844.  Photograph labeled “Villa Salviati ora Hagermann, Casa Colonica,” Florence (see also.808 in Box 16 and.842 above). This view is of the street side of the building, showing two women standing in the gateway into the courtyard, with men and carts on the street.

    .845.  Photograph labeled “La Panca, Casa Colonica, Chianti,” showing a farmhouse with people standing on the upper gallery.

    .846.  Print, labeled “Cupid Fishing, Walls.”

    .847.  Print: a detail of “L'Incoronazione della Vergine,” by Botticelli, Florence.

    .848.  Print, labeled: “Wheel of Fortune,” by Burne-Jones.

    .849.  Photograph labeled “Monte Rosa Rette vom Weishorn aus von Vittorio Sella in Biella,” probably a view of Monte Rosa in the Pennine Alps.

    .850.  Photograph of a painted ceiling, probably in a church in Italy (Renaissance art).

    .851.  Photograph labeled “Chiesa di S. Francesco, il Chiostro, Cubbio,” showing a man standing next to a well outside a church.

    .852.  Photograph labeled “Chiesa di San Pietro, Piccolo Cortile, Perugia,” showing two men at a well outside a large building.

    .854a.  Photograph of St. Paul's Cathedral, London, from Blackfriars.

    .854b.  Photograph of a medieval fresco, with Old Testament scenes.

    .855.  Photograph labeled “Basilica di S. Apollinare Nuovo,” interior, Ravenna.

    .856.  Photograph of the inside of the dome of Battistero di S. Giov. in Fonte, Ravenna, decorated with a scene of John the Baptist with Christ, surrounded by the Twelve Apostles.

    .857.  Photograph of a detail of a mosaic showing five women, from the Basilica di S. Apollinare Nuovo, Ravenna.

    .858.  Photograph of a painting inside Chiesa di S. Maria in Ravenna.

    .859.  Photograph of a view of the ceiling of Tempio di San Vitale, Ravenna.

    .860.  Envelope which held photographs from Ravenna.

    .860a.  Photograph of a sculpture entitled “La Madonna col Figlio e S. Giovanni,” by A. Ferrucci, in the Museo Nazionale, Florence.

    .860b.  Photograph of a carved Florentine lily, from the Palazzo Ferroni, Florence.

    .861.  Photograph of a mural, showing a hay wagon in the background, people on a boat in the middle ground, and women bathing in a stream in the foreground. The mural is signed P. Puvis de Chavannes.
    Box 18

    .862.  Copy of an engraving of a river with boats and buildings along the shore, and people in the foreground. On the back is the name N [illegible] Turner.

    .863.  Classical buildings along a river.

    .864.  A picnic along the banks of a river, with two people dancing, and ruins in the distance.

    .865.  A poor mother reading to a sick child, in a painting dated 1889.
    dated 1889.

    .866.  Poster from Palais de la Farnesina, Rome, showing a painting labeled Il Sodoma.

    		(see also.784b in Box 14)

    .867.  Classical scene(?) (figures in a landscape listening to an elderly man) by Puvis de Chavannes

    .868.  A canal in Venice

    .869.  Leda and the swan, by Gericault.

    .870.  Portrait of a young girl, 18th century, England.
    18th century,

    .871.  A view of the Grand Canal, Venice, by Turner.

    .872.  Nativity scene, Renaissance period.

    .873.  Madonna and Child with three saints.

    .874.  Detail from the fresco “Il Paradiso,” by Benozzo Gozzoli, Florence. This detail shows several angels praying.

    .875.  Photograph of the statue “La Vergine col Bambino Gesù,” by Michelangelo.

    labeled “Drawings” (although the contents of the folio include more than drawings)
    Box 19

    .876.  Print: head of a woman, done by a pre-Raphaelite artist.

    .877.  “La Madonna col Divin Figlio e Santi,” by Bellini, from Venice.

    .878.  Photograph: a sculpture of a baby in swaddling clothes, by Della Robbia. (see also.635, 638,.646-648, and.653-655 above, in Box 10)

    .879.  Print: sleeping knight watched over by two women.

    .880.  Print: nun (?)

    .881.  Photographic print labeled Michel Angello Buonaroti, depicting the head of a woman or a man with braids.

    .882.  Photograph of a statue of an armored man on a horse

    .884a-c.  mats for photographs

    .885.  Photograph labeled “Veduta dei Ponti S. Trinita Carraia e delle Cascine,” Florence (bridges over the river with a view of buildings on both banks)

    .886.  “The Archangel Raphael,” by Perugino.

    .887.  Print: mural showing a group of children, some gathering blossoms, others playing with birds, by Herbert James Draper, 1888.
    1888.

    .888.  Print: Mother and Child, with a book.

    .889.  Picture from a book, entitled “Breakfast-Time,” showing a mother and daughter feeding lambs. On the reverse side is the beginning of a children's story called “The Runaways.”

    .890.  Madonna and Child with a child saint (John the Baptist, probably) and three older children in the background.

    .891a.  A template for something?
    Box 20

    .891b.  Side of a box, labeled No. 7, Fra Angelico

    .892.  Portrait of a man (19th century).
    (19th century).

    .893.  Photograph: portrait of a woman, signed F. Gonlé-Campbell, copyright 1908.
    1908.

    .894.  Portrait labeled Tennyson, Walls.

    .895.  View of the Grand Canal, Venice.

    .896.  Colored print: a figure (perhaps Christ) hovering in the air above a man, with mountains and a lake in the background.

    .897.  Colored print signed by Geo. Innes, a triptych illustrating part of the Psalm 23 (“And beside still waters, He leadeth me in green pastures”).

    .898.  Madonna and Child; on the back is a list of names, but none of them would be the artist.

    .899.  A river with a boat and a ship, with a church in the distance.

    .900.  An angel leading a young woman.

    .901.  “The Vagrants,” Walker, showing a family group starting a campfire.

    .902.  Portrait of a man, by Raphael, from the Galleria Pitti.

    .903.  Portrait of a lute player.

    .904.  Landscape with cows standing in a stream.

    .905.  “The Hay Wain,” Constable.

    .906.  Blindfolded woman holding a lyre.

    .907.  A knight kneeling in prayer.

    .908.  St. Jerome in his study.

    .909.  Two elderly men, one poking a fire, the other by a window.

    .910.  “The Shepherd and His Flock,” painted by R. Bonheur.

    .911.  Head of a person holding a recorder.

    .912.  “Dante's Dream,” by Rossetti.

    .913.  Colored print: Portrait of a woman, by Lorenzo de Credi.

    .914.  “Two Angels,” ascribed to Leonardo da Vinci. (they are may be saints rather than angels)

    .915.  “A Study,” (portrait of a woman), by D.G. Rossetti.

    .916a-d.  A template for a lampshade?

    labeled “Miss McCall, Italian”
    Box 21

    .918.  Photograph of the interior of a Gothic cathedral.

    .919.  Photograph: trees and buildings in Italy, with a hill in the background.

    .920b.  Photograph: man with a loaded donkey near a roadside shrine in Italy

    .921.  Photograph of an Italian castle and other buildings (labeled on back, but very faint and difficult to read)

    .922.  Portrait of a man, perhaps by Botticelli.

    .923.  A richly-dressed woman floating on clouds being crowned by an angel while many look on.

    .925.  Virgin Mary, angles, and St. John the Baptist worship the infant Christ.

    .926.  Landscape of women at a river, in the distance may be seen a bridge and buildings.

    .927.  “Rest on the Flight into Egypt,” with emphasis on the landscape rather than on the family.

    .928.  Madonna and Child, with St. Paul and St. George, by Bellini.

    .929.  Poster for the Musée du Louvre, showing “Portrait d'Homme,” École Florentine du XVme Siècle, printed 1901.
    1901.

    .930.  Poster for the Musées Royaux de Berlin, showing “Portrait de Jeune Homme,” by Francesco di Cristofano Franciabigio.

    .931.  A man and a woman (a mythological scene?), from the McCameron Studio at 70 Mortimer St., London.

    .932.  Madonna and Child surrounded by a wreath of flowers and cherubs.

    .933.  Poster for the Musée National du Louvre, showing “Paysage,” by Jean-Baptiste Corot, printed 1898.
    1898.

    .934.  Poster for the Prado, Madrid, showing “Paysage avec Effet de Soleil Levant,” by Claude Lorrain, printed 1897.
    1897.

    .935.  Poster for the Pitti Palace, Florence, showing “Portrait de Madeleine Doni,” by Raphael, printed 1892.
    1892.

    .936.  Poster for the Musées Royaux de Berlin, showing a triptych by Bernardo da Firenze. (the subjects of the triptych: the Nativity, the Coronation of the Virgin Mary, the Crucifixion)

    .937.  Poster for the Pitti Palace, Florence, showing “Portrait d'Ange Doni,” by Raphael, printed 1892.
    1892.

    labeled “Italian Family”
    Box 22

    .938.  Christ with two men (an apostle? and a bishop) standing in an archway.

    .939.  Madonna and Child on a throne, surrounded by saints and angels.

    .940.  Madonna and Child on a throne with two saints (a bishop and a woman), painted by Bernardelli.

    .941.  Virgin Mary (?) with men and women, a wall painting. (see also.942)

    .942.  Virgin Mary (?) with men, a wall painting (companion to.941).

    .943.  “Sibila Samia,” a wall painting.

    .944.  Madonna and Child with male saints, a wall painting.

    .945.  “Il Battesimo di Costantino,” the Vatican.

    .946.  “Donazione di Roma fatta da Costantino,” the Vatican.

    .947.  “San Leone che ferma Attila,” the Vatican.

    .948.  “Eliodoro scacciato dal Tempio,” the Vatican.

    .949.  “The Annunciation.”

    .950.  Photograph: a large room with painted walls and ceiling, perhaps in the Vatican or some other Italian palace.
    Box 23

    .951.  Photograph: a large room with painted walls and ceiling, perhaps in the Vatican or some other Italian palace. (different room from.950)

    .952.  Virgin Mary holding the crucified Christ, with two saints, by Petrus de Chasro (?).

    .953.  Baptism of Christ, with God, saints and angels looking on.

    .954.  “Sibila Tiburtina,” a wall painting.

    .955.  Madonna and Child, by Bellini.

    .956.  A landscape with many angels (perhaps part of a triptych). On the back is written: “For Gertrude from Ralph, Xmas `95” (or perhaps '99). (see also.978, below)

    .957.  Virgin Mary holding the crucified Christ, with saints, a wall painting. (see also.958)

    .958.  same as.957, with the name Foligni or Poligni written on the back.

    .959.  “La Madonna col Bambino Gesu,” by Luca della Robbia, Florence.

    .960.  “L'Adorazione del Bambino Gesu,” by A. della Robbia, Chiesa Maggiore, Casentino.

    .961.  “The Annunciation,” a wall painting.

    .962.  Portrait of a man.

    .963.  A mythological scene? Two people embracing on a beach, surrounded by babies, some of which are playing in the ocean.

    .964.  “Un Angelo,” by Melozzo da Forli, St. Peter's, Rome.

    .965a.  Detail of “The Last Supper” (head of one of the apostles), by Raphael.

    .965b.  The head of a saint, by Melozzo da Forli, Chiesa dei Santi Apostoli, Rome.

    .966.  David with the head of Goliath.

    .967.  Head of a boy. (Most of label has fallen off, but the name Tiziano is still attached.)

    .968.  A man praying with a fortified port labeled Rhodi behind him. Several ships are also shown.

    .969.  Print: “Il Crocifisso con la Vergine e santi,” by Perugino, in the Chiostro di Santa Maria Maddalena de' Pazzi, Florence.

    .970.  Print: “La Prudenza e la Giustizia, in basso vari personaggi celebri,” by Perugino, in the Collegio del Cambio, Perugia.

    .971.  Print: “L'Adorazione dei Re Magi,” by Perugino, in the Chiesa di Santa Maria delle Lacrime, Trevi.

    .972.  Print: “Il Viaggio dei Re Magi,” by Benozzo Gozzoli, in the Cappella del Palazzo Riccardi, Florence.

    .973.  Print: “La Fortezza e la Temperanza, in basso vari personaggi celebri,” by Perugino, in the Collegio del Cambio, Perugia.

    .974.  Print: “La Madonna col divin Figlio, S. Caterina e la Maddalena,” by Bellini, in the Accademia di Belle Arti, Venice.

    .975.  Print: “La Vergine col Bambino Gesù,” by A. Vivarini, Chiesa del Redentore, Venice.

    .976.  Print: “L'Eterno Padre in gloria, in basso vari Profeti e Sibille,” by Perugino, in the Collegio del Cambio, Perugia.

    .977.  same as.977.

    .978.  Print: Angels in a landscape (same as.956, above) (see also.979).

    .979.  Print: Angels in a landscape, companion to.978.

    labeled “Dutch; Architecture & Sculpture”
    Box 24

    .980.  Print: “Portrait of a Donator,” by Hans Memling.

    .981.  Print: “Guiliano da Van Galli [?],” by Pida Carimo [?].

    .982.  Print: Portrait of a man by Frans Hals.

    .983.  “Landschaft mit der Fluchtnach Aegypten,” by Claude Lorrain. (see also.998)

    .984.  “Il Ritorno dai Campi,” by Rubens.

    .985.  Poster for the British Museum, showing “Landscape with Figures and Cattle,” by Claude Lorraine.

    .986.  Autotype copy of portrait of Erasmus by Hans Holbein.

    .987.  “Young Lady at the Window,” by Rembrandt.

    .988.  “Emma Hoit as Nature,” by Reynolds.

    .989.  “Juvenile Navigation,” by Morland.

    .990.  Portrait of an elderly man.

    .991.  “Lady Hamilton as Bacchanti,” by Romney.

    .992.  “Gypsies,” by Morland.

    .993.  “Robinetta,” by Reynolds.

    .994.  Poster for Amsterdan [sic] Museum, showing “The Night Watch,” by Rembrandt.

    .995.  A landscape by Ruysdael.

    .996.  Poster for Die Königl. Gemälde Galerie zu Dresden, showing “Küstenlandschaft mit Akis und Galatea,” by Claude Lorrain.

    .997.  Poster for Die Königl. Gemälde Galerie zu Dresden, showing “Bildness eines Jungen Kriegers,” by Rembrandt.

    .998.  same as.983.

    .999.  Landscape with women, a baby, a dog, goats, and building ruins by a river, with a town on a nearby hill.

    .1000.  Poster for Bibliotheque Royale de Windsor-Castle, showing “The Lady Parker,” by Hans Holbein.

    .1001.  Poster for Bibliotheque Royale de Windsor-Castle, showing “The Lady Ratclif,” by Hans Holbein.

    .1002.  Poster for Musée de Vienne, showing a view of a town by A. Durer.

    .1003.  Poster for Galerie Royale de Dresde, showing “La Vierge avec L'Enfant Jésus,” a triptych by Jan van Eyck, printed 1897.
    1897.

    .1004.  Edward VI, by Holbein.

    .1005.  Poster for Musée National du Louvre, showing “La Vierge au Donateur,” by Jan van Eyck, printed 1900.
    1900.

    .1006.  Poster for Galerie Nationale de Londres, showing “Le Navire, `The Fighting Temeraire,' ” by Joseph M. W. Turner, printed 1899.
    1899.

    .1007.  Poster for Musée National du Louvre, showing “Portraits de Jean Grusset Richardot et de son Fils,” by Anton van Dyck.

    .1008.  Poster for Galerie Nationale de Londres, showing “Robinetta,” by Sir Joshua Reynolds.

    .1009.  Poster for the exhibit “Dessins de Maitres Anciens,” held in 1879 at L'Ecole des Beaux Arts, showing a drawing of an old man, by Rembrandt.

    .1010.  Poster for Musée de L'Ermitage a St. Petersbourg, showing “Portrait d'un Jeune Guerrier,” by Rembrandt, printed in 1898.

    .1011.  Portrait of a young man.
    Box 25

    .1012.  “Dettaglio dell'Ancona la Vergine col Bambino e Santi,” by Bellini, in the Chiesa dei Frari, Venice. (Detail shows a cherub playing a recorder.)

    .1013.  Madonna and Child, by Botticelli.

    .1014.  Detail from “The Birth of Venus,” by Botticelli.

    .1015.  Print: “A Violinist,” by Raffaclius del Garbo (?).

    .1016.  Portrait of a man.

    .1017.  Portrait of Cardinal Bentivoglio, by van Dyck. (see also.1031, below)

    .1018.  Photograph of the Sistine Chapel.

    .1019.  Madonna and Child on a high throne, with two male saints, one in armor, the other a monk.

    .1020.  Woman examining a spider web (a wall painting) (label on back is very faded).

    .1021.  “Putto in bronzo della fontana nel cortile,” by Andrea Verrocchio.

    .1022.  Photograph: detail of an engraving?

    .1023.  Picture, probably from a magazine, of a stained glass window in Manchester Cathedral, by Percy Bacon & Brothers.

    .1024.  Print: “La Vergine col Figlio e Santi,” by Perugino, in the cathedral in Perugia.

    .1025.  Print: L'Annunziazione,” by A. della Robbia, in the Chiesa Maggiore, Casentino.

    .1026.  An angel, a detail from a larger painting, by Liberio of Assisi. (see also.1030, below)

    .1027.  Photograph of G.F. Watts, outside a building with a della Robbia bas relief next to him.

    .1028.  Poster for the Galerie Royale de Dresde, showing “La Madone du Bourgmestre Jacques Meyer” (detail), by Hans Holbein, printed in 1899.

    .1029.  Mother and Child, standing on a pedestal, with two saints and two cherubs.

    .1030.  “Montefalco Angel,” by Liberio of Assisi. (see also.1026, above)

    .1031.  Poster for Galerie Royale du Palais Pitti à Florence, showing “Portrait du Cardinal Guide Bentivoglio,” by Anton van Dyck, printed in 1901. (see also.1017, above)

    .1032.  Portrait of a man (detail).

    .1033.  Poster for the Prado, Madrid, showing “Portrait d'un Sculteur,” by Velasquez, printed in 1894.

    .1034.  “Convalescence,” by a modern Italian painter, depicting a poor mother reading to her sick child, who is in bed.

    .1035.  Poster for the Louvre, showing “Portrait de Jeanne d'Aragon,” by Raphael, printed in 1901.

    labeled “Rosetti [sic], Watts, Burne Jones”
    Box 26

    .1036.  Photograph: Ingresso e Campanile della Chiesa de S. Pietro, Perugia.

    .1037.  “Dante Drawing an Angel,” by Rossetti.

    .1038.  Print: Woman plucking a stringed instrument.

    .1039.  “Guinevere,” by Rossetti.

    .1040.  “Ruth Herbert,” by Rossetti.

    .1041.  “Fazi's [?] Mistress,” photogravure of the drawing of Rossetti, printed by the Century Guild, April 1889.
    April 1889.

    .1042.  “Anima,” a sonnet written and illustrated by Rossetti, 1880.
    1880.

    .1043.  Study for “Found,” by Rossetti.

    .1044.  “The Loving Cup,” a woman drinking from a cup, the cover of which she holds in one hand. (see also.1047 - a slightly different version)

    .1045.  “Arthur's Tomb,” by Rossetti.

    .1046.  “Dante's Amor,” from a drawing belong to C.F. Murray.

    .1047.  “The Loving Cup,” an engraved version of the painting reproduced in.1044.

    .1048.  Christ, a woman, and two angels at an opened tomb.

    .1049.  Print: a blindfolded woman carrying a lyre. (see also.1078, in Box 27)

    .1050.  A woman carrying a stalk of flowers.

    .1051.  A woman sniffing flowers, a print from the McCameron Studio in London.

    .1052.  A sketch of a woman's head.

    .1053.  Two studies for “Beata Beatrix,” from drawings owned by C.F. Murray.

    .1054.  Two drawings, numbered 43 and 26. Number 43, labeled “a design for an old ballad,” shows an embracing couple. Number 26, labeled “drawing belonging to C.F. Murray,” is the head of a woman.

    .1055.  A woman with leaves in her hands.

    .1056.  “Lilith,” by Rossetti, a woman combing her hair.

    .1057.  Study for the head of one of the attendant ladies in “Dante's Dream,” by Rossetti.

    .1058.  A woman in the foreground is watched by three women hovering in the background.

    .1059.  “Mischief,” by Watts.

    .1060.  Study for “Sleeping Beauty,” by Burne Jones.

    .1061.  “Mother [?] and Children,” painted by Henry Tinks [?], London, 1910-1911.
    1910-1911.

    .1062.  “The King's Bride,” by Rossetti.

    .1063.  Print: a round painting (perhaps for a ceiling) of women dancing.

    .1064.  “La Paye des moissonneurs,” by Lhermitte, 1882.
    1882.

    .1065.  A woman with a book being followed by a man.

    .1068.  Print: “St. George,” by Burne Jones.
    Box 27

    .1069.  Print: “Aurora,” by Burne Jones.

    .1070.  Print: “The Girlhood of Mary, Virgin,” by Rossetti.

    .1071.  Print: “Sea Spell,” by Rossetti.

    .1072.  Print: the title page for the book The Prince's Porgies and Other Poems, by Christina Rossetti, published 1866, probably drawn by D.G. Rossetti.
    1866,

    .1073.  Print: “A Wood Nymph,” by Burne Jones, a woman sitting in a shrub or small tree. (see also.1077 and.1082)

    .1074.  Print: St. Barbara, St. Dorothea, and St. Agnes, by Burne Jones.

    .1075.  Print: “Proserpina,” by Rossetti.

    .1076.  Print: “In the Land of Weissnichtwo,” by C.F. Watts.

    .1077.  Print: same as.1073 and.1082.

    .1078.  Print: blindfolded woman holding a lyre. (same as.1049 in Box 26)

    .1079.  Print: Head of a person, by Rossetti.

    .1080.  “Dawn,” by Watts.

    .1081.  “Love and Death,” by Watts.

    .1082.  “A Wood Nymph,” by Burne Jones (see also.1073 and.1077)

    .1083.  “Study after Mrs. Wm. Morris,” by D.G. Rossetti.

    .1084.  “Mary Magdalene at the house of Simon,” by Rossetti.

    .1085.  A study of a woman's head, by Rossetti.

    .1086.  “Dante's Dream,” by Rossetti.

    .1087.  “La Penserosa,” by Rossetti.

    .1088.  A woman holding a book looking at a man in a tree.

    .1089.  “Mary Magdalene,” by Rossetti (picture is torn).

    .1090.  “Love among the Ruins,” by Burne Jones. (mat is damaged)

    .1091.  “Fiammetta,” by Rossetti

    labeled “Italianate”
    Box 28

    .1092.  Mother and Child with St. John the Baptist and another saint.

    .1093.  “Un Angelo del Tabernacolo,” by Angelico, in the Uffizi Gallery, Florence.

    .1094.  “La Fortezza e la Temperanza” (“Courage and Temperance”), by Perugino, in the Collegio del Cambio, Perugia. (for companion piece, see.1114, in Box 29)

    .1095.  Bust of Dante, Museum of Naples. (view of bust from the front; see also.1097)

    .1096.  “La Madonna, divin Filgio e due Santi,” Chiesa Parracchiale, Castelfranco Veneto.

    .1097.  Bust of Dante, Museum of Naples. (view of bust from the side; see also.1095)

    .1098.  Madonna and Child with another woman and a rabbit, by Titian?

    .1099.  “Presentazione della Vergine [?] Tempio,” by Tiziano Veccellio.

    .1100.  Poster for the National Gallery, London, showing “La Vierge et l'Enfant avec Saint Jean-Baptiste et Sainte Catherine,” by Tiziano Vecelli, printed 1896.
    1896.

    .1101.  Poster for the National Gallery, London, showing “Bacchus et Ariadne,” by Tiziano Vecelli.

    .1102.  Poster for the National Gallery, London, showing “Portrait d'Arioste,” by Tiziano Vecelli.

    .1103.  Poster for the Prado, Madrid, showing “Vue Prise dans les Jardins de la Villa Medicis à Rome,” by Velazquez.

    .1104.  Mother and Child with saints.

    .1105.  Mother and Child with saints, and the donor?

    .1106.  Poster for the National Gallery, London, showing “La Vision d'un Chevalier” (painting and sketch for painting), by Raphael.

    .1107.  “La Nascita della Vergine,” by Andrea del Sarto.

    .1109.  Poster for Die Königliche Pinakothek zu München, showing “Die Hl. Jungfrau erscheint St. Bernhard,” by Perugino.
    Box 29

    .1110.  A seated woman with a man kneeling on the steps in front of her, both holding a book.

    .1111.  A group of angels (detail of a larger painting).

    .1112.  Portrait of “Eleonara di Toledo col figlio Ferdinando I,” by A. Bronzino.

    .1113.  “L'Adorazione dei Re Magi,” by Perugino, in the Chiesa di Santa Maria delle Lacrime, Trevi.

    .1114.  “La Prudenza e la Giustizia, in basso vari personaggi celebri,” by Perugino in the Collegio Cambio, Perugia. (companion to.1094, in Box 28)

    .1115.  A cherub with a lute, by Fra Bartholomew?

    .1116.  “Tobia con i tre Arcangeli,” by Botticelli. (same as.1124)

    .1117.  Poster for the Galerie Royale des Offices à Florence, showing “Portrait de l'Artiste,” by Raphael, printed in 1900.

    .1118.  “Sabilla Samia.”

    .1119.  Poster for the Louvre, showing “Giovanna Tornabuoni et les Trois Graces,” by Botticelli, printed in 1898.

    .1120.  Poster for the Hermitage Museum, St. Petersburg, showing “Saint George and the Dragon,” by Raphael, printed in 1898.

    .1121.  Poster for the Louvre, showing “St. George and the Dragon,” by Raphael (a different painting from the one in the Hermitage), printed in 1897.

    .1122.  “Santa Famiglia,” by Andrea del Sarto, in the Pitti Palace, Florence.

    .1123.  Poster for the Louvre, showing “La Vierge aux Rochers,” by Leonardo da Vinci, printed in 1895.

    .1124.  “Tobia con I tre Arcangeli,” by Botticelli. (same as.1116)

    .1128.  Rossetti, Dante Gabriel, Pictures & Poems. Arranged by FitzRoy Carrington. New York: R.H. Russell, 1899.
    1899.
    Box 30

    		This book bears the bookplate of Byrdcliffe: a Florentine lily combined with wings, with the word Byrdcliffe underneath; a faun is in one corner, an owl in an upper corner, and there is a tree growing out of the initials RW.

    (.1181-.1190,.1192-.1193 photos of furniture)
    Box 31

    .1125-.1126.  “Christ Taking Leave of His Mother.”

    .1127.  Colored plate labeled “Chateau de Blois, pl. 10, Aile, dite François ler, Tentures,” wallpaper samples from Alcove de la Reine and Prie-Dieu du Roi.

    .1181.  Photograph: labeled: BFK Rives No. 74; depicting a carved Gothic bench.

    .1182.  Photograph labeled: Chateau de Pau, Bahut gothique; a carved Gothic chest. (another copy is.1190., below)

    .1183.  Photograph labeled: Compiègne, Chaises François ler. Two different styles of chairs.

    .1184.  Photograph labeled: Chantilly, Sièges gothique. Two backless chairs (different styles) and a side view of an arm chair on casters.

    .1185.  Photograph labeled: Chateau d'Anet, Armoire Renaissance. Also in the picture are two arm chairs.

    .1186.  Photograph labeled: Chateau de Pau, Bahut Louis XII, depicting a Gothic chest.

    .1187.  Photograph labeled: Chateau de Pau, Siège gothique, depicting an arm chair.

    .1188.  Photograph labeled: Louvre, Bahut Renaissance, depicting a small cabinet on a frame with curved legs (similar in style to Chippendale).

    .1189.  Photograph labeled: Musée de Dijon, Meuble Henri II, depicting a large cabinet with tall legs.

    .1190.  Photograph labeled: Chateau de Pau, Bahut gothique. (same as.1182, above)

    .1191.  Photograph of the doorways of an unnamed Gothic cathedral.

    .1192.  Photograph labeled: Louvre, Bahut Louis XIII; depicting a carved chest.

    .1193.  Photograph labeled: Louvre, Porte Louis XIII; depicting a carved door (it seems to have been removed from its original location and is just on display in the museum).

    .508.  Madonna and Child with four male saints and two cherubs playing instruments, by Bellinni.
    Box 32

    .524.  “Disputa del SS. Sagramento,” by Raphael, in the Vatican.

    .800.  Poster, probably made from a photograph, of Notre Dame Cathedral, Paris.

    .917.  “The Cornfield,” by Constable.

    .924.  “Madonna and Child,” Venice.

    in portfolio labeled “International Chalcographical Society” (bearing the bookplate of William Horatio Crawford, Lakelands, Cork)
    Box 33

    .1164.  Print: “Insatiable Vampire” (a Gothic gargoyle overlooking a city, with a tower in the middle ground), printed by the Autotype Company, London 1886.
    1886.

    .1165.  Lithograph: Portrait of William Penn, from the original portrait at Historical Society of Pennsylvania.

    .1166.  Print: “Lady Tennyson,” by G. F. Watts RA; printed by J. Caswall Smith, Oxford St., London.

    .1167.  Print: Soldier in armor.

    .1168.  Print: “Madonna Dei Gigli,” by G. Mentessi Dip, Fotocalcografia Fusetti, Milano.

    .1169.  Print: Virgin Mary and Jesus, with St. John the Baptist, with a printers embossed stamp.

    .1170.  Print: “Henry Clay,” from the painting by J. Neagle, done in 1843.

    .1171.  Print: “Annunciation,” from the painting by Dante Gabriel Rossetti; published in 1889 by Thos. Agnew & Sons.

    .1172.  Print: Sun or Moon reflected in a lake (signed by artist, but the name is illegible).

    .1173.  Print: “John Randolph of Roanoke,” engraved by John Sartain from a portrait by Catlin done in 1831, printed in 1876.

    .1174.  Print: Maiden with Pan, from the painting by E. Burne Jones, published by Robt. Dunthorne at the Rembrandt Head, 1887. Signed by Ch. W. Campbell.
    1887.

    .1175.  Print: “Erminia il suo Tancredi,” printed in Rome.

    .1176.  Print: “Cathedrale De Rouen,” printed in 1885.

    .1177.  Print: “Rouen Cathedral,” printed in 1884.

    .1178.  Print: “Templum Pilati,” (Christ at the house of Pilate, being whipped by soldiers). From the International Chalcographical Society.

    .1179.  Print: Virgin Mary and Jesus, with saints and cherubs playing instruments. From the International Chalcographical Society.

    .1180.  Print: “Miss Bowles,” from the original painting by Sir Joshua Reynolds, printed in 1875. Distributed by the Art for Schools Association.

    .564.  A print wallpaper of trees, mostly shades of green with browns and blues. (a rolled sample with the same number is in Box 8)

    .565.  A floral print wallpaper, on an apricot background, marked “Furlong, Philadelphia, PA, ungrounded.”
    Folder 16

    .567a.  Multicolored morning glories overprinted with small white flowers, labeled GLENFAST CONFORMS TO SPEC NO. CS. 16-29 US DEPT OF COMMERCE. (a rolled sample with the same number is in Box 8)
    Folder 17

    .568.  A floral design, mostly pink and brown, printed to look like chiné fabric, with an overprinted diamond pattern. (a rolled sample, with the same number is in Box 8)
    Folder 18

    .503.  Hubert and Jan Van Eck, Netherlands, detail from “The Altarpiece of the Mystic Lamb,” showing St. Cecilia playing an organ, with a small orchestra behind her.


    SERIES III: DESIGN BOOKS

    Palais du Louvre et des Tuileries: Motifs de Décoration Intérieure et Extérieure. ler Partie: Décorations Intérieures. Paris: Vve A. Morel & Cie. (with Byrdcliffe bookplate with Florentine lily, wings, faun, owl, and tree)
    Box 1

    Palais du Louvre et des Tuileries: Motifs de Décoration Intérieure et Extérieure. 2e Partie: Décorations Extérieures. Paris: Vve A. Morel & Cie. (with Byrdcliffe bookplate as above)
    Box 2

    Palis du Louvre et des Tuileries: Motifs de Décoration Intérieure et Extérieure. 3e Partie: Décorations Intérieures et Extérieures. Paris: Vve A. Morel & Cie, 1875. (with Byrdcliffe bookplate as above)
    1875.
    Box 3

    Heroen- und Götter-Gestalten der Griechischen Kunst. (1st part). Erläutert von Alexander Conze. Vienna: R v. Waldheim, 1874. (with a different Byrdcliffe bookplate: the initials RW within a diamond and a small Florentine lily)
    1874.
    Box 4

    Heroen- und Götter-Gestalten der Griechischen Kunst. (2d part). Erläutert von Alexander Conze. Vienna: R v. Waldheim, 1874. (with the Byrdcliffe bookplate as in Box 4)
    1874.
    Box 5

    Ausgewählte Ornament-Schnitz-Werke des XV.-XVIII. Jahrhunderts. Munich: Jos. Albert, Kunstverlag, 1897. (with the Byrdcliffe bookplate as in Box 4)
    1897.
    Box 6

    Principles du Style Gothique, by Frederick Hoffstadt.
    Box 7

    Meubles de Style Moderne, Exposition Universelle de 1900: Sections Français et Étrangères. Publiés sous la direction de T. H. Lambert, Architecte; Charles Schmid, éditeur. Paris.
    1900:
    Box 8

    The Witter Charts of Historic Ornamental Design: Greek, and [The Witter Charts of Historic Ornamental Design: Egyptian]. Prepared by Fred H. Daniels. New York: J.C. Witter Co., 1898.
    1898.
    Box 9

    Geschmiedette Gitter des XVI.-XVIII. Jahrhunderts aus Suddeutschland. Munich: Jos. Albert, Kunstverlag. (with the Byrdcliffe bookplate as in Box 4)
    Box 10

    Choix de Modeles Extraits de L'Ouvrage Intitulé: Orfèvrerie et Ouvrages en Metal du Moyen Age.... Paris: Emile Flatau, 1857. (with Byrdcliffe bookplate as in Box 1)
    1857.
    Box 11

    Die Zimmergotik in Deutsch-Tirol..., part 1: Süd-Tirol; and part 2: Das Etschthal. Leipzig: E.A. Seeman, 1889-1900. (“White Pines” was written in the front of both these volumes.)
    1889-1900.
    Box 12

    Fawkes, F.A. Architect's Joinery and its Ornamentation. Revised and enlarged edition. London: B.T. Batsford, 1896. (with Byrdcliffe bookplate as in Box 1)
    1896.
    Box 13


    SERIES IV: PERIODICALS

    American Ceramic Society publications (see also Journal of the American Ceramic Society)
    Box 1

    Bulletin of the American Ceramic Society

    no. 1: 1918 Directory of Dealers in Raw Ceramic Materials

    List of Papers and Discussions Contained in the Transactions of The American Ceramic Society

    vol. I-XVI (1914)
    (1914)

    Transactions of the American Ceramic Society

    vol. 19 (1917)
    (1917)

    The American Fabian
    Box 2

    vol. 5:no. 8 (1899:Oct.)
    (1899:Oct.)

    Annals of the New York Academy of Sciences, “Notes on the Structure and Glaciation of Overlook Mountain,” Neil E. Stevens.
    Box 3

    vol. 22 (1912)
    (1912)
    ((2 copies))

    The Architectural Review
    Box 4

    vol. 13:nos. 75-76 (1903:Feb.-Mar.)
    (1903:Feb.-Mar.)

    vol. 16:no. 96 (1904:Nov.)
    (1904:Nov.)

    The Art Amateur
    Box 5

    vol. 26:nos. 3-6 (1892:Feb.-May)
    (1892:Feb.-May)

    vol. 27:no. 5 (1892:Oct.)
    (1892:Oct.)

    vol. 28:nos. 1-6 (1892:Dec.-1893:May) Various working designs for furniture, china, needlework, etc.
    (1892:Dec.-1893:May)

    vol. 29:nos. 1-3, 5 (1893:June-Aug., Oct.)
    (1893:June-Aug., Oct.)
    Box 6

    vol. 30:nos. 1-4, 6 (1893:Dec.-1894:Mar., May)
    (1893:Dec.-1894:Mar., May)

    vol. 31:nos. 1-2 (1894:June-July) Misc. covers and pages
    (1894:June-July)

    The Art Interchange
    Box 7

    vol. 50:no. 2 (1903:Feb.)
    (1903:Feb.)

    vol. 52:nos. 5-6 (1904:May-June)
    (1904:May-June)

    The Art Journal
    Box 8

    no. 187 (1900:July)
    (1900:July)

    The Bibelot
    Box 9

    vol. 4:nos. 1, 4-6, 8-12 (1898:Jan., Apr.-June, Aug.-Dec.)
    (1898:Jan., Apr.-June, Aug.-Dec.)

    vol. 5:nos. 2, 4-5, 8, 10-11 (1899:Feb., Apr.-May, Aug., Oct.-Nov.)
    (1899:Feb., Apr.-May, Aug., Oct.-Nov.)

    Birds & Nature
    Box 10

    vol. 13:no. 3 (1903:Mar.)
    (1903:Mar.)

    Brick and Clay Record
    Box 11

    vol. 50:no. 2 (1917:Jan. 16)
    (1917:Jan. 16)

    The Brochure Series of Architectural Illustration
    Box 12

    vol. 2:nos. 1-2, 4-7, 9-12 (1896:Jan.-Feb., Apr.-July, Sept.-Dec.)
    (1896:Jan.-Feb., Apr.-July, Sept.-Dec.)

    vol. 3:nos. 1-3, 5-6, 8-12 (1897:Jan.-Mar., May-June, Aug.-Dec.)
    (1897:Jan.-Mar., May-June, Aug.-Dec.)

    vol. 4:nos. 1-3, 6-12 (1898:Jan.-Mar., June-Dec.)
    (1898:Jan.-Mar., June-Dec.)

    vol. 5:nos. 1-2, 4-5, 7-11 (1899:Jan.-Feb., Apr.-May, July-Nov.)
    (1899:Jan.-Feb., Apr.-May, July-Nov.)

    vol. 6:nos. 1-6, 8-10, 12 (1900:Jan.-June, Aug.-Oct., Dec.)
    (1900:Jan.-June, Aug.-Oct., Dec.)
    Box 13

    vol. 7:nos. 2, 5-8, 11-12 (1901:Feb., May-Aug., Nov.-Dec.)
    (1901:Feb., May-Aug., Nov.-Dec.)

    vol. 8:nos. 3, 5-7, 9, 12 (1902:Mar., May-July, Sept., Dec.)
    (1902:Mar., May-July, Sept., Dec.)

    vol. 9:nos. 3, 5, 9-12 (1903:Mar., May, Sept.-Oct.)
    (1903:Mar., May, Sept.-Oct.)

    Burlington Gazette
    Box 14

    vol. 1:nos. 2, 4-5 (1903:May, July-Aug.)
    (1903:May, July-Aug.)

    Burlington Magazine
    Box 15

    vol. 1:nos. 1-3 (1903:Mar.-May)
    (1903:Mar.-May)

    vol. 2:nos. 4-6 (1903:June-Aug.)
    (1903:June-Aug.)
    Box 16

    vol. 3:nos. 8-vol. 4:no. 10 (1903:Nov.-1904:Jan.)
    (1903:Nov.-1904:Jan.)
    Box 17

    vol. 4:no. 11-vol. 5:no. 13 (1904:Feb.-Apr.)
    (1904:Feb.-Apr.)
    Box 18

    vol. 5:no. 15-vol. 6:no. 19 (1904:June-Oct.)
    (1904:June-Oct.)
    Box 19

    vol. 6:nos. 20-24 (1904:Nov.-1905:Mar.)
    (1904:Nov.-1905:Mar.)
    Box 20

    Ceramic Industry
    Box 21

    vol. 1:no. 1 (1923:June)
    (1923:June)

    vol. 5:no. 4 (1925:Oct.)
    (1925:Oct.)

    The Ceramist
    Box 22

    vol. 4:no. 4 (1924:July)
    (1924:July)

    The Craftsman
    Box 23

    Vol. 3:nos. 4-6 (1903: Jan.-Mar.)
    (1903: Jan.-Mar.)

    vol. 4:nos. 3-4, 6 (1903:June-July, Sept.)
    (1903:June-July, Sept.)

    vol. 5:nos. 1-3 (1903:Oct.-Dec.) Oct: cover, table of contents, and some ads only
    (1903:Oct.-Dec.)

    vol. 5:nos. 5-6 (1904:Feb.-Mar.) (2 copies of March)
    (1904:Feb.-Mar.)
    Box 24

    vol. 6:nos. 2-6 (1904:May-Sept.)
    (1904:May-Sept.)

    vol. 7:no. 2 (1904:Nov.)
    (1904:Nov.)

    vol. 7:nos. 4-6 (1905:Jan.-Mar.)
    (1905:Jan.-Mar.)
    Box 25

    vol. 8:nos. 1-3, 5 (1905:Apr.-June, Aug.)
    (1905:Apr.-June, Aug.)

    vol. 9:nos. 1, 3 (1905:Oct., Dec.)
    (1905:Oct., Dec.)

    vol. 9:nos. 5-6 (1906:Feb.-Mar.)
    (1906:Feb.-Mar.)
    Box 26

    vol. 10:nos. 1-4, 6 (1906:Apr.-July, Sept.)
    (1906:Apr.-July, Sept.)

    vol. 11:no.1 (1906:Oct.)
    (1906:Oct.)

    vol. 11:nos. 2-6 (1906:Nov.-1907:Mar.)
    (1906:Nov.-1907:Mar.)
    Box 27

    vol. 12:nos. 2-5 (1907:May-Aug.)
    (1907:May-Aug.)

    vol. 13:nos. 1-4 (1907:Oct.-1908:Jan.)
    (1907:Oct.-1908:Jan.)
    Box 28

    vol. 14:nos. 1-2, 4-6 (1908:Apr.-May, July-Sept.)
    (1908:Apr.-May, July-Sept.)

    vol. 15:no. 3 (1908:Dec.)
    (1908:Dec.)

    vol. 15:nos. 4-6 (1909:Jan.-Mar.)
    (1909:Jan.-Mar.)
    Box 29

    vol. 16:nos. 2-4 (1909:May-July)
    (1909:May-July)

    vol. 17:nos. 2-4 (1909:Nov.-1910:Jan.)
    (1909:Nov.-1910:Jan.)

    vol. 18:nos. 1, 3, 5-6 (1910:Apr., June, Aug.-Sept.)
    (1910:Apr., June, Aug.-Sept.)
    Box 30

    vol. 19:nos. 1-3 (1910:Oct.-Dec.) (2 copies of Nov. issue)
    (1910:Oct.-Dec.)

    vol. 19:nos. 5-6 (1911:Feb.-Mar.)
    (1911:Feb.-Mar.)
    Box 31

    vol. 20:nos. 1-2, 4-6 (1911:Apr.-May, July-Sept.) (2 copies each of July, Aug., and Sept.)
    (1911:Apr.-May, July-Sept.)

    vol. 21:nos. 1-5 (1911:Oct.-1912:Feb.) (2 copies of Oct.)
    (1911:Oct.-1912:Feb.)
    Box 32

    vol. 24:nos. 2, 5-6 (1913:May, Aug.-Sept.)
    (1913:May, Aug.-Sept.)

    The Dome
    Box 33

    vol. 6:no. 17 (1900:Mar 31)
    (1900:Mar 31)

    Fabian Tracts (Fabian Society, England)
    Box 34

    nos. 1, 42, 45 (2 copies), 46, 49, 53, 73, 76, 77, 79, 84, 85, 86 (a large corner has been torn off of numbers 49 and 53 and one copy of 45)

    Lecture List, September 1898
    September 1898

    10th Annual Report, March 1893
    March 1893

    17th Annual Report March 1900
    March 1900

    List of Members, October 1894
    October 1894

    The Forerunner, by Charlotte Perkins Gilman
    Box 35

    vol. 2:no. 8 (1911:Aug.)
    (1911:Aug.)

    Gazette des Beaux Arts
    Box 36

    vol. 12:no. 4 (1916:June)
    (1916:June)

    Handicraft
    Box 37

    vol. 1:nos. 6, 9-10, 12 (1902:Sept., Dec., 1903:Jan., Mar.)
    (1902:Sept., Dec., 1903:Jan., Mar.)

    vol. 2:nos. 1-3, 5, 7-9, 11 (1903:Apr.-June, Aug., Oct.-Dec., 1904:Feb.) (There are 14 copies of the June 1903 issue, which carries an article by Ralph R. Whitehead.)
    (1903:Apr.-June, Aug., Oct.-Dec., 1904:Feb.)

    The House Beautiful
    Box 38

    vol. 13:no. 4 (1903:Mar.)
    (1903:Mar.)

    vol. 14:nos. 1-2, 5-6 (1903:June-July, Oct.-Nov.)
    (1903:June-July, Oct.-Nov.)

    vol. 15:no. 1 (1903:Dec.)
    (1903:Dec.)

    vol. 16:no. 2-4 (1904:July-Sept.)
    (1904:July-Sept.)

    House and Garden
    Box 39

    vol. 2:no. 8 (1902:Aug.)
    (1902:Aug.)

    vol. 3:no. 5 (1903:May)
    (1903:May)

    vol. 4:no. 1 (1903:July)
    (1903:July)

    vol. 5:nos. 4-5 (1904:Apr.-May)
    (1904:Apr.-May)

    vol. 6:no. 5 (1904:Nov.)
    (1904:Nov.)

    vol. 7:no. 2 (1905:Feb.)
    (1905:Feb.)

    The Independent
    Box 40

    vol. 69:no. 3221 (1910:Aug. 25)
    (1910:Aug. 25)

    The International Studio
    Box 41

    Special Winter Number 1897-8 (Children's Books and their Illustrators)

    vol. 6:no. 23-vol. 7:no. 26 (1899:Jan.-Apr.)
    (1899:Jan.-Apr.)

    vol. 7:no. 27-vol. 8:no. 31 (1899:May-Sept.)
    (1899:May-Sept.)
    Box 42

    vol. 9:no. 36-vol. 10:no. 39 (1900:Feb.-May)
    (1900:Feb.-May)
    Box 43

    vol. 10:no. 40 (1900:June)
    (1900:June)
    Box 44

    vol. 11:nos. 42-44 (1900:Aug.-Oct.)
    (1900:Aug.-Oct.)

    vol. 12:no. 46 (1900:Dec.)
    (1900:Dec.)

    vol. 12:no. 47-vol. 13:no. 51 (1901:Jan.-May)
    (1901:Jan.-May)
    Box 45

    vol. 14:no. 53 (1901:July)
    (1901:July)

    vol. 14:no. 54-vol. 15:no. 58 (1901:Aug.-Dec.)
    (1901:Aug.-Dec.)
    Box 46

    vol. 15:no. 59-vol. 16:no. 61 (1902:Jan.-Mar.) (2 copies of March issue)
    (1902:Jan.-Mar.)
    Box 47

    vol. 16:no. 64 (1902:June)
    (1902:June)

    vol. 17:no. 65-vol. 18:no. 70 (1902:July-Dec.)
    (1902:July-Dec.)
    Box 48

    vol. 18:no. 71-vol. 19:no. 75 (1903:Jan.-May)
    (1903:Jan.-May)
    Box 49

    vol. 19:no. 75-vol. 20:no. 78 (1903:May-Aug.) (2 copies each of June and July issues)
    (1903:May-Aug.)
    Box 50

    vol. 20:no. 79-vol. 21:no. 82 (1903:Sept.-Dec.) (2 copies of Nov. issue)
    (1903:Sept.-Dec.)
    Box 51

    vol. 21:no. 83-vol. 22:no. 85 (1904:Jan.-Mar.) (2 copies of Jan. issue)
    (1904:Jan.-Mar.)
    Box 52

    vol. 22:nos. 85-87 (1904:Mar.-May) (2 copies of April issue)
    (1904:Mar.-May)
    Box 53

    vol. 22:no. 87-vol. 23:no. 89 (1904:May-July) (2 copies of July issue)
    (1904:May-July)
    Box 54

    vol. 23:no. 89 (1904:July)
    (1904:July)
    ((4 copies))
    Box 55

    vol. 23:no. 89 (1904:July) (4 more copies)
    (1904:July)
    Box 56

    vol. 23:no. 90 (1904:Aug.)
    (1904:Aug.)
    Box 57

    vol. 24:nos. 93-94, 96 (1904:Nov.-Dec., 1905:Feb.)
    (1904:Nov.-Dec., 1905:Feb.)

    vol. 25:nos. 97-99 (1905:Mar.-May) (2 copies of May issue)
    (1905:Mar.-May)
    Box 58

    vol. 26:no. 103-vol. 27:no. 106 (1905:Sept.-Dec.)
    (1905:Sept.-Dec.)
    Box 59

    vol. 27:no. 107-vol. 28:no. 110 (1906:Jan.-Apr.)
    (1906:Jan.-Apr.)
    Box 60

    vol. 28:no. 111 (1906:May)
    (1906:May)
    Box 61

    vol. 29:nos. 113-115 (1906:July-Sept.)
    (1906:July-Sept.)

    vol. 29:no. 116-vol. 30:no. 118 (1906:Oct.-Dec.) (2 copies of Nov. issue)
    (1906:Oct.-Dec.)
    Box 62

    vol. 30:nos. 119-120 (1907:Jan.-Feb.)
    (1907:Jan.-Feb.)
    Box 63

    vol. 31:nos. 122-123 (1907:Apr.-May)
    (1907:Apr.-May)

    vol. 32:nos. 125-128 (1907:July-Oct.)
    (1907:July-Oct.)
    Box 64

    vol. 33:nos. 129-130, 132 (1907:Nov.-Dec., 1908:Feb.)
    (1907:Nov.-Dec., 1908:Feb.)
    Box 65

    vol. 34:no. 133 (1908:Mar.)
    (1908:Mar.)

    vol. 34:no. 134 (1908:Apr.)
    (1908:Apr.)
    Box 66

    vol. 35:no. 139 (1908:Sept.)
    (1908:Sept.)

    vol. 36:nos. 141-142 (1908:Nov.-Dec.)
    (1908:Nov.-Dec.)

    vol. 36:no. 143-vol. 37:no. 145 (1909:Jan.-Mar.)
    (1909:Jan.-Mar.)
    Box 67

    vol. 37:no. 147 (1909:May)
    (1909:May)

    vol. 37:no. 148-vol. 38:no. 149 (1909:June-July)
    (1909:June-July)
    Box 68

    vol. 38:nos. 152-153 (1909:Oct.-Nov.)
    (1909:Oct.-Nov.)

    vol. 39:no. 155-vol. 40:no. 158 (1910:Jan.-Apr.)
    (1910:Jan.-Apr.)
    Box 69

    vol. 40:no. 159-vol. 41:no. 161 (1910:May-July)
    (1910:May-July)
    Box 70

    vol. 41:no. 163 (1910:Sept.)
    (1910:Sept.)

    vol. 42:no. 165 (1910:Nov.)
    (1910:Nov.)

    vol. 42:no. 169 (1911:Mar.)
    (1911:Mar.)
    Box 71

    vol. 43:no. 170 (1911:Apr.)
    (1911:Apr.)

    vol. 44:nos. 173, 175 (1911:July, Sept.)
    (1911:July, Sept.)

    vol. 44:no. 176 (1911:Oct.)
    (1911:Oct.)
    Box 72

    vol. 45:nos. 178-180 (1911:Dec.-1912:Feb.)
    (1911:Dec.-1912:Feb.)

    vol. 47:no. 188 (1912:Oct.)
    (1912:Oct.)
    Box 73

    vol. 48:nos. 190, 192 (1912:Dec., 1913:Feb.)
    (1912:Dec., 1913:Feb.)

    vol. 49:no. 193 (1913:Mar.)
    (1913:Mar.)

    vol. 49:nos. 194-195 (1913:Apr.-May)
    (1913:Apr.-May)
    Box 74

    vol. 50:nos. 197-198 (1913:July-Aug.)
    (1913:July-Aug.)

    vol. 50:nos. 199-200 (1913:Sept.-Oct.)
    (1913:Sept.-Oct.)
    Box 75

    vol. 51:nos. 201, 203 (1913:Nov., 1914:Jan.)
    (1913:Nov., 1914:Jan.)

    vol. 52:no. 205 (1914:Mar.)
    (1914:Mar.)
    Box 76

    vol. 53:no. 212 (1914:Oct.)
    (1914:Oct.)

    vol. 62:no. 247 (1917:Sept.)
    (1917:Sept.)

    Journal of the American Ceramic Society
    Box 77

    vol. 1:nos. 1-12 (1918:Jan.-Dec.)
    (1918:Jan.-Dec.)

    vol. 2:nos. 1-3, 5-9 (1919:Jan.-Mar., May-Sept.)
    (1919:Jan.-Mar., May-Sept.)

    vol. 2:nos. 10-12 (1919:Oct.-Dec.)
    (1919:Oct.-Dec.)
    Box 78

    vol. 3:nos. 1-12 (1920:Jan.-Dec.) (Aug. is in 2 parts; Part II is Yearbook 1918/19-1919/20.)
    (1920:Jan.-Dec.)

    vol. 4:nos. 1-3 (1921:Jan.-Mar.)
    (1921:Jan.-Mar.)

    vol. 4: nos. 4-12 (1921:Apr.-Dec.) (June is in 2 parts; Part II is Yearbook 1921.)
    (1921:Apr.-Dec.)
    Box 79

    vol. 5:nos. 1-5 (1922:Jan.-May) (April is in 2 parts; Part II is Yearbook 1921/22.)
    (1922:Jan.-May)

    vol. 5:nos. 6-8, 10-12 (1922:June-Aug., Oct.-Dec.)
    (1922:June-Aug., Oct.-Dec.)
    Box 80

    vol. 6:nos. 1-4 (1923:Jan.-Apr.)
    (1923:Jan.-Apr.)

    vol. 6:nos. 5, 11-12 (1923:May, Nov.-Dec.)
    (1923:May, Nov.-Dec.)
    Box 81

    vol. 7:nos. 1-6, 8 (1924:Jan.-June, Aug.)
    (1924:Jan.-June, Aug.)

    vol. 7:nos. 9-12 (1924:Sept.-Dec.) a signature containing: Author and Subject Index to vol. 5; Author and Subject Index to Abstracts in vol. 1; Author and Subject Index to vol. 1; and title page for vol. 1
    (1924:Sept.-Dec.)
    Box 82

    vol. 46:no. 8 (1924:Aug.)
    (1924:Aug.)
    Box 83

    Journal of the Society of the Arts
    Box 84

    vol. 54:nos. 2777-2778, 2780, 2782-2800 (1906:Feb. 9-Feb. 16, Mar. 2, Mar. 16-July 20)
    (1906:Feb. 9-Feb. 16, Mar. 2, Mar. 16-July 20)

    Memoirs of the American Museum of Natural History
    Box 85

    vol. 3 (1903:July)
    (1903:July)

    The Magazine of Art
    Box 86

    vol. 18:no. 2 (1895:Jan.)
    (1895:Jan.)

    1896:June
    1896:June

    1900:Dec.
    1900:Dec.

    New York State Museum Bulletin 56, “Description of the State Geologic Map of 1901.” Frederick J.H. Merrill, 1902.
    1902.
    Box 87

    The Portfolio
    Box 88

    nos. 1, 4-6, 11, 17 (1894:Jan., Apr.-June, Nov, 1895:May)
    (1894:Jan., Apr.-June, Nov, 1895:May)

    The Potter
    Box 89

    vol. 1:nos. 1, 3 (1916:Dec., 1917:Feb.)
    (1916:Dec., 1917:Feb.)

    The Studio
    Box 90

    vol. 4:nos. 21, 23-24 (1894:Dec., 1895:Feb.-Mar.)
    (1894:Dec., 1895:Feb.-Mar.)

    vol. 5:nos. 25-29 (1895:April-Aug.)
    (1895:April-Aug.)

    vol. 5:no. 30 (1895:Sept.)
    (1895:Sept.)
    Box 91

    vol. 6:nos. 32-34 (1895:Nov.-Dec., 1896:Jan.)
    (1895:Nov.-Dec., 1896:Jan.)

    vol. 7:nos. 35-37 (1896:Feb.-Apr.)
    (1896:Feb.-Apr.)

    vol. 7:nos. 38-39 (1896:May-June)
    (1896:May-June)
    Box 92

    vol. 8:no. 42 (1896:Sept.)
    (1896:Sept.)

    vol. 9:nos. 44-45 (1896:Nov.-Dec.)
    (1896:Nov.-Dec.)

    Special Winter Number 1896-7
    1896-7

    vol. 9:no. 46 (1897:Jan.)
    (1897:Jan.)
    Box 93

    vol. 10:nos. 47-48, 50 (1897:Feb.-Mar., May)
    (1897:Feb.-Mar., May)

    vol. 11:no. 51 (1897:June)
    (1897:June)

    vol. 11:nos. 52-54 (1897:July-Sept.)
    (1897:July-Sept.)
    Box 94

    vol. 12:nos. 55, 57 (1897:Oct., Dec.) (Dec. - cover only)
    (1897:Oct., Dec.)

    Art at the Royal Academy, London, 1897
    1897

    Art at the Salon Champs Elysées, Paris, 1897
    1897

    vol. 12:no. 58 (1898:Jan.)
    (1898:Jan.)
    Box 95

    vol. 13:nos. 59-62 (1898:Feb.-May)
    (1898:Feb.-May)

    vol. 14:no. 64 (1898:July) (cover only)
    (1898:July)

    vol. 14:no. 65 (1898:Aug.)
    (1898:Aug.)
    Box 96

    vol. 15:nos. 67-70 (1898:Oct.-1899:Jan.)
    (1898:Oct.-1899:Jan.)

    vol. 16:no. 71 (1899:Feb.)
    (1899:Feb.)

    vol. 16:nos. 72-74 (1899:Mar.-May)
    (1899:Mar.-May)
    Box 97

    vol. 17:no. 75 (1899:June)
    (1899:June)

    vol. 23:no. 99 (1901:June)
    (1901:June)

    vol. 29:no. 123 (1903:June)
    (1903:June)

    The Studio: special issues
    Box 98

    Special Summer Number 1902 (“Modern Etching and Engraving: European and American”)
    1902

    Special Winter Number 1902-3 (“Corot and Millet”)
    1902-3

    Special Winter Number 1903 (“The Genius of J.M.W. Turner, R.A.”)
    1903

    Special Autumn Number 1904 (“Daumier and Gavarni”)
    1904
    Box 99

    Special Spring Number 1912 (“The Village Homes of England”)
    1912

    University of Illinois Bulletin, “Short Courses in Clay Working and Enameling,” announcement and program, January 14-25, 1924.
    January 14-25, 1924.
    Box 100

    unknown magazines:
    Box 101

    Miscellaneous covers, pages, and articles


    SERIES V: MONOGRAPHS AND TRADE CATALOGS

    Albee, Helen R. Abnákee Rugs: A Manual Describing the Abnákee Industry, the Methods Used, with Instructions for Dyeing. Cambridge, Mass.: Riverside Press, 1901.
    1901.
    B 1

    American Dyewood Co. Colors on Woolen Yarn. n.d. (samples included)
    n.d.
    B 2

    Ashby, Holden M. How to Analyze Clay: Practical Methods for Practical Men. 1897.
    1897.
    B 3

    Ashenhurst, Thos. R. A Practical Treatise on Weaving and Designing of Textile Fabrics. 4th ed. Huddersfield, [Eng.]: J. Broadbent and Co., 1887.
    1887.
    B 4

    Badische Anilin-& Soda-Fabrik. Decroline. n.d. (samples included)
    n.d.
    B 5

    Badische Anilin-& Soda-Fabrik. Alizarine Colors on Loose Wool. n.d. (samples included)
    n.d.
    B 6

    Badische Anilin-& Soda-Fabrik. Jadanthrenfarben auf Seide. n.d. (samples included)
    n.d.
    B 7

    Badische Anilin-& Soda-Fabrik. Indanthrene, Alizarine Dyestuffs and Indigo on Cotton Yarn. n.d. (samples included)
    n.d.
    B 8

    Badische Anilin-& Soda-Fabrik. Colors on Cotton. n.d. (samples included) (imported by Kuttroff, Pickhardt & Co., whose name appears on the cover)
    n.d.
    B 9

    Barber, Edwin Atlee. Lead Glazed Pottery, Part First (Common Clays): Plain Glazed, Sgraffito and Slip-Decorated Wares. Philadelphia: Pennsylvania Museum and School of Industrial Art, 1907.
    1907.
    B 10

    Barber, Edwin Atlee. Salt Glazed Stoneware: Germany, Flanders, England, and the United States. New York: Doubleday, Page and Co., 1907.
    1907.
    B 11

    Barber, Edwin Atlee. Tin Enameled Pottery: Majolica, Delft, and other Stanniferous Faience. New York: Doubleday, Page and Co., 1907. (printed for the Pennsylvania Museum and School of Industrial Art)
    1907.
    B 12

    Barker, Alfred F. An Introduction to the Study of Textile Design. London: Methuen & Co., 1903.
    1903.
    B 13

    Barlow, Alfred. The History and Principles of Weaving by Hand and by Power. 3d ed. London: Sampson Low, Marston, Searle, & Rivington, 1884.
    1884.
    B 14

    Friedr. Bayer & Co. Färbungen auf Trameseide: Shades on Japanese Tram-silk, weighted 40%. Elberfied: The Company, n.d. (samples included)
    n.d.
    B 15

    Friedr. Bayer & Co. The Katigen Colours of the Farbenfabriken. Elberfied: The Company, 1902. (samples included)
    1902.
    B 16

    Beaumont, Robert. Woollen and Worsted Cloth Manufacture: Being a Practical Treatise.... London: George Bell and Sons, 1888.
    1888.
    B 17

    Beilouny, G., collector. A Remarkable Collection of Ancient Works of Art. New York: s.n., 1919.
    1919.
    B 18

    Bellevue Furnace Co. Perfection Kilns for Firing China, Glass and Pottery. n.d.
    n.d.
    B 19

    Binns, Charles, ed. Ceramic Technology: Being Some Aspects of Technical Science as Applied to Pottery Manufacture. London: The Pottery Gazette, 1897.
    1897.
    B 20

    Bird, F.J. The American Practical Dyer's Companion.... Philadelphia: Henry Carey Bairde & Co., 1882. (samples included)
    1882.
    B 21

    Bucher, Bruno. Geschichte der Technischen Künste. Stuttgart: Union Deutsche Verlagsgesellschaft, 1893.
    1893.
    B 22

    Byrdcliffe Afternoons: A Series of Lectures Given at Byrdcliffe, Woodstock, New York, July 1938. Woodstock: The Overlook Press, 1939. (see also Series VI, Box 6)
    July 1938.
    B 23

    Campana, D.M. The Teacher of China Painting. 3d ed., corrected and enlarged. Chicago: D.M. Campana, n.d.
    n.d.
    B 24

    Cantagalli, Giuseppe. Album Della Robbia: Riproduzioni di Opera dei Della Robbia. n.d., but an earlier edition than in B-26 below.
    n.d.,
    B 25

    Cantagalli, Giuseppe. Album Della Robbia: Riproduzioni di Opera dei Della Robbia. n.d., but a later edition than in B-25 above (this one has more designs in it).
    n.d.,
    B 26

    Cassella Color Co. The Dyeing of Feathers. n.d. (samples included)
    n.d.
    B 27

    Chevreul, M.E. The Principles of Harmony and Contrast of Colours and their Applications to the Arts. 3d ed. London: George Bell and Sons, 1903.
    1903.
    B 28

    Church, Arthur H. English Earthenware Made During the 17th and 18th Centuries. London: His Majesty's Stationery Office, 1911.
    1911.
    B 29

    Colorado Crucible & Clay Co. “Keramic” Pottery Klins. n.d.
    n.d.
    B 30

    Copeland Loom Co. The Copeland Loom. n.d. (two different brochures)
    n.d.
    B 31

    Crawford Brothers, Ltd. Pure Flax Embroidery Threads. n.d. (samples included)
    n.d.
    B 32

    Deen Loom Co. The Pressed Steel Advance Flying-Shuttle Loom. n.d.
    n.d.
    B 33

    Denver Fire Clay Co. The DFC Method of Burning Oil. 1919? (same as B 35)
    1919?
    B 34

    Denver Fire Clay Co. The DFC Method of Burning Oil. 1919? (same as B 34)
    1919?
    B 35

    Denver Fire Clay Co. Keramic Pottery Kilns. ca.1917. (same as B 37)
    ca.1917.
    B 36

    Denver Fire Clay Co. Keramic Pottery Kilns. ca.1917. (same as B 36)
    ca.1917.
    B 37

    Denver Fire Clay Co. Melting Furnaces. n.d.
    n.d.
    B 38

    Denver Fire Clay Co. Vitreosil Laboratory Utensils. n.d.
    n.d.
    B 39

    F.W. Devoe & C.T. Raynolds Co. Catalogue of Artists' Materials and Architects' Supplies. 19th ed.. n.d.
    n.d.
    B 40

    Dilley, Arthur Urbane. Oriental Rugs. Boston: A.U. Dilley & Co., 1909.
    1909.
    B 41

    Farrell, Frank J. Dyeing and Cleaning: A Practical Handbook. 2d ed. London: Charles Griffin & Co., 1910.
    1910.
    B 42

    Feldspar in the Potters' Field. Wheeling: Chas. M.Franzheim Co., 1921.
    1921.
    B 43

    Frederick, Frank Forrest. Plaster Casts and How They Are Made. 3d ed. New York: William T. Comstock Co., 1911.
    1911.
    B 44

    Galsworthy, Ada and John. Seventeen Songs. London: Schott & Co.; New York: G. Schirmer, 1913.
    1913.
    B 45

    Halvorsen, Caroline. Haandbog i Vaevning. Kristiania: J.W. Cappelens Forlag, 1904.
    1904.
    B 46

    Haserick, E.C. The Secrets of the Art of Dyeing Wool, Cotton, and Linen. Cambridge: Welch, Bigelow, and Co., 1869. (samples included)
    1869.
    B 47

    How to Apply Royal Worchester, Matt, Bronze, LaCroix and Dresden Colors to China... 19th ed. New York: A.H. Osgood, 1905. (purchased from B.F. Drakenfeld & Co.)
    1905.
    B 48

    Hummel, J.J. Colouring Matters for Dyeing Textiles. New and revised ed., edited by Paul N. Hasluck. London: Cassell and Co., 1906.
    1906.
    B 49

    Hurst, George H. Painters' Colours, Oils, and Varnishes: A Practical Manual. 3d ed., revised and enlarged. London: Charles Griffin & Co., 1901.
    1901.
    B 50

    Illustrated and Descriptive Account of the Main Dams and Dike of the Ashkokan Reservoir. Brown Station, NY: E.G. Nimsgern, 1905 or later.
    1905
    B 51

    Jervis, W.P. A Pottery Primer. New York: O'Gorman Publishing Co., 1911.
    1911.
    B 52

    Lamont, Corliss & Co. Rainbow Dyes Color Card. n.d. (samples included)
    n.d.
    B 53

    Lawrence, C.E., collector. Illustrated Catalog of...Hook Rugs.... New York: American Art Association, 1921
    1921
    B 54

    Leeds & Northrup Co. The Potentiometer System of Pyrometry and Temperature Control. Philadelphia: The Company, 1918.
    1918.
    B 55

    Le Gallienne, Richard. Woodstock: An Essay, with Reproductions of the Work of Woodstock Artists. Woodstock, N.Y.: Woodstock Art Association, 1923. (number 10 of an edition of 100 copies which have been bound in boards and signed by the author and artists)
    1923.
    B 56

    Lovell, R. Goulburn. Courage in Colour Applied to Personal Attire and Home Surroundings. London: Charles Griffin, n.d.
    n.d.
    B 57

    Maurer, W.A. White China, Colors, Gold and Art Material. Catalogue for 1925-26.
    B 58

    Mine & Smelter Supply Co. The Lindsay Oil Furnaces and Burners. n.d.
    n.d.
    ((1 page))
    B 59

    Mortimer, F.J. and Coulthurst, S.L. The Oil and Bromoil Processes. London: Hazell, Watson, & Viney, 1909. (“The Amateur Photographer” Library, no. 31.)
    1909.
    B 60

    Müller, F. Max. God Save the Queen, Translated into Sanskrit. Oxford: Horace Hart, n.d.
    n.d.
    ((1 sheet))
    B 61

    Newcomb, C.N. Instructions for Setting up and Operating the Newcomb Improved No. 3, Rag Carpet Loom. Davenport, Iowa, n.d.
    n.d.
    B 62

    Newcomb Loom Co. Instructions for Setting Up and Operating the Weaver's Delight 4-Harness Rag Carpet and Cloth Loom. Davenport, Iowa: The Company, n.d. (also includes “Price List of Supplies”)
    n.d.
    B 63

    New York and Boston Dyewood Co. Substantive Colors on Cotton Yarn. n.d. (samples included)
    n.d.
    B 64

    Overlook, The. ca. 1935. (a printed album of photographs from Woodstock and Lake Hill, New York)
    ca. 1935.
    B 65

    Pier, Garrett Chatfield. Pottery of the Near East. New York: G.P. Putnam's Sons, 1909.
    1909.
    B 66

    Rawson, Christopher; Gardner, Walter M.; and. Laycock, W.F. A Dictionary of Dyes, Mordants, and Other Compounds Used in Dyeing and Calico Printing. London: Charles Griffin & Co., 1901.
    1901.
    B 67

    Reitz, S.C. Bosch. Catalogue of an Exhibition of Early Chinese Pottery and Sculpture. New York: Metropolitan Museum of Art, 1916.
    1916.
    B 68

    L. Reusche & Co. Illustrated Catalogue and Price List. n.d. (mostly colors and chemicals for pottery)
    n.d.
    B 69

    Rhead, Frederick H. Studio Pottery. University City, [no state]: Peoples University Press, 1910.
    1910.
    B 70

    Richardson, W.D. The Compartment Kiln For Pottery. Columbus, Ohio: s.n., n.d.
    n.d.
    B 71

    Ross, Denman W. “A Theory of Tone-Relations: Color, Intensities, Neutrality, Values” [a chart]. Revised statement. s.l.: s.n., 1902.
    1902.
    B 72

    Ruskin, John. Ariadne Florentina: Six Lectures on Wood and Metal Engraving. Keston (then Orpington), Kent: George Allen, 1873-1875. (Each lecture is in a separate folder.)
    1873-1875.
    B 73

    Ruskin, John. Catalogue of a Series of Specimens in the British Museum (Natural History) Illustrative of the More Common Forms of Native Silica.

    Orpington, Kent: George Allen, 1884
    1884

    Ruskin, John. Catalogue of the Drawings and Sketches of J.M.W. Turner at Present Exhibited in the National Gallery. Orpington, Kent: George Allen, 1881.
    1881.

    Ruskin, John. Coeli Enarrant: Studies of Cloud Form and of its Visible Cause, Collected and Completed out of “Modern Painters.” Part 1. Orpington, Kent: George Allen, 1885.
    1885.

    Ruskin, John. Deucalion: Collected Studies of the Lapse of Waves, and Life of Stones. Parts 1-8. Orpington, Kent: George Allen, 1875-1883. (each part is in its own folder)
    1875-1883.
    B 74

    Ruskin, John. General Statement Explaining the Nature and Purpose of St. George's Guild. Orpington, Kent: George Allen, 1882.
    1882.
    B 75

    Ruskin, John. Inaugural Address Delivered at the Cambridge School of Art, October 29th, 1858. New edition. Orpington, Kent: George Allen, 1879.
    October 29th, 1858.

    Ruskin, John. In Montibus Sanctis: Studies of Mountain Form and of its Visible Causes, Collected and Completed out of “Modern Painters.” Part 1. Orpington, Kent: George Allen, 1884.
    1884.

    Ruskin, John. Love's Meinie: Lectures on Greek and English Birds.... Lecture 1: “The Robin.” Lecture 2: “The Swallow.” Keston, Kent: George Allen, 1873. Lecture 3: “The Dabchicks.” Orpington, Kent: George Allen, 1881.
    1873.

    Ruskin, John. Notes on the Construction of Sheepfolds. 2d ed. Orpington, Kent: George Allen, 1875.
    1875.

    Ruskin, John. “Our Fathers Have Told Us:” Sketches of the History of Christendom for Boys and Girls. Part 1, chapters 1-4, and appendix. (5 folders) Orpington, Kent: George Allen, 1880-1885.
    1880-1885.
    B 76

    Ruskin, John The Pleasures of England: Lectures given in Oxford. Lectures 1-4. (in 4 folders) Orpington, Kent: George Allen, 1884-1885.
    1884-1885.

    Ruskin, John. Praeterita: Outlines of Scenes and Thoughts Perhaps Worthy of Memory in my Past Life. Vol. 1, chapters 1-12; and Vol. 2, chapters 1-2-3, 5. Orpington, Kent: George Allen: 1885-1886. (each chapter in its own folder)
    1885-1886.
    B 77

    Ruskin, John. Proserpina: Studies of Wayside Flowers.... Parts 1-9. Orpington, Kent: George Allen, 1878-1885.
    1878-1885.
    B 78

    Ruskin, John. The Relation Between Michael Angelo and Tintoret. London: Printed for the author by Smith, Elder and Co., 1872.
    1872.

    Ruskin, John. Salsette and Elephanta: A Prize Poem Recited... June 12th, 1839. Orpington, Kent: George Allen, 1879.
    June 12th, 1839.

    Ruskin, John. Works by Mr. Ruskin Published by and to be had of George Allen.... January 1885.
    January 1885.

    Slater, J.W. The Manual of Colours and Dye Wares: Their Properties, Applications, Valuation, Impurities, and Sophistications.... 2d ed., revised and enlarged. London: Crosby, Lockwood & Co., 1882.
    1882.
    B 79

    Smith, J. Jay and J. F. Watson. American Historical and Literary Curiosities.... Philadelphia: National Publishing Co., 1847.
    1847.
    B 80

    Staley, Homer F. Materials and Methods Used in the Manufacture of Enameled Cast-Iron Wares. U.S. Dept. of Commerce, Technologic Papers of the Bureau of Standards, no. 142. Washington: Government Printing Office, 1919.
    1919.
    B 81

    Taylor Instrument Companies. Tycos Radiation Pyrometers. Rochester, NY: The Company, 1918. (also includes some correspondence)
    1918.
    B 82

    Taylor Instrument Companies. Tycos Rare Metal Thermoelectric Pyrometers. Rochester, NY: The Company, 1918.
    1918.
    B 83

    Transactions of the American Ceramic Society, v. 19, edited by Arthur S. Watts. 1917.
    1917.
    B 84

    The Weaver's Shop. The Homecraft Loom: Its Weavings-Its Advantages in the Home and Elsewhere. New York: The Shop, n.d.
    n.d.
    B 85

    F. Weber & Co. Illustrated Price List of Artists' Materials and Draughtsmen's Supplies. (cover title: Catalogue of Artists Materials, Drawing Materials. Philadelphia: The Company, 1916.
    1916.
    B 86

    F. Weber & Co. Illustrated Price List of Artists' Materials and Draughtsmen's Supplies. (cover title: Catalogue of Artists Materials, Drawing Materials.) Philadelphia: The Company, n.d.
    n.d.
    B 87

    Whitehead, Jane Byrd Radcliffe-, ed. Folksongs and Other Songs for Children. Philadelphia: Oliver Ditson Co., 1903. (same as B-88)
    1903.
    B 88

    Whitehead, Jane Byrd Radcliffe-, ed. Folksongs and Other Songs for Children. Philadelphia: Oliver Ditson Co., 1903. (same as B-87; this copy belonged to Gertrude McCall.)
    1903.
    B 89

    Whitehead, Jane Byrd Radcliffe-, ed. Folksongs and Other Songs for Unison Singing. Boston: Oliver Ditson Co., 1927.
    1927.
    B 90

    Whitehead, Ralph Radcliffe, ed. Folksongs of Eastern Europe. Boston: Oliver Ditson Co., 1912. (same as B-91)
    1912.
    B 91

    Whitehead, Ralph Radcliffe, ed. Folksongs of Eastern Europe. Boston: Oliver Ditson Co., 1912. (same as B-90)
    1912.
    B 92

    Whitehead, Ralph Radcliffe. Arrows of the Dawn. No. 3: Pictures for Schools. Montecito, [Calif.]: s.n., 1901. (another copy is in B-93)
    1901.
    B 93

    Whitehead, Ralph Radcliffe. Arrows of the Dawn. No. 1: The Unemployed. Montecito, [Calif.]: s.n., 1895 (2 copies, one in pamphlet binder, the other in a folder)
    1895
    B 94

    Whitehead, Ralph Radcliffe. Arrows of the Dawn. No. 2: The Power of Hellas. By Prospiece. Montecito, [Calif.]: s.n., 1896.
    1896.

    Whitehead, Ralph Radcliffe. Arrows of the Dawn. No. 3: Pictures for Schools. Montecito, [Calif.]: s.n., 1901. (another copy is in B-92)
    1901.

    Whitehead, Ralph Radcliffe. The Beginnings of the Renaissance. London: Women's Printing Society, 1894.
    1894.

    The Vita Nuova of Dante. (Introduction and notes are by Ralph Radcliffe Whitehead.) London: Chiswick Press, 1892.
    1892.
    ((2 copies))


    SERIES VI: BUSINESS AND REAL ESTATE RECORDS, MANUSCRIPTS, AND PRINTED EPHEMERA

    .1148.  Volume labeled on first page: “Elevations at Byrdcliffe, Woodstock, Ulster Co., N.Y., Determined in Aug. 1910 by Albert S. Low, David Reichgott.” (“elevations” refers to height above sea level)
    Box 1

    .1150.  Volume labeled on cover: “Recipes [crossed out], Books: Dining Room, Hall, Ping P. Room, Weaving Room.” Undated, but after 1930. Includes recipes for wood stains and varnish. Book inventory includes author, title, publisher, date and place of publication, location, and a very few prices.
    Undated, but after 1930.

    .1152.  Small address book. Undated and in various hands. (different from.1130 below)
    Undated

    .1155.  Ambrose Choral Society, Woodstock, NY. Records. 1925. Includes minutes of meetings, letters, checkbook, bankbook, cashbook, and articles of association. (see also Box 8, folder 1, below)
    1925.

    .1156.  Inventory of the Whiteheads' library, listing authors, titles, publishers, dates of publication, and location. The back of the volume records dates important in British history from 55 B.C. to 1485 A.D. Undated.
    Undated.

    .1157.  Ralph Radcliffe Whitehead. Miscellaneous Writings. Probably done during the 1910s. Chiefly in manuscript with a few typescripts. In one loose-leaf binder.
    1910s.

    .1158.  Scrapbook kept to record the activities of the Misses McCall on a European trip, 1883-1890. Includes newspaper clippings; photographs, including a photo of Jane Byrd McCall in court dress; calling cards; invitations; a portfolio of etchings by W.B. Closson relating to Oliver Wendell Holmes, dated 1886; several pencil sketches and watercolors; and programs for concerts and other events. At the end of the volume is a list entitled “Celebrities I Have Met.” Included are names of presidents, princes, authors, and artists. Most of the materials relate to England, but there are some about the continent.
    1883-1890.

    .1162.  Volume labeled on cover: “Dante Library, Japanese Library, Ruskin Library: Inventory of Houses: Evening Star, Serauata, Fleur de Lys, Chanticler, East Over, Skylights, Villetta. Ca.1933. Volume contains a list of the books in the various libraries and inventories of furnishings of the houses. Also inventoried were the contents of the cottage named “Apples.” Included in the volume is a list of houses the contents of which were not inventoried, and a comment about a story appearing in The Craftsman.
    Ca.1933.

    .1300.  Small address book (different from.1152, above). No date.
    No date.

    .1141.  Pottery production notes, 1920-1926. Includes a sketch of the shape, notes on glazes, and the object number for each piece.
    1920-1926.
    Box 2A

    .1142.  Pottery production notes, 1915. Includes a sketch of shapes, notes on colors and glazes, and production numbers.
    1915.

    .1143.  Volume labeled “Pottery, Collected Notes, Dec. 1915,” but the period covered actually extends to 1922. Features colors, recipes for clay and glazes by Rhead; loose papers laid in with more of same and a letter from Edith V. Evans relating to Albany Slip.

    .1144.  Pottery notes 1915, including shapes, colors, production numbers, glazes. Also includes recipes for glazes and slips. Volume is labeled on front cover: “R. Radcliffe Whitehead, R.D. 4, Santa Barbara.”
    1915,

    .1145.  Volume labeled on cover: “Overglaze Colors,” from 1916. Includes notes, some shapes, colors, and some recipes.

    .1146.  Volume labeled on cover: “Pottery, 1933.” Includes formulas given by Z.S. Parker, types of clays and glaze materials, other notes on colors, a firing record for Sept. 1, 1933, and a list of dyes for wool and cotton. Most of the pages are blank. Comes with a note pad on which is written “Glaze 95 - cone 03to 05"; all other pages are blank.

    .1147.  Volume labeled: “Pottery, July 1917-1918-1919.” General production notes, shapes, and qualitative judgments on what is produced.

    .1149.  Volume labeled: “Dyeing & weaving: Current memoranda.” No date. Notes on colors for linen, cotton, flax, silk, and wool. Some notes for figuring costs of hand-woven items (probably in order to price them to sell) and cost to warp a loom. Also includes other notes about warping looms. Most pages blank.
    No date.

    .1151.  Volume labeled: “R. Radcliffe Whitehead, Pottery Notes, 1917-1919.” General notes on methods and recipes.

    .1153.  Volume labeled “Dyeing & Weaving Memoranda, 1912; copy of notes on dyeing & weaving.” Includes recipes, methods, and dye suppliers' addresses.
    1912;

    .1154.  Volume labeled “Pottery,” covering 1919-1923. Includes notes on shapes, colors, and prices of pieces sent to exhibits, to customers (both galleries and individuals), or which were “packed to stay in Santa Barbara.”
    1919-1923.

    .1301.  Sketchbook of oscillators. (On cover: Rich Art Studio Sketch Book for Water Color...) (most pages are blank)

    .1302.  Expenses (approximate), Byrdcliffe, 1931-1938, with other notes. (The inside front cover is stamped with the name R. Radcliffe Whitehead, Jr., but the accounts postdate his death.)
    1931-1938,

    .1160.  Scrapbook with samples of fabric and thread, some labeled with notes about dyeing.
    Box 2B

    “Byrdcliffe Arts & Crafts Colony: Life by Design,” materials from the exhibit at the Delaware Art Museum, 1984-1985.
    1984-1985.
    Box 3: Folder 1

    Writings of R.R. Whitehead and “Thoughts of R.R. Whitehead,” compiled by James T. Shotwell.
    Folder 2

    Introduction to the writings of RRW, probably by James Shotwell.
    Folder 3

    Whitehead coat of arms and genealogy.
    Folder 4

    R.R.W.: certificate of birth.
    Folder 5

    R.R.W.: Act of Naturalization, 1899.
    1899.
    Folder 6

    R.R.W.: passport, 1910.
    1910.
    Folder 7

    R.R.W.: income and other taxes, 1910-1929.
    1910-1929.
    Folder 8

    R.R.W.: certificate of life subscription in Balliol Society, 1927.
    1927.
    Folder 9

    R.R.W.: The Council of the American Geographical Society: certificate as a fellow. 1926.
    1926.
    Folder 10

    R.R.W.: Hertz Driveurself Stations, Inc., identification card.
    Folder 11

    R.R.W.: printed book plates with his name and coat of arms.
    Folder 12

    R.R.W.: “Instructions.” (about location of will, cremation of body)
    Folder 13

    “The Life of Ralph Radcliffe Whitehead,” and an article about the Whiteheads giving money for pictures for a new school in Santa Barbara.
    Folder 14

    R.R.W.: Bill from John Rowntree, England, 1896-1901 (settling a will).
    1896-1901
    Folder 15

    Business correspondence from England, 1903, 1931.
    1903, 1931.
    Folder 16

    Stocks in England, 1926-1927.
    1926-1927.
    Folder 17

    The Saddleworth - American Connection.
    Folder 18

    “R. R. Whitehead & Bros. Ltd.: A Record of Industrial Enterprise.”
    Folder 19

    Death and Estate of Ralph R. Whitehead, Jr., 1928.
    1928.
    Box 4: Folder 1

    Obituaries: Ralph Radcliffe Whitehead, 1929; R.R.W., Jr., 1928.
    1929;
    Folder 2

    Ralph R Whitehead's death: correspondence with Philip Etting (lawyer).
    Folder 3

    Estate of Ralph Radcliffe Whitehead, Deceased, 1929-1930.
    1929-1930.
    Folder 4

    Estate of Ralph Radcliffe Whitehead, Deceased, 1931-1956.
    1931-1956.
    Folder 5

    Last Will & Testament, Jane Byrd McCall Whitehead 1944, 1941.
    1944, 1941.
    Folder 6

    Jane Byrd McCall Whitehead: Taxes, 1922-1931.
    1922-1931.
    Folder 7

    Jane Byrd McCall Whitehead: Bank statements, 1929-1932.
    1929-1932.
    Folder 8

    Account book: Cash received and paid out, Philadelphia, 1879-80, and White Pines, 1909-32.
    1879-80,
    Folder 9

    Whitehead account book, 1944-1946. (includes account of eggs sold)
    1944-1946.
    Folder 10

    Jane Byrd McCall Whitehead Papers: stock certificate; dance card from a ball; calling cards; invitation; drawings; miscellaneous notes, including some in Greek.
    Box 5: Folder 1

    Royalty statements for Jane Byrd Whitehead's book Folk Songs and Other Songs for Children, 1931, 1933.
    1931, 1933.
    Folder 2

    Peter McCall (d. 1880): papers related to his estate.
    (d. 1880):
    Folder 3

    Bouquet ribbon (yellow) worn at wedding of J.B.W. and R.R.W., York Harbor Maine, 1892. Also contains blue ribbon.
    1892.
    Folder 4

    Height & Weight: Ralph Whitehead and Peter Whitehead, 1913.
    1913.
    Folder 5

    “Flowers from the window of mother's bedroom at Arcady in 1899.” (dried and mounted)
    Folder 6

    Horoscopic Delineation for Geoffrey J. R. Whitehead, 1944. (labeled on back: “Peter's horoscope”)
    1944.
    Folder 7

    Correspondence, primarily about Byrdcliffe, R.R.W., 1902-1929.
    1902-1929.
    Folder 8

    Correspondence, primarily about Byrdcliffe, Jane and Peter Whitehead and miscellaneous, 1931-1984, n.d..
    1931-1984, n.d..
    Folder 9

    Norman Thomas letter, 1953.
    1953.
    Folder 10

    Inventory of folk music, 1931.
    1931.
    Folder 11

    Manuscript album, labeled “Music,” 1895.
    1895.
    Folder 12

    Notes, letters and clippings from manuscript album in folder 12, 1898-1903.
    1898-1903.
    Folder 13

    Poems by various authors, handwritten, printed, typed. Includes poems by Thomas S. Jones, Jr., P.C.B., Ima, Hervey White, John Burroughs, Ann Moore, and others; one is probably by RRW.
    Folder 14

    Byrdcliffe: Asphalt & Roads, 1904-1914, n.d.
    1904-1914, n.d.
    Box 6: Folder 1

    Oil stoves, “Wear-Ever” aluminum utensils, bins and tanks, 1908-1911.
    1908-1911.
    Folder 2

    W. H. Edwards (manager of Byrdcliffe): bonus, 1921.
    1921.
    Folder 3

    Byrdcliffe cottages: number of bedrooms, list of other rooms, and price of rental, n.d.
    n.d.
    Folder 4

    Byrdcliffe: workman's compensation case: injury of dairyman, 1927.
    1927.
    Folder 5

    Byrdcliffe: office equipment information, 1905.
    1905.
    Folder 6

    Byrdcliffe: water supply, 1902-1961.
    1902-1961.
    Folder 7

    Byrdcliffe: addresses of people to invite to exhibit, 1908.
    1908.
    Folder 8

    Byrdcliffe stationery and printed ephemera: letterhead stationery and invoices; envelopes; Byrdcliffe price tag, 1907; business cards; advertisements for showroom; Christmas card; program for concert given by Mr. and Mrs. Arnold Dolmetsch in the Music Room, 1908; announcements of classes, 1907-1909 and n.d.; ads for the cottages and inn at Byrdcliffe; postcard of and article about a shrine featuring a della Robbia Madonna, on the grounds of Byrdcliffe. (for information on Villeta, see Box 7)
    1907;
    Folder 9

    Byrdcliffe: Business letters, 1905 - 1921, n.d. (many about exhibiting and selling woven articles).
    1905 - 1921, n.d.
    Folder 10

    Byrdcliffe Afternoons, 1938-1939: printed materials and newspaper articles. (see also Series V, B-23)
    1938-1939:
    Folder 11

    Ledger: Weavings Sold, Taken to New York, 1907-1911.
    1907-1911.
    Folder 12

    Byrdcliffe Ledger: Purchases, Petty Cash, 1928.
    1928.
    Folder 13

    White Pines Pottery
    Folder 14

    Notes on weaving and color. (includes manuscript labeled 92×39.204a-b)
    Folder 15

    Notes on dyeing, bleaching, silk, cotton - 1909-1910.
    1909-1910.
    Folder 16

    Notes on principals of design, n.d. (manuscript is numbered 92×39.398a-b)
    n.d.
    Folder 17

    Library Register Book, 1923 - 1925.
    1923 - 1925.
    Box 7: Folder 1

    The Villetta: program for play by the Villetta Studio Players; ads; and a dispute over accounts, 1938.
    1938.
    Folder 2

    Villetta ledger: Receipts and disbursements, 1921-1923; Meals served at Villetta, 1921; lists of telegrams and telephone calls, 1921-1923.
    1921-1923;
    Folder 3

    Villetta ledger, n.d.
    n.d.
    Folder 4

    Villetta ledger, 1924, 1938.
    1924, 1938.
    Folder 5

    Villetta guest register, 1903-1925
    1903-1925
    Folder 6

    John Fick, Grocer, New York City: ad.
    Folder 7

    Fly traps: trade card and brochure.
    Folder 8

    Ambrose Choral Society (Woodstock, N.Y.): Articles of Association. (see also Box 1, item.1155)
    Box 8: Folder 1

    Information about the Catskill Mountains.
    Folder 2

    Overlook Mountain House, Ulster County, NY, 1917.
    1917.
    Folder 3

    Woodstock, New York: printed materials relating to Woodstock: Woodstock Guild of Craftsmen show, 1974; postcards from old photographs; program from concert to benefit St. Joan of Arc Chapel, 1946; directions on how to reach Woodstock; program from entertainment to aid United China Relief, 1942; invitation to a gala given by the Woodstock Guild, to celebrate purchase of White Pines, 1998; a walking guide to Byrdcliffe, printed by the Woodstock Guild, 1980s?; photocopy of ad about art and craft classes to be taught at Byrdcliffe, 1977..
    1974;
    Folder 4

    Publications of the Woodstock Historical Society, no. 7, July 1932.
    July 1932.
    Folder 5

    Woodstock Playhouse, 50 Years of Theater, 1975.
    1975.
    Folder 6

    Woodstock Property Inc., stock certificate in name of Peter Whitehead, 1928.
    1928.
    Folder 7

    Woodstock Valley Hotel, 1926.
    1926.
    Folder 8

    Miscellaneous newspaper clippings, including a clipping and a booklet about Bolton Brown. (Some of the clippings are about Woodstock, some are not.)
    Folder 9

    Miscellaneous papers: sheet of figures about land and taxes; sheet of decorative initials, R and W, from the Chiswick Press in London; list of books about birds and wild animals, 1923; summer 1949 issue of Bio-Dynamics; announcement of publication of book about excavations at Gournia, Crete; piece of paper about patents; a very rough sketch of something (or perhaps just idle doodling); print of a portrait of a man, inscribed to M. and Mme. Whitehead, 1893, from Mistral (a photo of Mistral is in the photograph series).
    1923; summer 1949
    Folder 10

    Book bound by Cobden Sanderson, given by Ralph Whitehead to Getrude McCall, 1891.
    1891.
    Folder 11

    Whitehead's Oregon Property, 1900-1935.
    1900-1935.
    Folder 12

    Wyverstone Estate, England, 1914.
    1914.
    Folder 13

    Letter: copyhold to freehold, Manor of Great Bricet, 1935.
    1935.
    Folder 14

    Rent and income tax, Bachton Farm, England, 1934-1935.
    1934-1935.
    Folder 15

    Hervey White autobiography (photocopy of typescript). (Includes references to Whitehead, mostly on pages 116-169.)
    Folder 16

    Survey, Wood lot for Philip Reeke, Woodstock, N.Y., 1805, 1834.
    1805, 1834.
    Box 9: Folder 1

    Real estate deeds and transactions, Woodstock, N.Y., 1857-1888.
    1857-1888.
    Folder 2

    Real estate deeds and transactions, Byrdcliffe, 1902-1909.
    1902-1909.
    Folder 3

    Real estate deeds and transactions, Byrdcliffe, 1910-1919.
    1910-1919.
    Folder 4

    Real estate deeds and transactions, Byrdcliffe, 1920-1929.
    1920-1929.
    Folder 5

    Real estate deeds and transactions, Byrdcliffe, 1930-1939.
    1930-1939.
    Folder 6

    Real estate deeds and transactions, Byrdcliffe, 1940-1949.
    1940-1949.
    Folder 7

    Real estate deeds and transactions, Byrdcliffe, 1950-1959.
    1950-1959.
    Folder 8

    Real estate deeds and transactions, Byrdcliffe, 1960-1971.
    1960-1971.
    Box 10: Folder 1

    Real estate records, Byrdcliffe undated materials, maps, envelopes, etc.
    Folder 2

    Real Estate, Byrdcliffe, letters about, 1901-1928.
    1901-1928.
    Folder 3

    Real estate, Byrdcliffe, letters about, 1929-1969, n.d.
    1929-1969, n.d.
    Folder 4

    Real estate: insurance policies, 1930s-1947.
    1930s-1947.
    Folder 5

    Real estate, Byrdcliffe: tax assessment grievance, 1961.
    1961.
    Folder 6

    Real estate, Santa Barbara, California, 1901-1957.
    1901-1957.
    Folder 7

    Real estate, Santa Barbara, California, correspondence about, 1920-1962, n..d.
    1920-1962, n..d.
    Folder 8


    SERIES VII: PHOTOGRAPHS

    Cyanotypes
    Box 1: Folder 1

    .1140.34.  Jane Whitehead standing in a wooded area. n.d.
    n.d.

    .1140.35.  Ralph, Jr., and Peter Whitehead on a horse, about ages 4 and 5, ca.1904-1905.
    ca.1904-1905.

    .1140.36.  Unidentified house. n.d.
    n.d.

    .1140.37.  Pine trees. n.d.
    n.d.

    .1140.38.  Pond or lake with anchored boats and large house in background. n.d.
    n.d.

    Negatives
    Folder 2

    .1140.39.  Jane, Ralph, Jr., and Peter Whitehead at Byrdcliffe shrine, ca.1908(?).
    ca.1908(?).

    .1140.40.  Jane Whitehead on porch at White Pines. n.d.
    n.d.

    Professional photographs (cartes de visite and studio cards) of Jane Byrd McCall Whitehead.
    Folder 3

    .1140.41.  Jane Whitehead as a young girl, probably about age 3 or 4, “Jane Byrd McCall/(Jeanie)/My darling bright/little sprite!/Dear Jeanie” on back, ca.1865.
    ca.1865.

    .1140.42.  Jane Whitehead as a young girl (L) with two other children, all of whom are holding croquet mallets, ca. early 1870s. “Janie McCall/ & the Alard children/Vevey Swiss (?)” written on back. “Photographie/F. DE JONGH/Entre deux villes/VEVEY” “Les Cliches sont conserves” printed on back.
    ca. early 1870s. “

    .1140.43.  Jane Whitehead as young girl and her brother(?), Roy, ca.1870s? “After Sir Joshua Reynolds'/ `Pick-a-Back'/Jane Byrd McCall/and Roy” written on back. “F. Gutekunst [photographer]/712/Arch St./Philadelphia” printed on back.
    ca.1870s? “

    .1140.44.  Jane Whitehead in feathered hat, late 1870s. “Jane” written on back. “Rothengatter/Photographer/1328 Chestnut Street/Philadelphia” printed on back.
    late 1870s. “

    .1140.45.  Jane Whitehead, “1879 Jane” written on back. “Broadbent & Taylor/ 914 Chestnut St./Philadelphia/S. Broadbent./W. Curtis Taylor” printed on back.

    .1140.46a-c.  Jane Whitehead as a young woman, in a white dress with sash, in a photographer's studio with a bird and its cage. In.46a-b, Jane looks at the bird inside its cage. The pose in.46c is different; in this one, the bird perches on her hand. “Byrd” is written on back of 46a; “W.J./Jordan/Photographer/1227 Pa. Ave. Washington, D.C.” printed on back (name and address also appears on front).

    .1140.47.  Jane Whitehead as a young woman with veil over head and around shoulders. “John Edwards/1 Park Side/Hyde Park Corner” printed on back.

    .1140.48.  Jane Whitehead as a young woman. “JBW” written on front; “Stilliard & Co., Oxford” printed on front.

    .1140.49.  Jane Whitehead as a young woman, head and bust only, in her presentation dress, 1880s(?). “JBW/Presentation Dress/Quee[n] Victoria” written on back. “Mr. H.S. Mendelssohn's Studios/14 Pembridge Crescent/Notting Hill Gate W. [London]” printed on back. (same photo is in her scrapbook, item.1158 in Box 1 of Series VI)
    1880s(?). “

    .1140.50.  Jane Whitehead as a young woman, in her presentation dress, 1880s. “Jane-presentation dress-Queen Victoria,” written on back. “Mr. H.S. Mendelssohn's Studios/14 Pembridge Crescent/Notting Hill Gate W. [London]” printed on back.
    1880s. “

    .1140.51.  Jane Whitehead, head and bust only, pearls in hair with hair up in bun, 1880s(?). “H.S. Mendelssohn/27, Cathcart Road/South Kensington/London, S.W.” printed on back. Same dress as in.52.
    1880s(?). “

    .1140.52-.53.  Jane Whitehead, head and bust only, hair loose and lying around her shoulders, 1880s(?). “H.S. Mendelssohn/27, Cathcart Road/South Kensington/London, S.W.” printed on back. Same dress as in.51.
    1880s(?). “

    .1140.54.  Jane Whitehead, same image as above, but smaller. “Mr. H.S. Mendelssohn's Studios/14 Pembridge Crescent/Notting Hill Gate W. [London]” printed on back.

    Jane B. Whitehead, miscellaneous photographs.
    Folder 4

    .1140.55.  Jane Whitehead seated in parlor or studio, early 1890s(?). The painting on the easel in this photo reappears in one of the rooms at Arcady, probably Ralph Whitehead's library, see.324. There is a fur (perhaps a bearskin) rug on the floor, a tiger skin draped over the sofa, a bird cage on a table, pictures on the wall, and several tables and chairs.
    early 1890s(?).

    .1140.56a-b.  Jane Whitehead, in dark net dress holding fan, 1890s(?). “Flli Alinari/Firenze-8 Via Nazionale/L.G. Milano [Italy]” printed on back. See also.57 in same dress. (Ralph Whitehead also had a photograph taken by the same photographer -see.77-.78, in Box 1, folder 5.)
    1890s(?). “

    .1140.57a-b.  Jane Whitehead, 1890s(?), photograph of sketch of Jane Whitehead in same black dress as.56, taken by same photographer. In the sketch, she plays a lute.
    1890s(?),

    .1140.58.  Jane Whitehead in front of grapevines, holding pruning shears, 1890s(?).
    1890s(?).

    		(see also.59)

    .1140.59.  Same image as.58, but mounted on black board.

    .1140.60.  Jane Whitehead in artistic dress, standing in corn field, 1890s(?).
    1890s(?).

    .1140.63.  Jane Whitehead leaning against doorway holding a spray of lilies, 1890s(?). Photo cut into oval shape.
    1890s(?).

    .1140.64.  Jane Whitehead standing next to a large tree, looking down at a dog, ca.1890s.
    ca.1890s.

    .1140.65.  Jane Whitehead standing under palm tree in loose-fitting gown, early 1900s(?).
    early 1900s(?).

    .1140.66.  Jane Whitehead standing next to a surrey pulled by horse, 1920s(?). (See also.341-.342 in this folder, and.343b in Box 2, folder 14.)
    1920s(?).

    .1140.67.  Jane Whitehead standing on a beach or edge of a lake in heavy coat and holding basket. “1909” is written on back.

    .1140.69.  Jane Whitehead, head and bust only, dressed in loose gown and scarf with netting over hair. This appears to be when she was older, possibly the 1920s-1930s.
    1920s-1930s.

    .1140.70.  Jane Whitehead with two unidentified women, “1915” written on back.

    .1140.71.  Jane Whitehead sitting by pole, probably taken on the grounds at Byrdcliffe. She has a scarf tied around her hair and draped across her shoulder in gypsy fashion. She is reading a large book. She looks rather elderly.

    .1140.311.  Jane sitting on a stone or cement bench looking down a lane, probably at Arcady. There is a stone fence which is lined with many plants, some tropical. A dog sits at her feet. n.d., probably 1890s. (This is probably the same stone bench as in.627, below.)
    n.d., probably 1890s.

    .1140.315.  A similar image to.316, Jane in a hooded cape and holding a basket of flowers standing with her back to the camera on the long veranda or stoa at Arcady. A table with a flower arrangement and a bas-relief sculpture is visible in the left foreground as is an early 17th century-style upholstered chair through a doorway. n.d., probably mid to late 1890s.
    n.d., probably mid to late 1890s.

    .1140.316.  A similar view to.315, but out of focus. Jane has changed position slightly, but most other elements are the same. n.d., probably mid to late 1890s.
    n.d., probably mid to late 1890s.

    .1140.341.  Jane standing next to a surrey with a fringed shade on top, pulled by a white horse. The surrey has been pulled off the side of a dirt road, next to a fence. Written on back is “Carmel/1920.” A car can be seen in the background. See also.342 for another photo probably taken at same time. (.66 looks like the same surrey and horse, but her dress is different.) (See also.343b in Box 2, folder 14.)

    .1140.342.  Jane sitting in the same open surrey as.341. This was probably taken at the same time.

    .1140.626.  Jane at Arcady, dressed in a medieval inspired gown, standing on a leopard skin (see also Box 5, folder 5, for a similar picture).

    .1140.627.  Jane sitting on a curved stone bench, looking at Arcady (probably same stone bench as in.311, above).

    .1140.628a-b.  Color photographs of a watercolor of a red flower, perhaps painted by Jane Byrd McCall Whitehead.

    Ralph R. Whitehead: photos, ca. 1880s - 1929.
    ca. 1880s - 1929.
    Folder 5

    .1140.74.  Photograph of a drawing of Ralph Whitehead as a young man. “Maison Ad. Braun & Cie/Braun, Clement & Cie, Successeurs/18, Rue Louis le-Grand, 18/.../Paris” printed on back.

    .1140.75.  Ralph Whitehead as a young man, standing against a doorjamb, wearing a norfolk jacket, plus fours, and cap, with hands in pocket, 1880s? (See also.76 in Box 14, Folder 6 and.88 in Box 1, Folder 6 for duplicates of this photo..88 is mounted on wood.)
    1880s?

    .1140.77-.78.  (.78 is better image) Ralph Whitehead standing, dressed in coat and holding hat and gloves, early 1890s? “Flli. Alinari/Firenze - 8 Via Nazionale/L.G. Milano” printed on back. Jane had photograph done by this same studio in Italy.
    early 1890s? “

    .1140.79.  Ralph Whitehead standing by picket fence, holding a folding easel? He is dressed in light-colored pants and light jacket, 1880s-1890s? “Kodak Camera/The Eastman Company/115 Oxford St./London/ Rochester, N.Y.” printed on back.
    1880s-1890s? “

    .1140.80-80a.  Ralph Whitehead seated, with chin on hand. “J.Caswall Smith/ The Gainsborough Studio/305. Oxford St. W” printed on front..80-.82 seems to be a series done at one time.

    .1140.81.  Ralph Whitehead seated, looking at camera.

    .1140.82.  Ralph Whitehead seated, looking off to side.

    .1140.83.  Ralph Whitehead and unidentified woman hiking up stone-covered hill to a ruined stone wall where another unidentified woman waits, 1890s? One of these women may be his first wife. This one appears to have been taken at the same time as.84.
    1890s?

    .1140.84.  Ralph Whitehead, the same two women as in.83 and a man hiking along a stone-covered hilly area, 1890s. On the back, “Hans Decker Toni Brachet[?] JBW RRW” is written, but someone has written “no” above “JBW.”
    1890s.

    .1140.89.  Ralph Whitehead sitting on stone steps with two dogs. n.d.
    n.d.

    .1140.90.  Ralph Whitehead silhouetted against the sky, unknown building in background. n.d.
    n.d.

    .1140.91.  Ralph Whitehead sitting on steps of wooden building (may be the porch at White Pines), with two dogs. n.d.
    n.d.

    .1140.92.  Ralph Whitehead standing next to dog. He wears gaiters, with gloves in his belt, n.d. Taken same time as.93.
    n.d.

    .1140.93.  Ralph Whitehead kneeling next to same dog as in.92.

    .1140.94.  Ralph Whitehead standing with two unidentified men. They all appear to be looking at something as if to study it.

    .1140.635-.637.  Formal studio portraits of R.R.W., 1920s?
    1920s?

    Photograph of Ralph Whitehead mounted on wood.
    Folder 6

    .1140.88.  Ralph Whitehead as a young man, leaning on doorjamb. Same photograph as.75 (in Box 1, folder 5) and.76 (in Box 14, folder 6). Photograph mounted on wood. (.75 is better copy.)

    Jane, Ralph, and sons: miscellaneous photos, ca. 1899 - ca. 1907.
    ca. 1899 - ca. 1907.
    Folder 7

    .1140.95.  One of the boys as a baby, either Ralph, Jr., or Peter, ca. 1899-1901. Photo is cut into an oval and mounted on torn paper.
    ca. 1899-1901.

    .1140.96.  Jane Whitehead holding Ralph, Jr., or Peter as a boby. Baby has cap and jacket on, ca. 1899-1901.
    ca. 1899-1901.

    .1140.97.  Ralph, Jr., or Peter as a baby, in white gown sitting on a blanket, ca. 1899-1901. A dog (a Great Dane?) sits next to him.
    ca. 1899-1901.

    .1140.98.  Jane Whitehead holding Ralph, Jr., or Peter as a baby, ca. 1899-1901. This,.99, and.100 were taken at the same time.
    ca. 1899-1901.

    .1140.99a-c.  Jane Whitehead holding Ralph, Jr., or Peter as a baby, ca. 1899-1901. Photo.99a and.99c are the same, but mounted on different colored card stock. They are cropped views of.99b, which shows more of the room in which the photos were taken. This,.98, and.100 were taken at the same time.
    ca. 1899-1901.

    .1140.100.  Jane Whitehead sitting in a rocking chair holding Ralph, Jr., or Peter as a baby, ca. 1899-1901. Taken same time as.98-.99. A hand, probably Ralph, Sr.'s, appears at the top of the photo, holding something to make baby look?
    ca. 1899-1901.

    .1140.101.  Ralph, Jr., sitting behind wicker high chair which holds baby Peter, ca. 1901.
    ca. 1901.

    .1140.102.  Ralph Whitehead seated outside stucco building (Arcady?) holding Ralph, Jr., (?) as baby, ca. 1899.
    ca. 1899.

    .1140.103-.106.  These are a series. Ralph, Jr. (?), is seated on an animal skin in front of a curtain with a fleur-de-lis pattern. In.103 he has his back to the camera. In.104, Ralph Whitehead is reclining next to Ralph, Jr., and holding him. In.105, Ralph Whitehead is putting his fingers to his lips, and Ralph, Jr. is looking at him. In.106, Ralph, Jr., is standing up and Ralph Whitehead is supporting him.

    .1140.107.  Ralph Whitehead is seated on porch with box of sand and rocks. Ralph Whitehead is pouring sand on hand of Ralph, Jr., (?) who is trying to catch it. “Marie Little/Bimbo aged 1 year/autumn 1900” written on back. Bimbo was the nickname for Ralph, Jr. Marie Little was an artist at Byrdcliffe, although this photo predates the founding of Byrdcliffe.

    .1140.107a.  another copy of.107

    .1140.107b.  Ralph, Jr., playing with sand box. Although this photo is similar to the one above, it is labeled as being taken in Feb. 1901, when Ralph, Jr., was seventeen months old.

    .1140.109.  Ralph, Jr., seated on large rock under tree with small dog next to him, ca. 1900. (a cropped view of the picture in.109a)
    ca. 1900.

    .1140.109a.  a larger view of the photo in.109.

    .1140.111.  Ralph, Jr., under a tree, back to camera, dressed in sailor dress, ca. 1900.
    ca. 1900.

    .1140.112.  Ralph, Jr., in same sailor dress as.111, standing by a tree and a hammock., ca. 1900.
    ca. 1900.

    Miscellneous photos of Ralph, Jane, and sons, ca. 1899-ca. 1902.
    ca. 1899-ca. 1902.
    Folder 8

    .1140.113a-b.  Ralph, Jr., in overalls and hat standing by large thistle, ca. 1900. A and B are different poses.
    ca. 1900.

    .1140.114-.116.  Ralph, Jr., sitting with Jane Whitehead by same thistle, ca. 1900. All three are the same image. “JBW & son” is written on back of .114; “JBW & PW” is written on back of .115 [however, this is an error - the boy is Ralph, Jr.]
    ca. 1900.

    .1140.117a-b.  Ralph, Jr., in overalls, standing under a eucalyptus tree, ca. 1900.
    ca. 1900.

    .1140.118.  Jane Whitehead with Ralph, Jr. (right) and Peter (left) in front of large building, probably at Byrdcliffe, ca. 1901-1902. They are standing in the snow with a sled and a dog.
    ca. 1901-1902.

    .1140.119.  Ralph, Jr., (?) standing on a porch in a winter coat and hat, about age 4 or 5, ca. 1903-1904.
    ca. 1903-1904.

    .1140.120.  Ralph, Jr., (L) and Peter climbing on the rigging of a ship. Ralph is about age 5 or 6; Peter is about age 4, ca. 1904-1905.
    ca. 1904-1905.

    .1140.121.  Ralph, Jr., (foreground) and Peter playing ring toss on the deck of a ship, same series as above, ca. 1904-1905.
    ca. 1904-1905.

    .1140.122.  Ralph, Jr., or Peter dressed in a winter coat, standing on ice while wearing skates, about age 6 or 7?

    .1140.123.  Ralph, Jr., (L) and Peter walking down a path with flowers and trees. Ralph, Jr. appears to be about age 6 or 7.

    .1140.124.  Ralph, Jr., (R) and Peter sitting on a stone fence in a garden. Ralph, Jr., appears to be about age 8 or 9.

    .1140.125.  Ralph, Jr., (R) and Peter at Christmas. Ralph, Jr., holds the handle of a wagon. Peter wears a breastplate and a helmet, and holds a sword. Both have fur-trimmed shirts and knee-length pants on. There is a Christmas tree in the background. Ralph, Jr., appears to be about 8 or 9. (see also.126)

    .1140.126.  Ralph, Jr., (L?) and Peter at Christmas. May be same Christmas as in.125. Peter holds the handle of a wooden wagon; Ralph, Jr., is sitting in it. There is a Christmas tree in the background.

    .1140.127.  Ralph, Jr., (foreground) and Peter in a long canal boat, both hold an oar. They are next to a pier, and European-style houses can be seen in background. This may be Amsterdam. They appear to be about ages 5-6 and 4 respectively. This may be the same trip as the photos in.120-.121.

    .1140.128.  Ralph, Jr., (R) and Peter hugging each other in a yard. The houses in the background may be English. The boys are about ages 5-6 and 4. May be same trip as in.127.

    .1140.129.  A modern reprint of a historic photograph. Jane Whitehead, in a striped dress and hat, is kneeling down; holding Peter who is wearing a dress and is about age 4. Ralph, Jr., in knee-length pants and a floppy hat is standing next to them, wielding a hoe. See also .133 and .135.

    .1140.130.  A modern reprint of a historic photograph. Ralph, Jr., (in front) and Peter riding a horse. Ralph is about age 5.

    .1140.131.  A modern reprint of a historic photograph. Ralph, Jr., standing in the driveway in front of White Pines. He is about age 4 or 5.

    .1140.132.  A modern reprint of a photograph of a sketch of Ralph, Jr., “BIMBO/Aug. 1905/M. de CorSoba”(?) is written on the bottom.
    Aug. 1905/

    .1140.133.  A modern reprint of a historic photograph. Jane Whitehead is kneeling down and supporting Peter. He wears a dress and is about age 3-4. Ralph, Jr., (age 5-6) in knee-length pants and floppy hat, is standing next to them and is hoeing. See also.129 and.135.

    .1140.134.  A modern reprint of a historic photograph. Jane Whitehead is standing next to stone steps for a stone fence. She is holding Peter up, who is wearing a dress, and is about age 3-4. Ralph, Jr., is sitting there, too. He is wearing knee-length pants.

    .1140.135.  A modern reprint of a historic photograph. Ralph, Jr., age 5-6, standing in a field next to a stone fence. He wears knee-length pants and a floppy hat and is holding a hoe. See also.129 and.133.

    .1140.135a.  Original photo described in.135.

    .1140.136.  A modern reprint of a historic photograph. Ralph Whitehead, sitting on a stone fence in a field. He wears a sport jacket, hat, and gaiters. n.d., but taken at same time as.137.
    n.d.,

    .1140.137.  A modern reprint of a historic photograph. Ralph Whitehead, sitting on a stone fence in a field, wearing sport jacket, hat, and gaiters. Ralph, Jr., (?) about age 6, stands next to him. See also.136.

    .1140.140.  Peter in a dress, about age 3, standing next to huge boulder, valley, and mountains in background.

    Jane, Ralph, and sons: miscellaneous photos, ca. 1908 - ca. 1916.
    ca. 1908 - ca. 1916.
    Folder 9

    .1140.142.  Peter on a donkey, wearing a coat and hat at about age 10. An unidentified woman is holding the animal.

    .1140.143.  Ralph, Jr. (?) in coat and hat at about age 10 standing in front of a chicken coop, several chickens are in the foreground.

    .1140.144.  A group of unidentified people sitting on a bench under a tree, several boys are in the tree. Peter (?) is second from right, at about age 11 or 12. It appears to be a school outing of some kind. “Alexander D. Knox” is written on the back.

    .1140.145.  Ralph, Jr., (R?) and Peter dressed in coats and hats and holding tools. They are standing in front of an arbor. “1909” is written on back.

    .1140.146.  Ralph, Jr., (R) and Peter standing in front of a stucco building with large wooden fan-lighted doors. “1909” is written on back.

    .1140.147.  Peter standing in shirt and knee-length pants with his hand on a large sheepdog. He appears to be about age 8 or 9.

    .1140.147a.  Another copy of.147.

    .1140.148.  Jane Whitehead sitting on a beach (possibly California) in dark dress and hat. Ralph, Jr., and Peter (middle) are next to her in sport jackets, hats, and knee-length pants. “1913, Carmel?” is written on the back. May be same beach as in.166.

    .1140.149.  Ralph Whitehead and Peter standing by a road. A chalet-type house is visible in background. “1913” is written on back.

    .1140.150.  Ralph Whitehead, Peter, and Jane Whitehead sitting on a wooden bench in a park or garden. Peter is about 15 years old. See also.151-.152.

    .1140.151-.152.  (same image) Peter standing in same park or garden as.150, looking down at dog.

    .1140.153.  Peter sitting on the stoop of a doorway. He is about age 11 here.

    .1140.154.  Peter or Ralph, Jr., in overalls standing in front of a car (Model A vintage), about age 15.

    .1140.155.  Peter riding a light-colored horse, age 11 or 12.

    .1140.614.  Peter on same horse, near a barn, probably taken around the same time as.155.

    .1140.156.  Ralph Whitehead and Ralph, Jr., (?) riding horses. n.d.
    n.d.

    .1140.615.  R.R.W. and Ralph, Jr. (?) adjusting saddles on horses, probably same ride as in.156 above. n.d.
    n.d.

    .1140.157.  Ralph Whitehead, Ralph, Jr., (L?), and Peter (?) riding horses, small barn in background. Ralph is about age 14.

    .1140.157a.  another copy of.157.

    .1140.158.  Ralph Whitehead with Ralph, Jr., (on Ralph's left) and Peter. The boys both hold small caliber rifles (or maybe BB guns). Ralph is about age 14.

    .1140.159.  Ralph, Jr., (L?), and Peter (?) riding horses. Ralph about age 12 or so.

    .1140.160.  Peter picking up brush, about age 12 or so.

    .1140.161.  Peter (?) standing in tree with hunting coat and hat, holding rifle, about age 14.

    .1140.162.  Jane Whitehead standing outside a cabin with Ralph, Jr., (middle), and Peter (L), early 1910s. See also.163.
    early 1910s.

    .1140.163.  Jane Whitehead, Ralph Whitehead, Ralph, Jr., (2nd from left), and Peter (R) standing on porch of cabin in.162, early 1910s.
    early 1910s.

    .1140.164.  Jane Whitehead and Ralph Whitehead, on porch of White Pines, early 1910s. (.164-.165 and.167-.168 appear to have been taken at the same time.)

    .1140.165.  Jane Whitehead, Ralph Whitehead, and Ralph Jr. on porch at White Pines, early 1910's. (.164-.165 and.167-.168 appear to have been taken at the same time.)
    1910's.

    .1140.166.  Jane Whitehead and Peter on beach (possibly California), Peter is about 11. May be same beach as in.148.

    .1140.167.  Ralph Whitehead and Peter standing in front of porch at White Pines. Peter is about age 12 and holds a tennis ball and racket in his hands. He has a floppy white hat on. (.164-.165 and.167-.168 appear to have been taken at the same time.)

    .1140.168.  Peter in white floppy hat and heavy sweater. (.164-.165 and.167-.168 appear to have been taken at the same time.)

    .1140.169-.171.  Ralph Whitehead and Peter standing by a car with a convertible top, which is down, Jane Whitehead (?) sitting inside car with hat, ca. 1915. Unidentified gentleman stands near front of car. Picnic and other equipment lie on the ground in front of the car.
    ca. 1915.

    .1140.172.  Ralph Whitehead in same car as.169-.171, car tag is dated “NY 1913.” Some Byrdcliffe buildings are partially visible in the background.

    .1140.173.  Ralph Whitehead and Peter standing in doorway of a cabin. On back is written “1915.”

    .1140.174.  Peter and Ralph, Jr., standing on skis in front of a porch. Unidentified man in background also has on skis, ca. 1915-1920.
    ca. 1915-1920.

    .1140.175-.176.  Peter dressed in suit and knickers leaning on a wicker chair. This is a postcard - on back is written “Peter Whitehead 1916.” Also printed is “POST CARD/Atlantic City Souvenir/.../Photo by `Phillips'/1619 Boardwalk/Atlantic City, N.J.”

    .1140.177.  Class of school children lined up in rows in front of large brick building, some children also on columns by steps, and some on a balcony and looking out a window. Two teachers are among the students. A pencilled-in arrow points to Ralph, Jr., among the students. Written on back is “King Alfred School, 1905-Hampstead, London-/Ralph/John Trevor/Hampstead, N.W.”

    .1140.178.  A group of boys sitting on the steps of a cabin-type house. Ralph, Jr., is first row, second from right, seated next to boy with camera. Pencilled in on front is “a hell of a bunch.” Ralph is about 12 years old.

    .1140.179.  Ralph, Jr., sitting in tie and suit on steps of cabin. n.d., probably 1910-1915.
    n.d., probably 1910-1915.

    .1140.180.  Ralph, Jr., sitting in tie and suit and leaning against porch rail. n.d., probably 1910-1915.
    n.d., probably 1910-1915.

    .1140.181.  R.R.W. and Ralph, Jr., sitting on stoop of cabin, both in suits. n.d., probably 1915. (see also.182-.184)
    n.d., probably 1915.

    .1140.182-.184.  (.184 is best one.) Ralph, Jr., standing and leaning on side door of cabin, wearing a suit. On back is written “Ralph, Jr. 1915.” This appears to have been taken at same time and same place as.181.

    .1140.185.  Ralph, Jr., and Jane Whitehead sitting on stone steps with two large English sheepdogs. n.d., probably ca.1915. (.185-.187 all appear to have been taken at the same time in the same place.)
    n.d., probably ca.1915.

    .1140.186.  Ralph, Jr., seated and Jane Whitehead standing up looking at him, near same stone steps as in 185. (.185-.187 all appear to have been taken at the same time in the same place.)

    .1140.187.  Ralph, Jr. (left), Jane Whitehead, and Ralph Whitehead sitting on stone steps, same as in.185-.186, with dog. This appears to be a copy of a damaged photograph. (.185-.187 all appear to have been taken at the same time in the same place.)

    Jane, Ralph, and sons: miscellaneous photos, ca. 1916 - ca. 1928.
    ca. 1916 - ca. 1928.
    Folder 10

    .1140.201.  Piece of cardboard on which are mounted 5 small photographs of Peter. Three are when is he is about 14, the other two when he is older, about 20. n.d., probably about 1915-1920. Misidentified on back as Ralph, Jr.
    n.d., probably about 1915-1920.

    .1140.202.  Unidentified man and Ralph, Jr. sitting on a bench. Written on back, “1919.”

    .1140.203.  Peter is a suit and riding on a bike, wearing a hat with the brim turned up. n.d., probably 1915-1920. Large Victorian house in background. Misidentified on back as Ralph, Jr. (See also.364 and.365 in Box 2, folder 9; the same house is in the background.)
    n.d., probably 1915-1920.

    .1140.204.  Group of young men in suits standing in front of porch, with Peter in back row, first one on right. n.d., probably 1915-1920. (one corner of photo is torn off) (See also.367 in Box 2, folder 9; some of the men are the same.)
    n.d., probably 1915-1920.

    .1140.205.  Group of young men and women, some sitting and some standing on a stone fence. Peter is standing on end on right. n.d., probably 1915-1920.
    n.d., probably 1915-1920.

    .1140.206.  Ralph Whitehead (?) standing with unidentified woman and Peter or Ralph in an area of large rocks and trees. Another unidentified man is sitting in a chair in the foreground. n.d., probably 1915-1920
    n.d., probably 1915-1920

    .1140.207.  Peter standing near some bushes, written on back “1918.”

    .1140.208.  Peter (?) sitting on the porch of a stone cottage with a young woman. n.d. probably ca. 1920. (photo has stains on it)
    n.d. probably ca. 1920.

    .1140.209.  Ralph, Jr., standing on the wooden porch or steps of a house. He is wearing a suit and tie. Written on the back, “1919.”

    .1140.210-.211.  (.210a is the better copy.) Ralph, Jr. in a formal head and shoulders photograph mounted on a card. Embossed on the card is “Stowall Studios/Woodstock, N.Y.”.211 includes has an enclosure folder, which is embossed “Stafford.” n.d., probably early 1920s. (photos are numbered.210a, b, c, and.211a and b)
    n.d., probably early 1920s.

    .1140.212.  Portrait of Ralph, Jr., wearing a suit and bow tie, mounted on a card. Embossed on the card is “Stowall Studios, Woodstock, N.Y.” The photo is signed and dated: “Alfred Colm, 1928.”

    .1140.213-.214.  (.214 is the better copy.) Ralph, Jr., dressed in bow tie and suit, standing next to the porch of White Pines. n.d., probably early 1920s.
    n.d., probably early 1920s.

    .1140.215.  Ralph Whitehead, Jane Whitehead, Ralph, Jr., and Peter standing on the porch of one of the buildings at Byrdcliffe, possibly a side entrance to White Pines. n.d., probably early to mid 1920s. See also.216 for similar photograph.
    n.d., probably early to mid 1920s.

    .1140.215a.  another copy of.215

    .1140.216-.217.  (.217 is an enlargement of.216; however,.216 is the better copy.) Ralph Whitehead, Jane Whitehead, Ralph, Jr., and Peter standing on the porch of one of the buildings at Byrdcliffe, possibly a side entrance to White Pines. Taken at the same time as.215. n.d., probably early to mid 1920s. (see also.245 in Box 2, folder 11)
    n.d., probably early to mid 1920s.

    .1140.218.  Ralph, Jr., and two unidentified men standing on porch of White Pines. One of the men is identified on back as Ralph, Sr., but it does not appear to be he. Written on back “1919.”

    .1140.219.  Ralph, Jr., Jane Whitehead, and Ralph Whitehead sitting in a living room, possibly at White Pines. Another man, possibly Peter is standing to the right. n.d., probably mid-1920s. See also.220 for photograph taken at same time.
    n.d., probably mid-1920s.

    .1140.220.  Ralph Whitehead sitting in chair, same room as in.219, but he is alone. Image clearly shows furniture, some of which appears to be in the William and Mary style. Also shown is a copy of Whistler's Mother, another small painting, and a fireplace with andirons. n.d., but probably mid-1920s.
    n.d., but probably mid-1920s.

    .1140.221.  Ralph, Jr., standing and talking to Jane Whitehead in one of the rooms at White Pines. Tiles on the fireplace, an arts and crafts vase and another pot, a folding screen, and a mission-style chair is visible. Written on back, “JBW & RRW Jr.” n.d., probably mid-1920s.
    n.d., probably mid-1920s.

    .1140.222.  Ralph Whitehead, Ralph, Jr., Jane, and an unidentified man (possibly Peter) standing on the porch of one of the buildings at Byrdcliffe, possibly the front entrance to White Pines. n.d., probably mid 1920s.
    n.d., probably mid 1920s.

    .1140.223.  Peter in a tie and light suit, wearing round horn-rimmed glasses. Written on back “P(eter). W.” n.d., probably mid 1920s.
    n.d., probably mid 1920s.

    .1140.224.  Peter (?) wearing a beret and suit, leaning on a car. n.d., probably late 1920s. (one corner is torn off)
    n.d., probably late 1920s.

    .1140.225.  Ralph Whitehead and Jane Whitehead standing in a pastoral landscape. Both are dressed in what appear to be Italian or European peasant-type outfits. Jane is holding plates from a picnic basket outfit. n.d.
    n.d.

    Jane B. and Ralph R. Whitehead in pottery at White Pines, Byrdcliffe, after 1915.
    after 1915.
    Folder 11

    .1140.230.  Ralph sitting at table with two vases on it. Scattered around the room are other pots, measuring scales, books, etc.

    .1140.231.  Ralph sitting at same table, which now has two vases and a small vase shaped like an inkwell.

    .1140.232.  Ralph at same table with same three vases.

    .1140.233.  Jane sitting near a table with many different vases on it. She is holding a vase in her hands and appears to be decorating it. A vase is on a potter's wheel in the foreground.

    .1140.234.  Jane sitting near the same table decorating the same vase.

    .1140.235.  Ralph sitting at a potter's wheel shaping a vase which is on the wheel.

    Ralph R. Whitehead, in an art studio.
    Folder 12

    .1140.346.  An interior of an art studio, the location unknown. It is a very large, high-ceilinged, well-lit room. Ralph sits reading a book on a daybed which has cushions. A dog sleeps on the floor on rugs in front of the daybed. An easel is set up in the middle of the area with a painting of eucalyptus leaves (?) sitting on it. An artists's palette and paint kit sits on the floor near the easel. A wicker rocker is near the easel. Behind the easel is a platform with a stool on it for models to pose. Various paintings and a tapestry (?) are hung on the walls; some paintings are tilted up against the wall on the floor. A copy of the classical statue “Winged Victory” stands on a table. See also.347.

    .1140.347.  The same art studio as in.346, except that the image has been reversed during developing. All of the items in the scene are in the same positions as in.346, but Ralph is sitting on the model's platform reading. The dog is still sleeping near the daybed.

    Ralph, Jr. and Peter as babies and boys
    Box 2: Folder 1

    .1140.642.  R.R.W., Jr., as a baby, in someone's arms (only arms are visible; rest of person is not in the photograph). Labeled on back: George Elliott, Art Dealer, Los Angeles. Ca.1900
    Ca.1900

    .1140.643.  R.R.W., Jr., sitting on lap of an unidentified woman. n.d.
    n.d.

    .1140.644.  Ralph Sr. and Jr. sitting next to a large rock, probably at Arcady.

    .1140.645.  Peter on ice, wearing skates and carrying a hockey stick. n.d.
    n.d.

    .1140.646.  Peter on the porch. n.d.
    n.d.

    .1140.647a-b.  Probably Ralph., Jr., with garden tools, standing under a sign that reads “White Pines.” The Byrdcliffe shrine is visible in the background. n.d. (This is the same picture as.591 in Box 5, folder 6.)
    n.d.

    .1140.648.  R.R.W., Jr. and Peter on the porch at White Pines, with two goats and a dog. n.d.
    n.d.
    Folder 2

    .1140.649.  R.R.W, Jr., n.d., but probably a teenager. His name has been signed across the front of the photo.
    n.d.,

    .1140.650.  The Whiteheads and a governess (?) (on back of photo, she is called Mademoiselle) at a camp in South Carolina. They are standing or sitting outside a cabin. ca.1908
    ca.1908

    .1140.651.  Five photos mounted on a gray card: a room interior (probably Arcady), three photos of the boys as babies or toddlers, and one of R.R.W.

    Peter; his son Michael
    Folder 3

    .1140.652.  Peter as an older man, sitting in a convertible, ca.1960s.
    ca.1960s.

    .1140.653.  Photo of Michael as very young boy, sitting on a woman's lap (probably his mother) (For a picture of a younger Michael, see.557a in Box 14, folder 3.)

    .1140.654.  Photo of Michael inside a folder. Inscribed inside the front cover: “With love from Michael, Xmas 1936, seven years & five months old.” The folder is marked as being from the studio of Leota Tucker, Carmel, Cal. On back of folder is written “calcium glucosate, 10 grams.”
    1936,

    .1140.655.  Photograph of a portrait (probably a pastel) of Michael, inside a folder. The portrait is not signed, and the photograph folder in not marked. Michael may be about ten years old in this picture.

    .1140.656.  Formal photo of Michael as a teenager, in a suit and bow tie. Marked on the back: Beaux Arts Studio & Camera Shop, Carmel-by-the-Sea, California.

    .1140.657.  An unretouched proof of Michael as a teenager, taken at the same time as but a different pose from.656 above. Stamped on front: Unretouched proof, Beaux Arts Studio, Carmel, Calif.

    Miscellaneous Photographs of Ralph, and Jane Whitehead and sons at Arcady, ca. 1890s-early 1900s
    ca. 1890s-early 1900s
    Folder 4

    .1140.312.  Detail of.313, head and bust of Jane dressed in a medieval-style dress standing in front of a door. n.d., probably ca. 1900.
    n.d., probably ca. 1900.

    .1140.313.  Jane in medieval dress holding a basket of vines and standing in an arch behind which is a large wooden door. Ralph, Jr. or Peter when a baby is sitting in front of her. This is probably at Arcady. n.d., probably ca. 1900.
    n.d., probably ca. 1900.

    .1140.314.  Jane in same medieval dress as in.313 standing and holding a spray of flowers on a porch in front of a large window, probably at Arcady. n.d., probably ca. 1900.
    n.d., probably ca. 1900.

    .1140.317a-b.  Ralph, Jr., as a very young child, still wearing a dress. He is holding a small shovel and leans against one of the large boulders on the grounds at Arcady. A and B are slightly different poses. n.d., probably ca. 1902.
    n.d., probably ca. 1902.

    .1140.318.  Ralph holding Ralph, Jr. They are standing on the grounds at Arcady looking at a newly planted tree. There are stakes and other new plantings around it. n.d., probably ca. 1900.
    n.d., probably ca. 1900.

    .1140.319.  Ralph, Jr., still wearing a dress standing in the yard at Arcady with his nurse or nanny. n.d., ca. 1901.
    n.d., ca. 1901.

    .1140.320.  Ralph, Jr., standing in a dirt path along which there are flowers growing. Ralph is still in a dress and holds a little shovel. A basket is behind him on the ground. n.d., ca. 1901.
    n.d., ca. 1901.

    .1140.321a-b.  Ralph, Jr., standing in an area of bare dirt with bunches of irises behind it. He still wears a dress and holds a small wooden shovel. n.d., probably ca. 1901-1902. On the back is printed “RRW Jr.”
    n.d., probably ca. 1901-1902.

    Ralph, Jr., and Peter Whitehead at Thacher School, Nordhoff, Ojai Valley, Ventura County, California, ca. 1914 - 1915.
    ca. 1914 - 1915.
    Folder 5

    .1140.192.  The Gun Club at Thacher School, 1914-1915. Ralph, Jr., is standing, third from right. All the students are holding rifles as if to shoot them. On back is written, “Gun Board (kneeling)=Brownell; Gillis; Mr. Hill; Mr. Thacher; Von Holt; Bard.”
    1914-1915.

    .1140.193.  A horse riding competition probably at Thacher School, student on horse at left may be Ralph, Jr. (see also.196)

    .1140.194.  Line of students and teachers on horseback, labeled on back, “one of the Big schools on Horseback/(Thacher School).”

    .1140.195.  A row of students, some on horseback and some standing, most are in western wear, probably Thacher School. Ralph, Jr., is on horse, fifth from left. A few parents are also seen.

    .1140.196.  The same horse riding competition as in.193. Photo taken from long distance, showing riders and horses, spectators, and line of automobiles parked along side. Probably Thacher School. (photo has hole in middle of it)

    .1140.197.  Same scene as.196, except riders are racing down course.

    .1140.198.  Peter Whitehead (left) standing on tennis court with unidentified man. Both are wearing sweaters with “T” emblazoned on front and both are holding tennis rackets. Written on back is “on left. Peter Whitehead - son of JBW & RRW/Thacher School/The Ojai Valley/California.” n.d., probably 1915-1920.
    n.d., probably 1915-1920.

    .1140.199.  Group of schoolboys dressed in jackets, ties, and light pants standing around a pool. Peter is in the back row, second from right. Possibly Thacher School. n.d., probably 1915-1920.
    n.d., probably 1915-1920.

    Ralph Whitehead's English roots
    Folder 6

    .1140.383.  A mounted photograph of Christ Church, Saddleworth, England. Written on the back is “Family church/RRW.” n.d.
    n.d.

    .1140.351.  Photo of Francis Frederick Whitehead, father of Ralph Radcliffe Whitehead. This may be a copy of an earlier photograph. Written on the back “RRW's father.” n.d.
    n.d.

    .1140.352.  Another copy of the same photograph as in.351. It has been mounted on black cardboard, but both the photograph and the cardboard are damaged. n.d.
    n.d.

    .1140.353.  Carte de visite of Ralph Whitehead, his father, and small dog sitting on steps of a building. Another copy of this photo is numbered.353a; it is dated 1868. At bottom of photo is printed “Scott & Son” and “Carlisle.” On back is written, “RRW & father (FFW).” Printed is photographers mark, “Benjn Scott & Son/Devonshire Street/Carlisle.”
    dated 1868.

    .1140.353a.  another copy of.353, dated 1868, labeled that it was taken at Armathwaite, England.
    dated 1868,

    .1140.355.  Carte de visite of Mrs. James Dalglish, RRW's grandmother, sitting on an ornate gothic garden bench in front of a building. She is wearing a bonnet and cape over a hoop-skirted dress. Written on back is “My grandmother/Mrs. James Dalglish” and the monogram “DJB.” n.d., but probably 1860s.
    n.d., but probably 1860s.

    .1140.629.  Photo of a house, labeled on back Wharmton Towers.

    .1140.630.  A group of people in front of a house in England. To the left, three older men sit under a tree. Three younger men or boys play croquet in front of the house. Two gardeners or workmen stand behind the croquet players. A group of women and one man stand on the steps, at the foot of which is a pony with another man. One of the seated men may be Francis Whitehead, Ralph's father. Photo taken ca. 1860s.
    ca. 1860s.

    .1140.632.  Photo of woman, labeled on back: Ralph's Aunt Lawton. Photo taken at studio of Morgan & Kidd, Greenwich, ca.1880s?
    ca.1880s?

    .1140.633.  Photograph of a portrait, labeled on back: “Mrs. Frederick Whitehead, R.R.W.'s mother, née Dalglish, by Eugene Deveria.” Portrait probably painted 1850s.
    1850s.

    .1140.634.  Aerial photograph labeled “The Royal George Mills, Greenfield, Oldham,” the mills that house the Whitehead felt manufacturing business.

    Miscellaneous studio card photographs - identified people
    Folder 7

    .1140.504.  Studio card photograph of Ethel Arnold, young woman, head and shoulders only, dressed in Grecian style gown and metal headband. Across the bottom has been written, “Always your faithful friend, Ethel M. Arnold.” Also printed on the bottom is “H.S. Mendelssohn 27 Cathcart Road South Kensington, London & Newcastle.” On the back is written “Ethel Arnold,” and the photographer's name and address is also printed on the back.

    .1140.505.  Studio card photograph of a young woman, head and shoulders only, with hair up in a bun. On the back is written, “Edith M. Keating, May 1887” and printed is “Hinkle, Main Street, Germantown, PA.”

    .1140.506.  Studio card photograph of distinguished gentleman with a pointed beard, wearing a suit and reading a book while seated in a caned chair. Printed on the bottom is “Wilhelm Helfer Glacis 49 Graz.” Written on the back is “Mr. Von Archer, Gretz [?], Styria” and printed on the back is the photographer's name and address again.

    .1140.507.  Studio card photograph of a young man in uniform with a sword. Printed at the bottom is “T. Pirka C.a.k.dvomi fotograf.” Written on the back is “Hubert von Archer,” and “Hubert von Archer, February 1904.” The photographer's name is written again, and includes “Pardubice Kralovska trida cis.94.” as well as more information in an Eastern European language.

    .1140.508.  Studio card photograph of John Ruskin in long hair and beard. Written across the bottom is “faithfully yours J Ruskin.” Printed across the bottom is “Copyright Barraud 263 Oxford St. London” - the rest of this has been cut off. The photographer's name and address has also been printed on the back as well as other photographic information. n.d., probably 1880s.
    n.d., probably 1880s.

    .1140.509.  Carte de visite of a bearded man in academic gown and motarboard. Printed across bottom is “Stiliard & Banbury 9, Magdalen Street/Oxford.” Written on the back is “B. P. Lascelles, Oxford.”

    .1140.510.  Carte de visite of young woman wearing a pearl necklace. Printed across bottom is “Stiliard & Banbury, 9, Magdalen Street/Oxford.”

    .1140.511.  Studio card photograph of white-haired gentleman, “J. [?] Max Muller, 5 March 1883, Allsouls College” is written on front. Printed on the front is “Hills & Saunders, Oxford & Rugby. Also at Cambridge, Eton, Harrow, London, Aldershot & Yorktown.” Printed on the back is the photographer's name and address again. n.d.
    n.d.

    .1140.512.  Studio card photograph of same gentleman as in.510, “Professor Max-Muller. All Souls, Oxford, Elliott & Fry, Copyright, 55 & 56, Baker St. London.W” is printed on bottom on front. Photographer's name and address is also printed on back. n.d., probably mid-1880s.
    n.d., probably mid-1880s.

    .1140.513.  Studio card photograph of Tolstoy dressed in Russian peasant-type outfit. At bottom is printed “Scherer Nabholz & Co. Moscou.” Written on back is “Tolstoi.” The photographer's name, address, and other information is written on the back in Russian. n.d., probably 1890s.
    n.d., probably 1890s.

    .1140.514.  Studio card photograph of James Russell Lowell. Printed on the bottom is “Elliott & Fry, Copyright, 55 & 56 Baker St. London. W.”. Written on back is “J. R. L. August 1881 London” and “James Russell Lowell.” The photographer's name and address is also printed on the back.

    .1140.515.  Studio card photograph of young man with mustache. Written on back is “Owen Wister”; printed on back is “W. Shaw Warren. Art Photographer, No. 41 Winter Street, Boston.” n.d., probably 1880s.
    n.d., probably 1880s.

    .1140.516.  Studio card of distinguished gentleman with gray hair. Printed at bottom is “C. M. Bell” and “463,465 Penna. Ave. Washington, D.C.” Written on back is “Thos. F. Bayard.”

    .1140.517.  Studio card of Mistral, the poet. Written twice on the bottom is “Mistral”; printed at the bottom is “Madme. Chabrier de Lafongt.” On the reverse is written “Mistral the Poet. (France).” Printed on the reverse is “Photographie de Madame Chabrier Lafongt 21 Rue Victor Hugo/Avignon.”

    .1140.616.  Portrait photo of the cello player Mr. Opid, inscribed “To my dear friend Mr. Radcliffe Whitehead, [first name illegible] Opid,” photo taken by Kohler, Pasadena, Calif., n.d. Opid was involved with the attempt to form a community in Oregon.
    n.d.

    Miscellaneous Photographs of identified people
    Folder 8

    .1140.354.  Violet Westcott, possibly one of the artists at Byrdcliffe, holding a saddled horse. She is standing in front of a house or cabin, probably one of the artist's studios at Byrdcliffe. There is a painting on an easel in front of the cabin. Written on the back is “Miss Violet Westcott/Whose father wrote/”David Harum.” n.d., probably ca.1905.
    n.d., probably ca.1905.

    .1140.356.  Mounted photograph of “Mackie,” Peter's nurse. She is sitting in front of a vine-covered wall and reading a book. On the back is written “Mackie, Peter's Nurse. Arcady. 1901.”

    Miscellaneous photographs of unidentified people
    Folder 9

    .1140.358-.359.  A small studio photograph of a young woman wearing a small veiled hat and a long loose-fitting robe or coat, tied with a sash, over her dress. She has one hand on a large dog. On the back is printed the photographer's mark, “T. H. Voight/Maler & Konigl. Hofphotograph. VOIGHT/MALER & KONIGL. HOFPHOTOGRAPH. /HOMBURG/V. D. HOHE/Kaiser Friedrich-Promenade No. 61/HAAKE & ALBERS, FRANKFURT A..M.” (This may be Marie, Ralph Whitehead's first wife, and a German citizen, whom he married in the 1880s.)

    .1140.360.  Man on horseback with several other men on horses in the back and foreground. There are mountains in the background. May be the riding class at Thacher School in California. n.d., probably 1914-1915.
    n.d., probably 1914-1915.

    .1140.361.  Several young women in large hats apparently watching the riding competition - Thacher School. n.d., probably 1914-1915.
    n.d., probably 1914-1915.

    .1140.362.  An unidentified boy dressed in western gear, probably Thacher School, 1914-1915.
    1914-1915.

    .1140.363.  An unidentified young man, dressed in white with a scarf around his neck, probably Thacher School, 1914-1915.
    1914-1915.

    .1140.364.  An unidentified man dressed in an overcoat and hat, standing in front of a house. Snow is on the ground. n.d. (.203 in Box 1, folder 10, was taken near the same house.)
    n.d.

    .1140.365.  Two unidentified young men, one sitting on a bike with a basket on his head, and the other sitting up on the handle bars of the bike. They are standing in front of the same house as in.364. n.d. (may be the same bicycle as in.203, Box 1, folder 10)
    n.d.

    .1140.366.  Unidentified young man standing in front of the stone buildings of what seems to be an academic institution; snow is on the ground.

    .1140.367.  A group of young men standing on the steps of a house. They are all wearing suits and ties. They appear to be college chums or roommates. n.d. (the photograph has a large portion torn from the upper center) (see also.204 in Box 1, folder 10 - some of the men are the same)
    n.d.

    .1140.368.  Unidentified young man in a sport coat and light pants standing near a house. n.d.
    n.d.

    .1140.369.  Several unidentified men and boys standing in front of a wooden shed which has been built on sand (may be in the desert or on the beach). There is a large pile of camping equipment in the foreground. A mountain range is in the background. One of the men holds a shotgun and a large bird, which he has apparently shot. n.d.
    n.d.

    .1140.370.  An unidentified man standing in his shirt sleeves straddling the rocks over a stream. A wooded area is in the background. n.d.
    n.d.

    .1140.371.  An unidentified young woman standing in front of a piano and guitar. She is wearing a Russian-looking corduroy long-sleeved tunic and pant set with boots.

    .1140.372.  An unidentified young woman wearing pince-nez glasses sits on a swing in front of one of the buildings at Byrdcliffe. n.d.
    n.d.

    .1140.373.  An unidentified young woman and an older man and woman standing in a grassy area with a large picnic group behind. n.d., probably 1920s.
    n.d., probably 1920s.

    .1140.374.  An unidentified man in a suit standing near some bushes, probably the grounds at Byrdcliffe. n.d.
    n.d.

    .1140.375.  An unidentified young woman sitting near a barbed-wire fence. She is wearing a skirt and blouse and has a scarf around her neck. n.d.
    n.d.

    .1140.376.  An unidentified young woman lying against a large boulder with her head propped on her hands. On the back is stamped “E. WINTER'S SONS. /KINGSTON, N.Y.” n.d.
    n.d.

    .1140.377.  Two unidentified young women sitting in the grass near some cows. They both have their hair down and over their shoulders. On the back is stamped “E. WINTER'S SONS. /KINGSTON, N.Y.” n.d.
    n.d.

    .1140.378.  An unidentified young man wearing a baseball uniform with “Thacher” on it, probably at Thacher School, 1914-1915. A wagon is in the background.
    1914-1915.

    .1140.379.  An unidentified man standing in a snowy field, mountains in the background. He is wearing a fur hat and overcoat. n.d.
    n.d.

    .1140.380.  An unidentified man standing on a low branch of a tree. n.d.
    n.d.

    .1140.381.  A postcard of a long, high-ceilinged room lighted by large, arched and columned windows. At the end of the room is a woman who appears to be weaving at a low table. On the back is written `To dear [?]/”Byrd” with the/love of “Tantine”/Aug 15th 23. /in the upper floor of/the Guest House of/the Monastery on the/Ganges-Beleci. [?]/5 miles from Calcutta.'
    Aug 15th 23. /

    .1140.382.  A tall narrow photograph of a man standing on a dock. n.d.
    n.d.

    Spinners, 1978
    1978
    Folder 10

    .1140.658.  Photograph of two women spinning, with a third woman helping one of them. Labeled on back: “Spinning, 1978, Loom Room, Byrdcliffe course, Doris Morehouse, teacher.”

    Interiors and exteriors of Villetta and White Pines, residence of the Whiteheads at Byrdcliffe, ca. 1903.
    ca. 1903.
    Folder 11

    .1140.236.  Very small photograph of Byrdcliffe from a distance showing several buildings. n.d.
    n.d.

    .1140.237.  Porch of White Pines with many wisteria vines hanging down over the roof of the porch. Ralph and an unidentified man (possibly Hervey White) sit on the stone fence in front of it. A woman stands behind the wisteria. n.d.
    n.d.

    .1140.238.  A postcard of the front of White Pines, Ralph standing on the steps. The photograph on the postcard is surrounded by a border of flowers on a gilt background. The artist's signature is “LJL.” Written on the back is “My dear Mr. Whitehead, Byrdcliffe laurel gave my sister the idea for this little sketch. Kindest regards from all of us. Very sincerely Yours/Alfred Di Lojer(?), Grimmea (?), June 12th, 1913.”

    .1140.239-.241a.  The front of Villetta seen through the trees. People are on the steps and on the porches. An easel and some chairs are visible on the upper porch. n.d., probably 1903 to 1910s.
    n.d., probably 1903 to 1910s.

    .1140.242.  A back and side view of White Pines. Ralph is in front of it. n.d.
    n.d.

    .1140.243.  A similar view to.242 of White Pines. A man (Ralph?) stands to the left at the corner of the house. n.d.
    n.d.

    .1140.244.  Exterior of White Pines showing the small porch and an arbor. Ralph sits on the steps with a dog. The lane in front of it is visible. A stone wall has been built along it. n.d.
    n.d.

    .1140.245.  Exterior of White Pines from a corner angle. Ralph and Jane are standing in front; Ralph, Jr., and Peter sit on boulders near them. n.d., possibly early 1920s. (Similar to.216-.217 in Box 1, folder 10.)
    n.d.,

    .1140.250.  Three photos mounted on gray cardboard:

    a. View of mountains, probably near Byrdcliffe. n.d.
    n.d.

    b. White Pines library, showing the wooden card catalog cabinet on the table, (the cabinet is part of the Byrdcliffe collection owned by the Downs Manuscript Collection.) (This cabinet may be a Byrdcliffe piece as it has a stencilled fleur-de-lis on both sides.) The bookshelves are filled wtih books. A bas-relief sculpture sits on the top shelf. Mission-style chairs and a library table are also visible. n.d.
    n.d.

    c. View from porch at White Pines, Jane reading to left. n.d.
    n.d.

    .1140.251.  These two photographs had been mounted on a page from a photograph album but when it was conserved, the photos were removed from the page and the page was destroyed in the process:

    a. Ralph Whitehead sitting at the wheel of his car in front of White Pines; the date on the license plate is 1923.

    b. A view of White Pines from a far distance showing the lane leading up to it. n.d. (see also.252c)
    n.d.

    .1140.252.  Four photos, which had been mounted on gray cardboard, but were removed during conservation. The mount is.252e.

    a. White Pinex, exterior, n.d.
    n.d.

    c. Ralph Whitehead at wheel of his car. White Pines in background. n.d.
    n.d.

    c. White Pines from a distance, showing lane leading up to it. n.d. (see.251b)
    n.d.

    d. A baseball game, probably at Byrdcliffe, n.d.
    n.d.

    e. Orginal gray cardboard mount

    Other Buildings at Byrdcliffe, interiors and exteriors, ca. 1903-?
    ca. 1903-?
    Folder 12

    .1140.246.  The porch of Eastover at Byrdcliffe. Two unidentified women are on the porch with a small girl, who is playing with stuffed animals. One of the women is sewing or doing needlework at a table, which has been set up on the porch. Several chairs and a rocker sit on the porch too. n.d., early 1900s (after 1903).
    n.d., early 1900s (after 1903).

    .1140.253.  Interior of Byrdcliffe School/Library (now Theatre). Large windows partially fill one wall. There is a piano in the corner, and bookshelves with books. Several tables display pottery and baskets; weavings are hung on the walls. These craft items were probably made at Byrdcliffe. n.d.
    n.d.

    .1140.254.  Exterior from side of one of the small cabins at Byrdcliffe. n.d. See also.255.
    n.d.

    .1140.255.  Exterior of front of same small cabin at Byrdcliffe as in.254. Written on back is “Mullersruh.” n.d.
    n.d.

    .1140.256-.257.  A view of some of the buildings at Byrdcliffe, including the barn, looking out over the hills, probably taken from White Pines. n.d.
    n.d.

    .1140.258.  Exterior of one of the small cabins at Byrdcliffe. (Corner of photograph is broken off.) n.d.
    n.d.

    .1140.259a.  Exterior of another of the small cabins at Byrdcliffe, possibly a rear view. n.d.
    n.d.

    .1140.260-.261.  An exterior of the “Sunrise” cabin at Byrdcliffe. Written on the back: “Sunrise.” n.d.
    n.d.

    .1140.262.  An exterior of one of the cabins at Byrdcliffe, labeled on the back: “Carniola.” n.d.
    n.d.

    .1140.263.  An exterior of the same small cabin at Byrdcliffe, only this one is much earlier. On the back is written “Carniola/1905” “or/Far Horizon/1948.”

    .1140.264.  An exterior of another small cabin at Byrdcliffe. n.d.
    n.d.

    .1140.265.  An exterior of another small cabin at Byrdcliffe. On the back is written “Serenata.” n.d.
    n.d.

    .1140.266.  An exterior of another small cabin at Byrdcliffe. n.d.
    n.d.

    .1140.267.  An exterior of a small cabin with rockers and a covered daybed on the porch. n.d.
    n.d.

    .1140.638.  Exterior shot of one of the cabins at Byrdcliffe, with people on the porch.

    .1140.639.  View of the barns at Byrdcliffe, with White Pines up the hill in the distance. Several people, a team of horses, and a buggy are visible.

    .1140.640.  A view of the barns at Byrdcliffe, with a man, woman, and child sitting on a stone wall.

    .1140.270.  View of the barn at Byrdcliffe and the small outbuildings attached to it and near it. n.d.
    n.d.

    .1140.271.  A page from a photograph album which has four photographs on one side and three on the reverse (some have been numbered):

    upper left - A landscape with a small tree in the foreground and mountains in the distance.

    upper right (#9) - An interior with a tiled fireplace which has a geometric design on the surround. Chairs, a wicker sofa, and a table are visible. This is probably an interior of one of the cabins at Byrdcliffe.

    lower left (#7) - Two unidentified women seated in the grass in front of one of the cabins at Byrdcliffe. n.d.
    n.d.

    lower right - An unidentified house, which appears to be on a residential street. (not a Byrdcliffe cabin)

    Verso:

    left (#10) - An exterior of White Pines, showing one of the porches. n.d.
    n.d.

    middle (#11) - A country road, probably one of the lanes leading to White Pines. n.d.
    n.d.

    right (#12) - An exterior of the studio at Byrdcliffe. n.d.
    n.d.

    .1140.272.  A page from a photograph album with three photos on the front and three on the reverse.

    upper left - a small cottage with a brick chimney and white fence surrounding a small garden to the side. This does not appear to be one of the cottages at Byrdcliffe. n.d.
    n.d.

    lower left (#15)- One of the cabins at Byrdcliffe, n.d.
    n.d.

    right (#14) - nailed to A country road leading through a pine wood. A sign a tree reads “White Pines.” n.d.
    n.d.

    Verso:

    upper left - A view of a valley with a small town in it, possibly Woodstock. n.d.
    n.d.

    lower left - A view across a valley of a mountain range. n.d.
    n.d.

    right - Three women dressed in ethnic costumes, outside one of the cabins at Byrdcliffe. One is standing and gesturing toward the camera. The other two are seated on a rock. One may be Jane. n.d.
    n.d.

    Shrine at Byrdcliffe (later a memorial to Ralph R. Whitehead)
    Folder 13

    .1140.273.  Jane, Ralph, Jr., and Peter standing next to the shrine at Byrdcliffe. The image is very blurred. The shrine is in the woods and is a small peaked-roof structure made of bricks with a bas-relief sculpture (in the style of della Robbia) of the Madonna and Child in the center. This photo is probably ca. 1910 - 1913. This shrine later became a memorial to Ralph.
    ca. 1910 - 1913.

    .1140.274.  A mounted photograph of the Byrdcliffe shrine. The path with a small wooden bridge leading to it is visible. Two stone and wooden benches have been built near the shrine. The mount on this is badly torn, as if there were also other pictures mounted on it, but they were torn off. n.d., but before 1929 (Ralph's death).
    n.d., but before 1929

    .1140.275.  The shrine at Byrdcliffe, barely visible behind trees and other vegetation. Another small building is partially visible through the trees in the background. n.d., but before 1929.
    n.d., but before 1929.

    .1140.276.  A postcard of the shrine at Byrdcliffe. It has been hand-colored. Printed on the front is “The Shrine, Byrdcliffe/L.E.J. 8 Beautiful Woodstock Series.”. On the reverse is printed “An Art Photograph/Postcard/By L. E. Jones/Woodstock, N.Y./Copyrighted.” n.d.
    n.d.

    .1140.277-.278.  Two postcards of “The Shrine, Byrdcliffe.” It shows the shrine and the path with the bridge leading to it, as well as a path going behind it. A round pot in a three-footed bracket has been placed at the base of the shrine. n.d
    n.d

    .1140.279.  The shrine at the “Artists” cemetery in Woodstock, in a much later modern photograph. (It was moved from Byrdcliffe.) Now a metal plaque has been added to the base of the shrine as a memorial to Ralph. It reads “RALPH RADCLIFFE WHITEHEAD/1854 - 1929/He brought with him scholarship/And Love of all the noble arts/and craftsmanship/and gardening/and human love.”

    Exteriors of cottage in Carmel, CA, 1921
    1921
    Folder 14

    .1140.343a.  Exterior of a house with trees surrounding it. Caption written under it, “Dancing Oaks.”

    .1140.343b.  Jane standing next to an open surrey with a fringed top pulled by a horse; a picket fence is in the background. Caption written under is “Byrd.”

    		(See also.66,.341, and.342 in Box 1, folder 4.)

    .1140.343c.  Ralph leaning on a fence post which is near the house in 343a. Caption written under is “Who matches.”

    .1140.343d.  Original cardboard mount for the photos above. In upper right hand corner of page is “Carmel 1921, R.R.W.”

    Exteriors of Neroli, the Whiteheads' winter residence near Santa Barbara, California, after 1910
    after 1910
    Folder 1

    .1140.110.  Three unidentified women and small child outside one of the buildings at Neroli (probably the school building), ca. 1900. One on right may be Jane Whitehead and the child may be Ralph, Jr. One of the women is seated on the steps and holds what may be a sketchpad. These two may be artists who resided there.
    ca. 1900.

    .1140.331.  Photo Christmas card, “Christmas Greetings from Neroli.” Shows Neroli, the Whiteheads' house in Santa Barbara, California, nestled among hills and mountains. n.d. Detail of.332.
    n.d.

    .1140.332-.335.  Same photograph as.331, Neroli nestled among the hills, but more detail of area is shown. This was probably taken when it was fairly new as there are no bushes or other landscaping. n.d., probably 1910.
    n.d., probably 1910.

    .1140.336-.338.  Mounted panoramic photograph of Nerloi. Shows façade with awning over a front porch. Also numerous flowered bushes extend along the front and sides. After 1910.
    After 1910.

    .1140.339.  View of Neroli from a great distance. n.d.
    n.d.

    .1140.340.  Side view of Neroli, showing one of the small “wings.” The wood frame and stucco architecture is clearly visible. This may have been taken very soon after its completion, as there is just dirt around the foundation. n.d., probably 1910.
    n.d., probably 1910.

    .1140.344.  Page from a photo album (photos dismounted now) with two photographs:

    .344a.  Neroli with steps in front, bushes and ivy climbing up front windows. Palm branches or some other vegetation have been piled up on a small porch-like area. n.d., after 1910. Caption written under it, “ `Neroli'/ Near Carmel.” [the caption is in error about the location of Neroli, as it was actually near Santa Barbara]
    n.d., after 1910.

    .344b.  (duplicate of.345d) Jane standing in front of porch at Neroli. Porch has vines and other vegetation growing over it. n.d., probably ca. 1915.
    n.d., probably ca. 1915.

    .344c.  Photo album page.

    .1140.345.  Page from a photo album (photos dismounted now) with 4 photographs:

    .345a.  Neroli façade. There are vines and other vegetation growing around it and the steps have been added. n.d., after 1910.
    n.d., after 1910.

    .345b.  Ralph and one of the sons sitting in their car with Neroli in the background. n.d., after 1910.
    n.d., after 1910.

    .345c.  Ralph, Ralph, Jr. (L), and Peter (center) on horses in front of a barn. n.d.
    n.d.

    .345d.  (Same as.344b) Jane standing in front of the porch at Neroli. n.d.
    n.d.

    .345e.  Photo album page.

    Exteriors of Arcady, the Whitehead's residence in California, ca. 1892- early 1900s.
    ca. 1892- early 1900s.
    Folder 2

    .1140.284.  A view of the valley in California where Arcady was being built. There is a tent to the right and piles of logs in the background at left. On the back is written, “Repeat this evening or morning.” n.d., but probably mid-1890s. See also.285-.286.
    n.d., but probably mid-1890s.

    .1140.285.  A view of the valley where Arcady was being built. Part of Arcady is visible to the left and appears to be in the process of being constructed. Piles of tiles are on the roof of the low part of the area visible. The tent in the previous picture is to the right. Probably mid-1890s. See also.284 and .286.
    mid-1890s.

    .1140.286.  An exterior of Arcady as it was being built. Piles of tiles are visible on one of the lower roofs and a ladder leading to a higher roof. An unidentified young girl sits in the flowers in the foreground. The top of a worker's head is visible on the porch behind the bushes. Probably mid-1890s. See also.284-.285.
    mid-1890s.

    .1140.605.  The entrance side of the house, probably taken during the later stages of construction. Jane Whitehead apparently sent this photo to a correspondent. The back of the photo is labeled: “No. 2, The back of the house,” and there is a lengthy description of the different elements of the house (den, servants' rooms, studio, etc.). Although this was the back of the house, the main entrance was on this side. What looks like a garage is actually the wood house. n.d.
    n.d.

    .1140.621.  Modern print from an older negative showing the stoa side of Arcady, probably shortly after construction was completed. A dog sits on the ground on one side of the house.

    .1140.287-288.  Two almost identical views of the stoa façade of Arcady, probably taken just after is was completed. There are no plantings around the house. The road leading to it is at the right. A horse and carriage are visible at the left in.287. n.d., probably mid-1890s. (note:.287 is the same as.610, a mounted version found in Box 11, folder 1)
    n.d., probably mid-1890s.

    .1140.289.  A view of the valley from Arcady. A corner of the house is visible. n.d., probably mid-1890s.
    n.d., probably mid-1890s.

    .1140.290,.292,.305,.306.  (.305 and .306 are mounted.) A much later view of the façade of Arcady. Now trees, bushes, and vines have been planted and cover much of the façade. The boulders in the front yard are visible. n.d.
    n.d.

    .1140.291.  One of the small side porches at Arcady (probably the porch off Ralph's den). n.d.
    n.d.

    .1140.296-.297.  A view of the stoa and one side of Arcady. The small porch and balcony on the left side are visible. n.d., probably late 1890s. Both these photos are mounted on fabric and stamped on the back: Sturtevant. (Other Sturtevant photos are numbered.293-295 and.309, and are in Box 11, folder 2.)
    n.d., probably late 1890s.

    .1140.299.  Another view of Arcady from the front yard with a low stone fence and the boulders visible. More of the columned stoa and the left portion of the house are visible. n.d.
    n.d.

    .1140.303-.304.  The stoa facade of Arcady taken from the road leading up to it. n.d.
    n.d.

    .1140.307-.308.  The stoa façade of Arcady from the yard. Ralph, Jr., and his nanny sit in the foreground in the grass with a dog next to them. Ralph, Jr., still wears a dress. n.d. possibly 1900.
    n.d. possibly 1900.

    W. H. Rough photographs of Arcady.
    Folder 3

    .1140.300.  A facade of Arcady, showing part of the stoa. Also of interest is the view of the mountains beyond the house and the boulders in the yard. n.d., probably late 1890s. Photo taken by W.H. Rough.
    n.d., probably late 1890s.

    .1140.301.  The exterior of the entrance facade of Arcady, showing the many sections and architectural details of this side. Ralph sits on a square rock, probably a mounting block, with a small dog in his arms and another dog in front of the block. Jane, in a short cape and long gown, stands nearby. Her hat lies near her feet. n.d., probably late 1890s. A W.H. Rough photo.
    n.d., probably late 1890s.

    .1140.302.  The same entrance exterior of Arcady. Ralph is standing, holding a dog, and Jane now has a large dog sitting next to her feet. W.H. Rough photo.

    .1140.617.  R.R.W. and J.B.M.W. with a dog, standing in the drive before the entrance to Arcady. W.H. Rough photo.

    .1140.618.  J.B.M.W. with four dogs in front of the entrance to Arcady; a horse and cart are tied to a hitching post near a fountain. W.H. Rough photo.

    .1140.619a-b.  Side of Arcady, showing garage and kitchen wing. Photo also shows trees and boulders in the yard. W.H. Rough photo.

    Arcady, Interiors, 1890s
    1890s
    Folder 4

    .1140.325.  Studio at Arcady. A large fireplace is on one side of the room. There are two easels with paintings, some bas-relief sculptures, and a copy of a classical Greek statue placed around the room. A tiger skin covers a bench. At the end of the room is a staircase leading to a balcony, which has bookshelves full of books. Jane is sitting on a bench to the left of the fireplace. (See also.326 for a detail of the end of the room.) n.d.
    n.d.

    .1140.622.  Another view of the same end of the studio; the furniture has been totally rearranged. Jane is sitting on a bench to the left of the fireplace. (almost identical to.560, in Box 11, folder 20).

    .1140.623.  Yet another view of the studio with a different arrangement of furniture.

    .1140.326.  The farther end of the room described in.325. Some items have been rearranged and now appear at this end. An easel, furniture, sculpture, various fabrics, paintings, and musical instruments are visible. The balcony with the bookcases is also visible. n.d.
    n.d.

    .1140.326a.  same as.326, but a better copy

    .11140.624.  Same room as in.608 and.327 (in Box 11, folder 22), but with a different arrangement of furniture. In this photo, the room looks more like a dining room than a sitting room. A dining table and chairs are in the left foreground; a desk and chair are in the center background, and a sitting area is to the right.

    .1140.328.  Another room at Arcady, or perhaps a covered porch area. There is a fireplace in one wall with an inscription over it: “Tunc cede malis, Sed contra audentori ito. Qua tuate Fortuna sinet.” The room is light colored stucco. A wicker rocker and a wicker chair with pillows and a large vase sitting on the floor are located in front of the fireplace. Many paintings, prints, dried and fresh plants and other items are hung and scattered around on shelves and the wall. The floor is tiled. For other views of this room, see.329 and.330. n.d.
    n.d.

    .1140.329.  The other end of the fireplace wall seen in.328. There is a large wooden folding screen with tapestry panels, perhaps a William Morris pattern. Next to an easel, there is an upholstered footstool with a large woman's hat on it. Several prints and paintings are hung on the walls or sitting on shelves. (Some of these are in this collection.) At the left side of the room is a wooden rack, which probably holds art (either originals or reproductions). Two vases sit on the floor, and a large Native American-style basket sits on an upper shelf. Jane reclines on a daybed in the background. For other views of this room, see also.328 and.330. (Photographs of the portrait of Jane in the frame hanging over the daybed are also in the collection, see.72 and.73, in Box 14, folder 7.) n.d.
    n.d.

    .1140.329a-b.  more copies of.329 above.

    .1140.330.  Another view of the same room as in.328 and.329. Most of the elements are in exactly the same place, although the small footstool has been moved, and Jane is not in the photograph. n.d.
    n.d.

    Exteriors of unknown buildings
    folder 5

    .1140.641.  A house, possibly in California. Only part of one side of the house is visible. The photo really focuses on the boulders and trees to one side of the house. Although the landscape resembles that around Arcady, the house does not look like Arcady.

    .1140.384.  A shingled house with several porch areas possibly built on a beach. There are two women standing on one of the porches. On the back is written “Portsmouth, NH.” n.d. (R.R.W. and Jane were married in near Portsmouth.)
    n.d.

    .1140.446.  A large unidentified house in a woods, written on the back is “Affectionate Christmas greetings, dear Mrs. Whitehead, and the best of good wishes for the/New Year! Hanford Henderson” and at the bottom “Menefer[?] 1931.”

    .1140.268.  Exterior of one end of a two-story house, location unknown, possibly California. The garage door is open, and a car is visible. n.d.
    n.d.

    .1140.310.  A highly decorated door. It has an ornate metal lock and a knocker, which is in the shape of a lion with vines and leaves for its mane. The door has a painted border of grape leaves, vines, and grape clusters. At the bottom of the door, an inscription with roman numerals is visible but is blocked by a black cocker spaniel sitting in front of it (only the numerals for 92 are visible). Wooden stairs are visible to the right. Probably a door at one of the Whiteheads' residences. n.d.
    n.d.

    Photograph Album of Leaf Silhouettes (Cyanotypes)
    Folder 6

    .1140.503.  Handmade album of tan paper tied with brown ribbon. Various types of leaves and ferns have been laid on cyanotype paper and exposed. Each one has been labeled in ink. Inside the front cover the name “Bimbo” has been written (Bimbo was the nickname of R.R.W., Jr.).

    Photograph Album made by Gertrude E. M. Shaw for Jane Whitehead. Byrdcliffe, dated 1917
    dated 1917
    Folder 7

    .1140.348.  Photo album, inscribed on inside front cover: “To Mrs. Radcliffe Whitehead from Gertrude E. M. Shaw. In recollection of a happy summer, 1917,” followed by a short poem, which she signed “Gertrude E. Metcalfe Shaw.” The photographs show three women engaged in various recreational activities; in many of them, buildings at Byrdcliffe are visible, as well as some of the surrounding mountain scenes. The last page also has a poem signed by Ms. Shaw.
    ((26 pages))

    Photograph and Postcard Album, Carmel-By-The-Sea (CA) and Miscellaneous
    Folder 8

    .1140.573a.  Photo and postcard album bound in dark green binding. Photographs and postcards have been glued in from both front and back. The first page from the back is titled “Carmel-on-the-Sea 1921,” which seems to be the main subject of the album. There are several pages of small photos of the Whiteheads at a cottage in a wooded area. The second page of photos is titled “The Dancing Oaks.” There are also two photographs of Jane standing next to a surrey with a fringed top pulled by the white horse (p.5). On p. 15 there are photographs of three men, two of whom are working on the cottage. There are also eight postcards glued in. These include various landscapes in California, the Grand Canyon, and a hotel in Lamy, New Mexico. There were twelve loose items in the album; these are now housed in folder 9, below.

    Loose Items from Photograph Album,.573a
    Folder 9

    .1140.573b-m.  Loose postcards and prints (from the album in folder 8, above), depicting areas in and around Carmel and Santa Barbara, and also general California scenes.

    Miscellaneous photographs and postcards of New York landscapes
    Box 4: Folder 1

    .1140.385.  Postcard of a mountain range, probably the Catskills. Signed Wurgel. n.d.
    n.d.

    .1140.386,.388.  Postcard of landscape scene around Woodstock, N.Y. It shows the grassy and wooded hills, farm, and village in the background. In the lower left is printed “The Country Beautiful/3 Beautiful Woodstock Series.” On the back is printed “An Art Photograph/POST CARD/By L. E. Jones/Woodstock, N.Y./Copyrighted.” n.d.
    n.d.

    .1140.387.  Postcard of mountains and valley. In the lower left is written “The Catskills” and in the lower right “Wurgel.”

    .1140.389.  Mounted photograph of a landscape of hilly area with farms and mountains in the background. n.d.
    n.d.

    Miscellaneous landscapes - probably California
    Folder 2

    .1140.390.  Mountain range with desert in foreground. n.d.
    n.d.

    .1140.391.  View of valley between two mountain ranges. In the valley are several houses, large structures and numerous outbuildings. There is also an empty swimming pool or athletic area, and some horses near a barn. Perhaps a view of Thacher School?

    .1140.392.  View of area of heavy vegetation - palm tree, lilies, and many bushes, etc. A book lies on a stool at the base of the tree. A house is barely visible in the background. n.d.
    n.d.

    Miscellaneous photographs of landscapes, seascapes, etc. Locations and dates unknown.
    Folder 3

    .1140.138.  A modern reprint of a historic photograph. A landscape of pine trees.

    .1140.458.  A large clump of sunflowers amidst several other bushes; wooded area behind.

    .1140.459.  Reeds and grasses growing along the side of a lake. Two boats are partially visible in the upper left corner. (An enlargement of this is.460, in Box 14, folder 12.)

    .1140.461,.465.  Boulders and a gnarled tree with a valley in the background.

    .1140.462.  Dead tree, one large branch of which has partially split off. It is on a sloping hillside, which may be an orchard. n.d. See also.463.
    n.d.

    .1140.463.  Same dead tree as in.462, but taken from different angle.

    .1140.464.  Field with wildflowers, hills in background.

    .1140.466.  Grassy field with trees on either side; lake in background. See also.467.

    .1140.467.  Same grassy field as in.466 but view closer to lake and mound in background.

    .1140.468.  Bare, gnarled trees along a road; large boulders scattered in open area behind trees. A woman in a hooded cloak sit under the large tree to the right. n.d. See also .469 (below) and .493 (in Box 14, folder 12).
    n.d.

    .1140.469-.470.  Bare, gnarled trees along road, probably same road as in.468.

    .1140.471.  Clump of trees in a group of smaller trees, perhaps part of an orchard.

    .1140.472.  Several large old trees in a grassy clearing.

    .1140.473.  A flat area of tall weeds or grasses, may be a marshland. Wooded area and mountains visible in background.

    .1140.474-.475.  (.475 is an enlargement of.474) A large old oak tree; haystack visible in the background.

    .1140.476.  A waterfall cutting through many layers of a rock cliff. A man stands up near one level of the falls.

    .1140.477.  A postcard of a pond rimmed by trees, hills are in the background.

    .1140.478.  A pond or marsh area with many areas of reeds and grasses. A house is visible in the background.

    .1140.479.  A lake or river lined by trees; many areas of reeds or grasses grow in the river.

    .1140.480.  A lake or river rimmed by many trees, some are cypress-type trees.

    .1140.481.  A large area of beach or sand next to a lake or inlet. A small house sits on the edge of it.

    .1140.482.  View of a beach with a large cliff jjutting out into the sea in the background.

    .1140.483.  View of the rocky shoreline of the ocean or a lake. Trees overhang the edge of the water. (An enlargement of this is.484, in Box 14, folder 12.)

    .1140.485-.486.  View of a lake or inlet. Grasses and a tree on the shore are in the foreground; trees across the lake are visible in the background. (An enlargement is.487, in Box 14, folder 12.)

    Photographs of cleared area (possibly the first colony attempt in Oregon)
    Folder 4

    .1140.393,.395,.396,.398.  (All four are the same image, but.398 is a larger copy - 7"×9".) Cleared area of very large tree stumps, which has been fenced in and contains a horse and cow. A woman (possibly Jane Whitehead) sits on the largest stump. There are large conifer trees behind the clearing. n.d., but the woman's outfit appears 1890s or very early 1900s. See also .394 and .397.
    n.d.,

    .1140.394,.397.  Another view of the same cleared area (as in .393, .395-396, and .398) of large stumps with the fence and large conifer trees in the background. A small house also is visible in the distance. n.d.
    n.d.

    .1140.444.  Cleared area of stumps in a forest of very tall trees. A rocky mountain is visible in the background. This view is nearly identical to.445 and.489, but the mountain is more visible, and the small white dog does not appear in this image. (.489 is in Box 14, folder 12).

    .1140.445.  Same cleared area as in .444 and .488, but the mountain is less visible than in .444. There is a small white dog with black spots in the clearing. (.445 is a detail of .489, which is in Box 14, folder 12.) n.d.
    n.d.

    .1140.488.  Cleared area of stumps in a forest of very tall trees. A very rocky, flat-topped mountain is visible in the background. This photo has been cut to apparently fit in a round-topped frame. See also .444-.445 and .489 (the latter is in Box 14, folder 12).

    Miscellaneous landscapes, city scenes, and peasants, possibly from the trip to St. Jacut in 1909
    Folder 5

    .1140.399.  A panoramic view of a city on a hill, probably in Europe. Clock and bell towers are visible, as well as several tall smokestacks, probably from factories. n.d. See also .400 and .408 (below).
    n.d.

    .1140.400.  A panoramic view of the same city as in .399, but taken from a slightly different angle. Trees and mist or smoke obscure some of it. Written on the back are what are probably the photographer's notes: “8×12:24×30/15 minutes” and “F-7” n.d. See also .399 and .408.
    n.d.

    .1140.401.  A peasant woman and two young boys standing in front of a wooden door set in a stone wall. The woman is dressed in a dark cape and has a scarf tied around her head. She holds a large long-handled net. Both of the boys wear berets and coats; the seated one is wearing wooden shoes. The boy standing next to the wall holds a net (fishing net?). There is also a basket on the ground next to the boys. n.d.
    n.d.

    .1140.402.  A street scene in a European city. The streets are cobbled; the rowhouses have windows with small iron balconies and shutters. People are gathered around a cart in the street. A church spire is visible in the background.

    .1140.403,.406.  (.406 is an enlargement (73/4"×10") of.403.) A street scene in a European city. A castle-like structure is in the foreground. It has towers at the corners and a gate. The cobbled street leads down to a row of rowhouses. Many pedestrians are visible. (See also.404 and.407.)

    .1140.404.  A different view of the same scene as in.403, taken from further up the street.

    .1140.405.  A different view of probably the same city as in .402, .404, and .406. A street scene, showing buildings with shops at street level. A large tower is visible in the background.

    .1140.407.  Same view of street scene as in .403 and .406, but taken a few minutes later or earlier. Pedestrians have moved or disappeared from scene in .403.

    .1140.408.  A panoramic view of the same city as in .399 and .400. This view taken from a terrace or balcony, the balustrades of which are visible in the foreground. Trees obscure part of the scene. This may have been taken at later time as some of the structures are altered from the first view. n.d.
    n.d.

    .1140.409.  View from what appears to be a castle. A stone tower is visible. It looks out over a valley, which is mostly pasture, with a few trees.

    .1140.410-.411.  View of hillside city, probably Europe, mountain in background. n.d.
    n.d.

    .1140.412.  Different view of same city as in .410 and .411.

    .1140.413.  Peasant woman sitting in kitchen. She is wearing a shawl and a white cap tied under her chin and sits at a wooden table. Behind her, two prints are tacked onto the masonry wall, as well as two small pans and a grater. An open hearth fireplace and cooking implements are visible. The mantel is decorated with a simple paper or cloth lambrequin; cans, crocks, and a candle are placed on top. Between the table and hearth is a rustic wooden door. n.d.
    n.d.

    .1140.414.  The exterior of stucco house. A small girl stands in the doorway. A wooded area lies in the background. See also.415.

    .1140.415.  Same scene as.414, but small girl has moved to stoop of another doorway.

    .1140.416.  Peasant woman sitting on a rock and knitting by the edge of a body of water. n.d. See also.417.
    n.d.

    .1140.417.  Same peasant woman and body of water as in.416, but she has been joined by two other women. One is standing and holding a long-handled net in one hand and a basket in the other. The other woman appears to be gathering the weeds or grasses lying on the rocks. A man is riding a horse out in the water. n.d.
    n.d.

    .1140.418.  same as.417

    .1140.419.  Small town on a hillside; some houses have tiled roofs. May be same area or city as in.399-.401. n.d.
    n.d.

    .1140.420-.421.  Same city or town as in.419, but taken much later as there are many more structures and smoke stacks in this view. The facade of the large building in the right foreground has also been much changed.

    .1140.422.  Man (possibly Ralph Whitehead?) standing and petting a horse next to a small river. There is a road running along the river with a row of trees next to it. A mountain is visible in the background. n.d.
    n.d.

    .1140.423-.424.  (.423 is a detail of.424) A tree-lined street leads into a city or town. In.424 a man is visible leaning against a tree in the foreground. n.d.
    n.d.

    .1140.425-.426.  (.426 is an enlargement of.425.) A dirt road with a horse-drawn cart and another man standing by a horse near a road sign. Trees line the road and mountains are visible in the background. n.d.
    n.d.

    .1140.427.  A large bull standing under a tree, a young boy lies on the grass nearby. The road is visible, as are several of the trees lining the road. n.d.
    n.d.

    .1140.428.  A woman is leaning against a tree, with a flock of sheep nearby. They are grazing in what may be an orchard. n.d.
    n.d.

    .1140.491.  Large cypress-type trees in front of a tile-roofed building, with a stone wall next to the building.

    Miscellaneous landscapes, city scenes, and peasants, some possibly from trip to St. Jacut in 1909
    Folder 6

    .1140.429.  An old man in a suit sits on a log in front of two stone-supported terraces on which there are trees. Behind him are slabs of rectangular shaped stone. n.d. See also.430-.433.
    n.d.

    .1140.430.  A woman with a wide-brimmed hat standing next to a large basket. She holds flowers in her hand. The same stone-supported terraces are visible behind her, and trees have been planted on the terraces. n.d. See also .429 and .431-.433.
    n.d.

    .1140.431.  The same woman as in.430 is putting a bucket, which is on a chain, down into what appears to be a stone and masonry-enclosed well or cistern. Stone-supported terraces on which trees have been planted are behind her. There is an arched doorway built into one of the stone walls supporting the terraces. See also .429-.433.

    .1140.432.  The same stone and masonry well as in .431. The stone-supported terraces are behind it. See also .429-.433.

    .1140.433.  Another view of the stone and masonry well depicted in.431-.433. See also.429-.433.

    .1140.434-.435.  View of a mountain range and valley, with a town on the slope of one of the mountains.

    .1140.436.  View of a lake with mountains in the background. A small sailboat is visible on the lake. n.d.
    n.d.

    .1140.437.  A young man standing on a boulder by the side of the cliff-face of a mountain. He is standing in a pile of snow. n.d.
    n.d.

    .1140.438.  A view of a mountain lake with pine trees on the slopes, and a large jagged mountaintop in the background. A woman with an parasol sits on a small pier leading out into the lake.

    .1140.439.  A two and a half storied house with long shuttered French windows at ground level and on the balconies. Two women sit in a doorway on the ground floor, while a third stands on the second floor balcony. n.d.
    n.d.

    .1140.440-.441.  (.441 is an enlargement of.440.) A male goat herder standing with his herd, holding a shepherd's crook. n.d.
    n.d.

    .1140.442.  A view of a valley; the hills are covered with pines. A field of hay is in the foreground. A jagged mountaintop is visible in the background. n.d. See also.443.
    n.d.

    .1140.443.  Another view of the same valley as in.442, but this is a slightly different angle and the hay has been cut and bundled. n.d.
    n.d.

    Miscellaneous Photographs
    Folder 7

    .1140.447.  A photograph torn from a book (?) of a valley with a road winding through it. Printed at the bottom is “974 LYNMOUTH. The Doon Valley.” n.d.
    n.d.

    .1140.448.  A rocky stream which leads through gently sloping rocky hills, printed at the bottom is “...WORTHY VALLEY” (bottom of page torn). Written on the back is “Badgeworthy Valley.” n.d.
    n.d.

    .1140.449.  A photograph torn from a book. A man is standing next to a horse on a trail above a rocky stream leading through a hilly area. n.d.
    n.d.

    .1140.450.  A village in a valley with gently sloping mountain range behind it. At the lower left corner is printed “6000 Porlock.” n.d.
    n.d.

    .1140.451.  A black horse with a heart-shaped white spot on its forehead. It has a western saddle strapped on. n.d.
    n.d.

    .1140.490.  Two photographs printed on the same paper, both showing the same oil painting, which has been mounted with tacks to a wooden surface. The painting is of a bush growing a door in a wall. One image appears to be overexposed and the other underexposed. “No. 22” and “No. 21” have been written along the side of each photograph, but the numbers are backward, as if the negative was processed backward. No signature is visible in either image, but this may be the work of one of the artists living at Byrdcliffe. n.d.
    n.d.

    Miscellaneous Postcards
    Folder 8

    .1140.518.  Photograph postcard of a column of World War I soldiers with barracks behind them. Written on photo at lower right is “4820 D Co[mpan]y.” On reverse is written “ `D' Coy.- or part of it- in column of route.”

    .1140.519.  Photograph postcard of World War I soldiers in action, firing rifles while kneeling or lying down along a country road. Caption “For King - Country and Justifiable Cause.” On reverse is printed “War Photogravure Publications, 75b Queen Victoria Street, London, E.C. Printed in London. No. 2.”

    .1140.520.  Photograph postcard of World War I soldiers in action. A group of them are lying across a road with rifles aimed down the road. Caption is “Royal Scots Firing as They Advance.” Printed on back is “War Photogravure Publications, 75b Queen Victoria Street, London, E.C. Printed in London. No. 3.”

    .1140.521.  Photograph postcard of World War I soldiers, labeled “French Artillery Ready for the Germans,” depicting French artillerymen with horses hitched to caissons and guns. Printed on back is “War Photogravure Publications, 75b Queen Victoria Street, London, E.C. Printed in London. No. 8.”

    .1140.522.  Photograph postcard of World War I refugees fleeing from the war. A man leads a horse and cart piled with household goods, on which a young woman and an elderly gentleman ride. Following the cart are several more people, including children. Caption is “Sad Scene on Brussels Line of Retirement.” Printed on back is “War Photogravure Publications, 75b Queen Victoria Street, London, E.C. Printed in London. No. 10.”

    .1140.523.  Postcard of World War I soldiers repairing a road by a house which has been bombed. Caption is “Labour Battalion Repairing the Roads on the Somme.” On reverse is printed “Post Card Tit=Lits War Pictures, Series III. No. 24,” and at bottom, “Printed in England.”

    .1140.524.  Postcard of World War I soldiers exercising in a forest. Caption is “23. Keeping Fit in the Oise.” On reverse is printed “Post Card, Tit=Lits War Pictures Series III. No. 23,” and at bottom, “Printed in England.”

    .1140.525.  Postcard of World War I soldiers bathing (some in the nude) in a pond formed by a small dam. Caption is “22. Tommy's Bathing Place in Salonica.” On reverse is printed “Post Card, Tit=Lits War Pictures Series III. No. 22,” and at bottom, “Printed in England.”

    .1140.526.  Postcard of World War I soldiers with their vehicles. Caption is “20. Machine Guns and Motors at Salonica.” On reverse is printed “Post Card, Tit=Lits War Pictures Series III. No. 20,” and at bottom, “Printed in England.”

    .1140.527.  Postcard of World War I soldiers with horses and wagons. Caption is “19. A British Convoy Passing Through the Ruins of a Village.” On reverse is printed “Post Card, Tit=Lits War Pictures Series III. No. 19,” and at bottom, “Printed in England.”

    .1140.528.  Postcard of World War I soliders standing in and around a log hut. Caption is “18. A Cosy Shelter in the British Lines.” On reverse is printed “Post Card, Tit-Lits War Pictures Series III. No. 18,” and at bottom, “Printed in England.”

    .1140.529.  Postcard of World War I soliders putting wagons and supplies on railroad cars. Caption is “17. London Territorials Loading Up.' On reverse is printed “Post Card,, Tit-Lits War Pictures Series III. No. 17,” and at bottom, “Printed in England.”

    .1140.530.  Postcard of painting of ocean liner. Printed at bottom left is “S. S. Baltic” and at right is signature of artist, “Charles T. De Lacy.” On reverse is printed “State Publishing Co., Liverpool. No. 11.” (duplicate of.533)

    .1140.531.  Postcard of ocean liner. Printed at bottom is “R. M. S. Baltic. 24000 Tons. 725 Feet long, 75 Feet broad, 49 Feet deep.” On reverse is printed “Publ. by Hugo Land & Co. Liverpool.”

    .1140.532.  Postcard of ocean liner. Printed at bottom is “R. M. S. Baltic. 24000 Tons, 725 feet long, 75 feet broad, 49 feet deep.” On reverse is printed “Published by Hugo Lang & Co. Liverpool.”

    .1140.533.  Postcard of ocean liner. Printed at bottom is “S. S. Baltic” and signature of artist, “Charles. T. de Lacy.” (duplicate of .530).

    .1140.534.  Postcard of ocean liner. Printed at bottom is “S. S. Celtic” and name of artist “Charles T. de Lacy.” On reverse is printed “State Publishing Co., Liverpool. No. 10.”

    .1140.535.  Postcard of a peasant couple looking up at a plane, caption reads “Oh! mon Dieu, c'est le diable.” On reverse is printed “WSW No. 1024.”

    .1140.536.  Postcard of landscape scene with church spire in background. Caption reads “Hampstead Heath - Toward Highgate.” On reese is printed “The Priory Press Series.”

    .1140.537.  Postcard of “London. Bank and Royal Exchange.” Scene sows busy city street with many people and horse-drawn carriages. On reverse is “Tuck's Post Card” and a brief history of the Bank of England. Along left side is printed, “Raphael Tuck & Sons. `Rapholete Glosso' London Series I postcard 8003 Art Publishers to Their Majesties the King & Queen.”

    .1140.538.  Postcard of three Japanese women dressed in kimonos, two of whom are sitting and having tea; the third is standing by a river or pond. Reverse has “Carte Postale” and several Japanese characters written on it.

    .1140.539.  Postcard of painting of woman in Near Eastern style dress weeping, with a young boy reaching up to her. They are standing in a desert. Caption reads “178 LL Cazin - Ismaël. Musee Du Luxembourg, Paris.” On reverse is printed “Union Postale Universelle/Post Card [“post card” is repeated in several different languages].”

    Prints from glass plate negatives
    Box 5

    Modern black and white photos from glass plate negatives. (See Folder 4 for the envelopes which enclosed many of the glass plates.)
    Folder 1

    .1140.1b-c.  Ralph, Jr., and Peter Whitehead as babies. Both are wearing dresses. Peter is in a wicker high chair, similar to.2, but different pose. ca. 1901. Negative is 5×7.
    ca. 1901.

    .1140.2b-c.  Ralph, Jr., and Peter Whitehead as babies. Peter is in a wicker high chair, similar to.1, but different pose. ca. 1901. Negative is 5×7.
    ca. 1901.

    .1140.3b-c.  Photograph of mounted photo of Ralph R. Whitehead, head and shoulders, Ralph looking to side. Mounted photo is out of focus. n..d. but probably 1890s. Negative is an 8×10.
    n..d. but probably 1890s.

    .1140.4b-c.  Same as.3, but negative is a 5×7.

    .1140.5b-c.  Jane Whitehead in possibly the same medieval-style gown as in.6 at Arcady. Unidentified person to left, possibly Ralph, Jr.'s nurse or nanny. n.d., probably ca. 1899 (date of Ralph, Jr.'s birth).
    n.d., probably ca. 1899

    .1140.6b-c.  Jane Whitehead and Ralph, Jr., in doorway of unidentified tile-roofed building, probably at Arcady. She wears a medieval-style gown, probably the same as in.5. n.d., ca. 1899.
    n.d., ca. 1899.

    .1140.7b-c.  Arcady, exterior, vines covering much of front. Large boulders in foreground. n.d., probably late 1890s.
    n.d., probably late 1890s.

    .1140.8b-d.  Jane and Ralph R. Whitehead on steps in front of White Pines, their residence at Byrdcliffe. Two other unidentified people are on the porches. n.d., after 1903. Original envelope was included (d) - see Folder 4. Written on the envelope: “No. `5935' Name `R R Whitehead' Remarks __________1 Copy of each of Enclosed Negatives 5 Glossy Velix Sepia 5 brown 3 Ea Velix Sepia 3 Ea Glossy Sepia.” (much of the above is crossed out.)
    n.d., after 1903.

    .1140.9b-c.  Ralph sitting with a dog on the porch at White Pines. Much of the facade is visible including upper story porch. n.d., after 1903.
    n.d., after 1903.

    .1140.10b-d.  Distant exterior of White Pines showing whole front facade, including a small roofed walkway which leads to another small building, perhaps the Loom Room addition. n.d., after 1903.
    n.d., after 1903.

    .1140.11b-c.  Interior of library at Byrdcliffe. The room is very large with windows above the bookcases which line the walls. A William Morris tapestry of a woman in classical clothing is over the shelves at one end of the room. A bas relief sculpture is propped up on the top shelf at this end, also. There are a long library table and several chairs scattered about. Three of the chairs are mission-style. The wooden Byrdcliffe card catalog file is sitting on the end of the library table. (Both the card catalog and the catalog cabinet are also part of this collection. See Series XI.) A vase and two other pieces of pottery are also on the table. n.d., after 1903.
    n.d., after 1903.

    .1140.12b-c.  View of a dirt road at Byrdcliffe; two buildings are partly visible. One may be the barn; it has a cupola. In the distance White Pines is visible. n.d., after 1903.
    n.d., after 1903.

    Modern black and white photos from glass plate negatives. (See Folder 4 for the negative envelopes, which enclosed many of the glass plate negatives.)
    Folder 2

    .1140.13b-c.  Exterior of several of the buildings at Byrdcliffe. The barn with its cupola is visible, as are several other buildings nearby. In the far distance in the left another cabin can be seen. Ralph, Ralph, Jr., and Peter sit near the buildings in the center of the photograph, as does an unidentified woman, possibly a nurse or nanny. n.d, after 1903. For another photograph taken at the same time, see also.14b-c.
    n.d, after 1903.

    .1140.14b-c.  The same exterior view of the barn and several other buildings at Byrdcliffe as in.13b-c. Ralph and his two sons are also in the view, as well as the nurse or nanny. n.d., after 1903.
    n.d., after 1903.

    .1140.15b-c.  One of the cabins at Byrdcliffe, probably one of the artist's residences. Two unidentified people are sitting on the porch. n.d., after 1903.
    n.d., after 1903.

    .1140.16b-c.  One of the buildings at Byrdcliffe, either just after or during construction. It is a large structure with many windows and a second story. It may be a workshop or studio. n.d., ca. 1903-1904.
    n.d., ca. 1903-1904.

    .1140.17b-c.  One of the buildings at Byrdcliffe just after construction. It has two sections, the smaller probably a kitchen. Another small cabin is visible in the background.

    .1140.18b-c.  One of the buildings at Byrdcliffe, with two stories. It may be another artist's residence. n.d., after 1903.
    n.d., after 1903.

    .1140.19b-c.  Interior of the woodworking shop at Byrdcliffe. Many mission-style chairs are visible, as is the woodworking equipment and the belts used to run it. The furniture shop produced furniture only from 1903-1905.

    .1140.20b-c.  Interior of a very large room which may have been the studio. The end of the room is mostly windows. Many chairs and benches are seated around the edge of the room. There are two paintings on the left wall, a piano in the corner, and some sculptures attached to another wall. A large wood and cloth or paper lantern hangs in the center; two Japanese (?) paper and wood sconces are on the left wall. A dog sleeps in the right foreground. n.d., after 1903.
    n.d., after 1903.

    .1140.21b-d.  A photograph of a vase probably taken from a book, as other images are visible around it. The center vase has a crackled glaze and an embossed floral and striped pattern. Part of the original envelope remains, but has no information on it. n.d.
    n.d.

    .1140.22b-d.  A photograph of a Chinese vase taken from a book. The vase has outlines of leaves molded into it to look like a lotus. The original envelope is with it. On it is written: “No. Fig. #152/Name Chinese/Remarks/ 8" inches high” and a small pencil sketch of a vase with an arrow indicating height is underneath. n.d.
    n.d.

    .1140.23b-e.  A photograph of a Chinese vase taken from a book. It has two bands of geometric Greek-key type designs painted or incised into it. A third row of round dots has been applied around the bottom. The original envelope is with it (e). On it is written: “No. Fig. #45 Name Chines Mus. Catalog Remarks 12 1/2 inches in height” and a sketch of the vase with the height shown is drawn underneath. n.d.
    n.d.

    .1140.24b-d.  A photograph of a Chinese vase taken from a book. It has a floral design etched or painted on its side with scrolling stripes at the bottom. The original envelope is enclosed. On it is written: “No. Fig. #88 Name Chines. Mus. Catalog Remarks” 10 1/2" high” and a drawing of the vase with the height indicated is underneath.

    .1140.25b-d.  A photograph of a Chinese bowl taken from a book. It has no decoration other than the glaze, which has lines running horizontally up the bowl. The original envelope is enclosed. On it is written: “No. Fig. #240 Name Chinese Mus. Catalog Remarks 8.”

    .1140.26b-d.  A photograph of a Chinese bowl taken from a book. Part of another bowl is visible at top. The main image is of a bowl on a carved wooden footed stand. The bowl has petals molded into the design to look like a peony. The caption is partly visible and reads: “1. Bowl with engraved peony design under a brownish green cela [probably celadon glaze] Northern Chinese. Diameter 7 inches. Eumorfopoulos Collec [tion].” Original envelope is enclosed. On it is written: “No. Hebron - Chinese pottery vol. I/Name Plate 18.-Fig 2 - 10 1/2".”
    Folder 3

    .1140.27b-d.  A photograph of a Chinese vase taken from a book. The vase has an incised geometric design in a band around the middle and round knobs attached around the top. It is on a carved wooden stand. The caption reads (part of it has been masked out in the glass plate) “dynasty. Height 17 inches. Peters Collection.” The original envelope is enclosed. On it is written “No Hebron - Chinese Pottery Vol. I Name Plate 27 Remarks 7 ½” and a drawing of the vase with the height indicated is underneath.

    .1140.28b-d.  A photograph of a Chinese vase taken from a book. Another vase is partially visible at the right. Vase has incised and painted geometric and some floral patterns. The original envelope is included. On it is written “No. Hebron - Chinese Pottery Name Vol.-II-Fig. 3 Remarks 1-17"/1-14"/1-9.”

    .1140.29b-d.  A photograph of a vase taken from a book. It has painted geometric and floral patterns vertically on the body, and a painted floral and circular pattern around the base. The original envelope is enclosed. On it is written “No. Frontispiece Name Pier-Pottery of Near East Remarks 10 inches high” and a drawing of the pottery with the height indicated underneath.

    .1140.30b-d.  A photograph of a vase taken from a book. It has a raised design of a bird trying to eat a worm wrapped around reeds. The original envelope is enclosed. On it is written “No. Frontispiece Name Pier-Pottery of Near East Remarks 10 inches high” with a drawing of the vase underneath with the height indicated.

    .1140.31b-d.  A photograph of a vase taken from a book. It has vertical painted leaf and geometric patterns. The original envelope is enclosed. On it is written “No. Fig. 21 Name Pier Pottery of the Near East Remarks 15 inches high Glass.”

    .1140.32b-d.  A photograph of a vase taken from a book. It has painted floral, leaf and other vegetation patterns. It appears to have a stopper, possibly made of metal. The original envelope is enclosed. On it is written “No. Fig. #36 Name Pier - Pottery of Near East Remarks 5-3/8" -9.”

    .1140.33b-d.  A photograph of a handled pitcher or vase taken from a book. It has painted floral and berry branch designs on the body and spout. Geometric patterns ring the neck and lip. The original envelope is also enclosed. On it is written “No. Fig. #57 Name Pier - Pottery of Near East Remarks 9" Whide[?].”

    Envelopes from glass plate negatives
    Folder 4

    .1140.8d,.11d,.15d,.17d-.19d,.21d-.33d..  Original envelopes from glass plate negatives

    		(see descriptions from individual glass plate negatives for each one.)

    Modern black and white photos from glass plate negatives
    Folder 5

    .1140.578b-c.  Jane in gown with draped bodice. She is gathering flowers and stands amidst tropical vegetation. Probably taken at Arcady. n.d., probably mid 1890s.
    n.d., probably mid 1890s.

    .1140.579b-c.  Jane wearing medieval-style gown, which has balls (?) running along the edges as decoration. She is standing on a leopard skin and leaning against one of the arched columns at Arcady. n.d., probably mid-1890s. (see also.626 in Box 1, folder 4, for a similar pose)
    n.d., probably mid-1890s.

    .1140.580b-c.  Jane wearing a gown with draped bodice and a long-sleeved, high-necked blouse, similar to.578. She is sitting on a wooden trellis, which has vines growing on it. A large boulder is behind. Probably at Arcady. n.d., probably mid-1890s.
    n.d., probably mid-1890s.

    .1140.581b-c.  Jane wearing a gown with a draped bodice, with a long-sleeved, high-necked blouse underneath, similar to.578 and.579. She is standing in a long border of what is probably lavender, which edges a road. (See similar photograph,.582). Probably taken at Arcady. n.d., probably mid-1890s.
    n.d., probably mid-1890s.

    		(See also the photos in Box 11, folder 12.)

    .1140.582b-c.  Jane wearing same gown as in.581 in same row of lavender. A sash has been added to her outfit. Probably taken at Arcady. n.d., probably mid-1890s.
    n.d., probably mid-1890s.

    .1140.583b-c.  Jane) in a medieval-style gown, with one arm resting up on the limb of a tree. n.d., probably mid-1890s.
    n.d., probably mid-1890s.

    .1140.584b-c.  Ralph and Jane with their two sons on the lawn of Arcady. n.d., probably 1901-1902.
    n.d., probably 1901-1902.

    .1140.585b-c.  Interior of a cabin, decorated with mission-style rocker, chair, and table, and also with windsor chairs. Also in the room are a fireplace, books on shelves, a roll-top desk, another rocker (not clearly visible), and a bench. Many potted plants decorate the room. A large pine branch has been put on the mantel. This is may be one of the cabins at Byrdcliffe. n.d., probably ca. 1903-1904.
    n.d., probably ca. 1903-1904.

    .1140.586b-d.  Exterior of White Pines showing its wooded location. The rustic board siding and 8/1 paned windows are visible. n.d., probably ca. 1903-1904. This negative has its original envelope (d). Written on the front are “No. 5935/Name R. R. Whitehead/ Remarks [several notations crossed out] 3 Ea Glossy Velux Sepia, 3 Ea Velux matt Sepia.”
    n.d., probably ca. 1903-1904.

    .1140.587b-d.  Photograph of an arch-shaped sculpture by Camielo, showing Jesus on the cross with angels flying around him. The angels are carrying a long banner with an inscription on it. This sculpture has been propped up two boards and leans against a wooden interior. This negative has its original envelope (d). Written on it is “No. 6486 Name RR Whitehead Remarks 1 Ea Velux Sepia Films Children + Xmas tree 1907.” In the upper right hand corner is written 8=57. Printed at the bottom is “FromThe H. N. Tiemann Co.4 East 30th Street, Photo Supplies, Developing and Printing.”
    Folder 6

    .1140.588b-c.  Photograph of a Chinese pot taken from a book (probably Hebron, Chinese Pottery, and Vol.I). It is an oval-shaped pot with rim and handles. Stylized tree like designs have been painted and applied.

    .1140.589b-d.  Photograph of a Chinese pot taken from Hebron, Chinese Pottery, Vol. I, plate 8. Footed pot is cylindrical-shape with ribbing running horizontally. Another pot or vase is partially visible to side. This negative has its original envelope (d). Written on it is “No. Hebron Chinese Pottery Vol.I Name Plate - 8-Tag.1-Remarks Body 1 - 6 1/2 inches high.” A drawing of the pot with the length of 6 1/2 is under the inscription.

    .1140.590b-c.  Young woman in loose fitting gown sitting on a low rock. There are vines and a fruit in front of her.

    .1140.591b-c.  Ralph, Jr., or Peter Whitehead standing under a sign nailed to tree, “White Pines.” The child appears to be about 5 years old here. He is holding a shovel, and a hoe has been propped up against the tree. The Byrdcliffe shrine is visible in the background. n.d., probably ca. 1904-1905. (Same as.647a-b in Box 2, folder 1, which are original prints.)
    n.d., probably ca. 1904-1905.

    .1140.592b-c.  Exterior of Arcady showing the arched columns of the second floor porch and part of the stoa. The Whitehead's nurse sits in the grass in the foreground. n.d., probably mid-1890s.
    n.d., probably mid-1890s.

    .1140.593b-c.  Exterior of Arcady photographed through circular lens opening. The stoa is visible, as are some of the arched and columned windows of the second floor porch. Numerous vines and other vegetation cover a great deal of the exterior. n.d., probably mid-1890s.
    n.d., probably mid-1890s.

    .1140.594b-c.  A 16th or early 17th style side chair. It has casters on each leg, so it may be a reproduction piece. It has an upholstered back and seat, upholstery appears to be a brocaded floral or a tapestry. but is very worn. The chair has been set in front of three screens so that it is the focal point.

    .1140.595b-c.  Jane in a medieval-style gown (with long-sleeved blouse) standing with her left side to camera under a fruit tree. One hand is holding a branch; the other has reached up and picked a fruit off the tree. This appears to have been inspired by a Pre-Raphaelite painting by Rosetti. n.d., probably mid-1890s.
    n.d., probably mid-1890s.

    .1140.596b-c.  Ralph and Jane standing by a boulder in the lawn in front of Arcady. The many arched and columned architectural details of Arcady are visible. n.d., probably mid- 1890s.
    n.d., probably mid- 1890s.

    Glass plate negative box
    Folder 7

    .1140.597a-b.  The cardboard box in which glass plate negatives.578-.596 were stored. The original blank 5×7 glass plates probably came in it. On the top a paper label has been applied over the original printing. Written on the label is “Radcliffe Whitehead 2 negs” and printed at the bottom is “From Pinkham & Smith Opticians - - Photo Supplies 288 Boylston St. - Boston.” Written above the label is “Negatives 1903-4-5-6 Byrdcliffe + Byrd.”

    modern slides
    Folder 8

    [no accession number].  Twenty slides taken by Winterthur employee Karen Rege at White Pines and Byrdcliffe, September 30, 1997; includes interior and exterior views, views of a piano and an autoharp, a historic marker, a rock wall, furniture

    Original glass plate negatives
    Boxes 6-10

    .1140.1a-.33a, 578a-596a.  Original glass plate negatives from the above photographs. Researchers must use the above modern prints.

    Arcady exterior
    Box 11: Folder 1

    .1140.610.  Front of house, showing stoa. From the handwriting on back of this photo, it is evident that Jane sent this to a correspondent, probably her family, in a letter dated August 18-25. She explains that photographic rooms and cellars are under the stoa, that to the left of the two story part of the house is the porch for a small den, and that a hedge of scarlet geraniums is on the left side of the drive. Taken shortly after construction was completed.
    dated August 18-25.

    		(See also.287 in Box 3, folder 2.)

    .1140.293-.295.  The stoa façade of Arcady taken from an oblique angle, from the road leading to it. Many vines cover the house, and there are many trees and bushes in front of it. The yard has been terraced and a stone retaining wall has been built in front of the house. n.d. These are mounted on fabric and are stamped on the back: Sturtevant. (For other Sturtevant photos, see.296-.297 in Box 3, folder 2, and.309, below.)
    n.d.
    Folder 2

    .1140.309.  another copy of the same photograph, but mounted on card stock. Stamped on back: Sturtevant Photo. 625 ½ State St., Santa Barbara, Cal. (other Sturtevant photos are numbered.296-.297; they are in Box 3, folder 2.)

    .1140.612.  View of the house showing stoa, with R.R.W. standing on another porch. n.d., but probably shortly after construction completed. Also visible are boulders and tree in yard, and mountain beyond.
    n.d.,
    Folder 3

    Arcady landscape
    Folder 4

    .1140.570.  Large mounted photograph, very similar to.569 below, but evidently taken at a different time of day as the shadows are different. n.d., probably mid-1890s. (see also.607, below)
    n.d., probably mid-1890s.

    .1140.607.  same as.570, above.
    Folder 5

    Arcady exterior
    Folder 6

    .1140.569.  Large mounted photograph of part of stoa of Arcady, but focusing on the view of valley and mountains. n.d., probably mid-1890s. (See also.570 and.607, above, for similar view.)
    n.d., probably mid-1890s.

    .1140.568.  Large mounted photograph of exterior of Arcady, similar to.567 (below), but taken closer to house. n.d., probably mid-1890s.
    n.d., probably mid-1890s.
    Folder 7

    .1140.567.  Large mounted photograph of exterior of Arcady, focusing on the boulders and trees in the yard. Tiled roof and columns of stoa are visible. n.d., probably mid-1890s. See.568 (above) for similar view.
    n.d., probably mid-1890s.
    Folder 8

    .1140.298.  Unmounted copy of the photo above.

    Jane Whitehead and landscape at Arcady
    Folder 9

    .1140.572.  Mounted photograph of Jane Whitehead standing near a large boulder, looking out at a valley, probably on the grounds at Arcady. n.d., probably mid-1890s. (See.492, below, for a cropped version of this photograph.)
    n.d., probably mid-1890s.

    .1140.492.  Cropped version of.572, eliminating Jane Whitehead, and concentrating on the view. The distant town of Santa Barbara is a little clearer in this photo.
    Folder 10

    Jane Whitehead and fountain at Arcady
    Folder 11

    .1140.571.  Large mounted photograph of Jane Whitehead standing near stone water fountain with a sculpted woman's head, at Arcady. n.d., probably mid-1890s. The fountain was off to one side of the entrance door.
    n.d., probably mid-1890s.

    .1140.322.  Same photo as above. On the back is written “J.B.W. In front of Arcady about 1910.”

    Jane Whitehead at Arcady
    Folder 12

    .1140.61.  Postcard, a detail of the photos below.

    .1140.62.  Jane Whitehead in loose, draped robe with lace collar underneath standing in a border of what is probably lavender. n.d., probably late 1890s. (see also.581 in Box 5, folder 5)
    n.d., probably late 1890s.

    .1140.611.  same photo as above, although dated as “anywhere between 1900-1910.” The name Herr Decker also appears on the back.

    Arcady exterior with Jane Whitehead
    Folders 13-14

    .1140.561-.562.  Large mounted photograph of exterior at Arcady. Jane Whitehead is carrying a basket and standing on the steps which lead to the stoa. n.d., probably mid-1890s.
    n.d., probably mid-1890s.

    .1140.563.  Large mounted photograph of Jane Whitehead standing on the stoa at Arcady. Jane is wearing a long dark cloak and holds a flowered hat. There are several rocking chairs on the stoa. n.d., probably mid-1890s.
    n.d., probably mid-1890s.
    Folder 15

    .1140.564-.566.  Large mounted photograph of Jane Whitehead stading on veranda at Arcady. Taken at same time as.563, but Jane has her back to camera and appears to be walking down the veranda carrying a basket of flowers. (The rocking chairs are gone.) n.d., probably mid-1890's.
    n.d., probably mid-1890's.
    Folders 16-19

    .1140.606.  same photo as those above

    Arcady interior with Jane Whitehead
    Folder 20

    .1140.560.  Large mounted photograph of studio at Arcady. Jane Whitehead is sitting next to the large brick fireplace. An easel and many paintings are visible. A tiger skin lies on a large square platform near the fireplace. n.d., probably mid-1890s. (almost identical to.622 in Box 3, folder 4)
    n.d., probably mid-1890s.

    Arcady interior with Ralph Whitehead
    Folder 21

    .1140.609.  Ralph sitting at a desk in a large room at Arcady. Behind him is an inglenook. It contains a settee covered with a cushion and pillows. In front of the settee are two small tables. A built-in bench runs along another wall. In front of this is a highly carved chair. There are several prints and paintings on the walls. Above the fireplace is an inscription in Latin “Ille Terrarum Mihi Praeter Omnes Angulus Ridet.” The name Herr Bracht appears on the back of this photo.

    .1140.559.  same photo as above; written on back: 2 Argento.

    .1140.324.  slightly smaller version of the photos above; written on back: Ralph, Sr., Arcady.

    Arcady interrior with Jane Whitehead
    Folder 22

    .1140.608.  A room at Arcady, possibly a sitting room. There is a fireplace at the left of the room and large windows at the right. There are a number of chairs, tables, and benches scattered around; these vary in styles. Numerous prints and paintings are hung around the room. A bas-relief sculpture is hung over the fireplace. There is a carpet in the right corner of the room, but what appear to be sisal runners have been laid over the rest of the floor. Jane is sitting by the fireplace with her back to the camera. n.d (For a different arrangement of furniture in this room, see.624, in Box 3, folder 4. In that photo, the room seems to be a dining room.)
    n.d

    .1140.327.  The same room as above; an almost identical view taken shortly before or after the photo above.

    Jessie Tarbox Beals photograph of Byrdcliffe
    Box 12: folder 1

    .1140.546.  Large mounted (with both gray mounting cardboard and a wooden backing) photograph of interior at White Pines, showing the staircase area. A window seat, lamp stand, small bench, tall case clock, two paintings, and a small part of a covered piano are visible, as are a Japanese paper lantern, window and door hangings. Stamped on the back is “JESSIE TARBOX BEALS/120 E. 23d ST. N.Y.” n.d., probably 1908, when she did.548.
    n.d., probably 1908,

    .1140.547.  Large mounted photograph of porch at White Pines, looking out over the countryside. Rustic rockers, chairs, and a table are visible. A metal and glass lantern hangs from the ceiling of the porch. Stamped on the back is “JESSIE TARBOX BEALS/120 E. 23d ST. N.Y.” n.d., probably 1908, when she did.548, which is a different view of the same porch.
    n.d., probably 1908,
    Folder 2

    .1140.548.  Large mounted photograph of porch at White Pines, same porch but different view from.547. A rustic chair is visible, as is the same metal and glass lantern as in.547. Vines cover the side and top edge of porch. View is of garden area and valley beyond. A garden bench is visible, and a stone fence surrounds the garden area. Written on photograph in lower left center is “Copyright 1908 By Jessie Tarbox Beals N.Y.” Stamped on the back is “JESSIE TARBOX BEALS 120 E. 23d ST. N.Y.”
    Folder 3

    .1140.248.  Same as.548, above, signed “Copyright 1908 by Jessie Tarbox Beals, N.Y.” (The photo had been mounted on gray cardboard, and was badly torn. The gray mount was removed during conservation.)

    .1140.604.  same as.548, with copyright statement on front and stamped Jessie Tarbox Beals on the back.
    Folder 4

    .1140.549.  Large mounted photograph of Ralph Whitehead, on horseback in front of the porch at White Pines, same porch as in.547-.548. The same rockers and chairs are visible as well as part of the facade of the house. Written on photograph in lower left is “Copyright 1908 by Jessie Tarbox Beals N.Y.” Written on the back is “RRW & Jacinth.”
    Folder 5

    .1140.550-.553.  Large mounted photograph of shrine at Byrdcliffe. In a small structure with a peaked roof is a wall plaque in the style of della Robbia of the Madonna and Child with putti surrounding them. A wooden bench is to its right. A house is barely visible through the trees behind the shrine. A bench is placed to one side. Written on photograph in lower left is “Copyright 1908 by Jessie Tarbox Beals N.Y.” Stamped on the back is “JESSIE TARBOX BEALS 120 E. 23d ST. N.Y.”
    Folders 6-9

    .1140.554-.555.  Children exercising on the grounds at Byrdcliffe. Ralph, Jr., and Peter are among them, the two boys in the center midground. A house or cabin is visible through the trees in the background, probably one of the artist's residences. Written on photograph in lower left is “Copyright 1908 by Jessie Tarbox Beals N.Y.” Stamped on the back is “JESSIE TARBOX BEALS 120 E. 23d ST. N.Y.”
    Folders 10-11

    .1140.556.  One of the small houses or cabins at Byrdcliffe, probably one of the artist's residences or studios. Stamped on the back is “JESSIE TARBOX BEALS 120 E. 23d ST. N.Y.” n.d.
    n.d.
    Folder 12

    .1140.599.  White Pines entry hall, showing part of stairs, a covered piano, chairs, a table, a hanging cupboard with an iris design carved on the door, paintings on the wall, and a bas-relief of one of the Whitehead boys. Stamped on back: Jessie Tarbox Beals. n.d., ca.1908.
    n.d., ca.1908.
    Folder 13

    .1140.600.  Music Room? at White Pines? A keyboard instrument sits in one corner, with a violin case underneath it. The fireplace is decorated with Whitehead's Florentine lily motif, an inscription in Greek, and a line of music. Also seen are a lampstand, a bench, and a wicker chair. Stamped on back: Jessie Tarbox Beals. n.d., ca.1908.
    n.d., ca.1908.
    Folder 14

    .1140.602.  White Pines: front facade. n.d., ca.1908. Stamped on back: Jessie Tarbox Beals.
    n.d., ca.1908.
    Folder 15

    .1140.598.  White Pines, living room, showing fireplace, furrniture (at least some pieces are probably from Byrdcliffe), lamp, paintings, textiles, etc. Not stamped with Beals' name, but this view is very similar to.249, in folder 17, below, that is stamped with her name.
    Folder 16

    .1140.249.  White Pines, living room, showing tiled fireplace, furniture (at least some pieces are probably from Byrdcliffe), lamp, paintings, textiles, etc. The photo is stamped on reverse: “Jessie Tarbox Beals, 120 E. 23d St., N.Y.”, probably another of the photos she took in 1908. Also written on the back is “White Pines.” This is the same room as in.598, in folder 16 above, but with a slightly different arrangement of furniture and taken from a different angle.
    Folder 17

    .1140.601.  Same as.249, but not marked as being by Jessie Tarbox Beals. n.d.
    n.d.

    .1140.247.  Photographs clipped from the magazine article about Byrdcliffe which appeared in American Homes and Gardens in 1909. One side depicts “An Open Stairway” at White Pines (see.546, in folder 1, above), and the reverse shows the view of the porch in.548 and.248, in folder 3, above. These photographs were taken by Jessie Tarbox Beals in 1908.
    Folder 18

    Peter Whitehead, professional photographs
    Box 13: Folder 1

    .1140.226-.229.  A series of professional photographs of Peter Whitehead mounted on black and light-colored cardboard. There are several poses. He is wearing round glasses and a light-colored suit and tie. In some, he is holding a pipe. Each one is signed in pencil in the lower right-hand corner, but the signature is illegible. n.d., probably 1920s.
    n.d., probably 1920s.

    Iris and Path Series of photographs
    Folder 2

    .1140.452,.456a-c,.457.  (.456a-c are enlargements of.452,.457 is a detail) Irises which line a path or road with trees and bushes in background. n.d.
    n.d.

    .1140.453a-b.  (b is the enlargement of a.) Irises edging a path or road leading to wooded area. A piece of cloth (a cloak?) is lying in a heap at the edge of the road. n.d.
    n.d.

    .1140.454a-b,.455.  (b is the enlargement of a;.455 is a detail of.454.) Same path or road as in.453, but a slightly different angle. Irises lining road or path, trees and bushes in background. n.d.
    n.d.

    .1140.494a-b.  (b is the enlargement of a). Path or road leading to wooded area, in left center is a clump of irises. n.d.
    n.d.

    .1140.577.  Enlarged duplicate of.494 but image was reversed in developing.

    Flower Arrangements Series
    Folder 3

    .1140.495a-b.  A photograph of a dried flower arrangement, influenced by the Japanese Ikebana style. The dried flowers are in a pottery teapot and there is a woven mat or rug hanging behind it. n.d.
    n.d.

    .1140.496.  Same dried flower arrangement as.495a-b, but one stem of the dried flower has removed. n.d.
    n.d.

    .1140.497.  A photograph of a flower arrangement. Canterbury Bells(?) are in the same pottery teapot as in .495 and .496. The teapot is sitting in front of a wooden panel, which appears to have been placed on an easel. Written on back is “East uBan[?] B.” n.d.
    n.d.

    .1140.498.  A photograph of a flower arrangement in the same pottery teapot as in.495-.497 sitting in front of a fringed, embroidered shawl which has been hung behind it. Written on the back is “Ilford New.” n.d.
    n.d.

    .1140.499.  A photograph of a long-stemmed flower lying on a fabric background. n.d.
    n.d.

    .1140.500.  A photograph of an arrangement of branches with round seed pods (perhaps from a sweet gum tree) in a pot with a handle. A large cloth has been draped behind the arrangement. n.d.
    n.d.

    .1140.501.  A photograph of a flower arrangement. A tall vase holds a group of Canterbury Bells. It sits on a wooden block. A fringed shawl hangs to the left behind it. n.d.
    n.d.

    .1140.502.  A photograph of a flower arrangement. A pottery handled pitcher holds three long-stemmed flowers, Canterbury Bells. The pitcher has been placed in front of a stucco (?) wall, which appears to be painted to look like bricks or blocks. n.d.
    n.d.

    .1140.544.  Photograph of thistle leaves which have been tacked in a circular fashion onto a board. n.d.
    n.d.

    .1140.545a-b.  Photograph of thistles with their seedpods, which have been lain or propped up against a fabric, background. n.d.
    n.d.

    Miscellaneous oversized photographs
    Folder 4

    .1140.540.  Landscape of pond scene. There are rushes in the pond and trees in the background. n.d.
    n.d.

    .1140.543.  Two barefooted peasant women, one holding a basket and the other holding a long-handled net, are going through a wooden door in a stone wall. n.d.
    n.d.

    Examples of furniture produced at the Byrdcliffe furniture shop, ca. 1903-1905 [See also Photo Album,.574a, for an interior of the woodworking shop with a tall case clock in progress.]
    ca. 1903-1905
    Box 14: Folder 1

    .1140.280.  Three pieces of Byrdcliffe furniture: on the left is a settee, which has carved branches at the top of the back and on the sides. The center piece is a corner cabinet with two sections; both sections have carved scrolls and vines surrounding the doors. At right is a chest with four square carved panels in the front, depicting vines and leaves. The lid also has carving along the edge and possibly on the top, but it is hard to see it clearly in the photograph.

    .1140.281.  A fall-front desk and bookcase made at Byrdcliffe. The lower section has two shelves with a drawer. Above the drawer is a panel, which can be pulled down to be a desk. There is a painting on the panel of a lake or pond and tree. A Latin inscription runs around the edge of the painting. Candlestick sconces are on either side of the panel. A handle has been built into the side for carrying. See.282 for view of this piece with the door open.

    .1140.282.  The same fall-front desk and bookcase with the desk panel pulled down. Inside are two shelves.

    .1140.659a-b.  Photograph of a tall case clock made at Byrdcliffe. Also a letter confirming that it is a Byrdcliffe clock, and that it is now at “White Pines,” and is owned by the Woodstock Guild.

    .1140.660a-b.  A color photo of a wardrobe, purchased out of the Schutze home at Byrdcliffe. Also a letter about the wardrobe.

    Byrdcliffe: woodworking shop
    Folder 2

    .1140.603.  Interior of woodworking shop, showing workbenches and some tools. n.d. Possibly taken by Jessie Tarbox Beals, although not so marked.
    n.d.

    Schoolboys; Michael
    Folder 3

    .1140.190.  A portrait of schoolboys and their teachers sitting on steps in front of school; Peter is in the third row, third from the right. The photograph is signed “White (?), N.Y.” n.d., probably 1910-1915. See also.191 for portrait from same school.
    n.d., probably 1910-1915.

    .1140.191.  A portrait of schoolboys and their teachers sitting on steps in front of the school; note on back says “Ralph, Jr. - fifth row on steps, 8th from left??” Peter is in the first row, fifth from left. n.d., probably taken at same time as.190, ca. 1910-1915.
    n.d.,

    .1140.557a-b.  Portrait of Michael (son of Peter) as a child, perhaps two years old. Photo is signed “Tucker, Carmel.” n.d. Also includes the original folder. (For other photos of Michael, see Box 2, folder 3.)
    n.d.

    Ralph, Jr. in uniform
    Folder 4

    .1140.200a-c.  Two copies of a portrait of Ralph, Jr., in his World War I uniform. Photographer was E.F. Foley, N.Y. Folder (c) which enclosed photo has embossed stamp, “Edward F. Foley Art Photography/393 Fifth Avenue at 36th Street/New York.” ca.1917.
    ca.1917.

    .1140.625.  Head and sholders shot of Ralph, Jr. in his uniform, taken at same time as those above. Photo marked E.F. Foley, N.Y.

    Pages from photo album: family photos
    Folder 5

    .1140.108.  Page from a photograph album with three small photographs glued on it, all probably taken at the same time. Left photo is of Ralph Whitehead, holding Ralph, Jr., as a toddler. Ralph, Jr., wears a dress and patent leather shoes. The center photo is of Ralph, Jr., standing and holding a ball. The right photo is of Ralph, Jr., with his nurse. Visible through the album page on the back of each of the photographs is printed “J. M. Chandler, Casa De Piedra Jan. 29 1901.”

    .1140.139.  Page from a photograph album with five small photographs glued on the front. Top left is of Peter as a toddler, dressed in overalls, carrying a large hat, and holding a watering can. Ralph, Jr., is in the background also holding a watering can. They are in front of White Pines. The bottom right is of Peter in a dress and sweater standing nears some boulders and trees. The center photo is of Peter (?) standing next to his nurse with a large floppy hat on. The top right photograph is of Ralph, Jr., and Peter sitting on large cushions near a window. The bottom right is of Ralph, Jr., (?) sitting in the same field as in the center photo. n.d., all probably 1901-1903. On the back of the page is a photo of Ralph, Jr., (?) sitting with his nurse in front of Arcady, probably about 1900.
    n.d.,

    .1140.189.  Page from photo album with five photos pasted on the front and four on the back. Top left and top right photo on front is of pond, trees, and hills. The two bottom left photos are of Ralph, Jr., and some of his friends. n.d. probably 1910-1915. The bottom right is of Ralph Whitehead. On the reverse, is another photo of a rural scene, two postcards of the Ashokan Reservoir near Woodstock, N.Y., and a photo of possibly one of the other cabins at Byrdcliffe.
    n.d. probably 1910-1915.

    Ralph Whitehead
    Folder 6

    .1140.76.  Ralph Whitehead as a young man, standing against a doorjamb, wearing a Norfolk jacket, plus fours, and cap, with hands in pocket. ca. 1880s (See also.75 in Box 1, Folder 5, and.88 in Box 1, Folder 6, for duplicates of this photo.)
    ca. 1880s

    .1140.85.  Ralph Whitehead sitting on some boulders at base of tree. n.d., probably late 1890s.
    n.d., probably late 1890s.

    .1140.86-.87.  Ralph Whitehead standing with walking stick and patting dog, n.d. (.86 and.87 are the same image, but have been reversed.
    n.d.

    Jane Whitehead
    Folder 7

    .1140.72.  Jane Whitehead, photograph of portrait done by Madeleine Fleury. Jane has her hair loose and hanging down over her shoulders and is wearing a very loose robe with bead necklace. (The portrait can be seen hanging in one of the rooms at Arcady. See Box 3, Folder 4, photos.329 and.330.)

    .1140.73.  Jane Whitehead, photograph of portrait done by Madeleine Fleury. Jane has her hair loose and hanging down over her shoulders and is wearing a very loose robe with bead necklace. This is mounted on fabric; written on back is “The Cameron Studio 70 Mortimer St. Regent So. W.” (The portrait can be seen hanging in one of the rooms at Arcady -see Box 3, Folder 4, photos.329 and.330.)

    Jane Whitehead and friends
    Folder 8

    .1140.68.  Jane Whitehead sitting on log with two unidentified women, all are dressed in capes and hats; a man is sawing a log. There are gnarled trees and boulders in background.

    .1140.542.  Three women in cloaks and hoods watching six men, five of whom appear to be cooking something on long sticks over a wood fire. One of the men is blowing a horn-type instrument. All are in a cleared area surrounded by stacks of cut wood. The woman in the middle of the three may be Jane Whitehead. One of the women appears to be holding an easel under her arm. n.d.
    n.d.

    Gertrude McCall
    Folder 9

    .1140.349-.350.  (.349 is a detail of.350) Gertrude McCall (Jane Whitehead's sister) lying on a board which has been laid across a rocky stream in the middle of a forest. A small dog sits at her head. n.d., probably 1890s.
    n.d., probably 1890s.

    .1140.558.  Group of men and women sitting or standing near a thatched gazebo or hut. Jane's sister Gertrude is standing in back row with hat and scarf and holding a cane. The men are dressed very casually, many wear boaters. The photograph was taken by Marsh Brothers, Henley on Thames. which is printed on the front lower corner. Written on the back is “G. K. McC. Oxford Aug 1883.”
    Folder 10

    Venice, Grand Canal
    Folder 11

    .1140.613.  Mrs. Peter McCall (Jane Byrd Mercer McCall) with her daughters Gertrude Kenzle McCall and Jane Byrd McCall (later Whitehead) in a gondola in Venice. n.d., probably 1880s or around 1890.
    n.d., probably 1880s

    Landscapes and seascapes
    Folder 12

    .1140.489.  The full-frame print of the cleared area with a dog; a cropped version of this view is number.445 (in Box 4, folder 4).

    .1140.541.  Cleared area in forest. There are several stumps visible. The trees appear very old and tall; mountains are visible in the background. See also.444 (in Box 4, folder 4). n.d.
    n.d.

    .1140.460.  Reeds and grasses growing along the side of a lake. (.460 is an enlargement of.459, in Box 4, folder 3.)

    .1140.484.  View of the rocky shoreline of the ocean or a lake. Trees overhang the edge of the water. (.484 is an enlargement of.483, in Box 4, folder 3.)

    .1140.487.  View of a lake or inlet. Grasses and a tree on the shore are in the foreground; trees across the lake are visible in the background. (.487 is an enlargement of.485-486, in Box 4, folder 3.)

    .1140.493.  Same tree and area of boulders as in.468 (in Box 4, folder 3), but a much closer view.

    Horse-drawn float.
    Folder 13

    .1140.283.  Horse-drawn wagon with floral decoration, probably for a parade; a woman and girls on the float wear costumes, as do the men in charge of the horses, probably California, early 1900s.
    early 1900s.

    Photograph of J. H. Benimo (?), Philadelphia, PA.
    Folder 14

    .1140.357a-b.  Professional photograph (mounted in folder) of J. H. Benimo(?). Signed in lower right-hand corner, “To Peter Whitehead With Every good wish J.H. Benimo [?].” The folder is marked HOLLANDER-FELDMAN, PHILADELPHIA. n.d.
    n.d.

    Photograph Album of Arcady and Byrdcliffe
    Box 15: Folder 1

    .1140.574a.  Photo Album, dating from 1890s to early 1900s. Handmade album, bound in Japanese rice paper, stitched together with heavy string (which has been removed). “Arcady and Byrdcliffe” on cover; red Japanese characters on binding edge. Loose items from this album are now in folder 2.
    dating from 1890s to early 1900s.

    photographs and cyanotypes of interiors and exteriors of Arcady, as well as a drawing of Arcady. A few miscellaneous photographs may be other buildings and structures on the grounds there.
    p.pp.1-30

    one of the cabins at Byrdcliffe. Jane is sitting and watching one of her sons, with two younger women with her. One of the young women is sitting on the steps and may be sketching.
    p.p. 31

    Santa Barbara Mission, exteriors.
    p.pp.34-41

    land- and seascapes, probably near Arcady.
    p.pp.44-45

    Arcady, exteriors and garden, and a small rustic cottage with Tudor-style windows which seems to have been part of the estate and was possibly a cottage for the artists staying there, or may have been a beach house. In one photo of it, it is nearly covered in vines.
    p.pp.46-58

    exteriors of buildings at Byrdcliffe including White Pines, and one interior of the furniture shop with a tall case clock in progress.
    p.pp.61-70

    Jane Whitehead and several others having a picnic
    p.p.73

    [rest of album pages are blank]

    Loose items from album.574a
    Folder 2

    .1140.574b-d.  Loose photographs and scraps of paper from album in folder 1. One photo shows Jane carrying a basket, standing on the steps leading to the stoa at Arcady (see also.561-562 in Box 11, folders 7-8). In another, she wears a long coat and scarf and is standing in a gate before a cottage (possibly the one at Carmel-By-The-Sea). n.d.
    n.d.

    Photograph Album, St. Jacut and Misc. Family, 1909-?
    1909-?
    Folder 3

    .1140.575a.  Handmade photo album, bound in Japanese rice paper, pages stitched together with heavy string (now removed). Cover is labeled “St. Jacut 1909”; photos date from 1909 to 1921. The loose photographs tucked in the pages are now in folder 4. Most of the album pages are blank.

    photos of the Whiteheads' trip to Saint Jacut & Saint Moget, France (?) in 1909.
    p.pp. 1-15

    Counting from the back of the album: several pages of photographs of the family, 1910-1921, including Ralph, Jane, Ralph, Jr. (“Bim” or “Bimbo”) and Peter. (Unfortunately many of these have become detached from the pages; the loose photos are now in folder 4.)
    1910-1921,
    p.pp. 1-36

    Loose photos from album.575a
    Folder 4

    .1140.575b-pp.  Photos of the Whiteheads from the album in folder 3.

    Photograph Album, Thacher School, ca. 1914-1916
    ca. 1914-1916
    Folder 5

    .1140.576a.  Photograph album covered in vellum. On front cover is written “Ralph R. Whitehead Jr. School.” Inside front cover is written “Thacher School 1914-1915, R. Radcliffe Whitehead, Jr.” Inside the back cover is written “for Pete from Ralph, His birthday 1914.” The album has photographs (all labeled) of Thacher School, which was attended by both Ralph and Peter. Also included are some photos from Culver Military Academy in Culver, Indiana, which Ralph attended in 1916. The next-to-last page of photographs is captioned “The Strothers, 1916, Em - nimus [?],” and shows several young women. The last page of photographs is labeled “Grey Lodge, Deming, August 1916, Claire”; the photos show a group of young men and women at a cabin. Most of the album pages are blank.

    Loose items found in photo album.576a
    Folder 6

    .1140.576b-i.  Loose photographs and other items from above album, including some photographs of snowy landscapes, a sheet of paper with a list of names and the heading “Smobers [?],” a permit from Culver Military Academy in Culver, Indiana, dated Nov. 13th, 1916, permitting Cadet R. Whitehead to be absent for the purpose of “remaining in room and barber shop,” and some other odds and ends.
    dated Nov. 13th, 1916,

    Photo album: photos of Ralph Whitehead, Jr., and Peter (six weeks old) 1901; with Jane in California, 1903; Aiken South Carolina; Byrdcliffe 1904. With R.R.W. and Jane, snow and horses. Arcady and Santa Barbara, 1907; Peter and R.R.W., Jr., horseback riding. On board König Albert; Florence, 1906; Peter and R.R.W., Jr. In 1908, Philip Meyers Hildeleon. Minneapolis Atlantic Transport, 1909. Family at Norbain Rd. Oxford, Graffain, 1909. The Thames, Fyfield Road, Magdalen Gardens, Mrs. May Miller 7 Norbain Gardens, 1909. Beach Hill, Frieland, King Alfred School; Byrdcliffe, White Pines, 1910.
    1901;
    Box 16: Folder 1

    Photo album of Arcady, Montecito, 1900. Ralph Amyas Bayard Radcliffe Whitehead “Bimbo” with Jane, R.R.W. Also with Peter near end. (ca. 1900-1902)
    1900.
    Folder 2

    Photo album: first five pages are from Arcady. The rest show Byrdcliffe with the Whitehead Family. At end: 12 loose photos at Byrdcliffe, 1907, including a photo by Jesse Tarbox Beals, ca. 1908, showing the metal working shop and forge. Also laid in is a watercolor of a bird by Jane Byrd McCall Whitehead.
    1907,
    Folder 3

    Amazon Photos. Photos from R.R.W., Jr., when he was working in Bolivia. Last page: family at White Pines.
    Box 17: Folder 1

    Whitehead Family at Byrdcliffe, Arcady, and England. (album marked R.R.W., Jr.) Also a loose photo labeled “Coons in our kitchen, 1962,” showing four baby raccoons.
    Folder 2

    Post card album, Italy. Mostly views of Florence and reproductions of art. There are a few postcards from England.
    Box 18: Folder 1

    Post card and photo album, Italy and England.
    Folder 2

    Photograph album, labeled “Photographs taken by Ralph Radcliffe Whitehead in 1892 on wedding trip in Paris, California, Arcady, New York, Byrdcliffe.” Despite the label, none of the photos look like they were taken in Paris, although there are a number of European scenes. Some of the rooms at Arcady are labeled (Den, Studio, etc.). Copies of some of the Jesse Tarbox Beals photos of Byrdcliffe are included. There are also two photos signed by Eva Watson Schutze, dated 1905. One is of Jane and Peter, taken in front of the Byrdcliffe shrine, and the other is of Ralph with his sons. Both are “signed” in pencil with her special mark.
    dated 1905.
    Box 19


    SERIES VIII: LETTERS

    R.R.W.: letters from R.R.W.
    Box 1

    To his parents, 1869 (written from Harrow).
    1869
    Folder 1

    To Jane Byrd McCall, Jan.-Nov.12, 1891. (oversized letters from this time period are in Box 2)
    Jan.-Nov.12, 1891.
    Folder 2

    To Jane Byrd McCall, Nov. 21-Dec. 1891.
    Nov. 21-Dec. 1891.
    Folder 3

    To Jane Byrd McCall, Jan-Feb. 1892.
    Jan-Feb. 1892.
    Folder 4

    To Jane Byrd McCall, March 1892-Feb. 1895.
    March 1892-Feb. 1895.
    Folder 5

    To Jane Byrd Radcliffe Whitehead, 1897.
    1897.
    Folder 6

    To Jane Byrd Radcliffe Whitehead, 1899.
    1899.
    Folder 7

    To Jane Byrd Radcliffe Whitehead, 1900.
    1900.
    Folder 8

    To Jane Bryd Radcliffe Whitehead, Jan.-June 1901.
    Jan.-June 1901.
    Folder 9

    To Jane Byrd Radcliffe Whitehead, July 1901.
    July 1901.
    Folder 10

    To Jane Byrd Radcliffe Whitehead, Aug.-Oct. 1901.
    Aug.-Oct. 1901.
    Folder 11

    R.R.W.: letters from R.R.W. (oversized letters)
    Box 2

    To J.B.W., Mar 1891.
    Mar 1891.
    Folder 1

    To J.B.W., Apr. 1891.
    Apr. 1891.
    Folder 2

    To J.B.W., May 1891.
    May 1891.
    Folder 3

    To J.B.W., June-Aug. 1891.
    June-Aug. 1891.
    Folder 4

    To J.B.W., 1901.
    1901.
    Folder 5

    Miscellaneous and writings, 1884, 1889, 1899, n.d.
    1884, 1889, 1899, n.d.
    Folder 6

    R.R.W.: letters from R.R.W. to his wife and their sons
    Box 3

    Jan.-May 1902.
    Jan.-May 1902.
    Folder 1

    June-Aug. 1902.
    June-Aug. 1902.
    Folder 2

    Oct.-Dec. 1902.
    Oct.-Dec. 1902.
    Folder 3

    1903.
    1903.
    Folder 4

    1904-1908.
    1904-1908.
    Folder 5

    1909-1910.
    1909-1910.
    Folder 6

    Feb. 1911-Sept. 1912.
    Feb. 1911-Sept. 1912.
    Folder 7

    Oct.-Dec. 1912.
    Oct.-Dec. 1912.
    Folder 8

    Jan.-Oct. 1913.
    Jan.-Oct. 1913.
    Folder 9

    Nov.-Dec. 1913.
    Nov.-Dec. 1913.
    Folder 10

    Jan.-Oct. 1914.
    Jan.-Oct. 1914.
    Box 4: Folder 1

    Nov-Dec. 1914.
    Nov-Dec. 1914.
    Folder 2

    Jan.-Mar. 1915.
    Jan.-Mar. 1915.
    Folder 3

    June-Dec. 1915.
    June-Dec. 1915.
    Folder 4

    Apr.-May 1915.
    Apr.-May 1915.
    Folder 5

    Jan.-Apr. 1916.
    Jan.-Apr. 1916.
    Folder 6

    May-Dec. 1916.
    May-Dec. 1916.
    Folder 7

    Jan.-Mar. 1917.
    Jan.-Mar. 1917.
    Folder 8

    Apr.-June 1917.
    Apr.-June 1917.
    Folder 9

    July-Dec. 1917.
    July-Dec. 1917.
    Folder 10

    1918.
    1918.
    Folder 11

    Jan.-June 1919.
    Jan.-June 1919.
    Box 5: Folder 1

    July-Dec. 1919.
    July-Dec. 1919.
    Folder 2

    Jan.-Mar. 1920.
    Jan.-Mar. 1920.
    Folder 3

    Apr. 1920.
    Apr. 1920.
    Folder 4

    May 1920.
    May 1920.
    Folder 5

    June-July 1920.
    June-July 1920.
    Folder 6

    Aug.-Oct. 1920.
    Aug.-Oct. 1920.
    Folder 7

    Nov. 1920.
    Nov. 1920.
    Folder 8

    Jan.-June 1921.
    Jan.-June 1921.
    Folder 9

    July-Dec. 1921.
    July-Dec. 1921.
    Folder 10

    1922.
    1922.
    Folder 11

    1923.
    1923.
    Folder 12

    1924.
    1924.
    Folder 13

    R.R.W.: letters to and from R.R.W.; and miscellaneous
    Box 6

    R.R.W. to Ralph, Jr., 1925.
    1925.
    Folder 1

    R.R.W. to Ralph, Jr., 1926.
    1926.
    Folder 2

    R.R.W. to Ralph, Jr., 1927-1928.
    1927-1928.
    Folder 3

    R.R.W. to his wife and their sons, n.d.
    n.d.
    Folder 4

    To R.R.W. from his mother, 1865-1869.
    1865-1869.
    Folder 5

    To R.R.W. from his mother, Jan.-June, n.d.
    Jan.-June, n.d.
    Folder 6

    To R.R.W. from his mother, July-Dec., n.d.
    July-Dec., n.d.
    Folder 7

    “Mama's Last Letters” to R.R.W.
    Folder 8

    “Letters from and about my father. R.R.W.,” 1880-1887.
    1880-1887.
    Folder 9

    To RRW from family, 1865, n.d. (not from Jane Byrd Whitehead or their sons)
    1865, n.d.
    Folder 10

    General letters to and from R.R.W., 1893-1906.
    1893-1906.
    Folder 11

    General letters to and from R.R.W., 1911-1928, n.d. (Includes sympathy letters on death of R.R.W., Jr.)
    1911-1928, n.d.
    Folder 12

    R.R.W., Jr. to family, 1918, 1928.
    1918, 1928.
    Folder 13

    Jane Bird Whitehead: letters from J.B.W.
    Box 7

    To R.R.W. and family, 1891-1895.
    1891-1895.
    Folder 1

    To R.R.W. and family, 1896-1897.
    1896-1897.
    Folder 2

    To R.R.W., 1900-1901.
    1900-1901.
    Folder 3

    To R.R.W. and family, 1902.
    1902.
    Folder 4

    To R.R.W. and Ralph, Jr., 1903-1909.
    1903-1909.
    Folder 5

    To R.R.W. and sons, 1911, 1912, 1914.
    1911, 1912, 1914.
    Folder 6

    To R.R.W. and sons, 1915.
    1915.
    Folder 7

    To her sons, 1916-1918.
    1916-1918.
    Folder 8

    To R.R.W. and family, 1919-1921.
    1919-1921.
    Folder 9

    To R.R.W. and family, 1922-1923.
    1922-1923.
    Folder 10

    To R.R.W. and sons, 1924-1928.
    1924-1928.
    Folder 11

    Jane Bird Whitehead: letters to and from J.B.W.; and miscellaneous
    Box 8

    J.B.W. to R.R.W., n.d.
    n.d.
    Folder 1

    J.B.W. to R.R.W., n.d.
    n.d.
    Folder 2

    J.B.W. to her mother, sister, sons, n.d.
    n.d.
    Folder 3

    J.B.W. to others (not family), 1888, 1933
    1888, 1933
    Folder 4

    To J.B.W., not from family, 1883-1884, n.d.
    1883-1884, n.d.
    Folder 5

    To J.B.W., not from family, 1885-1888.
    1885-1888.
    Folder 6

    To J.B.W., not from family, 1889-1896.
    1889-1896.
    Folder 7

    To J.B.W., not from family, 1899-1906. (oversized letters from this time period are in Box 2)
    1899-1906.
    Folder 8

    To J.B.W., not from family, 1907-1913.
    1907-1913.
    Folder 9

    To J.B.W., not from family, 1915-1918.
    1915-1918.
    Folder 10

    To J.B.W., not from family, 1922-1930.
    1922-1930.
    Folder 11

    To J.B.W., from family and others, 1932-1947.
    1932-1947.
    Folder 12

    To J.B.W., not from family, n.d.
    n.d.
    Folder 13

    Letters to Mrs. Peter McCall and Gertrude McCall, 1885-1917, n.d. (these are not from R.R.W. or J.B.W.)
    1885-1917, n.d.
    Folder 14

    Invitation to R.R.W., Jr., 1919.
    1919.
    Folder 15


    SERIES IX: CALENDARS, Jane Byrd McCall Whitehead

    1885, 1886, 1887.
    1885, 1886, 1887.
    Box 1: Folder 1

    1888, 1889, 1891.
    1888, 1889, 1891.
    Folder 2

    1892, 1893, 1894, 1895.
    1892, 1893, 1894, 1895.
    Folder 3

    1896, 1897, 1898, 1899.
    1896, 1897, 1898, 1899.
    Folder 4

    1900, 1901 (two for each year).
    1900, 1901
    Folder 5

    1902, 1903, 1904.
    1902, 1903, 1904.
    Folder 6

    1905, 1906, 1908 (two for 1908).
    1905, 1906, 1908
    Folder 7

    1910, 1912, 1913.
    1910, 1912, 1913.
    Folder 8

    1914, 1915, 1916, 1917.
    1914, 1915, 1916, 1917.
    Box 2: Folder 1

    1918, 1919, 1920.
    1918, 1919, 1920.
    Folder 2

    1921, 1922.
    1921, 1922.
    Folder 3

    1923 (home-made, labeled “Diary), 1924, 1925.
    1923
    Folder 4

    1926, 1927, 1928, 1929.
    1926, 1927, 1928, 1929.
    Folder 5

    1930, 1931 (two for 1930, but one is blank).
    1930, 1931
    Folder 6

    1932, 1933, 1934, 1935.
    1932, 1933, 1934, 1935.
    Folder 7


    SERIES X: MAPS, SURVEYS, PLANS and DRAWINGS (COMMERCIAL)

    .570-.575.  Map, Arroyo Seco Tract, Montecito, Santa Barbara County, Calif. Whitehead property, May 1948.
    May 1948.

    .1250.  Bellevue Furnace Co., drawing.
    Folder 2

    .1251.  Bellevue Industrial Furnace Co., drawing.

    .1252.  Map showing property purchased by Mary L. Webster from R.R.W., Byrdcliffe, Jan. 1919
    Jan. 1919
    Folder 3

    .1253.  Map of lands to be conveyed to Frances G. Hannan by R.R.W., Byrdcliffe, May 1926.
    May 1926.

    .1254.  Map of lands to be conveyed to Frances G. Hannan by R.R.W., Byrdcliffe, May 1926.
    May 1926.

    .1255.  Map showing property purchased by Mary L. Webster from R.R.W., Byrdcliffe, June 1910.
    June 1910.

    .1256.  Map of lands to be conveyed to Gino Perera by R.R.W., Byrdcliffe, Aug. 1927.
    Aug. 1927.

    .1257.  Maps, R.R.W. to Sebastian Hinton, n.d.
    n.d.

    .1258.  Maps, Whitehead to Eve Watson Schutze and Wm. E. Schumacker, n.d.
    n.d.

    .1259.  Map, R.R.W. to Grace Fallow Norton, Grace F. Norton to R.R.W., R.R.W. to J. T. Shotwell, n.d.
    n.d.

    .1260.  Map, R.R.W. to Frances G. Hannan, Georgia E. Bennett, et al., n.d.
    n.d.

    .1261.  sketch of floor plan at White Pines, indicating rooms with heat.
    Folder 4

    .1261a.  envelope containing three floor plans detailing alterations at White Pines, n.d.
    n.d.

    .1262.  Byrdcliffe buildings: blueprint showing layout of rooms at Villetta, Chipmunk, Skylights, Bottega, library, Wakerobin, Fleur de Lys, Quartette, and Evening Star, n.d. (all on one sheet)
    n.d.

    .1262a.  same as.1262

    .1262b.  envelope containing many copies of the layout of rooms at buildings at Byrdcliffe.

    .1194.  Map of property to be conveyed to Arthur Cumola by Estate of R.R.W., Woodstock, 1957.
    1957.
    Folder 5

    .1195.  same as.1194.

    .1196.  Map of land to be conveyed to John Moreh by Estate of R.R.W., Byrdcliffe, 1954 (?).
    1954 (?).

    .1197.  Map of land to be conveyed to Bertha Thompson by Estate of R.R.W., Byrdcliffe, Nov. 1929.
    Nov. 1929.

    .1198.  Sketch of two parcels of land to be conveyed to Anita Stallforth & Gioja Webster by Estate of R.R.W., Byrdcliffe, 1954.
    1954.

    .1199.  Map of Montecito (on one side) and Santa Barbara (on the other side), California, 1952.
    1952.
    Folder 6

    .1200a-b.  Map of Santa Barbara and of Montecito, California, 1956.
    1956.

    .1201.  Map of Santa Barbara, issued by the Santa Barbara Riding and Trails Association, n.d.
    n.d.

    .1202.  Map of Santa Barbara and of Montecito, California, 1947.
    1947.

    .1203.  Map of survey of “Neroli,” El Montecito, Santa Barbara County, California, March 1925.
    March 1925.

    .1204.  Map of Arroyo Seco Tract owned by R.R.W., Santa Barbara County, California, April 1919.
    April 1919.

    .1205-1205a.  Map of R.R.W. Property, Montecito, California.

    .1206.  Map of Arroyo Seco Tract, Montecito, Santa Barbara County, Calif., May 1948.
    May 1948.

    .1207.  Map of Arroyo Seco Tract, owned by R.R.W., Santa Barbara County, Calif., January 1920.
    January 1920.

    .1208.  Map of Piedra Colorado Tract owned by R.R.W., Montecito, Santa Barbara County, California, April 1915.
    April 1915.

    .1209.  Map of Arroyo Seco Tract, owned by R.R.W., January 1920.
    January 1920.

    .1210.  Map of R.R.W. Estate, Arroyo Seco Tract, Montecito, Santa Barbara County, 1947.
    1947.

    .1263.  Map of Montecito, California, n.d.
    n.d.

    .1211.  Topographic map, showing area around Kingston, New York, Oct. 1903.
    Oct. 1903.
    Folder 7

    .1212.  “Arcady” Map of part of the Estate of R.R.W., Woodstock, N.Y. (Although labeled “Arcady,” this shows Byrdcliffe.) n.d.
    n.d.

    .1213.  Plan, The Byrdcliffe Theater, 1956.
    1956.
    Folder 8

    .1214.  Proposed building site for Dudley C. Summers, Woodstock, ca. Aug. 1967.
    ca. Aug. 1967.
    Folder 9

    .1215.  Map of land belonging to Miss Tompson, Nov. 1911.
    Nov. 1911.

    .1216.  Map showing survey of land belonging to Alfred Ponder, Woodstock, April 1963, 1971.
    April 1963, 1971.

    .1217.  Map of lands to be conveyed to Bruce and Jeane Dorfman by Peter Whitehead, Byrdcliffe, 1965.
    1965.
    Folder 10

    .1218.  Map showing land to be conveyed to Charles LaVergne by Peter Whitehead, Byrdcliffe, 1962.
    1962.

    .1219.  Map, lot to be conveyed To Richard J. and Selma D. DiMuccio by Peter Whitehead, Woodstock, 1967.
    1967.

    .1220.  Map of lands to be conveyed to Ronald J. and Freya DiWitto by Peter Whitehead, Byrdcliffe, 1965.
    1965.

    .1221.  Map of property to be conveyed to Abraham and Mary Jane Van Steenburgh by Peter Whitehead, Woodstock, 1971.
    1971.

    .1222.  Map of lands to be conveyed to Gluck Sandor by Peter Whitehead, Byrdcliffe, 1956.
    1956.

    .1223.  Map showing survey of lands to be conveyed to Bittles Mills by Peter Whitehead, Woodstock, 1964.
    1964.

    .1224.  Map showing survey of lot to be conveyed to John W. Ebbs by Peter Whitehead, Woodstock, 1961.
    1961.

    .1225.  Map of property to be conveyed to Herbert Lyons, Jr. and Patricia C. Lyons by Peter Whitehead, Woodstock, 1957.
    1957.

    .1226.  Sketch showing survey of land to be conveyed to Edwin C. Shults by Peter Whitehead, Byrdcliffe, 1959.
    1959.

    .1227-.1228.  Map showing survey of lands to be conveyed to Leonard Leonard by Peter Whitehead, Woodstock, 1964.
    1964.

    .1229.  Map of lands to be conveyed to Howard and Sylvia Day by Peter Whitehead, Woodstock, 1967.
    1967.

    .1230-.1234.  Maps of portions of land belonging to Peter Whitehead, Byrdcliffe, 1957, 1966-1968.
    1957, 1966-1968.

    .1235.  Proposed road to Larys, Byrdcliffe, n.d.
    n.d.

    .1236.  Acreage off Overlook Road. Estimated 9-12 Acres. Area to be conveyed to R. White, n.d..
    n.d..

    .1237.  Map of Byrdcliffe, Sept. 1910, showing location of buildings. Survey and drawing by A.S. Low and David Reichgott.
    Sept. 1910,


    SERIES XI: NEWSPAPERS and MISCELLANEOUS

    Newspaper article-“Doylestown Tile Maker and Scientist Leaves His `Castle of Dreams' to the Public as a Legacy.”
    ( Box 1: Folder 1 Location: 42 E 9 Newspaper article-“Doylestown Tile Maker and Scientist Leaves His `Castle of Dreams' to the Public as a Legacy.” )
    Box 1: Folder 1

    The Overlook, Woodstock, N.Y., June 10, 1938 (two copies); July 1, 1938 (two copies); July 8, 1938; July 15, 1938 (two copies); August 19, 1938 (two copies); May 12, 1939; July 21, 1939; July 28, 1939; August 11, 1939; Sept. 8, 1939; January 3, 1941.
    June 10, 1938
    Folder 2

    The Evening Post, New York, Wednesday, Mar. 27, 1907. (four pages only)
    Mar. 27, 1907.
    Folder 3

    The Knickerbocker News, Albany, N.Y. Sept. 3, 1940. “Wonderous Woodstock, Part I.”
    Sept. 3, 1940. “
    Folder 4

    The Knickerbocker News, Albany, N.Y. Sept. 4, 1940. `Wonderous Woodstock, Part II.”
    Sept. 4, 1940. `
    Folder 5

    The Times Literary Supplement, Nov. 2, 1922.
    Nov. 2, 1922.
    Folder 6

    Articles on Byrdcliffe, 1901 to present.
    Folder 7

    Santa Barbara Times, “More School Art.” (about the Whiteheads' offer to pay for artwork for new school)
    Folder 8

    Articles about William Morris, Stickley, and mission-style furniture.
    Folder 9

    Article about Leon Barzin, Fletcher Martin, Rinaldo Carnielo.
    Folder 10

    Colored picture of a Renaissance chest or writing desk, signed Shirley Slocombes.
    Folder 11

    Music and Lyrics: “O Ye Merry Chorus Gay,” words by R. Radcliffe Whitehead.
    Folder 12

    On reverse: “Retrospect,” words by John Russell. (Both are these are marked “cut out,” probably a reference to R.R.W.'s book Folk-Songs of Eastern Europe.)

    “All the Notes of All the Earth Make One Great Song,” words by John Russell.

    Envelope for Modern Art Magazine sent to R. Radcliffe Whitehead.
    Folder 13

    The Art Amateur Working Designs: printed designs labeled: Border For Needlework [two different designs], Center For a Cushion, Designs For Plates For China Painting, Working Drawing For Low Cost Mantel, Design For A Paper Cutter.
    Folder 14

    La Corbeille a Ouvrage - designs for crochet, a window treatment, lace, and a decorative panel.

    Brown velvet fabric with red and blue floral design.
    Folder 15

    “The Stave Modulator,” by John Taylor. (something to do with music)
    ( Box 2 “The Stave Modulator,” by John Taylor. (something to do with music)
    Notes
    (actually a roll, not a box)

    Location: 42 E 10 )
    Box 2

    Library Card Catalog and catalog cards
    ( Library Card Catalog and catalog cards Location: 41 D 3 and 4 The library was formed as a service to the residents of Byrdcliffe. The cards provided a record of the books in the library. The entries are by author only, apparently. The cards also marked with a combination of a letter and a number (e.g., A 2), almost undoubtedly a reference to the location of the book (bookcase A, shelf 2). Sometimes, however, the location is another building: Villetta, the Studio, or White Pines, for example.

    The card catalog itself is made of wood, the outside stained dark. The sides are decorated with a lighter stained fleur-de-lis. The top of the unit is missing; one drawer (out of twelve) is gone; and two of the rods used to hold the cards in place are also gone. The cards, 3" × 5" note cards, have been removed and put into boxes (five of them). In photos of the library, the card catalog can be seen sitting on top of a table.

    In Series VI, Box 7, folder 1, will be found the library register book for 1923-1925. Here, borrowers wrote down the title and author of the books they were taking, the date checked out, their own name, and the date the book was returned.

    )

    		The library was formed as a service to the residents of Byrdcliffe. The cards provided a record of the books in the library. The entries are by author only, apparently. The cards also marked with a combination of a letter and a number (e.g., A 2), almost undoubtedly a reference to the location of the book (bookcase A, shelf 2). Sometimes, however, the location is another building: Villetta, the Studio, or White Pines, for example.
    The card catalog itself is made of wood, the outside stained dark. The sides are decorated with a lighter stained fleur-de-lis. The top of the unit is missing; one drawer (out of twelve) is gone; and two of the rods used to hold the cards in place are also gone. The cards, 3" × 5" note cards, have been removed and put into boxes (five of them). In photos of the library, the card catalog can be seen sitting on top of a table.
    In Series VI, Box 7, folder 1, will be found the library register book for 1923-1925. Here, borrowers wrote down the title and author of the books they were taking, the date checked out, their own name, and the date the book was returned.