The
The Joseph Downs Collection of Manuscripts and
Printed Ephemera
Henry Francis du Pont Winterthur
Museum, Winterthur, DE 19735
302-888-4600 or 800-448-3883
OVERVIEW OF
THE COLLECTION
Creator: [unknown]
Title: Lantern slides of
Dates: circa 1915-1947
Call No.:
Acc. No.: 09x122
Quantity: 12 boxes (654 slides)
Location: 40 B 2-3
BIOGRAPHICAL
STATEMENT
A few of the house slides are marked with the monogram
A. C. P. (C is in the middle, and the correct order is possibly A.P.C.). Presumably, these are the initials of the
person or company who put together these slides, but it is not known who that
person was. The slides were rescued from
the trash, and it is not known who assembled the collection. One slide is marked as property of J. M.
Phillips.
SCOPE AND
CONTENT
Lantern slides, most in black and white, but over 90
in color, most of which show pieces of American silver and pewter or exterior
and interior views and details of 18th century homes located in and
around
The slides of silver and pewter are in two
groups. One group has pieces made by
silversmiths in Boston, New York, and Philadelphia, including Paul Revere, John
coney, Bartholomew LeRoux, Joseph Richardson, Sr., and Philip Syng, Jr. The other group is divided by form: mugs,
tankards, porringers, teapots, etc., most of which are identified by maker. Most of the pieces are from the 18th
century, with a few from the early 19th century. Although found together, the slides of
ORGANIZATION
Slides of houses (arranged alphabetically by name of
property or owner of house);
LANGUAGE OF
MATERIALS
The materials are in English.
RESTRICTIONS
ON ACCESS
Collection is open to the public. Copyright restrictions may apply.
PROVENANCE
Gift of Edward F. La Fond, Jr., who rescued them
from a trash can.
ACCESS POINTS
People:
Savery, William, 1721 or
22-1787.
Topics:
Architecture, Domestic -
Architecture -
Cabinetmakers -
Dwellings -
Furniture -
Historic buildings
-
Pewter -
Silverware -
Silverware –
Silverware –
DETAILED DESCRIPTION
OF THE COLLECTION
Location: 40 B
2-3
Note: all accession numbers begin with 09x122; all
images in black and white except where noted as (color).
.1
.2
.3
.4 Barren
Hill, doorway
.5 Barren
Hill, stairway
.6 Barren
Hill, window of house near [i.e. nearby?]
.7 Billmeyer
house,
.8 Billmeyer
house,
.9 Blackwell
house, 224 Pine
.10 Blackwell
house, cornice [note: sign on building: Reply Cigar Factory]
.11 Blackwell
house, stairs
.12 Blackwell
house, interior shot, with doors
.13 Blackwell
house, cornice detail
.14 Blackwell
house, cornice detail
.15 Blackwell
house, cornice detail
.16 Blue
.17 Bohlen house,
.18 Bohlen house,
.19 Bohlen house,
.20 Bohlen house, Chestnut Hill, cupboard,
1919
.21 Bohlen house, Chestnut Hill, doorway
.22 Cannonball Farm, exterior of large
building (color)
.23 Cannonball Farm, exterior detail (color)
.24 Cannonball Farm, exterior of smaller
house (labeled opposite view of that in .25) (color)
.25 Cannonball Farm, exterior of smaller
house (see .24 above) (color)
.26 Cannonball Farm, exterior of a small
building (perhaps a necessary house?) (color)
.27 Deveraux house,
.28 Deveraux house, newel post and stairway
.29 Deveraux house, fireplace in 3d story
back room
.30 Fatland, opposite
.31 Fatland, opposite
.32 Fatland, opposite
.33 Girard College, exterior of main building
(color)
.34 Gowen house, front door, 1919
.35 Gowen house, north gable, 1919 (color)
.36 Gowen house, gate, 1919 (color)
.37 Gowen house, parlor mantel, 1919
.38 Gowen house, stairway, ground floor
.39 Gowen house, mantel in 2d floor front
room, 1919
.40 Gowen house, mantel, 2d floor
.41 Graeme Park, title slide (exterior of
house, with title, and monogram A.C.P.) (color)
.42 Graeme Park, verse by Theodosia Garrison
.43 Graeme Park, original sycamore trees at
entrance,
.44
.45
.46 Graeme Park, exterior rear view (color)
.47 Graeme Park, exterior from rear, 1920
.48 Graeme Park, end view, 1920
.49 Graeme Park, exterior as in 1919
.50 Graeme Park, exterior end view (color)
.51 Graeme Park, exterior front view (color)
.52 Graeme Park, exterior end view (color)
.53 Graeme Park, exterior rear view (color)
.54 Graeme Park, exterior rear view (color)
.55 Graeme Park, front door, 1920 (color)
.56 Graeme Park, fireplace, ground floor,
east end, dining room as in 1920
.57 Graeme Park, fireplace, mantel, door,
ground floor, west room
.58 Graeme Park, doorway in ground floor,
west room
.59 Graeme Park, window in ground floor, west
room
.60 Graeme Park, east end room, showing
fireback
.61 Graeme Park, door and hall, ground floor,
looking east
[
[
.62 Graeme Park, stairway, 1st
floor (ground floor)
.63 Graeme Park, stairway, 2d floor
.64 Graeme Park, window, west end, 2d floor
.65 Graeme Park, 2d floor west end room, 1920
.66 Graeme Park, tiles from fireplace, 2d
story west end
.67 Graeme Park, mantel, 2d floor
.68 Graeme Park, overmantel and panels, 2d
floor, west end, 1920
.69 Graeme Park, detail of mantel and door,
2d floor
.70 Graeme Park, panels, 2d floor, west end
.71 Graeme Park, stairs from 2d to 3d floor
.72 Graeme Park, stairs between 2d and 3d
floors
.73 Graeme Park, hiding place in floor of
study, 2d story middle room
.74 Graeme Park, lifting stone, about 200
pounds
.75 Graeme Park, bunch of keys, probably
originally of Lady Keiths
.76 Graeme Park, cellar under west end
.77 Graeme Park, window weight of cast iron,
from lower sash, probably originally installed in 1722
.78 Green Tree Inn,
.79 Gulph, old house, exterior (color)
.80 Gulph, door (color)
.81 Gulph, fireplace
.82 Gulph, detail of fireplace and built-in
cupboard or closet
.83 Gulph, detail of stonework
.84 The Highlands, Whitemarsh, exterior, 1920
(color)
.85 The Highlands, Whitemarsh, door (color)
.86 Hope Lodge, Whitemarsh, title slide
(exterior of house, with title, and monogram A.C.P.) (color)
.87 Hope Lodge, Whitemarsh, exterior from
road (color)
.88 Hope Lodge, Whitemarsh, exterior front
view (color)
.89 Hope Lodge, Whitemarsh, exterior side
view (color)
.90 Hope Lodge, Whitemarsh, exterior view
(color)
.91 Hope Lodge, Whitemarsh, door at side
(color)
.92 Hope Lodge, Whitemarsh, exterior rear
view (color)
.93 Hope Lodge, Whitemarsh, window on front
of house (color)
.94 Hope Lodge, Whitemarsh, outside shutters,
north end, ground floor
.95 Hope Lodge, Whitemarsh, hall
.96 Hope Lodge, Whitemarsh, door from inside
hall, ground floor, 1920
.97 Hope Lodge, Whitemarsh, interior,
.98 Hope Lodge, Whitemarsh, fireplace and
panels, north end, ground floor
.99 Hope Lodge, Whitemarsh, detail of marble
fireplace, north end, ground floor
.100 Hope Lodge, Whitemarsh, view from north end
of ground floor towards side door
.101 Hope Lodge, Whitemarsh, closet door in
north parlor
.102 Hope Lodge, Whitemarsh, window, north end,
ground floor
.103 Hope Lodge, Whitemarsh, column detail in
north parlor
.104 Hope Lodge, Whitemarsh, door to hall in
north parlor
.105 Hope Lodge, Whitemarsh, door in hall, south
end, ground floor
.106 Hope Lodge, Whitemarsh, fireplace and wall,
south end, ground floor
.107 Hope Lodge, Whitemarsh, south end ground
floor, door to hall
.108 Hope Lodge, Whitemarsh, closet door detail,
south end, ground floor
.109 Hope Lodge, Whitemarsh, window, south end,
ground floor
.110 Hope Lodge, Whitemarsh, column detail,
south end ground floor
.111 Hope Lodge, Whitemarsh, stairs and doors in
back of hall
.112 Hope Lodge, Whitemarsh, panel detail at main stair landing, 1920
.113 Hope Lodge, Whitemarsh, back stairs, 2d
floor
.114 Hope Lodge, Whitemarsh, staircase panel at
head of stairs, 2d floor
.115 Hope Lodge, Whitemarsh, inside shutters, 2d
floor back
.116 Hope Lodge, Whitemarsh, main stairs from 2d
floor
.117 Hope Lodge, Whitemarsh, room, south end 2d
floor
.118 Hope Lodge, Whitemarsh, tiles from
fireplace on 2d floor
.119 Hope Lodge, Whitemarsh, third floor
.120 Hope Lodge, Whitemarsh, cellar, showing
12”x16” oak beams and 3”x12” beams
.121 Hope Lodge, Whitemarsh, meat room in cellar
[hooks in ceiling]
.122 Hughes house,
.123 Johnson house,
.124 Johnson house,
.125 Luken’s house, Tabor,
.126 Mermaid Inn,
.127 Mill Grove,
.128 Mt. Pleasant, east front, 1919 (color)
.129 Mt. Pleasant, west front, 1919 (color)
.130
.131
.132
.133
.134 Mt. Pleasant, front door (color)
.135 Mt. Pleasant, west door (color)
.136 Mt. Pleasant, detail of west door (color)
.137 Mt. Pleasant, 2d floor hall, 1919
.138 Mt. Pleasant, 2d floor hall
.139 Mt. Pleasant, 2d floor hall, 1919
.140 Mt. Pleasant, detail of 2d floor hall, 1919
.141 Mt. Pleasant, 2d floor hall
.142 Mt. Pleasant, doorway and cornice, 2d floor
hall
.143 Mt. Pleasant, detail of 2d floor hall, 1919
.144
.145 Mt. Pleasant, detail of mantel and door 2d
floor
.146 Mt. Pleasant, detail of 2d floor mantel,
1919
.147 Mt. Pleasant, hallway, ground floor, 1919
.148 Mt. Pleasant, detail of ground or 1st floor
hall
.149 Mt. Pleasant, detail of cornice in ground
floor hall, 1919
.150 Mt. Pleasant, stairway, 1919
.151 Mt. Pleasant, lower hall
.152 Mt. Pleasant, great chamber (note unusual
carving on chimney breast)
.153 Mt. Pleasant, parlor mantel, 1919
.154 Mt. Pleasant, detail of parlor alcove, 1919
.155 Mt. Pleasant, dining room, 1919
.156 Mt. Pleasant, dining room, Mrs. Sutro’s(?) chairs
.157 Mt. Pleasant, servants quarters (detached
building), 1920 (color)
.158
.159 Port Royal, doorway
.160 Powel House,
.161 Powel House,
.162 Powel House,
.163 Powel House,
.164 Powel House,
.165
.166
.167
.168
.169 Red Lion Inn,
.170 Rex house,
.171 Rex house,
.172 Rex house, Chestnut Hill, mantel [with
later coal grate inserted into fireplace]
.173 David Rittenhouse house,
.174 Roxborough, cornice
.175 Roxborough, door
.176 Roxborough, detail of door
.177 Roxborough, staircase
.178 Roxborough, door [different from .175]
.179 home of Provost Smith [of
.180 Solitude, built for John Penn, grandson of
William Penn, exterior view (color)
.181 Solitude, door (color)
.182 Solitude, interior decoration
.183 Solitude, ceiling decoration
.184 Sweetbriar, exterior view (color)
.185 Sweetbriar, detail of column inside house
.186 Upsala, exterior view (color)
.187 Upsala, detail of pediment over door
.188 Upsala, mantel detail
.189 Upsala, mantel detail
.190 Upsala, mantel detail
.191 Upsala, bedroom, 1919 (with furniture)
.192 Upsala, mantel
.193
.194
.195
.196
.197
.198
.199
.200
.201
.202
.203
.204
.205
.206
.207
.208
.209
.210
.211
.212
.213
.214
.215
.216
.217
.218
.219
.220
.221
.222
.223
.224
.225
.226
[Whitby Hall
slides continue in next box]
[Whitby Hall
slides continue from previous box]
.227
.228
.229
.230
.231
.232
.233
.234
.235
.236
.237 Whitby
Hall, carved detail in cupboard (or closet)
.238
.239 Whitby
Hall, carved detail
.240
.241
.242
.243 Woodlands
(the
.244 Woodlands
(the
.245 Woodlands
(the
.246 Woodlands (the
.247 Woodlands (the
.248 Woodlands (the
.249 Woodlands (the
.250 Wyck,
.251 Wyck,
.252 Wyck,
.253 Wyck,
.254 Wyck, iron footscraper
.255 Wyck, view showing south end, the oldest
part, 1920 (color)
.256 Wyck, exterior view (color)
.257 Wyck, exterior view (color)
.258 Wynnestay,
.259
.260
.261
.262
.263
.264
.265
.266
.267
.268
.269
.270
.271
.272
.273
.274
.275
.276
.277
.278
.279
.280
.281
.282
.283
.284
.285
.286
.287
.288
.289
.290
[
[
.291
.292
.293
.294
.295
.296
.297
.298
.299
.300
Colonial doors
of
.301 Colonial Doorways,
.302 Colonial Doorways,
.303 Girard National Bank, exterior, view along
porch, 1920
.304 unidentified house
.305 old Quaker cottage in city, removed about
1850 [but relocated somewhere as the people are wearing late 19th
century dress] (color)
Numbered
streets:
.308 Keith house,
.316 Roberts house,
Named streets,
in alphabetical order:
.323 DeLancey and 3d
.324 DeLancey and 3d
.326 DeLancey and 7th, doorway
.327 113 Elfret [i.e. Elfreth’s] Alley, doorway
.328 114 Elfret [sic] Alley, door
.329 137 Elfret [sic] Alley, doorway
.330 Elfret [sic] Alley, window detail
.331 Wakeling house,
.333 southeast corner Front and Race, exterior
of houses, 1920
.334 Bishop White house, 400 South Front, mantel
detail, 1915
.335 400 South Front, mantel detail
.336 Stocker house,
.347 The Laurens,
.348 northeast corner
.349 northeast corner
[
[
.359 Carpenter estate,
.360 Carpenter estate,
.362 Wharton house,
.363 Wharton house,
.368 south east corner of
.369 south east corner of
Furniture and furniture labels:
Items from the
.379
arm chair: Mrs. Ashmead Schaffer
.380 cradles (two) used by Stallman and Keyser
families, 1776
.381 walnut hinged [i.e. drop leaf] table with
Dutch foot
.382 stove from Warwick Furnace, about 1790 (two
views)
.383 portion of wood fence from Ellwood Johnson
property
.384 four doorknockers: iron door knocker,
3”x5”, Morris Litell house; silver-plated knocker from Johnson house, Chestnut
Hill; brass knocker from Billmyer [or Billmeyer] house; knocker from James Gowan
house
Chairs:
.385 Speaker’s chair by Affleck, at Philadelphia
State House (legs have been added to)
.386 chair made by William Savery, with label,
owned by A. H. Savery, 1919, Dutch style [see also .387-.389]
.387 chair made by William Savery, with label,
owned by A. H. Savery, 1919, Dutch style, walnut [see also .386 and .388-.389]
.388 chair with label of William Savery on back,
owned by A. H. Savery, 1920 [see also .386 .387, .389]
.389 chair with label of William Savery on back,
owned by A. H. Savery, 1920 [see also .386-.388]
.390 President’s Chair, Independence Hall, used
in signing Declaration of Independence
.391 delegate’s Chair, Independence Hall, used
by delegates at time of signing Declaration of Independence
.392 Chippendale side chair (front and back
views), Mrs. H. L. Carson, 1920
.393 Chippendale side chair (front and back
views), Mrs. H. L. Carson, 1920
.394 American Chippendale side chair (front and
back views), Mrs. A. Howel, 1920
.395 American Chippendale armchair (front and
back views), Mrs. A. Howel, 1920
.396 Chippendale mahogany chairs, Mrs. T.
Taylor,
.397 Chippendale mahogany chairs, Mrs. T.
Taylor,
.398 mahogany Chippendale chair,
.399 mahogany Chippendale chair,
.400 mahogany Chippendale chair,
.401 mahogany Chippendale chair,
.402 mahogany Chippendale chair,
.403 Dutch style chair [two views], Mrs. H. L.
Carson, 1920
.404 Dutch chair, L. G. Myers,
.405 Dutch chair, L. G. Myers,
.406 Dutch chair, L. G. Myers,
.407 Dutch chair, L. G. Myers,
.408 Dutch style chair, about 1725,
.409 Dutch style chair, about 1725,
.410 Windsor chair, Mrs. A. Howel
.411 Windsor chair, Library Company of
.412 revolving
.413
.414
[chairs continue
in next box]
[chairs
continued from previous box]
.415 ladder back chair [two views], Mrs. H. L.
Carson, 1920
.416 Queen Anne chair, American [two views],
Mrs. A. Howel, 1920
.417 Duck foot chair, Mrs. A. Howel, 1920
.418 miniature chairs (four chairs and a settee),
Historical Society of Pennsylvania
.419 two chairs, Chippendale style, armchair and
side chair, not labeled
.420 Chippendale style armchair, front and rear
views, not labeled
.421 Chippendale style armchairs, front and rear
views, not labeled
.422 Queen Anne style side chair, front and rear
views, not labeled
Desks:
.423 President’s Desk, Independence Hall
.424 Secretary’s Desk, Independence Hall
.425
.426
.427 inscription on
.428 Chippendale desk (or secretary), probably
by William Savery, 1760-1775 [slide from Metropolitan Museum of Art]
Highboys:
.429 highboy, Mrs. H. L. Carson, 1920 [see also
.430]
.430 highboy, Mrs. H. L. Carson, 1920 [see also
.429]
.431 mahogany highboy, attributed to William
Savery, Metropolitan Museum of Art (its slide)
.432 mahogany highboy, attributed to William
Savery, Metropolitan Museum of Art (its slide)
.433 walnut highboy, attributed to William
Savery, Metropolitan Museum of Art (its slide)
.434 highboy, attributed to William Savery,
Metropolitan Museum of Art (its slide)
.435 highboy with flame finials, no label
Lowboys [dressing tables]
.436 maple lowboy, probably by William Savery,
owned by Mrs. T. H. Savery,
.437 maple lowboy, probably by William Savery,
owned by Mrs. T. H. Savery,
.438 maple lowboy, probably by William Savery,
owned by Mrs. T. H. Savery,
.439
.440
.441
.442
.443
.444
.445
.446 carved lowboy, no label
Mirrors:
.447 American mirror, Mrs. A. B. Weimer, 1920
[mirror with painted scene at top]
.448 mirror with John Elliott name on back,
owned by Marshall P. Sullivan,
.449 mirror with John Elliott name on back,
owned by Isaacs, a
.450 mirror, not labeled
Tables, stands, and sideboards:
.451 Chippendale card table, L. G. Myers,
.452 walnut tilt-top tripod table, probably made
by William Savery, owned by Mrs. T. H. Savery, Elleslie [i.e. Ellerslie] Farm,
near
.453 mahogany
sideboard table, possibly by William Savery,
.454 mahogany
sideboard table, perhaps by William Savery,
.455 mahogany tripod tilt-top table, attributed
to William Savery, Metropolitan Museum of Art (its slide)
.456 mahogany tripod stand table, attributed to
William Savery, Metropolitan Museum of Art (its slide)
.457 mahogany tripod table with pie crust top,
attributed to William Savery,
.458 mahogany tripod table with pie crust top
(with top tilted, front and rear views), attributed to William Savery,
.459 carved tea table, no label [see also .460]
.460 detail of carving on .459, no label
.461 tea table with fretwork, no label
Miscellaneous pieces of furniture, or more than one
form on slide:
.462
.463 walnute
hooded cradle, owned by Mrs. T. Taylor,
.464 working
cabinet of William Savery in
.465 working cabinet of William Savery in
.466 working cabinet of William Savery in
.467 mahogany Chippendale bookcase,
.468 press [china or display cabinet], built
1740, Philadelphia Library
.469 mahogany linen press, made about 1875 at
Harlan & Hollingsworth,
.470 mahogany wall cabinet, partially repaired,
.471 card table and easy chair, Cadwalader
family pieces; table appeared in a family portrait painted by Charles Willson
Peale
.472 camelback sofa with carved legs, no other
information given
.473 corner cupboard with collection of china
Labels and ads of furniture makers and other
craftsmen:
.474 ad for John Aitkin, cabinet and chair maker,
appeared in Federal Gazette, June 9,
1790;
Ad includes picture of a chair
.475 label of John Elliott, in English and
German, found on back of mirror owned by Isaacs, a Philadelphia dealer, 1920
[see also .449] (slide labeled Pennsylvania Museum)
.476 ad for John Elliott, for imported mirrors,
coach glass, books; he also quicksilvered old mirrors, from Pennsylvania Chronicle, May 16, 1768
.477-.478 ad for John Elliott, Jr., for
medicines, paints, brushes, imported mirrors; he also quicksilvered old mirrors,
from Pennsylvania Gazette, July 14,
1784
.479 ad for John Elliott, Jr., for medicines,
paints, brushes, mirrors; he also quicksilvered old mirrors, from Pennsylvania Gazette, Sept. 21, 1785
.480 printed billhead for Benjamin Harbeson,
makes and sells copper wares, etc., Philadelphia, billhead engraved by Dawkins,
bill dated 1754 (for a variety of goods); original at Historical Society, photo
taken 1920 [billhead illustrated with copper still, kettle, pots]
.481 printed billhead for James Mitchell, manufacturer
of fancy chairs, lounges, stools, etc.,
.482 close-up of the illustration on James
Mitchell’s billhead [see .481]
.483 trade card of Benjamin Randolph,
cabinetmaker,
.484 trade card for Bailey, Steel & Co.,
Bridgewater, braziers, founders, tinmen & ironmongers; trade card depicts
metal objects and a clock
Silver and Pewter:
.485 Dummer,
Jeremiah (1645-1718): tankard
(
.486 Clark, I. (1754): silver punch strainer
made for Jabez Bowen of
.487
(Garvan
Collection,
.488
(Mrs. Bradford)
(
.489 Edwards, Samuel (1705-1762): pair of mugs
for Capt. John and Elizabeth North
(Garvan
Collection,
.490 Sanderson, R., and
(
.491 Dummer, Jeremiah (1645-1718): chalice
(Second
Congregational Church,
.492 Dummer, Jeremiah (1645-1718): standing cup
(
.493 Winslow, Edward (1669-1753):
(Garvan
Collection,
.494 Coney, John (1655-1722): two-handled cup
(
.495 Coney, John (1655-1722): covered caudle cup
(Garvan
Collection,
.496 Dummer, Jeremiah (1645-1718): two-handled
bowl
(
.497 Coney, John (1655-1722): caudle cup
(
.498 Coney, John (1655-1722): caudle cup
(Congregational
Church,
.499 Sanderson, Robert (1608-1693): caudle cup
(
.500 Coney, John (1655-1722): capstan salt, with
initials S.M.
(
.501 Dummer, Jeremiah (1645-1718): standing salt
(
.502
(Garvan
Collection,
.503
(W. M. Jeffords)
(
.504 Hurd, Jacob (1702-1758): chafing dish
(Garvan
Collection,
.505 Hurd, Jacob (1702-1758): teapot
(Garvan
Collection,
.506
(Garvan
Collection,
.507 Coney, John (1655-1722): teapot
(
.508
(
.509 Hurd,
Jacob (1702-1758): tea kettle
(Mrs.
Cunningham) (
.510 Coney,
John (1655-1722): inkstand
(
.511 Coney,
John (1655-1722): bowl
(
.512 Coney,
John (1655-1722): monteith
(
.513 Coney,
John (1655-1722): monteith, with
(Mrs.
Henry Parish) (
.514
(Garvan
Collection,
.515 Winslow,
Edward (1669-1753): chocolate pot
(
.516
(Garvan
Collection,
.517 Coney,
John (1655-1722): Shrimpton tankard
(Garvan
Collection,
.518 Green,
Rufus (1707-1772): tankard
(
.519 Burt,
John (1691-1745): tankard
(
.520 Winslow, Edward (1669-1753): sugar box
(Garvan
Collection,
.521 Coney, John (1655-1722): sugar box
(
.522 Winslow,
Edward (1669-1753): sweetmeat dish
(Edsel
Ford Collection,
.523 Coney, John (1655-1722): beaker
(
.524 Dummer, Jeremiah (1645-1718): Jeffries
candlestick
(Garvan
Collection,
.525 LeRoux,
Charles (1688-1745): two-handled cup
(Garvan Collection,
.526 LeRoux,
Bartholomew (1688-1713): caster
(Garvan Collection,
.527 Boelen,
Hendrik (1684-1755): pair of candlesticks
(
.528 Soumaine,
Simeon (ca.1685-1750): gold spoon (back)
(Garvan Collection,
.529 Hammersley,
Thomas (1727-1764): cup
(
.530 Soumaine,
Simeon (ca.1685-1750): sugar bowl and cover
(Garvan Collection,
[
Silver and
pewter:
[continued from previous box]
.531 Ridout,
George (working 1745-1750): pair of candlesticks
(Garvan Collection,
.532 Brevoort,
John (1715-1775): teapot
(
.533 Denise,
John (active 1700s): porringer
(Garvan Collection,
.534 Wishart,
Hugh (working 1784): porringer
(Garvan Collection,
.535 Vanderspiegel,
Jacobus (1668-1708): top of tankard
(
.536 Myers,
Myer (1723-1795): gold shoe buckle (front and back)
(Garvan Collection,
.537 Van
Dyck, Peter (working 1688-1708): top of tankard
(Garvan
Collection,
.538 Schaats,
Bartholomew (1616-1754): tankard
(Garvan
Collection,
.539 Kierstede,
Cornelius (1674-1757): tankard
(Garvan
Collection,
.540 Van
Dyck, Peter (working 1688-1708): gold bead necklace
(Garvan
Collection,
.541 Wyncoop,
Benjamin (1698-1740): bowl
(New-York
Historical Society) (
.542 Kierstede,
Cornelius (1674-1757): bowl, with name Thomae Darling and inscription
(Garvan
Collection,
.543 Van
Dyck, Peter (working 1688-1708): tankard, with Wendell arms)
(Garvan
Collection,
.544 Richardson, Joseph, Sr. (1711-1784): tray
(Garvan Collection,
.545 Richardson, Joseph, Sr. (1711-1784): can
[mug]
(Clapp-Graham) (
.546 Syng, Philip, Jr. (1703-1784): inkstand
(Independence Hall) (
.547 Richardson, Joseph, Sr. (1711-1784): bowl
and cover, made about 1765
(Garvan Collection,
.548 Dubois, Abraham (1777): three cream jugs or
milk pitchers (right only)
(
.549 Hall, David (working 1765-1779): coffee pot
(
.550 Nys, Johannis (working 1700-1728):
porringer
(
.551 David, Peter (1691-1755): tankard
(Garvan Collection,
.552 Richardson, Joseph, Sr. (1711-1784): gold
knee buckle
(Garvan
Collection,
Silver and Pewter:
Beakers and mugs:
.553 photos of four mugs by Nathaniel Austin,
.554 photo of mug and its markings by Frederick
Bassett,
.555 photos of two beakers and its markings by
Timothy Boardman & Co.,
.556 photo of mug and its markings by Parks
Boyd,
.557 photo of a mug and its markings by Edward
Danforth,
.558 photo of mug and its markings by J.
Danforth,
.559 photo of mug and its markings by John
Danforth,
.560 photo of a mug and its markings by Joseph
Danforth,
.561 photo of a mug and its markings by Thomas
Danforth, II,
.562 photo of mug and its markings by Semper
Eadem
.563 photo of a mug and its markings by Samuel
Hamlin, I,
.564 photo of a mug and its markings, unidentified
but attributed to William Horsewell,
.565 photo of a mug and its markings by Gershom
Jones,
.566 photo of mug and its markings by Wm. Kirby
?,
.567 photo of a beaker and its markings by
Samuel Pierce, Middletown(?)
.568 photo of mug and its markings by Jacob
Whitmore,
.569 photo of mug and its markings by William
Will,
.570 photo of a beaker with handle and its
markings, by unidentified person
.571-.573 3 unidentified mugs
Silver and Pewter:
Tankards:
.574 photo of tankard and its marking by Richard
Austin,
.575 photo of tankard and its marking by Francis
Bassett (1),
.576-.578 photo of tankards and their markings by
Frederick Bassett,
.579 photo of tankard and its marking by John
Bassett,
.580 photo of tankard and its marking by Parks
Boyd,
.581-.582 photo of tankards and their marking by
William Bradford, Jr.,
.583 photo of tankard and its markings by
Benjamin Day,
.584-.585 photo of tankards and their markings by
William Eddon,
.586 photo of tankard and its marking, attributed
to S. Edgell,
.587 photo of tankard and its marking by William
Kirby,
.588 photo of tankard and its marking by S.
Stafford,
.589 photo of tankard and its marking by John
Townsend,
[Tankards
continue in the next box]
Silver and Pewter:
Tankards:
[continued from
previous box]
.590 photo of tankard and its marking by John
Will,
.591-.592 photo of tankard and its marking by
William Will,
.593-.595 photos of tankards and their markings
.596 a tankard
.597 tankard from Mabel Brady Garvan Collection,
.598 three tankards
.599 three views of a tankard with a spout
.600 three tankards and their markings, two for
Boyd and one for William Will, all
.601 plate I: two tankards and their markings,
labeled fig. a and b
.602 plate II: two tankards and their markings,
labeled fig. a and b
.603 plate III: two tankards and their markings,
labeled fig. a and b
.604 plate IV: three tankards and their
markings, labeled fig. a, b, and c
.605 plate V: three tankards and their markings,
labeled fig. a, b and c
Silver and pewter:
Porringers:
.606 photo of porringer by Samuel Hamlin,
.607 photo of 4 porringers, made by Gershom
Jones, Samuel Danforth, T.D. & S. Boardman, and Richard Lee
.608 photo of porringer by S.G., unidentified
maker (marked with initials B.H.)
.609 porringer, with initials A, B, P
.610 three views of a porringer
.611 two views of a porringer
.612 three porringers
Silver and pewter:
Tea and coffee pots:
.613-.614 coffee pot (or covered pitcher) by
Boardman & Co.,
.615 teapot made by Jacob Hurd, with arms of
Elliot
.616-.619 photos of teapots and their markings,
18th century, probably English
.620 teapot engraved with deer head
Silver and pewter:
Miscellaneous forms:
.621 photo of a pair of casters and their
markings, attributed to John Will, active 1711-1765
.622 pair of casters, with initials P, S, D
.623 backs of two spoons, one dated 1685, both
with initials
.624 bowl engraved with initials DW
.625 photo of a shallow bowl or dish, with its
marking
.626 plate, J. J. (Jehiel Johnson),
.627 candle snuffers
.628 pair of chalices and their markings, by
Thomas Brigden,
.629 covered chalice
.630 sundial
.631 photo of a funnel, Frederick Bassett,
.632 photo of a marking, Eagle #1, probably
Gershom Jones
.633 photo of a section of a piece, probably a
tankard, Richard Austin,
Silver and pewter:
More than one form:
.634 tankard and bowl with handles
.635 salt cellar, cup, coin laid into a piece of
silver
.636 caster and bowl with handles
.636 corner cupboard displaying collection of
pewter or silver, with chairs on either side of cupboard
Lighting fixtures:
.637 hanging lantern, holding 3 candles
.638 tripod adjustable floor candle holder, with
2 candles, candle snuffer on floor
.639 wall niche, holding a lamp
.640 wall sconce, with “hat” (which would be
above the candle if there were a candle in place)
.641 wall sconce
.642 candelabrum, with 2 candles
.643 pair of candlesticks
.644 chandelier, with 3 female mythological
creatures holding 6 candles
.645 glass chandelier
Art:
.646 watercolor, parlor of a
(from New-York
Historical Society)
.647 picture of a saint(?), in a frame
.648 Lady Elizabeth Cromwell, print by I. Smith
from portrait by Godfrey Kneller
.649 Mrs. Carter, 1706, print by I. Smith from
portrait by Godfrey Kneller
.650-.651 Princess Anne, print by I. Becket, from
portrait by W. Wiggins
.652 Countess of Sunderland, print by I. Smith
from portrait by C. D’Agar
.653 Ann, Lady Torrington, 1709, print by I.
Smith from portrait by Godfrey Kneller
.654 Henry Singleton, print by I. Brooks, from
portrait by unknown artist