The
The Joseph Downs Collection of Manuscripts and
Printed Ephemera
Henry Francis du Pont
5105 Kennett Pike,
302-888-4600 or 800-448-3883
OVERVIEW OF
THE COLLECTION
Creator: Shelley, Donald A.
Title: Donald A. Shelley research
papers on fraktur and other papers
Dates: ca.1934-circa 2000
Call No.:
Acc. No.: 07x151; 10x109; 12x15;
16x18
Quantity: 39 boxes, 17 volumes
Location: 11 E 1-5
BIOGRAPHICAL
STATEMENT
Donald A. Shelley was a noted expert on Pennsylvania
German fraktur. He was born in
He held positions in various museums, including the
SCOPE AND
CONTENT
Collection pertains to the career of Donald Shelley. Of particular interest are the results of his
research into and writing about Pennsylvania German frakturs. This includes photographs of frakturs from
many different collections, drafts of his dissertation on Pennsylvania German
illumination written for New York University, galley proofs of the Pennsylvania
German Society publication The
Fraktur-Writings or Illuminated Manuscripts of the Pennsylvania Germans,
books from Germany about German folk art, some research notes, a bibliography
compiled while doing research, lists of fraktur illuminators and printers, and
some correspondence.
Later additions to the papers gives insight into
Shelley’s career and his interests outside of fraktur. Included is correspondence, lists of lectures
given in the late 1940s-early 1950s, a very few publications by him, plus
papers by others, photographs and slides, some information about American art
and decorative arts, and research notes on John J. Audubon and Lewis Miller. Correspondents include some of the noted
collectors of the 20th century, such as Henry Francis du Pont, Titus
Geesey, and Edgar and Bernice Garbisch.
Correspondence with dealers often included photographs of items for
sale.
ORGANIZATION
The papers are in three series. Series I contains the fraktur research
papers, most of which were assembled for Shelley’s dissertation and book on
this topic. Many of these papers were in
notebooks, most of which were numbered, and that order has been maintained.
Series II contains later additions to the Shelley
papers. These include correspondence and
research notes accumulated for topics other than fraktur. Most correspondence is filed
chronologically. Some correspondence has
been filed by name. Correspondence with
dealers which included photographs is filed under Dealers. However, correspondence with dealers which
did not include photographs is in the chronological files. (This difference in treatment reflects the
way the papers were received at this repository.)
Series III includes photographs and books, many
pertaining to fraktur or German folk art.
LANGUAGE OF
MATERIALS
The materials are in English, German, and French.
RESTRICTIONS
ON ACCESS
Collection is open to the public. Copyright restrictions may apply.
PROVENANCE
All accessions are gifts of Esther L. (Mrs. Donald
A.) Shelley.
ACCESS POINTS
People:
Du Pont, Henry Francis,
1880-1969.
Miller,
Lewis, 1796-1882.
Audubon,
John James, 1785-1851.
Topics:
Henry Ford Museum and Greenfield
Village.
Antique dealers.
Antiques – Photographs.
Fraktur art.
Folk art –
Folk art,
Pennsylvania Dutch.
Illumination of books and manuscripts, Pennsylvania
Dutch.
Museums - Exhibitions.
Museum curators.
College students.
SELECTED
IMAGES FROM THE COLLECTION
Fig. 45.
Fig. 54. Small
design in paper-bound frame (
Fig. 113. Great
lily of Ephrata, ABC Book, 1750 (as pictured in John Joseph Stoudt, Pennsylvania Folk Art, p. 141)
Fig. 114. Lily designs, ABC Book, 1750 (as pictured
in
Fig. 115-116.
ABC Book, 1750. (as pictured in
John Joseph Stoudt, Pennsylvania Folk Art,
p. 142)
Fig. 117. ABC
Book (as pictured in John Joseph Stoudt, Pennsylvania
Folk Art, p. 150)
Fig. 118. ABC
Book (as pictured in John Joseph Stoudt, Pennsylvania
Folk Art, p. 151)
Fig. 121.
Detail from Paradisisches
Wunder-Spiel, 1754 (American Antiquarian Society)
Fig. 122.
Title page of Ephrata Choral Book, 1754.
(as pictured in John Joseph Stoudt, Pennsylvania
Folk Art, p. 169)
Fig. 133.
Christopher Dock, Vorschrift.
(from Martin G. Brumbaugh, The
Life and Works of Christopher Dock, opposite p. 249)
Fig. 141.
Mennonite Vorschrift, 1856 (from American-German
Review, June 1943, p. 33)
Fig. 241.
Certificate, early block-printed form.
(
DETAILED
DESCRIPTION OF THE COLLECTION
Location: 11 E
1-5
Series I:
Fraktur research papers (acc. 07x151)
Folder 1: notebook:
Printed Fraktur I (LL1)
Folder 2: notebook:
Printed Fraktur II (LL2)
Folder 3: notebook:
Printed Fraktur III (LL3)
Folder 4: notebook:
Printed Fraktur IV (LL4)
Folder 1: notebook:
unlabeled [but manuscript frakturs] (LL5)
Folders 2-3: notebook:
Shelley III [printed and manuscript
frakturs] (LL6)
Folders 4-5: notebook:
unlabeled [portraits, fraktur, calligraphy drawings, paper cuts] (LL7)
Folders 1-2: notebook:
Books, book markers (LL8)
Folders 3-4: notebook: Shelley II (list of fraktur
illuminators and printers, bibliography about European antecedents of
Pennsylvania German folk art, European sources of fraktur [with photos],
Pennsylvania fraktur types and techniques [with photos] (LL9)
Folders 5-6: notebook:
Certificates (LL10)
Folder 1: notebook:
Certificates II (LL11)
Folders 2-3: notebook:
European (fraktur, rooms, textiles, furniture, buildings)
Folder 4: Fraktur
and European antecedents
Folder 5: “The Pennsylvania German Illuminated
Style,” 1947 [dissertation draft]: outline and notes
Folders 1-2: “The Pennsylvania German Illuminated
Style,” 1949 [dissertation draft], with notes
Folders 3-4: “The Pennsylvania German Illuminated Style,”
1947 [dissertation draft]: outline and notes
Folders 5-6: notebook: XII: Illustrations [for
dissertation] (continued in next box)
Folder 1: notebook: XII: Illustrations [for
dissertation] (continued from previous box)
Folder 2: “The
Pennsylvania German Style of Illumination,” 1953 abridgment
Folder 3: “The
Pennsylvania German Illuminated Style” – additional material
Folder 4: Bibliography
Folder 5: Fraktur
collections
Folder 6: Notes
for article on fraktur
Folder 7: “Illuminated Birth Certificates,”
article by Shelley in New-York Historical
Society Quarterly Bulletin, v. 29, no. 2 (April 1945)
Folder 8: “Fraktur
and Pen Drawings,” typescript of article by Donald A. Shelley
Folder 9: “Fraktur,”
anonymous article from American Artist,
May 1960
Folder 10: reproductions
of frakturs (note cards, post card)
Folder 11: mailing
list – additions to
Folders 1-2: photos
and negatives of fraktur [see also
Folder 3: notes
for dissertation or book
Folder 4: Correspondence
about publishing dissertation
Folders 5-7: The Fraktur-Writings …: galley proofs
Folders 1-2: The Fraktur-Writings …: galley proofs
Folder 3: The Fraktur-Writings …: galley proofs
and other notes
Folders 4-5: The Fraktur-Writings …: galley proofs
Folder 6: The Fraktur-Writings …: galley proofs
for index
Folder 7: The Fraktur-Writings …: typesetter’s
guide
Folder 8:
Folder 9:
Series II: other files (acc. 10x109, 12x15, 16x18)
Box 9: miscellaneous notes kept in
memo pads
[see also Miscellaneous
notes and Notes: Miscellaneous]
Box 10:
Folder 1: Amsler, Cory M.: “New York German
Chests” [thesis] (acc. 10x109)
Folder 2: Architectural drawings and maps (acc.
12x15)
Folder 3: Art classes: notes (acc. 16x18)
Folders 4-5: Art history notebook (acc. 16x18)
Folder 6: Art history tests (acc. 16x18)
Folder 7: Art notes: class notes kept by Donald
A. Shelley and Philip A. Shelley, circa 1930 (acc. 12x15)
Folder 8: Articles and book reviews by Shelley
(acc. 12x15)
Box 11:
Folder
1: Audubon, John James, and
Audubon House (“Mill Grove”) (acc. 12x15)
Folder 2: Belknap, Rey H. and Waldron P.:
correspondence (acc. 10x109, 12x15, 16x18)
Folder 3: Bird, George Owen: “The W. H. Marshall
and L. S. Marshall Collection of China Trade Porcelain,” 1980 (acc. 10x109)
Folder 4: Brix, Anna-Maria: letter, bill, fabric
samples (acc. 16x18)
Folder 5: Corning Museum of Glass: lecture,
“Origins of American Glass” (acc. 12x15)
[see slides
in Series III, Box 36]
Folders 6-9: Correspondence, 1934-1950 (acc. 10x109,
12x15, 16x18)
Box 12:
Folders 1-7: Correspondence, 1951-1966 (acc. 10x109,
12x15, 16x18)
Box 13:
Folders 1-4: Correspondence, 1967-1992 (acc. 10x109, 12x15,
16x18)
Folder 5: Correspondence, no year, and blank
note cards (acc. 10x109, 12x15, 16x18)
Folder 6: Decorative arts: class notes (acc.
16x18)
Folder 7: Dealers: Abraham, George, and May,
Gilber (acc. 16x18)
Folder 8: Dealers: Bacon, Roger (acc. 16x18)
Folder 9: Dealers: Burkhardt, Robert (acc.
16x18)
Folder 10: Dealers: Byard, John Kenneth (The
Silvermine Tavern) (acc. 16x18)
Folder 11: Dealers: C.W. Lyon, Inc. (acc. 16x18)
Folder 12: Dealers: Craighead, Magruder (acc.
16x18)
Folder 13: Dealers: David Stockwell, Inc. (acc.
16x18)
Folder 14: Dealers: Doan, Richard (acc. 16x18)
Folder 15: Dealers: Garth’s Auction Barn (acc.
16x18)
Folder 16: Dealers: Ginsberg & Levy (acc. 16x18)
Folder 17: Dealers: Gordon, John (acc. 16x18)
Folder 18: Dealers: H. & R. Sandor, Inc. (acc.
16x18)
Folder 19: Dealers: Herbert Schiffer Antiques (acc.
16x18)
Folder 20: Dealers: Hirschl & Adler (acc.
16x18)
Box 14:
Folders 1-2: Dealers: Israel Sack, Inc. (acc. 16x18)
Folder 3: Dealers: Joe Kindig, Jr. & Son
(acc. 16x18)
Folder 4: Dealers: John Levy Galleries (acc.
16x18)
Folder 5: Dealers: John S. Walton, Inc. (acc.
16x18)
Folder 6: Dealers: The Old Print Shop, Inc. (New
York) (acc. 12x15, 16x18)
Folder 7: Dealers: Sittig, Charlotte and Edgar
(acc. 16x18)
Folder 8: Dealers: Stark, Leon F. S. (acc.
16x18)
Folder 9: Dealers: Tillou Gallery (acc. 16x18)
Folder 10: Dealers: Vose Galleries (acc. 16x18)
Folder 11: Dealers: Williams, Thomas D. and
Constance R. (acc. 16x18)
Folder 12: Downs, Joseph: information about and
photograph with Donald Shelley (acc. 10x109 and 12x15)
Folder 13: du Pont, Henry Francis: correspondence,
1942-1961, and notes (acc.12x15, 16x18)
Folder 14: Dürer: notes (acc. 10x109)
Folder 15: Earl, Ralph: talks on him, 1940, 1941
(acc. 12x15)
Folder 16: Folk arts (acc. 12x15)
Folder 17: Furniture and interiors: New York
University Decoration 53, Nov. 1934 (acc. 16x18)
Box 15:
Folder 1: Garbisch, Edgar W. and Bernice:
correspondence and pay stubs, 1949-1954, and notes (acc.12x15; 16x18; pay stubs: acc. 10x109)
Folder 2: Geesey, Titus C.: paper about his
collections, and correspondence, 1941, 1954, 1961, 1966, 1969 (acc. 12x15,
16x18)
Folder 3: Havell, Harry: correspondence, 1950-1952
[mostly about exhibit on Robert Havell at Reading Public Museum] (acc. 12x15;
16x18)
Folder 4: Heffner, C. M.: correspondence,
1947-1953 (acc. 12x15)
[note: additional
correspondence with Heffner might be in general correspondence file; any letters
found there may be transferred to this folder]
Folder 5: Henry Ford Museum and Greenfield
Village (acc. 12x15; 16x18)
Folder 6: Heydinger: class paper: “The Growth
and Development of Transportation, and Its Role in the English Industrial
Revolution” (acc. 12x15)
Folder 7: Historic Textiles: New York University
Decoration 47, Nov. 1934 (acc. 16x18)
Folder 8: Historical Society of York County
(Pennsylvania) (acc. 12x15)
Folder 9: Hyde, Bryden B.: “Furniture in
Bermuda,” 1967 (acc. 10x109)
Folder 10: Information from various museums:
brochures, exhibits, etc. (acc. 10x109)
Folder 11: Metropolitan Museum of Art: School
Picture Sets (acc. 16x18)
No. 4:
American Revolution;
No. 18:
Colonial America, 1607-1776
Folders 12-13:
Miller, Lewis (acc. 16x18)
Folder 14: Miller, Lewis: correspondence about him,
book reviews (acc. 12x15)
Box 16:
Folder 1: Miller, Lewis: drafts of article about
him (acc. 12x15)
Folder 2: Miller, Lewis: notes (acc. 12x15)
Folder 3: Miller, Lewis: pictures and photos (acc.
12x15)
Folder 4: Miller, William Rickarby [artist]
(acc. 16x18)
Folder 5: Miniatures: survey, 1943 (acc. 12x15)
Folders 6-7: Miscellaneous notes
[see also Notes
kept in memo pads and Notes: Miscellaneous]
Folder 8: Murphy, Katharine Prentis: correspondence,
1949-1958, and notes about her (acc. 12x15, 16x18)
Folder 9: New-York Historical Society
[see also general
correspondence for letters from N-Y Hist. Soc. staff]
Box 17:
Folder 1: New-York Historical Society: exhibits
(acc. 12x15)
Folder 2: New-York Historical Society: photos of
paintings (acc. 10x109)
Folder 3: New-York Historical Society: portraits
by John Durand: correspondence, photos, notes, 1940s (acc. 10x109)
Folder 4: Notes: miscellaneous (acc. 12x15)
[see also Miscellaneous
notes and Notes kept in memo pads]
Folder 5: Notes on collections (general
Pennsylvania) (acc. 12x15)
Folder 6: Oakes farm (“Fireside Knoll,” H. R.
Oakes), New York: photographs (acc. 12x15)
Folder 7: outline for book on American furniture
(acc. 12x15)
Folder 8: Parsons, Charles S.: “Blasdel
Clockmakers,” 1957 (acc. 10x109)
Folder 9: Pavey, Jess: memoirs and
correspondence (acc. 16x18)
Folder 10: Pennsylvania Folk Art Photographs: notes
[no photos] (acc. 12x15)
Folder 11: Pennsylvania German decorative arts and
craftsmen (acc. 10x109)
Box 18:
Folder 1: Pennsylvania German Folklore Society
(acc. 12x15)
Folders 2-4: Pennsylvania German furniture and
decorative arts [photos and drawings from a notebook] (acc. 12x15)
Folders 5-7: Pennsylvania German influence: notes for
exhibit at Historical Society of York County (Pa.) (acc. 12x15)
Box 19:
Folder 1: Pennsylvania portraits and paintings,
1944-1947 (acc. 10x109)
Folder 2: Period rooms, antique furniture, and
accessories [mostly photos, from a notebook] (acc. 12x15)
Folder 3: Reading Public Museum and Art Gallery
(acc. 12x15)
Folder 4: Receipts and other notes about
purchases and prices of antiques (acc. 16x18)
Folder 5: Sawitzky, William: Correspondence,
notes, photos of paintings (acc. 10x109 and 12x15)
Folder 6: Scrapbook: early American buildings
and Pennsylvania German folk art
Folder 7: Shelley, Donald: article: “American
Painting in Irving’s Day,” paper and notes (acc. 10x109)
Folder 8: Shelley, Donald: article: “George
Harvey, Atmospheric Painter” (includes photos) (acc. 16x18)
Box 20:
Folder 1: Shelley, Donald: article: Wall,
William Guy (artist, includes photos) (acc. 16x18)
Folder 2: Shelley, Donald: auction, 2007 (acc.
10x109)
Folder 3: Shelley, Donald: curriculum vita and other
biographical notes (acc. 16x18)
[see also
folder on professional information, etc.]
Folder 4: Shelley, Donald: high school (acc.
16x18)
Folder 5: Shelley, Donald: “Le Conte: A Concise
History of the Short Story” (acc. 16x18)
Folder 6: Shelley, Donald: lectures: notes (acc.
16x18)
Folder 7: Shelley, Dr. and Mrs.: loans to
exhibits, from their collection (acc. 12x15)
Folder 8: Shelley, Donald: organ playing (acc.
16x18)
Folder 9: Shelley, Donald: professional
information, newspaper clippings, photos, drawings (acc. 12x15)
[see also
folder with curriculum vita, etc.]
Folder 10: Shelley, Donald: publications (acc.
10x109)
Folder 11: Shelley, Donald: student papers,
1934-1935 (acc. 10x109)
Box 21:
Folder 1: Shelley, Donald: transcripts and grades
(acc. 10x109)
Folder 2: Shelley, Donald: trip to Europe, 1930s
(acc. 12x15)
Folder 3: Shelley, Donald: various writings
(acc. 16x18)
Folder 4: Watson, Eliza J. (Mrs. John Jay):
correspondence, 1946-1950 (acc. 12x15, 16x18)
Folder 5: Wayside Inn (acc. 12x15)
Folder 6: Wilson, Nelson: exhibit on David Y.
Ellinger (Ursinus College, 1992) (acc. 12x15)
Folder 7: Winterthur Museum
Folder 8: Wood carvers of Pennsylvania (acc.
16x18)
Folder 9: Wright Mansion [i.e. Wright’s Ferry
Mansion, Columbia, Pa.] (acc. 16x18)
Folder 10: Yeager Furniture Co.: “Historical
Furniture” (acc. 16x18)
Folder 11: Zabriskie, George: correspondence,
1945-1946 (acc. 12x15)
Series III:
photos, slides, and books
Note: most of
the slides are not labeled; identifications of some of the D slides is found in
Box 21.
Box 21:
Folder 12: Slides: identifications of some of the D
slides (acc. 16x18)
Folder 13: Photos: Clocks (acc. 10x109, 12x15,
16x18)
Folder 14: Photos: Ephrata hymnals (acc. 16x18)
Folder 15: Photos: Henry Ford Museum (acc. 16x18)
Folder 16: Photos: Furniture: Blanket chests, boxes
(acc. 10x109, 12x15, 16x18)
Folder 17: Photos: Furniture: Chairs, stools (acc.
10x109, 12x15, 16x18)
Folder 18: Photos: Furniture: Chests of drawers,
chests on chests, high boys (acc. 10x109, 12x15, 16x18)
Box 22:
Folder 1: Photos: Furniture: Cupboards,
cabinets, armoirs (acc. 10x109, 12x15, 16x18)
Folder 2: Photos: Furniture: Daybeds and
bedsteads (acc. 10x109, 12x15, 16x18)
Folder 3: Photos: Furniture: Desks and secretaries
(acc. 10x109, 12x15, 16x18)
Folder 4: Photos: Furniture: Details (acc.
10x109, 12x15, 16x18)
Folder 5: Photos: Furniture: Sofas, settles,
settees (acc. 10x109, 12x15, 16x18)
Folder 6: Photos: Furniture: Tables (acc.
10x109, 12x15, 16x18)
Folder 7: Photographs: Glass, pottery and china (acc.
10x109 and 12x15)
Folder 8: Photographs: Ironwork and
miscellaneous items (acc. 10x109 and 12x15)
Folder 9: Photographs: Mirrors, pianos,
cellarets, screw press
Folder 10: Photographs of paintings, sculpture,
fraktur, mantels, wood carving (acc. 10x109, 12x15, 16x18)
Folder 11: Photos: People (acc. 10x109, 12x15,
16x18)
Folder 12: Photos: Rooms, buildings (acc. 10x109,
12x15, 16x18)
Folder 13: Photos: Fraktur [continues in next box]
(acc. 16x18)
Box 23: Photos: Fraktur [continued
from previous box] (acc. 16x18)
Box 24: Photographs and negatives of fraktur (acc.
07x151)
Box 25: Photographs and negatives of fraktur (acc.
07x151);
Photos of
Pennsylvania German furniture, metal ware, sgraffitto wares, etc. (acc. 10x109)
Box 26: Photographs and negatives of furniture,
textiles, etc. (acc. 10x109);
Film,
unknown subject (acc. 16x18)
Box 27: twelve engraving plates for photos of fraktur
(acc. 07x151)
Box 28: Slides: D numbers, D 35-7279
[the D may
refer to Dearborn, site of Greenfield Village and Henry Ford Museum; some
slides identified in file in Box 21]
Box 29: Slides: D numbers, D 7378-18687
Box 30: Slides: D numbers, D 18719-19574;
B,
H, J, SE, T, V, and miscellaneous numbers;
Henry
Ford Museum and Greenfield Village slides;
Buildings
(continues in next box)
Box 31: Slides: Buildings (continued from previous box);
Ceramics
and glass;
Clocks
Box 32: Slides: Fraktur;
Furniture [see
also Rooms, or more than one piece of furniture]
Box 33: Slides: Guns;
Lamps,
lanterns, candles;
Metals
and silver;
Mirrors;
Miscellaneous;
Museum
exhibits;
Nutting,
Wallace;
Paintings
and prints
Box 34: Slides: Pennsylvania Dutch;
People;
Textiles
and needlework;
Wallpaper;
Wooden
objects
Box 35: Slides: Rooms, or more than one piece of furniture
(continues in next box)
[see also Furniture]
Box 36: Slides:
Rooms, or more than one piece of furniture (continued from previous box);
Slide show: Pennsylvania
German Arts;
Slide show:
“Origins of American Glass” (from Corning Museum of Glass; see file in Box 11)
Boxes 37-38: glass lantern slides (acc. 16x18)
Seventy-nine
black and white glass lantern slides, chiefly of Pennsylvania German folk art,
including textiles, ceramics, tinware, fraktur, drawings, furniture, etc. Most of the slides are not labeled. One is marked as having been done by Edward
van Altena.
Box 39: name badge for Donald A.
Shelley, Executive Director, Henry Ford Museum, with green ribbon on which is
printed the word Staff, and “Main Street U.S.A., The American Highway to Better
Living,” with a picture of a family walking down a street (acc. 16x18)
Books: (on
shelf):
Ausstellung
Deutsche Bauernkunst. Berlin: Schloss Bellevue, Staatliches
Museum für Deutsche Volkskunde, no date.
(acc. 07x151)
Deutsche
Volkskunst:
(all acc. 07x151)
band I: Niedersachsen, by Wilhelm Pessler.
Band
III: Die Rheinlande, by Max Creutz.
Band
V: Schwaben, by Karl Gröber.
Band
VI: Franken, by Josef Ritz.
Band
VII: Schlesien, by Günther Grundmann
and Konrad Hahm.
Band IX: Westfalen, by Rudolf Uebe.
Band XII: Die Pfalz, by Theodor Zink.
Ford,
Alice. Pictorial Fold Art: New England to
With inscriptions to Shelley from
Alice Ford, Bernice Garbisch, and Ed Garbisch.
Hahm, Konrad.
Deutsche Volkskunst. Breslau: Ferdinand Hirt, 1932. (acc. 07x151)
Hausen, Edmund.
Pfälzer Eisenguss.
Henry Ford
Museum Staff. Greenfield Village. New
York: Crown Publishers, 1972. (acc.
12x15)
Katalog der
Älteren Pinakothek, München, 1936. (acc. 07x151)
Lehmann,
Otto. Deutsches Volkstum in Volkskunst und Volkstracht.
Musée
Alsacien. Book of postcards. Strasbourg, 1934. (acc. 12x15)
Polaczek,
Ernst. Volkskunst im Elsass.
Weimar: Böhlau, no date. (acc.
07x151)
Rose, James
H. The
Story of American Pressed Glass of the Lacy Period, 1825-1850. Corning, N.Y.: Corning Museum of Glass,
1954. (acc. 12x15)
Signed by James Rose, Alice
Winchester, Helen McKearin, Albert C. Marble, and Ruth Webb Lee.
Shelley, Donald
A. The
Pennsylvania German Style of Illumination.
Includes some penciled-in
comments. Photos in v. 2.
Von Zaborsky-Wahlstätten,
Oskar. Urväter-Erbe in Deutscher Volkskunst.