The Winterthur Library

 The Joseph Downs Collection of Manuscripts and Printed Ephemera

Henry Francis du Pont Winterthur Museum, Winterthur, DE  19735

302-888-4600 or 800-448-3883

 

 

OVERVIEW OF THE COLLECTION

 

Creator:         Hart, Charles Henry (1847-1918)                              

Title:               Papers

Dates:             1860-1949

Call No.:         Col. 654         

Acc. No.:        02x84; 08x120; 10x74

Quantity:        14 boxes

Location:        17 K 2-3

 

 

BIOGRAPHICAL STATEMENT

 

Charles Henry Hart was a noted art expert of the late 19th and early 20th centuries.  He was born in Philadelphia, Pennsylvania, on February 4, 1847, to Julia Leavey and Samuel Hart.  He graduated from the University of Pennsylvania law school in 1869 and practiced law for the next 25 years.  In 1894, he suffered in a railway accident and decided to give up his law practice and devote himself to art, a topic in which he had been interested for some time.  He became a noted authority on portraiture, especially the works of Gilbert Stuart.  Hart delighted in being able to expose fraudulent attributions.

 

Hart was a noted author, penning a number of books and articles about art and history.  He served as a director for the Pennsylvania Academy of the Fine Arts from 1882 until 1902.  He was also the chairman of the Retrospective American Art exhibit at the World’s Columbian Exposition held in Chicago in 1893.  He and his committee selected representative American art from before 1876 for exhibition at the fair.  He was a member of a number of organizations, including the American Historical Association, several state historical societies, the Philadelphia Society of Etchers, and the Essex Institute.

 

Charles Hart was married three times.  His first wife was Armine Nixon, the daughter of John Nixon and a great-granddaughter of Robert Morris, a signer of the Declaration of Independence.  She died in 1897.  He married Marianne Livingstone Phillips of Germantown, Philadelphia, on September 8, 1906.   She was the daughter of William Lacey Phillips and was about 22 when she married.  Charles and Marianne had a son, Charles Henry Hart, Jr., born in 1907 or 1908.  At some point, this couple divorced.  On December 5, 1912, Hart married Anita Beatriz Arabe, the daughter of Muriel Everton (of New Orleans) and Don Alfonso Gonzales y Arade of Spain.  The elder Charles Hart died in New York City on July 29, 1918; his obituary may be found in the New York Times of July 31, 1918, on page 9.  After Hart’s death, his widow Anita lived for a time in England to pursue a career as an actress.

 

 

SCOPE AND CONTENT

 

The collection reflects Charles Hart’s interest in art, his efforts at expertising, and his attempts to uncover fraudulent attributions.  The first series of the collection consists of letters written to Charles Henry Hart about several silhouette artists, together with notes and articles about a number of different American artists.  The articles, at least, were collected by someone other than Hart as they all postdate his death.  The notes were either made by Theodore Bolton or were taken from works by him.  The silhouette artists in whom Hart was interested were William H. Brown, Augustin Edouart, and William James Hubard.  Hart corresponded with family members and friends in order to learn more information about the men.  A letter from John Sartain concerned work he had done for Hubard.  The collection includes some reproductions and photographs of silhouettes, but no originals.  It is not known who put this first series of the collection together.

 

The chief contents of the second series of the collection are letters from Thomas B. Clarke to Hart, mostly about American art, from 1907-1918.  (Clarke was a New York City resident who collected American art and Chinese porcelain.)  Also found in this part of the collection are letters from Hart’s young son Charles Henry Hart, Jr.  Some of the letters, particularly those written in 1917-1918, are illustrated, chiefly with soldiers, sailors, and other patriotic images.  Other items in this series pertain to the widowed Mrs. Hart, and include insurance papers, an inventory of her apartment (which she planned to rent furnished), and some of her correspondence.  Also found are poems and essays, recipes for cosmetics, an account from 1827 pertaining to Henry Nixon (probably an ancestor of the first Mrs. Hart), undated programs from a play in which Anita Hart acted, some financial documents, and other miscellaneous documents.

 

The third series, like the first series, includes materials which post-date Hart’s death (and even a few which post-date Thomas B. Clarke’s death).  The focus of the third series is on artists, primarily American, but including Jean-Antoine Houdon and Sir Joshua Reynolds.  These files include a great deal of information about the works of Gilbert Stuart.  Some of the files are arranged by subjects of portraits (for example, John Adams and Benjamin Franklin) rather than by artist.  As well, this series includes portrait prints, photos of portraits, and pictures clipped from magazines.  Also found as part of this series is additional correspondence of Charles Hart and Thomas B. Clarke, including correspondence with Lawrence Park and Mantle Fielding.  Most of the letters are written to Hart, some are addressed to Clarke, and the series includes correspondence between Hart and Clarke.  Most of the correspondence is about portraits.  A few miscellaneous publications rounds out the series.

 

 

ORGANIZATION

 

The papers are in three series, divided by accession number.   Because the papers came from such different sources, it was decided not to merge like materials from the different series.

 

Series I: Accession 02x84: The correspondence of Charles Henry Hart is followed by reproductions of silhouettes, and then by information about other artists, filed alphabetically by artist’s last name.

 

Series II: Accession 08x1120: The correspondence of Thomas B. Clarke with Hart is followed by other correspondence, materials relating to Hart’s widow, and a bill dated 1827 addressed to Mr. Nixon, probably an ancestor of the first Mrs. Hart.  The Clarke correspondence is arranged chronologically.

 

Series III: Accession 10x74: These papers are arranged by first by material about artists, then subjects of portraits, then prints, followed by correspondence, and publications.

 

 

LANGUAGE OF MATERIALS

 

The materials are in English and French.

 

 

RESTRICTIONS ON ACCESS

 

Collection is open to the public.  Copyright restrictions may apply.

 

 

PROVENANCE

           

Accession 02x84: gift of Kevin Mullen.

Accession 08x120: purchased from Charles Apfelbaum.

 

Accession 10x74: gift of Metropolitan Museum of Art.  According to a note sent to a Met employee, these papers were originally given to the Frick Art Reference Library, which eventually returned them to Charles H. Hart, Jr.  At some point, they may have been in the possession of Thomas B. Clarke, since the group includes letters to Clarke and there are materials which postdate Hart’s death. 

 

 

RELATED MATERIALS

 

The Archives of American Art at the Smithsonian Institution holds additional materials related the Charles Henry Hart.

 

Books by Charles Henry Hart are in the Printed Books and Periodicals section of the Winterthur Library.

 

See also Col. 315, Thomas B. Clarke Scrapbooks and register, at this repository, for more information about Clarke.

 

See also Mantle Fielding Papers (Col. 207), Lawrence Park Papers (Col. 96), and John Sartain Papers (Col. 398) at this repository.

 

 

ACCESS POINTS

 

People:

            Bolton, Theodore, b.1889.

            Brown, William Henry, 1808-1883.

            Clarke, Thomas B. (Thomas Benedict), 1848-1931.  

            Edouart, Augustin-Amant-Constant-Fidθle, 1789-1861.

            Hart, Anita Beatriz Arade.

            Hart, Charles Henry, b.ca.1908.

            Hubard, William James, 1807-1862.

            Sartain, John, 1808-1897.

            Fielding, Mantle, 1865-1941.

            Houdon, Jean Antoine, 1741-1828.

            Park, Lawrence, 1873-1924.

Stuart, Gilbert, 1755-1828.

 

Topics:

            Silhouettes – United States.

            Artists – United States.

            Patriotism in art.

            Child artists.

            Amateur artists.

            Inventories – New York (State) – New York.

            World War, 1914-1918 – Art and the war.

            Art – Expertising.

            Portraits, American.

            Collectors and collecting – United States.

            Letters.

Lawyers.

           

 

 

 

DETAILED DESCRIPTION OF THE COLLECTION

 

Location: 17 K 2-3

 

 

Series I: Accession 02x84

 

Box 1:

 

Folder 1:         Correspondence with Charles Henry Hart, about silhouette artist William H. Brown, 1897 (acc. 02x84)

 

Folder 2:         Correspondence with Charles Henry Hart, about silhouette artist Augustine Edouart, 1897 (acc. 02x84)

 

Folder 3:         Correspondence with Charles Henry Hart, about silhouette artist William James Hubard, 1897 (acc. 02x84)

 

Folder 4:         Correspondence with Charles Henry Hart, about Winner portrait, 1885 (acc. 02x84)

 

Folder 5:         Silhouettes: photograph and extract of letter from John J. Hawkins to Charles Willson Peale, 1803 (acc. 02x84)

 

Folder 6:         Silhouettes, photo of (acc. 02x84)

 

Folder 7:         Silhouettes: photo of ad and photo of “Method of Taking Profiles” (acc. 02x84)

 

Folder 8:         Silhouettes: photo of, labeled Grotham, 1825 (acc. 02x84)

 

Folder 9:         Silhouettes: reproductions (acc. 02x84)

 

Folder 10:       Frothingham, James, “Gift of Miniature [by him]” in Bulletin of the Minneapolis Institute of Arts, vol. 27, no. 19 (May 7, 1938) (acc. 02x84)

 

Folder 11:       “A portrait by Chester Harding,” in Bulletin of the Minneapolis Institute of Arts, vol. 22, no. 5 (February 4, 1933) (acc. 02x84)

 

Folder 12:       “John Wesley Jarvis,” by J. W. Harrington, from American Magazine of Art, vol. 18, no. 11 (November 1927) (acc. 02x84)

 

Folder 13:       “Malbone, American Miniature Painter,” by J. L. Brockway from American Magazine of Art, vol. 20, no. 4 (April 1929) (acc. 02x84)

 

Folder 14:       Neagle, John: chronology and catalog of portraits, by Theodore Bolton (acc. 02x84)

 

Folder 15:       “Engravings by Charles Willson Peale,” by H. W. Sellers, reprint from Pennsylvania Magazine of History and Biography, April 1933 (acc. 02x84)

 

Folder 16:       Peale, James: notes and article about him and early American miniatures and silver (acc. 02x84)

 

Folder 17:       Peale, Rembrandt: catalog of portraits, to be verified (acc. 02x84)

 

Folder 18:       Pelham, Peter: notes on, by T. Bolton (acc. 02x84)

 

Folder 19:       Smibert, John: article about his portrait of Captain and Mrs. Johannes Schuyler, by William Sawitzky (New-York Historical Society Quarterly Bulletin, vol. 18, no. 2 [July 1934]) (acc. 02x84)

 

Folder 20:       Stuart, Gilbert: article on portraits by him (Minneapolis Institute of Arts, vol. 30, no. 18 [May 3, 1941]) (acc. 02x84)

 

Folder 21:       Stuart, Gilbert: article on portrait of General Matthew Clarkson (Bulletin of the Metropolitan Museum of Art, vol. 33, no. 6 [June 1938]) (acc. 02x84)

 

Folder 22:       Theus, Jeremiah: article about his portrait of Elizabeth Rothmahler (Mrs. Paul Trapier) (Brooklyn Museum Quarterly, vol. 11, no. 2 [April 1924]) (acc. 02x84)

 

Folder 23:       Trott, Benjamin: notes about (acc. 02x84)

 

Folder 24:       “John Wollaston’s Portraits of Brandt and Margareta Van Wyck Schuyler,” by John Hill Morgan (acc. 02x84)

 

Folder 25:       Wollaston, John, the younger: notes gathered by Theodore Bolton (acc. 02x84)

 

Folder 26:       “The Hudson River Men” (Bulletin of the Minneapolis Institute of Arts, vol. 25, no. 29 [Nov. 7, 1936]) (acc. 02x84)

 

Folder 27:       “The Hudson River School of Painters,” by Theodore Bolton, published in the Annual Report and Year Book for 1927 of the Constitution Island Association (acc. 02x84)

 

Folder 28:       “The Hudson River School of Painters,” by Theodore Bolton [typescript] (acc. 02x84)

 

Folder 29:       Miniature painting (acc. 02x84)

 

Folder 30:       “New York Painting Before 1800,” by G. C. Croce, Jr., reprinted from New York History, vol. 19, no. 1 (Jan. 1938) (acc. 02x84)

 

Folder 31:       “A Register of Artists, Booksellers, Printers and Publishers in New York City, 1811-1820” (parts I-III), compiled by G. L. McKay (Bulletin of New York Public Library, April-June 1940) (acc. 02x84)

 

Folder 32:       “The Thomas B. Clarke Collection of Early American Portraits,” by Cuthbert Lee (The American Magazine of Art, vol. 19, no. 6 [June 1928]) (acc. 02x84)

 

Folder 33:       “Some Portraits from South Carolina” (Bulletin of the Metropolitan Museum of Art, vol. 26, no. 8 [Aug. 1931]) (acc. 02x84)

 

 

Series II: accession 08x120

 

 

Box 1: [see also Series III]

 

Folder 34:       Letters, Thomas B. Clarke to Charles Henry Hart, 1907 (acc. 08x120)

 

Folder 35:       Letters, Thomas B. Clarke to Charles Henry Hart, 1908-1909 (acc. 08x120)

 

 

Box 2: [see also Series III]

 

Folder 1:         Letters, Thomas B. Clarke to Charles Henry Hart, 1910-1912 (acc. 08x120)

 

Folder 2:         Letters, Thomas B. Clarke to Charles Henry Hart, 1913-1914 (acc. 08x120)

 

Folder 3:         Letters, Thomas B. Clarke to Charles Henry Hart, 1915, 1917 (acc. 08x120)

 

Folder 4:         Other letters to Hart, 1910-1913 (08x120)

 

Folder 5:         Letters to Anita Arade Hart [includes one letter about art] (08x120)

 

Folder 6:         Letter to Hart about child support (08x120)

 

Folder 7:         Letters from Charles Henry Hart, Jr., to his father, no date, 1915-1916 (08x120)

 

Folder 8:         Letters from Charles Henry Hart, Jr., to his father, 1917-1918 (08x120)

 

 

Box 3:

 

Folder 1:         Financial documents, 1899, 1911-1918 (08x120)

 

Folder 2:         Poems; other writings; recipes for cosmetics, no date (08x120)

 

Folder 3:         American Woman’s Association, 1923 (08x120)

 

Folder 4:         missing mail tracer; Bristol School play programs; business cards, etc., 1923 and no date (08x120)

 

Folder 5:         storage and warehouse receipts and bills, 1921-1923 (08x120)

 

Folder 6:         Household inventories and other lists of belongings, 1921, no date (08x120)

 

Folder 7:         Insurance papers, 1918-1919 (08x120)

 

Folder 8:         Account, Henry Nixon with Harvey Lewis, 1827 (08x120)

Series III: accession 10x74

 

Box 1: Artists

 

Folder 1:         Allston, Washington (1779-1843) – Paintings by

Folder 2:         Atwood, Jesse (1801-1870)

Folder 3:         Benbridge, Henry (1744-1822) – Portraits by

Folder 4:         Birch, William Russell

Folder 5:         Blackburn, Joseph (1700-1780) – Portraits by

Folder 6:         Blyth, Benjamin (1746-1784)

Folder 7:         Boyle, Ferdinand Thomas Lee (1820-1906) – Portraits by

Folder 8:         Butterworth, James (1817-1894) – Paintings by

Folder 9:         Caffieri, Phillipe (1714-1774) – Sculptures by

Folder 10:       Copley, John Singleton (1738-1815) – Portraits by

Folder 11:       Dunlap, William (1766-1839) – Portraits by

Folder 12:       Durand, Asher Brown (1796-1886) – Portraits by

Folder 13:       Duveneck, Frank (1848-1919) – Portraits by

Folder 14:       Duyckinck, Evert (c.1620-c.1700) – Portraits by

Folder 15:       Earl, Ralph (1751-1801) – Portraits by

Folder 16:       Eicholtz, Jacob, 1776-1842 – Portraits by

Folder 17:       Farington, Joseph (1747-1821) – Portraits by and diary of

Folder 18:       Field, Robert (1769-1819) – Portraits by

Folder 19:       Graff, Anton (1736-1813) – Portraits by

Folder 20:       Harding, Chester (1792-1866) – Portraits by

Folder 21:       Harrison, Charles P. (1783-1854) – Portraits by

Folder 22:       Hesselius, Gustavus (1682-1755) – Portraits by

Folder 23:       Hine, Charles (1827-1871) – Portraits by

Folder 24:       Houdon, Jean-Antoine (1741-1828) – Sculptures by (continues in next box; see also legal size file)

 

Box 2: Artists:

 

Folder 1:         Houdon, Jean-Antoine (1741-1828) – Sculptures by (continued from previous box; see also legal size file)

Folder 2:         Hubbard, William James (1807-1862) – Portraits by

Folder 3:         Hyneman, Henry, 1849-1907 – Portraits by

Folder 4:         Inman, Henry (1801-1846) – Portraits by

Folder 5:         Ireland, James – Portraits by

Folder 6:         Jarvis, John Wesley (1780-1840) – Portraits by

Folder 7:         Jouett, Matthew Harris (1788-1827) – Portraits by

Folder 8:         Lambdin, George Cochran (1830-1896) – Portraits by

Folder 9:         Moreland, George (1763-1804) – Portraits by

Folder 10:       Neagle, John (1796-1865) – Portraits by

Folder 11:       Otis, Bass (1784-1861) – Portraits by

Folder 12:       Paradise, John (1783-1834) – Portraits by

Folder 13:       Peale, Charles Willson (1741-1827) – Portraits by

Folder 14:       Peale, Charles Willson (1741-1827) – Portraits of George Washington

Folder 15:       Peale, James (1749-1831) – Portraits by

Folder 16:       Peale, R. – Portraits by

Folder 17:       Pelham, Peter (1695-1751) – Portraits by

Folder 18:       Polk, Charles Peale, 1767-1822 – Portraits by

Folder 19:       Pratt, Henry (1745-1832)

Folder 20:       Pratt, Matthew (1734-1805) – Portraits by

Folder 21:       Quidor, John (1801-1888) – Paintings by

Folder 22:       Read, Thomas Buchanan (1822-1872) – Portraits by

Folder 23:       Reynolds, Sir Joshua (1723-1792) – Portraits by

Folder 24:       Robertson, Archibald – photos of portraits by him

Folder 25:       Rodin, Auguste (1840-1917) – Sculptures by

Folder 26:       Romney, George (1734-1802) – Portraits by

Folder 27:       Savage, Edward (1761-1817) – Portraits by

Folder 28:       Sharples, James, 1751-1811 – Portraits by

Folder 29:       Smibert, John, 1688-1751 – Portraits by

Folder 30:       Stuart, Gilbert (1755-1828) – portraits by (continues in next box)

 

 

Box 3: Artists:

 

Folders 1-3:    Stuart, Gilbert (1755-1828) – portraits by (continued from previous box)

Folders 4-5:    Stuart, Gilbert (1755-1828) – portraits of Washington (continues in next box)

 

 

Box 4: Artists:

 

Folders 1-4:    Stuart, Gilbert (1755-1828) – portraits of Washington (continued from previous box)

Folder 5:         Stuart, Gilbert (1755-1828) – photos and prints of portraits, not Washington

Folder 6:         Stuart, Gilbert (1755-1828) – family genealogy

 

 

Box 5: Artists:

 

Folder 1:         Stuart, Jane (1812-1888) – Portraits by

Folder 2:         Sully, Thomas (1783-1872) – Portraits by

Folder 3:         Theus, Jeremiah (1719-1774) – Portraits by

Folder 4:         Trumbull, John (1756-1843) – Portraits by

Folder 5:         Twitchell, A. W. (1820-1904) – Portraits by

Folder 6:         Vanderlyn, Pieter (1687-1778) – Portraits by

Folder 7:         Verplanck, Gulian (1786-1870)

Folder 8:         Waldo, Samuel (1783-1861) – Portraits by

Folder 9:         Wolf, Henry (1852-1915) – Engravings by

Folder 10:       Wollaston, John (1710-1775) – Portraits by

Folder 11:       Wright, James H. (1813-1883) – Portraits by

Folder 12:       Wright, Joseph (1734-1797) – Portraits by

 

 

Folder 6: Artists: legal size files

 

Folder 1:         Cogswell, William (1819-1903) – Portraits by

Folder 2:         Dunlap, William (1766-1839) – Portraits by

Folder 3:         Elliott, Charles Loring (1812-1868) – Portraits by

Folder 4:         Feke, Robert (1707-1752) – Portraits by

Folder 5:         Hicks, Thomas (1823-1890) – Portraits by

Folder 6:         Houdon, Jean-Antoine (1741-1828) (see also Boxes 1-2)

Folder 7:         Marseglias, Gerlando – Portraits by

Folder 8:         Morse, Samuel F.B. – Portraits by

Folder 9:         Peale, Rembrandt (1778-1860) – Portraits by

Folder 10:       Smith, J. G. – Mezzotints after Gilbert Stuart

Folders 11-12:            Stuart, Gilbert, 1755-1828 – Portraits By

Folder 13:       Thompson, Cephas G., 1809-1888 – Portraits by

Folder 14:       Vanderlyn, John, 1775-1852 – Portraits by

Folder 15:       West, Benjamin, 1738-1820 – Portraits by

 

 

Box 7: Subjects of Portraits

 

Folder 1:         Adams, John (1735-1826) – Portraits of

Folder 2:         Calvert family - Portraits

Folder 3:         Elliott, Charles Loring (1812-1868) – Portraits of

Folder 4:         Fuller, George – Portraits of

Folder 5:         Fulton, Robert (1765-1815) – Portraits of

Folder 6:         Gibbs, George (Colonel, 1776-1833) – Portraits of

Folder 7:         Gilmor, Robert, 1748-1822 – Portraits of

Folder 8:         Hamilton, Alexander (1757-1804) – Portraits of

Folder 9:         Hamilton family - Portraits

Folder 10:       Lee, Richard Henry (1732-1794) – Portraits of

Folder 11:       Lincoln, Abraham (1809-1865) – Portraits of

Folder 12:       Moira, Earl of (1720-1793) – Portraits of

Folder 13:       Morris, Robert (1734-1806) – portraits of

Folder 14:       Morris family - Portraits (Benjamin West, John Singleton Copley)

Folder 15:       Recamier, Jeanne (Madame Recamier, 1777-1849) – Portraits of

Folder 16:       Stiles, Dr. Ezra – Portraits of

Folder 17:       Van Renssalaer, Stepehen – portraits of, with correspondence about Rembrandt Peale portrait

Folder 18:       Vaughan, Samuel – Portraits of

Folder 19:       Washington, George, 1732-1799 – Portraits of (see also legal size file in Box 8)

Folder 20:       Washington, Martha, 1731-1802 – Portraits of

Folder 21:       Webster, Daniel, 1782-1852 – Portraits of

Folder 22:       Woodbury, Levi, 1789-1851 – Portraits of

 

 

Box 8: Subjects of portraits; prints and photos; pictures from magazines

 

Folder 1:         Franklin, Benjamin (1706-1790) – Portraits of

Folder 2:         Washington, George, 1732-1799 – Portraits of (see also Box 7)

Folders 3-5:    Prints and photos of portraits

Folder 6:         Prints: buildings, medals, maps

Folder 7:         Prints and photos: miscellaneous (not portraits)

Folder 8:         Pictures from magazines

 

 

Box 9: Articles, inventories, etc. (legal size files)

 

Folder 1:         miscellaneous articles, chiefly about art and artists

Folder 2:         miscellaneous articles, chiefly not about art and artists

Folder 3:         Clarke, Thomas B.: collection of paintings, inventory

Folder 4:         The Clubhouse, “The Club,” New York City: inventory of paintings

Folder 5:         Cochran Collection: inventory of portraits

Folder 6:         Painting Restoration, United States Military Academy (West Point), 1941-1949

 

 

Box 10: Correspondence:

 

Folders 1-2:    Letters to Charles Henry Hart, 1860-1918, from a variety of correspondents; includes one letter from Hart (1870), and a letter from John Sartain

Folder 3:         Avery, S. P. – letters to Hart, 1896-1917, n.d.

Folder 4:         Bayley, Frank W. – Correspondence, to Hart, 1915-1917

Folder 5:         Brevoort, J. C. – letters to Hart and Brevoort, 1863-1870

Folder 6:         Clarke, Thomas B. – letters to him, including letters from Hart, 1893-1928, and no date

Folder 7:         Clarke, Thomas B. – letters to C. H. Hart, 1905, 1910

Folder 8:         Eyre, Wilson – Correspondence, letters to Hart, 1912

Folder 9:         Fielding, Mantle – Correspondence, letters to Clarke, 1923-1924

Folder 10:       Forcillon (Monsieur) – correspondence with Hart, 1907-1911

Folder 11:       Harris, Charles X. – Correspondence, letters to and from Harris, 1914-1924 (includes a note from Hart)

Folder 12:       Mason, Geo.(?) C. – Correspondence with Hart, 1878-1880

Folder 13:       Park, Lawrence – Correspondence with Hart, 1914-1917

Folder 14:       Park, Lawrence – Correspondence with Clarke, 1922-1923

Folder 15:       Prebel, George Henry – correspondence with Hart, 1868-1873

 

 

Box 11: Correspondence; publications, photos:

 

Correspondence:

Folder 1:         Sage, Cornelia (and others)– Correspondence, with Hart, about portraits of Temple family, 1914-1915

Folder 2:         Sedgwick, G. Stanley – Correspondence with Clarke, 1919

Folder 3:         Seip, M. S. – Correspondence with Hart – Portrait of John Hart, 1913

Folder 4:         Sparks, Mary C.(?) – correspondence with Hart, 1867-1871

Folder 5:         White, Thomas (Colonel) – printed letters to his descendants

Folder 6:         miscellaneous correspondence, not addressed to or written by Hart or Clarke

 

Publications and Photos:

Folder 7:         The American Magazine of Art, January 1929 (v. 20, no. 1)

Folder 8:         Catalogs: exhibition and auction

Folder 9:         Hart, Charles Henry: publications written by him

Folder 10:       Historical society publications

Folder 11:       miscellaneous publications

Folder 12:       Museum publications

Folder 13:       Portrait exhibit: unknown date and location (photos)

Folder 14:       fragments of manuscripts