The Winterthur Library

 The Joseph Downs Collection of Manuscripts and Printed Ephemera

Henry Francis du Pont Winterthur Museum, Winterthur, DE  19735

302-888-4600 or 800-448-3883

 

 

Col. 209: Byrdcliffe (Art colony) records

 

Series II: REPRODUCTIONS

 

Box 1:

 

.436-    “The Last Supper.”  (two copies) (not the one by Leonardo da Vinci)

.437    

 

.438     Madonna and Child with two saints (probably John the Baptist and a bishop or pope), by Botticelli (?) 

 

.439     Allegorical female figure relating to measuring, shown with men carrying books or measuring devices

 

.440     Madonna and Child; probably a medieval fresco.

 

.441     Baptism of Christ, with St. John the Baptist and angels.  Cima da Conegliano. 

 

.442     “Monumento A Giuliano de' Medici.”  Sculpture by Michelangelo, in the Medici Chapel, Florence.

 

.443     “Profeta Daniele.”   By  Michelangelo, in the Sistine Chapel.

 

.444     “Ezechiele.”   By Michelangelo, in the Sistine Chapel.

 

.445     “Ebrezza di Noe”  = “The drunkenness of Noah,” by  Michelangelo, in the Sistine Chapel.

 

.446     “Il Crepuscolo, statua del monumento Lorenzo de’Medici.”   “Dusk” from the Tomb of Lorenzo di' Medici, by Michelangelo, in the Medici Chapel, Florence.

 

.447     “Sacrifizio di Noe” = “Sacrifice of Noah,” by Michelangelo, in the Sistine Chapel.

 

.448     “Isaja”  By Michelangelo, in the Sistine Chapel.

 

.449     “Sibilla Delfica.”   By Michelangelo, in the Sistine Chapel. 

 

.450     “Zaccaria.”   By Michelangelo, in the Sistine Chapel.

 

Box 2:

 

.451     “Ionas,”  by  Michelangelo, in the Sistine Chapel. (not labeled)

 

.452     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.

 

.453     “Creazione del Sole e della Luna.”  “The Creation of the Sun and Moon, by  Michelangelo, in the Sistine Chapel.

 

.454     “Lorenzo de’ Medici, statua al suo momumento.”  By  Michelangelo, in the Medici Chapel, Florence.

 

.455     “Sibilla Persica.”   By Michelangelo, in the Sistine Chapel.

 

.456     “L’Aurora, statua del monumento a Lorenzo de’ Medici.”   By Michelangelo, in the Medici Chapel, Florence.

 

.457     “Joelle”  By  Michelangelo, in the Sistine Chapel.

 

.458     “Giuliano de’ Medici, statua al suo monumento.”  By Michelangelo, in the Medici Chapel, Florence. 

 

.459     “Separazione della Luce delle Tenebre”  “Separation of Light from Darkness,” by  Michelangelo, in the Sistine Chapel. 

 

.460     “Incoronazione della Madonna.”   By Raphael, in the Vatican. 

 

.461     “Sibilla Eritirea”   By  Michelangelo, in the Sistine Chapel.

 

Box 3:

 

.462     St John the Baptist as a boy, by  Caravaggio.

 

.463     “Il Presepio, in alto L'Eterno Padre,”  with Adoration of the Shepherds, by  Perugino, in the Chiesa di San Francesco, Montefalco.  (another copy is .468, below)

 

.464     “L'Incoronazione di Carlo Magno.”  In the Vatican.

 

.465     “La Battaglia di Constantino contro Massenzio.”  In the Vatican. 

 

.466     “Il Paradiso.”   By Genozze Gozzoli.

 

.467     “Procession of the Magi on their way to Bethlehem.”  By Benozzo Gozzoli, in the Medici Chapel, Florence.

           

.468     same as .463, above

 

.469     Madonna and Child.  She holds a flower in her hand.

 

.470     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.

 

.471     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.

 

.472     “Metozzo da Forti, Music.”  Also written on back: “pattern of size for [illegible] frame.”  

 

.473     “La Vergine Col Bambino.”  Botticelli.

 

.474     Allegorical picture of music?  There is a woman on a throne, playing a violin-like instrument, accompanied by a guitar and a harp player.  A singer has music in her hand.  Cherubs are playing flutes.

 

.475     Woman on throne and a man on the stairs below her together hold a book.

 

.476     A fresco showing a woman praying while sitting   (same picture as .496, in Box 5)

 

.477     Baby Jesus and Mary in heaven look down on a man on a horse, who is surrounded by saints.

 

Box 4:

 

.478     Salome with the head of St. John the Baptist, possibly by Botticelli.

           

.479     Presentation of the Virgin?  (a young girl approaches an old man, possibly a Jewish priest, as a crowd looks on)

 

.480     “Diluvio Universale.”  “The Flood” by Michelangelo, in the Sistine Chapel. 

 

.481     “La Deposizione”  [carrying the body of Christ to the tomb].  By Raphael, in the Call. Borghese. 

 

.482     “Incendio di Borgo.”   By Raphael, in the Vatican.     (see also .642 in Box 10)

 

.483     “Giudizio Finale.”  “The Last Judgment, by Michelangelo, in the Sistine Chapel.

 

.484     “Madonna,”  Veneziano.  The Virgin Mary is shown with an infant Jesus, John the Baptist, and another woman.

 

.485     “The Head of Medusa,.”  Caravaggio.

 

.486     “Madonna and Child,”  Alvise Vivarini. 

 

.487     “The Coronation of Mary.” 

 

.488     Heads of angels, detail of a painting by Botticelli.

 

.489     “Pieta,”  a painting by Michelangelo.

 

.490     “Procession of the Three Kings,” by Benozzo Gozzoli, in the Medici Riccardi Palace. 

 

.491     “Procession of the Three Kings,”  by Benozzo Gozzoli, in the  Medici Riccardi Palace.  (different portion of work than what is shown in .490)

 

.492     “The Creation of Eve,”  by Michelangelo, in the Sistine Chapel.

 

.493     “Profeta Geremia.”   By Michelangelo, in the Sistine Chapel. 

 

.494     “Madonna and Child,”  by Botticelli.

 

Box 5:

 

.495     “L'Adorazione dei Pastori.”  By Lorenzo di Credi, in the R. Galleria Antica e Moderna, Florence. 

 

.496     A fresco showing a woman praying while sitting   (same picture as .476, in Box 3)

 

.497     Allegorical figure?  Woman with sword in one hand and an unidentified round object in the other, with men holding books.

 

.498     “Presentation of the Virgin.”  By Carpacuo?

 

.499     Virgin and Child , with two saints, by Veneziano?.

 

.500     “Madonna and Child and Saints,”  by Andrea del Sarto. 

 

.501     Poster for the Prado in Madrid, with a picture of “Vue Prise dans les Jardins de La Villa Medicis A Rome,” by Velazquez.  Printed in 1901.  

 

.502     “Sibilla Cumana.”   By Michelangelo, in the Sistine Chapel.

 

.504     Print signed by G.F. Watts, depicting a sleeping nude male with a woman hovering above him.  Printed at The Rembrandt Head in Vigo Street.   Other writing on the print is illegible.

 

.505     “Monumento a Lorenzo de’ Medici.”   By Michelangelo, in the Medici Chapel, Florence.

 

.506     “La Madonna Col Bambino Gesu.”   By Michelangelo, in the Chiesa di S. Lorenzo, Florence.

 

.507     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.

 

.509     “II Crocifisso e la Maddelena al Lati La Vergine e Santi.”   By Perugino, in the Chiostro di Santa Maria Maddelena de’Pazzi.

 

.510     “St.  Catherine and St. Barbara.”   By Memling.  The two women are with John the Baptist.  Also shown is a Nativity scene with two men.

 

.511     A female saint holding a cup with eyes in it.  (same as .519, in Box 6)

 

.512     “Portrait of a Young Man,”  by Antonello.

 

.513     “Portrait of a Cardinal,” by Mainardi.

 

.514     “Madonna and Child,” by Mainardi.

 

.515     “Portrait of Bindo Altorita,” by Raphael.

 

.516     “Portrait of a Young Girl,” by Verrocchio.

 

.517     “Portrait of a Young Lady,” by Mainardi.

 

Box 6:

 

.518     “St.  Cecilia,” by Sir E. Burne-Jones.

 

.519     A female saint holding a cup with eyes in it.  (same as .511, in Box 5)

 

.520     “La Vergine che adora il divin Figlio.”  Scuola di Andrea della Robbia.  R. Museo Nazionale, Firenze.

 

.521     Female saint holding a tooth extractor with a tooth.

 

.522     Same as .521

 

.523     “Interno della Cappella dei Depositi.”   Sculptures by Michelangelo, Medici Chapel, Florence. 

 

.525     “II Giorno, statuo del monumento a Giuliano de’ Medici”   “Day” by  Michelangelo, Medici Chapel, Florence..

 

.526     A group of male saints, with Christ on a cross up in the sky.

 

.527     “L'Ultima Cena di Gesu con gli Apostoli.”   “The Last Supper” by Andrea del Sarto, in the Convento di San Salvi, Florence.

 

Box 7:

 

.528     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.  A nude figure over the “Drunkenness of Noah.” 

 

.529     “Jesse.”   By Michelangelo, in the Sistine Chapel.

 

.530     “Giuditta con la testa di Oloferne.”  “Judith and Holofernes” by  Michelangelo, in the Sistine Chapel

 

.531     “Figura Decorativa.”  By Michelangelo, in the Sistine Chapel.  A nude over the “Libyan Sibyl.”

 

.532     “Asa.”  By Michelangelo, in the Sistine Chapel.

 

.533     “Figura Decorativa.”  By Michelangelo, in the Sistine Chapel.  Nude over  “Jeremiah.”

 

.534     “Figura Decorativa.”  By Michelangelo, in the Sistine Chapel.  A nude over “The Creation of Eve.” 

 

.535     “II Trionfo d'Ester.”  “The Death of Haman” by   Michelangelo, in the Sistine Chapel. 

 

.536     “Salmon.”   By Michelangelo, in the Sistine Chapel.

 

.537     “Josias.”  By Michelangelo, in the Sistine Chapel.

 

.538     “Roboam.”   By Michelangelo, in the Sistine Chapel.

 

.539     “Un dettaglio del quadro Gesu presentato a Simeone.”  “The Presentation of Simon”   by V. Carpaccio, in the Accademia di Belle Arti, Venice.

 

.540     “Santa Famiglia, dettaglio.”   By Andrea del Sarto, in the Galleria Pitti, Florence.

 

.541     “Figura Decorativa.”  By Michelangelo, in the Sistine Chapel.

 

.542     “II Serpente di Bronzo.”  “The Bronze Serpent” by  Michelangelo, in the Sistine Chapel.

 

.543     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.  Nude over “The Creation of Adam.”

 

.544     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.    A nude over “Jeremiah.”

 

.545     “Figura Decorativa.”  By Michelangelo, in the Sistine Chapel.  A nude over “The Persian Sibyl.”

 

.546     “Portrait de Rubens”  By Frans Hals, in the Musee du Louvre.

 

.547     “Madonna e Bambino.”  “Madonna and Child” by  Giambellino.  Academia, Venice.

 

.548     “Dettaglio dell'Assuata (I due Angele a Destra)."  Titian.  Academia, Venice.

 

.549     Portrait of an Unknown Man, by Lorenzo Lotto.

 

.550     “Figura Decorativa.”  By Michelangelo, in the Sistine Chapel.  A nude over “The Creation of Eve.”

 

.551     “Zorobaber.”   By Michelangelo, in the Sistine Chapel.

 

.552     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.  A nude over “The Creation of Adam.”

 

.553     “Figura Decorativa.”  By Michelangelo, in the Sistine Chapel.  A nude over  “The Temptation and Expulsion from Paradise.”

 

.554     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.  A nude over “The Temptation and Expulsion from Paradise.”

 

.555     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.

 

.556     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.

 

.557     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.

 

.558     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.  A nude over  “The Separation of Land from Water.”

 

.559     “Figura Decorativa.”  By Michelangelo, in the Sistine Chapel.  A nude over “The Sacrifice of Noah.”

 

.560     “Ezechias.”  By Michelangelo, in the Sistine Chapel.

 

.561     “Figura Decorativa.”   By Michelangelo, in the Sistine Chapel.  A nude over “The Separation of Land from Water.”

 

.562.    “Figura Decorativa.”  By Michelangelo, in the Sistine Chapel. A nude over “The Drunkenness of Noah.”

 

.563     “Davide che tronca la Testa a Golia.”  “David and Goliath” by  Michelangelo, in the Sistine Chapel.

 

Box 8:

 

Wallpaper

 (note: all these are rolled up; it is easier to see the designs on the flat samples in the map case)

           

.564     A print wallpaper of trees, mostly shades of green with browns and blues.  (a flat sample with same number is in Map Case C, Drawer 4, folder 15)

 

.565     A floral print wallpaper, on an apricot background, marked “Furlong, Philadelphia, PA, ungrounded.”  (This wallpaper is not in Box 8; the only sample is in Map Case C, Drawer 4, folder 16)

 

.566     Canvas material with a rectangle drawn on the surface with a pencil, 40"x 20".

 

.567     Multicolored morning glories overprinted with small white flowers, labeled GLENFAST CONFORMS TO SPEC NO.  CS. 16-29 US DEPT OF COMMERCE.

 

.567a   Same as above: Multicolored morning glories overprinted with small white flowers, labeled GLENFAST CONFORMS TO SPEC NO.  CS. 16-29 US DEPT OF COMMERCE.  (a flat sample with the same number is in Map Case C, Drawer 4, folder 17)

 

.568     A floral design, mostly pink and brown, printed to look like chiné fabric, with an overprinted diamond pattern.  (a flat sample, with the same number is in Map Case C, Drawer 4, folder 18)

 

Box 9:

 

.576     Group of  women, one of whom is playing a lute (a detail of .604, below).

 

.577     Group of men and women, several of whom are holding musical instruments.  There are rabbits and three nude women each holding an apple.  (see also .603, below)

 

.578     Photograph: Parthenon, c.1890s.

 

.579     Roman wall painting of a group of men and women.

 

.580     Portrait of a man with a landscape seen through the windows.

 

.581     Woman seated, with a mirror in one hand and a snake in the other.

 

.582     Madonna and Child.

 

.583     Madonna and Child, with Angels.

 

.584     Portrait of a man by the Antwerp Philippe de Croy Painter.

 

.585     Portrait of a man by  Memling. 

 

.586     “Madonna and Child,”  by Bellinni. 

 

.587     “The Young Man in Black,”  a portrait from the 16th century Florentine School.

 

.588     “St. George and the Dragon.”

 

.589     “Virgin and Child Enthroned, with Saints and Angels.”

 

.590     Portrait of a man.

 

.591     The Sistine Chapel ceiling, by Michelangelo.

 

.592     “The Virgin and Child with Six Saints” (detail), by Alvise Vivarini,  Venice.

 

.593     “The Last Judgment,” by Michelangelo, in the Sistine Chapel.

 

.594     “Madonna Enthroned,” detail of painting showing the name Ioannes Bellinnus and two cherubs.

 

.595     “Annunciation,”  by Raphael.

 

.596     “Annunciation.”

 

.597     Altarpiece with Madonna and Child and eight saints.

 

.598     “The Nativity.” 

 

.599     “The Nativity.”

 

.600     Man on a throne with a crowd of men around him.

 

.601     Mosaic from Ravenna.

 

.602     “Madonna Enthroned.,” with God, angels, and saints.

 

.603     Men and women in a garden with rabbits and swans.  (see also .577, above)

 

.604     Woman driving a wagon with other figures around it (.576 above is a detail of this painting)         

 

.605     Portrait of a boy or young man.

 

.606     Fresco of an angel.

 

.607     Old man (Zeus?) in a chariot drawn by large birds, perhaps eagles.

 

.608     “Madonna.” 

 

.609     “Annunciation,”  by Pinturricchio. 

 

.610     “Christ and his angels.”

 

.611     Angels, by Botticelli.

 

.612     Nativity Scene.

 

.613     Goddess with crescent moon on her head in a chariot.

 

.614     “Annunciation,”  by Giusto di Ravensburg. 1451, in the Cloister of S. Maria di Castello, Genoa.

 

.615     Group of women approach a king, by Titian?

 

.616     Madonna Enthroned.

 

.617     Accension of Christ, with angels.

 

.617a   “The Infant Bacchus,”  by Giovanni Bellini, 1505.

 

.618     “Virgin and Child with Saint Joseph and St John,”  by Andrea del Sarto. 

 

.618a   “La Poverta” (Christ and saints), by  Giotto, in the Chiesa Inferrore di S. Francesco, Assisi.

 

.619     “Annunciation,”  by Francesco Francia, in the Palazzo Brera, Milano.

 

.619a   Fresco with allegorical figures?

 

.619b   Fresco with allegorical figures?

 

.620     “La Madonna in Gloria e Santi,”  (detail), by Tiziano, in the Vatican.

 

.621     Portion of the Sistine Chapel, by Michelangelo.

 

.622     “Sibilla Delphica.” (not the one in the Sistine Chapel)

 

.623     “Parthenice.”  (woman and cherubs with musical instruments)

 

.624     Procession of men with a port in the background.

 

.625     Group of men and women with two deer, around an altar (?) with dogs on it.

 

.626     Procession of men and pack animals on a mountain.

 

.627     Photograph: An Italian town with fields around it, c.1890s.  (not a reproduction of a painting)

 

.628     Photograph: An Italian town with a castle and a church, and with haystacks in the foreground.  (not a reproduction of a painting)

 

.629     Photograph: The façade of a building, probably Italian, with a sundial on it.  (not a reproduction of a painting)

 

.630     Photograph: Picture of a tree-lined drive.  (not a reproduction of a painting)

 

Box 10:

 

.631     “Ritratto di Michelangelo Buonarroti,” in the Galleria Capitolina, Roma.

 

.632     “Pordenone.”  (portrait of a woman)

 

.633     Portrait of a young man.

 

.634     Portrait of a woman, with a view of a town in the background.

 

.635-    “Un Bambino,”  Andrea della Robbia, Spedale degl'lnnocenti, Firenze.  (see also .646-.648 and .653-655 below, and .878 in Box 19)

.638

 

.639     Portrait of Angelo Doni.

 

.640     “La Presentazione al Tempio,”  by Raphael, in the Vatican.  (see also .676, below)

 

.641     A mythological or Biblical scene, with three women and a soldier in the background.

 

.642     “Dettaglio dell incendio del Borgo” (Burning of Borgo), by  Raphael. (see also .482 in Box 4)

 

.643     Madonna and Child Enthroned, with saints and angels.

 

.644     Mercury in a chariot drawn by roosters.

 

.645     Madonna and Child. (not a Renaissance painting, probably 19th century) 

 

.646-    “Un Bambino.”  Andrea della Robbia.  Spedale degl’Innocenti, Firenze.  (see also .635-.638 above and .653-.655 below) 

.648

 

.649     “La Madonna in Adorazion,”  Scuola di A. della Robbia.  R. Museo Nazionale, Firenze. 

 

.650     “Busto di un fanciullo.”  (Calco in gesso dall'originale di Donatello)  Firenze.

 

.651     “Cherub,”  by Michelangelo, in the Sistine Chapel.

 

.652     “La Madonna col Bambino,”  Casentino (Prov. di Arezzo), Chiesa del Sacro Eremo, Camaldoli.

 

.653-    “Un Bambino.”  Andrea della Robbia.  Spedale degl’Innocenti, Firenze.  (see also .635-.638 and .646-.648 above)

.655

 

.656     Portrait of a man. (17th century)

 

.657     Self portrait, by Rembrandt.

 

.658     “St. Catherine.”  (see also .666 below)

 

.659     Portrait of a young girl.

 

.660     St. Catherine, from “The Dispute of St. Catherine,”  by Pinturrichio.

 

.661     Allegorical scene?

 

.662     Portrait of a woman. (19th century)

 

.663     Portrait of a baby boy.

 

.664     Madonna  and Child Enthroned.  (19th century)  (artist’s name appears to be N. Barabinos)

 

.665     Portrait of a woman holding a book.

 

.666     “St. Catherine.”   (see also .658 above)

 

.667     Cupids. (detail of a larger work)

 

.668     Sleeping soldier (detail of “St George in the forest”?).

 

.669     Portrait of a man.

 

.670     Portrait of a man.

 

.671     Portrait of Maddalena Doni, by Raphael.

 

.672     A singing cherub with a lute (detail of a larger work).

 

.673     A portrait of a young boy.

 

.674     “St. George and the Dragon.”

 

.675     An old man with a lion; at the sight of them, monks are fleeing the abbey garden

 

.676     “Presentation in the Temple,”  by Raphael.  (see also .640, above)

 

.677     Figure on a wagon drawn by horse, men on one side of the road, women on the other.  One woman is weaving, another is doing embroidery work, and others are sewing.

 

.678     Three bound prisoners on a raised platform, with onlookers.

 

.679     “Coronation of the Virgin,”  by Raphael, in the Vatican. 

 

.680     A young woman on a float pulled by swans.  A knight kneels before her.

 

.681     A god (Mars?) in a chariot drawn by horses. 

 

Box 11:

 

.682     Photograph labeled on back: “Ravenna, Panorama della Citta Visto da S. Maria in Prato,”   showing the private dwellings as well as towers.

 

.683     Photograph: View of unidentified city, with a tree in the foreground.

 

.684     Photograph: An Italian villa.

 

.685     Photograph: An allée with a large dome (St. Peter’s Cathedral?) in the background.

 

.686     Photograph: An aqueduct and a town.

 

.687     Photograph: A large carved stone fireplace.

 

.688     Photograph: Neoclassical gates, decorated with eagles, and walls, perhaps around a palace.

 

.689     Photograph: Ivy-covered building overlooking a lake (see also .704 below).

 

.690     Photograph: Terrace around a large building.

 

.691     Photograph: A large building, perhaps a villa.  (see also .692)

 

.692     Photograph: Another view of the building  in .691, taken from the garden.

 

.693     Photograph: View of Florence, with church domes, towers, houses, and gardens.

 

.694     Photograph: A villa.

 

.695     Photograph: In background: a large building.  In foreground: hedges clipped to spell the name Mary.

 

.696     Photograph: Large villa with a small building nearby.

 

.697     Photograph labeled on back: “Avanzi della Chiesa dell'Abbazia.  La parte posteriore.”  S. Galgano.  Provinca di Siena.  A picture of a ruined stone church.

 

.698     Photograph: A picture of a long drive flanked by shrubs and trees.  At the entrance there are stone balustrades and statues.

 

.699     Women with unicorns pulling a wagon on which other women sit or stand.

 

.700     Praying woman.

 

.701-    Photographs: Panoramic views of Florence and the countryside that surrounds it. 

.702    

 

.703     Photograph: View of farm buildings and farms.

 

.704     Photograph: View of an ivy-covered villa overlooking a lake (see also .689, above).

 

.705     Photograph: Picture of a garden and a large villa. 

 

.706     Photograph: View of an abbey?  (see also .709. below)

 

.707     Photograph: View of a lake and the village overlooking it.

 

.708     Photograph: Trees and cows.

 

.709     Photograph: A different view of the buildings in  .706, above.

 

.710     Photograph: View of gardens and large buildings.  The name Alexander is on one of the buildings.  (see also .714, below)

 

.711     Photograph: A picture of a woman standing underneath oak trees overlooking a lake.

 

.712     Photograph: Picture of an Italian fortress that is located at the edge of waterfalls.

 

.713     Photograph: A picture of an Italian villa with a view of the gardens.

 

.714     Photograph: View of gardens, fountain, and large building with arches.  (see also .710, above)

 

.715     Photograph: View of villa and grounds.

 

.716     Photograph: Aerial perspective of an Italian hilltop village and a lake or the sea.

 

.717     Photograph: Picture of a castle and village, with a view of the surrounding countryside.

 

.718     Photograph: Picture of an Italian villa.

 

.719     Photograph: A picture of a drive with trees, and a view of the city in the background.

 

.720     Photograph: Picture of an Italian hill town, with a church near the top of the hill.

 

.721     Photograph: Picture of a park or small garden, with statues and a small building.

 

.722     Photograph labeled on back: “Pineta di S. Vitale Presso La Casa Nuova,”  Ravenna, showing a dirt track leading through the countryside.

 

.723     Photograph: Picture of an Italian villa, with two fountains.

 

.724     Photograph: A photo of a wall overlooking a large domed building (St. Peter’s in Rome?).

 

.725     Photograph: View of a villa from a lower portion of its garden.

 

.726     Photograph: A picture of a road with a large round building in the background and a column topped with a cross off to one side.

 

.727     Photograph: Picture of a villa and the trees around it.

 

.728     Photograph: Panoramic view of Florence.

 

.729     Photograph: A view of a hill town overlooking a lake or the sea.

 

.730     Photograph: A picture of a villa and its gardens and a fountain.

 

.731     Photograph: Picture of a garden and a fountain with an arched structure in the background.

 

.732     Photograph: A picture of a classical ruin with trees behind it.

 

Box 12:

 

.733     Female saint next to a fountain.

 

.734     “Annunciation,”  by Raphael.

 

.735     Madonna and Child, by Alvise Vivarini.

 

.736     Madonna and Child in the sky, surrounded by angels, and with saints below them, by Alvise Vivarini.

 

.737     Madonna with  the apostles.

 

.738     Monk (who is also a saint) standing on a ball, with other figures around him.

 

.739     Adoration of the Magi.

 

.740     Madonna, Child and Saints.

 

.741     Madonna Enthroned, surrounded by angels.

 

.742     Seated woman playing a violin-like instrument, surrounded by men playing other instruments.

 

.743     “Altarpiece, The Mystic Lamb,” by Jan Van Der Wyden.  Detail showing men on horseback.

 

.744     Angel leading a boy carrying a fish, with two saints looking on.

 

.745     “Logging,” by A. Maurs (?).  (a 19th century painting) 

 

.746     Christ surrounded by heads of angels, hovering in the sky above an empty tomb.

 

.747     Female saint fleeing from a tower, with armed men nearby.

 

.748     Male saints in the wilderness, with female demons visiting them.

 

.749     “St. Sebastian.”  He is tied to a column, with a landscape in the background; the archers are shown shooting him.

 

.750     “The Dispute of St Catherine,” by Pinturicchio.  She is standing before a king seated on his throne.  (the same as .760)

 

.751     Virgin Mary in the sky, surrounded by angels, with a man kneeling before an open tomb.

 

.752     “Due devoti,”  G. A. Boltraffio.  R. Pinacoteca di Brera, Milano.

 

.753     A knight kneeling in prayer.

 

.754     Photograph: Ruins of a building, probably a shrine or church.

 

.755     “Il Paradiso, particolare del Giudizio universale, Beato Angelico.”  Accedemia de Belle Arti, Firenze.  (angels and saints holding hands, almost forming a circle)

 

.756     “Gruppo d'Angeli fra le Nubi.”  (Melozzo da Forli.)  Basilica di S. Pietro, Capitolo dei Canonici, Roma.

 

.757     Knight leading his horse in the woods.  (19th century painting)

 

.758     Portrait of a man kneeling in prayer, with a castle in the background.

 

.759     “Madonna with the Rabbit.”  Titian.  Also shown is another woman holding a baby and a man (a shepherd?) in the background.

 

.760     “The Dispute of St Catherine.”  Pinturicchio.  (same as .750)

 

.761     Alexander VI from The Resurrection, by Pinturicchio.

 

.762     “Adorazione dei Bambino.”  Perugino.  Firenze.   The Virgin Mary and another baby worship the infant Christ, who is held by an angel.

 

.763     A mythological or classical scene, with a couple dancing before others, set in a rural landscape.

 

.764     The ceiling of the Pinturicchio.

 

.244     Print: man with a cane standing (with back to viewer) at a railing overlooking a lake.

 

.298     Print: Gothic door, with large hinges, lock plate, and latch.  Taken from a publication titled in English Art Treasure (also has titles in other languages).  It is labeled “1881.  No. 155.  Deutsche Arbeit. – Travail Allemand.”

            [note: this door was probably used as the model for a door at Arcady]

 

.1547   Print: “By the Springs of Parnassus”: classical scene of a woman playing a recorder while sitting next to a fountain.   

 

.1548   “La Circoncisione,” by A. Mantegna, from the Uffizi Gallery, Florence, showing two versions of the same picture (perhaps one is the current condition and the other a touch-up), in a folder from Fratelli Alinari Fotografi.

 

.1549   Print: “The Homestead, “ by Richardson, a scene with a two story house, a barn, and large trees.

 

.1550   Print, labeled: “Odiam Castle, Hants., pub. 27th June 1784, by S. Hooper.”  A print showing two men looking at a ruined castle.

 

[none]  colored picture of Renaissance-style cabinet or writing desk, with printed signature of Shirley Slocombe

 

 

Box 13: Folio 1:        

 

.765     “Il Viaggio dei Re Magi,” by Benozzo Gozzoli, in the Capella del Palazzo Piccardi, Milan.

 

.766     “Giustificazione di Leone III devati Carlo Magno,” in the Vatican.

 

.767     “Miracolo di Bolsena,” by Raphael, the Vatican.

 

.768     “Le Quattro Sibille,” by Raphael, in S.M. della Pace.

 

.769     Madonna and Child enthroned, surrounded by saints and musicians, a painting by Bellini.

 

.770     Poster for the Prado, in Madrid, with the painting “Sainte Brigitte Offrant des Fleurs à l’Enfant Jesus,” by Giorgione, printed 1897.

 

.771     Photograph, labeled on back: “S. Giorgio,” a statue by Donatello, Museo Nazionale, Florence.

 

.772a   “La Vergine con il Bambino, S. Caterina e la Maddalena,” by Bellini, Venice.

 

.772b   Madonna and Child with saints

 

.773     A group of praying angels.

 

.774     “La Madonna Incoronata,” by Botticelli, in the Uffizi Gallery, Florence.

 

.775     Madonna and Child with an angel and saints.

 

.776     Poster for the Kaiserliche Gemälde-Galerie, in Vienna, showing the painting

            “Maria mit dem Kinde und mit Heiligen,” by Lorrenzo Lotto.

 

.777     Statue of the Virgin Mary and Child, by Michelangelo.

 

.778     Portrait of a man, 16th or 17th century.

 

.779     Poster for the Musée Staedel, Frankfort, showing the painting “Le Fils de Rubens,” by Rubens, printed 1900.

 

.780     Poster for the National Gallery, London, showing the painting “Bacchus and Ariadne,” by Tiziano Vecellio.

 

.781     Print of a portrait of a man by Andrea del Sarto.

 

.782a   Poster for the Prado, Madrid, showing the painting “La Fabrique de Tapis de Sainte Isabella à Madrid, by Velazquez, printed 1897.

 

.782b   Print of a portrait of a man, probably from Renaissance Italy.

                                     

 

Box 14: Folio 2: labeled “Italian; Pre-Raphaelite”

                       

.783a   Poster for the Musée National de Luxembourg, showing the painting “Idyll,” by J-J. Henner, printed 1901.

 

.783b   Print: detail of a feast from a painting by Andrea del Sarto.

 

.784a   Poster for Galerie du Capitole à Rome, showing the painting “Portriat de L”Artiste,” by Velazquez, printed 1900.

 

.784b   Poster for the Palais de la Farnesina, Rome, showing the painting “La Sodoma.”  (see also .866 in Box 18)

 

.785     Photograph: stained glass window with angels and saints.

 

.786     Two mythological or classical figures, perhaps Orpheus and Eurydice.

 

.787     Print: “Spinster,” (i.e. woman spinning), by Romney.

 

.788     A mythological feast, including the Fates, Zeus, and Mercury.

 

.789     Photograph: part of the painted dome of a church, showing Christ enthroned and angels.

 

.790     Photograph: a stained glass window depicting Saint Cecilia.

 

.791     Print: Madonna and Child with children (19th century painting)        

 

Box 15: Folio 3a: labeled “Misc.”

                       

.792a   Photograph: Reims Cathedral

 

.792b   Photograph: a Gothic cathedral

 

.792c   Photograph labeled: “Castel S. Angelo con Tevere (veduta antica),” showing people on a boat on the river and St. Peter’s Cathedral in the background (a different view from that in .796, below)

 

.792d   Photograph: a Gothic cloister labeled Moissac (Tarn & Garonne)

 

.792e   Photograph labeled on back: “Portici delgi Uffizi.”

 

.792f    Photograph: The Acropolis, Athens.

 

.792g   Photograph labeled on back: “Piazza e Chiesa de S. Maria Novella,” Florence.

 

.793     Photograph: San Marco, piazza, and bell tower, Venice.

 

.794     Photograph of stairs in Florence.

 

.795     Photograph of an Italian hill town.

 

.796     Photograph: Castel S. Angelo, river, and St. Peter’s, Rome (different view from .792c, above)

 

.797     Photograph labeled on back: “The Temple” (location unknown).

 

.798     Photograph of a Gothic cathedral.

 

.799     Photograph of a Gothic tower (possibly a church tower), with a river in the foreground.

 

.800     Photograph: possibly one of the colleges at Oxford or Cambridge.

 

.801     Photograph: carved stone doorway, same as .802, labeled on back: “Spoleto or Trevi?”

 

.802     Photograph: same as .801, labeled on back: “Trevi, Madonna delle Cacrine [?] portal.”

 

.803     Photograph of a villa

 

.804     Photograph of the cathedral in Florence.

 

.805     Poster for La Ca D’Oro, Venice.

 

                       

 

Box 16: Folio 3b: labeled “Misc.”

                       

.806     Photograph of a garden

 

.807     Photograph labeled on back: “Pineta, Villa Borghese,” Rome.

 

.808     Photograph labeled on back: “Villa Salviati ora Hagermann, Casa Colonica,” Florence, depicting two weavers working outdoors, and a man and a child with a cart outside a building.  (see also .842 and .844 in Box 17)

 

.809     Photograph labeled on front: “Chiesa di S. Croce,” interior, Florence.

 

.810a   Photograph labeled on front: “Chiesa di S. Croce,” interior, Florence.

 

.811     Photograph labeled on front: “Teestudien [?] von P.E. Nickelsen in Westerland auf Sylt [?], 1890,” showing the remains of a boat wrecked on some rocks.

 

.812     Photograph labeled on front: “P.E. Nickelsen I, Sylt [?],” showing part of a shipwreck.

 

.813     Photograph labeled on front: “Frühlingsblumen, Spring Flowers, Pâquerettes,” showing two children picking flowers.

 

.814     Photograph of the statue of a monk who was also a saint.

 

.815     Photograph: detail of a statue of a pensive man.

 

.816     Photograph labeled on front: San Marco, Venice.

 

.817     Photograph labeled on front: “Agricultural Bldg., copyright 1901 by C.D. Arnold,” from the Pan-American Exposition in Buffalo, New York.

 

.818     Photograph: detail of a Gothic building, probably a church.

 

.819     Photograph labeled on back: “Chiesa inferiore di S. Francesco,” interior view, Assisi.

 

.821     Photograph of a classical statue of a man.

 

.822     Photograph labeled on back: “Chiesa Superture di S. Francesco,” Assisi, detail showing doorway.

 

.823     Photograph labeled on front: “Busto di Donato dei Medici di Antonio Rossellino,

            Cattedrale, Pistoia.”

 

.824     Photograph labeled on back: “Il Castello, Chiani.”

 

.825     Photograph: bas relief of  mother and child, signed N. Carrilo (?), 1888.

 

.826     Print, labeled on front: “Chateau de Pau (avant sa restauration),” signed E. Sadoux.  (see also .833a in Box 17)

 

.827     Photograph (from a book?) labeled “Palazzo Publico, Siena, Italy.”

 

.828     Photograph of an Italian farmhouse.

 

.829     Photograph: bridge and building (perhaps a small church), in Italy.

 

.830     Photograph of an Italian farmhouse, with surrounding buildings.

 

.831a   Photograph of an Italian farmhouse.

 

.832b   Photograph labeled on back: “Monumento al Vescovo Salutati, il fianco sinistro,

            Cattedrale, Fiesole.”

 

.832c   Photograph showing a view of Oxford from the river.                         

 

 

Box 17, Folio 3c: labeled “Misc.”

                       

.833a   Print labeled: “Château de Pau (vu de Jurançon),” by E. Sadoux (see also .826, in Box 16)

 

.833b   Photograph of an Italian villa (see label on back of photo).

 

.835     Photograph of one of the colleges at Oxford.

 

.836     Photograph of an Italian city, showing a very tall bell tower next to a building which might be the city hall.

 

.837     Three photographs mounted on the same card, showing a large building, perhaps a villa or a small chateau.

 

.840     Photograph labeled “Via delle Torri di Properzio,” Spello, showing a street inside a walled town, with three people outside a building: a woman who seems to be sewing, a boy carrying wheat, and a woman with a bowed head.  (see also .843 below)

 

.841     Photograph labeled “Greti, Casa Colonica, Chianti,” showing four people outside a farmhouse.

 

.842     Photograph labeled “ Villa Salviati ora Hagermann, Casa Colonica,” Florence (see also .808 in Box 16).  This shows two men working at a pile of dirt, with several other people also in the courtyard.

 

.843     Photograph labeled “Via delle Torri di Properzio, Spello.”  (see also .840 above)  This view is of a different part of the street (probably further uphill).  There are two women sitting, one on a wall, the other on steps.

 

.844     Photograph labeled “ Villa Salviati ora Hagermann, Casa Colonica,” Florence (see also .808 in Box 16 and .842 above).  This view is of the street side of the building, showing two women standing in the gateway into the courtyard, with men and carts on the street.

 

.845     Photograph labeled “La Panca, Casa Colonica, Chianti,” showing a farmhouse with people standing on the upper gallery.

 

.846     Print, labeled “Cupid Fishing, Walls.”

 

.847     Print: a detail of “L’Incoronazione della Vergine,” by Botticelli, Florence.  

 

.848     Print, labeled: “Wheel of Fortune,” by Burne-Jones.

 

.849     Photograph labeled “Monte Rosa Rette vom Weishorn aus von Vittorio Sella in Biella,” probably a view of Monte Rosa in the Pennine Alps.

 

.850     Photograph of a painted ceiling, probably in a church in Italy (Renaissance art).

 

.851     Photograph labeled “Chiesa di S. Francesco, il Chiostro, Cubbio,” showing a man standing next to a well outside a church.

 

.852     Photograph labeled “Chiesa di San Pietro, Piccolo Cortile, Perugia,” showing two men at a well outside a large building.

 

.854a   Photograph of St. Paul’s Cathedral, London, from Blackfriars.

 

.854b   Photograph of a medieval fresco, with Old Testament scenes.

 

.855     Photograph labeled “Basilica di S. Apollinare Nuovo,” interior, Ravenna.

 

.856     Photograph of the inside of the dome of Battistero di S. Giov. in Fonte, Ravenna, decorated with a scene of John the Baptist with Christ, surrounded by the Twelve Apostles.

 

.857     Photograph of a detail of a mosaic showing five women, from the Basilica di S. Apollinare Nuovo, Ravenna.

 

.858     Photograph of a painting inside Chiesa di S. Maria in Ravenna.

 

.859     Photograph of a view of the ceiling of Tempio di San Vitale, Ravenna.

 

.860     Envelope which held photographs from Ravenna.

 

.860a   Photograph of a sculpture entitled “La Madonna col Figlio e S. Giovanni,” by A. Ferrucci, in the Museo Nazionale, Florence.   

 

.860b   Photograph of a carved Florentine lily, from the Palazzo Ferroni, Florence.

 

 

Box 18, Folio 4:

                       

.861     Photograph of a mural, showing a hay wagon in the background, people on a boat in the middle ground, and women bathing in a stream in the foreground.  The mural is signed P. Puvis de Chavannes.

 

.862     Copy of an engraving of a river with boats and buildings along the shore, and people in the foreground.  On the back is the name N [illegible] Turner.

 

.863     Classical buildings along a river.

 

.864     A picnic along the banks of a river, with two people dancing, and ruins in the distance.

 

.865     A poor mother reading to a sick child, in a painting dated 1889.

 

.866     Poster from Palais de la Farnesina, Rome, showing a painting labeled Il Sodoma.  (see also .784b in Box 14)

 

.867     Classical scene (?) (figures in a landscape listening to an elderly man)

            by Puvis de Chavannes.

 

.868     A canal in Venice.

 

.869     Leda and the swan, by Gericault.

 

.870     Portrait of a young girl, 18th century, England.

 

.871     A view of the Grand Canal, Venice, by Turner.

 

.872     Nativity scene, Renaissance period.

 

.873     Madonna and Child with three saints.

 

.874     Detail from the fresco “Il Paradiso,” by Benozzo Gozzoli, Florence.  This detail shows several angels praying.

 

.875     Photograph of the statue “La Vergine col Bambino Gesù,” by Michelangelo.

 

 

Box 19, Folio 5: labeled “Drawings”  (although the contents of the folio include more than drawings)

 

.876     Print: head of a woman, done by a pre-Raphaelite artist.

 

.877     “La Madonna col Divin Figlio e Santi,” by Bellini, from Venice.

 

.878     Photograph: a sculpture of a baby in swaddling clothes, by Della Robbia.  (see also .635, 638, .646-648, and .653-655 above, in Box 10)

 

.879     Print: sleeping knight watched over by two women.

 

.880     Print: nun (?)

 

.881     Photographic print labeled Michel Angello Buonaroti, depicting the head of a woman or a man with braids.

 

.882     Photograph of a statue of an armored man on a horse

 

.884a-c                        mats for photographs

 

.885     Photograph labeled “Veduta dei Ponti S. Trinita Carraia e delle Cascine,” Florence (bridges over the river with a view of buildings on both banks)

 

.886     “The Archangel Raphael,” by Perugino.

 

.887     Print: mural showing a group of children, some gathering blossoms, others playing with birds, by Herbert James Draper, 1888.

 

.888     Print: Mother and Child, with a book.

 

.889     Picture from a book, entitled “Breakfast-Time,” showing a mother and daughter feeding             lambs.  On the reverse side is the beginning of a children’s story called “The Runaways.”       

 

.890     Madonna and Child with a child saint (John the Baptist, probably) and three older children in the background.    

 

 

Box 20, Folio 6:

                       

.891a   A template for something?

 

.891b   Side of a box, labeled No.7, Fra Angelico

 

.892     Portrait of a man (19th century).

 

.893     Photograph: portrait of a woman, signed F. Gonlé-Campbell, copyright 1908.

 

.894     Portrait labeled Tennyson, Walls.

 

.895     View of the Grand Canal, Venice.

 

.896     Colored print: a figure (perhaps Christ) hovering in the air above a man, with mountains and a lake in the background.

 

.897     Colored print signed by Geo. Innes, a triptych illustrating part of the Psalm 23 (“And beside still waters, He leadeth me in green pastures”).

 

.898     Madonna and Child; on the back is a list of names, but none of them would be the artist.

 

.899     A river with a boat and a ship, with a church in the distance.

 

.900     An angel leading a young woman.

 

.901     “The Vagrants,” Walker, showing a family group starting a campfire.

 

.902     Portrait of a man, by Raphael, from the Galleria Pitti.

 

.903     Portrait of a lute player.

 

.904     Landscape with cows standing in a stream.

 

.905     “The Hay Wain,” Constable.

 

.906     Blindfolded woman holding a lyre.

 

.907     A knight kneeling in prayer.

 

.908     St. Jerome in his study.

 

.909     Two elderly men, one poking a fire, the other by a window.

 

.910     “The Shepherd and His Flock,” painted by R. Bonheur.

 

.911     Head of a person holding a recorder.

 

.912     “Dante’s Dream,” by Rossetti.

 

.913     Colored print: Portrait of a woman, by Lorenzo de Credi.

 

.914     “Two Angels,” ascribed to Leonardo da Vinci.  (they are may be saints rather than angels)

 

.915     “A Study,” (portrait of a woman), by D.G. Rossetti.

 

.916a-d            A template for a lampshade?              

           

 

Box 21, Folio 7: labeled “Miss McCall, Italian”

                       

.918     Photograph of the interior of a Gothic cathedral.

 

.919     Photograph: trees and buildings in Italy, with a hill in the background.

 

.920b   Photograph: man with a loaded donkey near a roadside shrine in Italy

 

.921     Photograph of an Italian castle and other buildings (labeled on back, but very faint and difficult to read)

 

.922     Portrait of a man, perhaps by Botticelli.

 

.923     A richly-dressed woman floating on clouds being crowned by an angel

            while many look on.

 

.925     Virgin Mary, angles, and St. John the Baptist worship the infant Christ.

 

.926     Landscape of women at a river, in the distance may be seen a bridge and buildings.

 

.927     “Rest on the Flight into Egypt,” with emphasis on the landscape rather than on the family.

 

.928     Madonna and Child, with St. Paul and St. George, by Bellini.

 

.929     Poster for the Musée du Louvre, showing “Portrait d’Homme,” École Florentine du XVme Siècle, printed 1901.

 

.930     Poster for the Musées Royaux de Berlin, showing “Portrait de Jeune Homme,” by Francesco di Cristofano Franciabigio.

 

.931     A man and a woman (a mythological scene?), from the McCameron Studio at 70 Mortimer St., London.

 

.932     Madonna and Child surrounded by a wreath of flowers and cherubs.

 

.933     Poster for the Musée National du Louvre, showing “Paysage,” by Jean-Baptiste Corot, printed 1898.

 

.934     Poster for the Prado, Madrid, showing “Paysage avec Effet de Soleil Levant,” by Claude Lorrain, printed 1897.

 

.935     Poster for the Pitti Palace, Florence, showing “Portrait de Madeleine Doni,” by Raphael, printed 1892.

 

.936     Poster for the Musées Royaux de Berlin, showing a triptych by Bernardo da Firenze.  (the subjects of the triptych: the Nativity, the Coronation of the Virgin Mary, the Crucifixion)

 

.937     Poster for the Pitti Palace, Florence, showing “Portrait d’Ange Doni,” by Raphael, printed 1892.

                       

 

Box 22, Folio 8a: labeled “Italian & Family”

                       

.938     Christ with two men (an apostle? and a bishop) standing in an archway.

 

.939     Madonna and Child on a throne, surrounded by saints and angels. 

 

.940     Madonna and Child on a throne with two saints (a bishop and a woman), painted by Bernardelli.

 

.941     Virgin Mary (?) with men and women, a wall painting.  (see also .942)

 

.942     Virgin Mary (?) with men, a wall painting (companion to .941).

 

.943     “Sibila Samia,” a wall painting.

 

.944     Madonna and Child with male saints, a wall painting.

 

.945     “Il Battesimo di Costantino,” the Vatican.

 

.946     “Donazione di Roma fatta da Costantino,” the Vatican.

 

.947     “San Leone che ferma Attila,” the Vatican.

 

.948     “Eliodoro scacciato dal Tempio,” the Vatican.

 

.949     “The Annunciation.”

 

 

Box 23, Folio 8b: labeled “Italian & Family”

                       

.950     Photograph: a large room with painted walls and ceiling, perhaps in the Vatican or some other Italian palace.

 

.951     Photograph: a large room with painted walls and ceiling, perhaps in the Vatican or some other Italian palace. (different room from .950)

 

.952     Virgin Mary holding the crucified Christ, with two saints, by Petrus de Chasro (?).

 

.953     Baptism of Christ, with God, saints and angels looking on.

 

.954     “Sibila Tiburtina,” a wall painting.

 

.955     Madonna and Child, by Bellini.

 

.956     A landscape with many angels (perhaps part of a triptych).  On the back is written: “For Gertrude from Ralph, Xmas ‘95” (or perhaps ’99).  (see also .978, below)

 

.957     Virgin Mary holding the crucified Christ, with saints, a wall painting.  (see also .958)

 

.958     same as .957, with the name Foligni or Poligni written on the back.

 

.959     “La Madonna col Bambino Gesu,” by Luca della Robbia, Florence.

 

.960     “L’Adorazione del Bambino Gesu,” by A. della Robbia, Chiesa Maggiore, Casentino.

 

.961     “The Annunciation,” a wall painting.

 

.962     Portrait of a man.

 

.963     A mythological scene?  Two people embracing on a beach, surrounded by babies, some of which are playing in the ocean.

 

.964     “Un Angelo,” by Melozzo da Forli, St. Peter’s, Rome.

 

.965a   Detail of “The Last Supper” (head of one of the apostles), by Raphael.

 

.965b   The head of a saint, by Melozzo da Forli, Chiesa dei Santi Apostoli, Rome.

 

.966     David with the head of Goliath.

 

.967     Head of a boy.  (Most of label has fallen off, but the name Tiziano is still attached.)

 

.968     A man praying with a fortified port labeled Rhodi behind him.  Several ships are also shown.

 

.969     Print: “Il Crocifisso con la Vergine e santi,” by Perugino, in the Chiostro di Santa

            Maria Maddalena de’ Pazzi, Florence.

 

.970     Print: “La Prudenza e la Giustizia, in basso vari personaggi celebri,” by Perugino, in the Collegio del Cambio, Perugia.

 

.971     Print: “L’Adorazione dei Re Magi,” by Perugino, in the Chiesa di Santa Maria delle Lacrime, Trevi.

 

.972     Print: “Il Viaggio dei Re Magi,” by Benozzo Gozzoli, in the Cappella del Palazzo Riccardi, Florence.

 

.973     Print: “La Fortezza e la Temperanza, in basso vari personaggi celebri,” by Perugino, in the Collegio del Cambio, Perugia.

 

.974     Print:   “La Madonna col divin Figlio, S. Caterina e la Maddalena,” by Bellini, in the Accademia di Belle Arti, Venice.

 

.975     Print: “La Vergine col Bambino Gesù,” by A. Vivarini, Chiesa del Redentore, Venice.

 

.976     Print: “L’Eterno Padre in gloria, in basso vari Profeti e Sibille,” by Perugino, in the Collegio del Cambio, Perugia.

 

.977     same as .977.

 

.978     Print: Angels in a landscape (same as .956, above)  (see also .979).

 

.979     Print: Angels in a landscape, companion to .978.

 

 

                       

Box 24, Folio 9: labeled “Dutch; Architecture & Sculpture”

                       

.980     Print: “Portrait of a Donator,” by Hans Memling.

 

.981     Print: “Guiliano da Van Galli [?],” by Pida Carimo [?].

 

.982     Print: Portrait of a man by Frans Hals.

 

.983     “Landschaft mit der Fluchtnach Aegypten,” by Claude Lorrain.  (see also .998)

 

.984     “Il Ritorno dai Campi,” by Rubens.

 

.985     Poster for the British Museum, showing “Landscape with Figures and Cattle,” by Claude Lorraine.

 

.986     Autotype copy of portrait of Erasmus by Hans Holbein.

 

.987     “Young Lady at the Window,” by Rembrandt.

 

.988     “Emma Hoit as Nature,” by Reynolds.

 

.989     “Juvenile Navigation,” by Morland.

 

.990     Portrait of an elderly man.

 

.991     “Lady Hamilton as Bacchanti,” by Romney.

 

.992     “Gypsies,” by Morland.

 

.993     “Robinetta,” by Reynolds.

 

.994     Poster for Amsterdan [sic] Museum, showing “The Night Watch,” by Rembrandt.

 

.995     A landscape by Ruysdael.

 

.996     Poster for Die Königl. Gemälde Galerie zu Dresden, showing “Küstenlandschaft mit Akis und Galatea,” by Claude Lorrain.

 

.997     Poster for Die Königl. Gemälde Galerie zu Dresden, showing “Bildness eines Jungen Kriegers,” by Rembrandt.

 

.998     same as .983.

 

.999     Landscape with women, a baby, a dog, goats, and building ruins by a river, with a town on a nearby hill.

 

.1000   Poster for Bibliotheque Royale de Windsor-Castle, showing “The Lady Parker,” by Hans Holbein.            

 

.1001   Poster for Bibliotheque Royale de Windsor-Castle, showing “The Lady Ratclif,” by Hans Holbein.

 

.1002   Poster for Musée de Vienne, showing a view of a town by A. Durer.

 

.1003   Poster for Galerie Royale de Dresde, showing “La Vierge avec L’Enfant Jésus,” a triptych by Jan van Eyck, printed 1897.

 

.1004   Edward VI, by Holbein.

 

.1005   Poster for Musée National du Louvre, showing “La Vierge au Donateur,” by Jan van Eyck, printed 1900.

 

.1006   Poster for Galerie Nationale de Londres, showing “Le Navire, ‘The Fighting Temeraire,’” by Joseph M. W. Turner, printed 1899.

 

.1007   Poster for Musée National du Louvre, showing “Portraits de Jean Grusset Richardot et de son Fils,” by Anton van Dyck.

 

.1008   Poster for Galerie Nationale de Londres, showing “Robinetta,” by Sir Joshua Reynolds.

 

.1009   Poster for the exhibit “Dessins de Maitres Anciens,” held in 1879 at L’Ecole des Beaux Arts, showing a drawing of an old man, by Rembrandt.

 

.1010   Poster for Musée de L’Ermitage a St. Petersbourg, showing “Portrait d’un Jeune Guerrier,” by Rembrandt, printed in 1898.

 

 

Box 25, Folio 10:

                       

.1011     Portrait of a young man.

 

.1012     “Dettaglio dell’Ancona la Vergine col Bambino e Santi,” by Bellini, in the Chiesa dei Frari, Venice.  (Detail shows a cherub playing a recorder.)

 

.1013     Madonna and Child, by Botticelli.

 

.1014     Detail from “The Birth of Venus,” by Botticelli.

 

.1015     Print: “A Violinist,” by Raffaclius del Garbo (?).

 

.1016     Portrait of a man.

 

.1017     Portrait of Cardinal Bentivoglio, by van Dyck.  (see also .1031, below)

 

.1018     Photograph of the Sistine Chapel.

 

.1019     Madonna and Child on a high throne, with two male saints, one in armor, the other a monk.

 

.1020     Woman examining a spider web (a wall painting) (label on back is very faded).

 

.1021     “Putto in bronzo della fontana nel cortile,” by Andrea Verrocchio.

 

.1022     Photograph: detail of an engraving?

 

.1023     Picture, probably from a magazine, of a stained glass window in Manchester Cathedral, by Percy Bacon & Brothers.

 

.1024     Print: “La Vergine col Figlio e Santi,” by Perugino, in the cathedral in Perugia.

 

.1025     Print: L’Annunziazione,” by A. della Robbia, in the Chiesa Maggiore, Casentino.

 

.1026     An angel, a detail from a larger painting, by Liberio of Assisi.  (see also .1030, below)

 

.1027     Photograph of G.F. Watts, outside a building with a della Robbia bas relief next to him.

 

.1028     Poster for the Galerie Royale de Dresde, showing “La Madone du Bourgmestre Jacques Meyer” (detail), by Hans Holbein, printed in 1899.

 

.1029     Mother and Child, standing on a pedestal, with two saints and two cherubs.

 

.1030     “Montefalco Angel,” by Liberio of Assisi.  (see also .1026, above)

 

.1031     Poster for Galerie Royale du Palais Pitti à Florence, showing “Portrait du Cardinal Guide Bentivoglio,” by Anton van Dyck, printed in 1901.  (see also .1017, above)

 

.1032     Portrait of a man (detail).

 

.1033     Poster for the Prado, Madrid, showing “Portriat d’un Sculteur,” by Velasquez, printed in 1894.

 

.1034     “Convalescence,” by a modern Italian painter, depicting a poor mother reading to her sick child, who is in bed.

 

.1035     Poster for the Louvre, showing “Portrait de Jeanne d’Aragon,” by Raphael, printed in 1901.

 

 

Box 26, Folio 11: labeled “Rosetti [sic], Watts, Burne Jones”

 

.1036      Photograph: Ingresso e Campanile della Chiesa de S. Pietro, Perugia.

 

.1037      “Dante Drawing an Angel,” by Rossetti.

 

.1038      Print: Woman plucking a stringed instrument.

 

.1039      “Guinevere,” by Rossetti.

 

.1040      “Ruth Herbert,” by Rossetti.

 

.1041      “Fazi’s [?] Mistress,” photogravure of the drawing of Rossetti, printed by the Century Guild, April 1889.                

 

.1042      “Anima,” a sonnet written and illustrated by Rossetti, 1880.

 

.1043      Study for “Found,” by Rossetti.

 

.1044      “The Loving Cup,” a woman drinking from a cup, the cover of which she holds in one hand.  (see also .1047 – a slightly different version)

 

.1045      “Arthur’s Tomb,” by Rossetti.

 

.1046      “Dante’s Amor,” from a drawing belong to C.F. Murray.

 

.1047      “The Loving Cup,” an engraved version of the painting reproduced in .1044.

 

.1048      Christ, a woman, and two angels at an opened tomb.

 

.1049      Print: a blindfolded woman carrying a lyre.  (see also .1078, in Box 27)

 

.1050      A woman carrying a stalk of flowers.

 

.1051      A woman sniffing flowers, a print from the McCameron Studio in London.

 

.1052      A sketch of a woman’s head.

              

.1053      Two studies for “Beata Beatrix,” from drawings owned by C.F. Murray.

 

.1054      Two drawings, numbered 43 and 26.  Number 43, labeled “a design for an old ballad,” shows an embracing couple.  Number 26, labeled “drawing belonging to C.F. Murray,” is the head of a woman. 

 

.1055      A woman with leaves in her hands.

 

.1056      “Lilith,” by Rossetti, a woman combing her hair.

 

.1057      Study for the head of one of the attendant ladies in “Dante’s Dream,” by Rossetti.

 

.1058      A woman in the foreground is watched by three women hovering in the background.           

 

.1059      “Mischief,” by Watts.

 

.1060      Study for “Sleeping Beauty,” by Burne Jones.

              

.1061        “Mother [?] and Children,” painted by Henry Tinks [?], London, 1910-1911.

 

.1062        “The King’s Bride,” by Rossetti.

 

.1063        Print: a round painting (perhaps for a ceiling) of women dancing.

 

.1064        “La Paye des moissonneurs,” by Lhermitte, 1882.

 

.1065        A woman with a book being followed by a man.               

                       

 

Box 27, Folio 11a: labeled “Rosetti [sic], Watts, Burne Jones”

                       

.1068      Print: “St. George,” by Burne Jones.

 

.1069      Print: “Aurora,” by Burne Jones.

 

.1070      Print: “The Girlhood of Mary, Virgin,” by Rossetti.

 

.1071      Print: “Sea Spell,” by Rossetti.

 

.1072      Print: the title page for the book The Prince’s Porgies and Other Poems, by Christina Rossetti, published 1866, probably drawn by D.G. Rossetti.

 

.1073      Print: “A Wood Nymph,” by Burne Jones, a woman sitting in a shrub or small tree.  (see also .1077 and .1082)

 

.1074      Print: St. Barbara, St. Dorothea, and St. Agnes, by Burne Jones.

 

.1075      Print: “Proserpina,” by Rossetti.

 

.1076      Print: “In the Land of Weissnichtwo,” by C.F. Watts.

 

.1077      Print: same as .1073 and .1082.

 

.1078      Print: blindfolded woman holding a lyre.  (same as .1049 in Box 26)

 

.1079      Print: Head of a person, by Rossetti.

 

.1080      “Dawn,” by Watts.

 

.1081      “Love and Death,” by Watts.

 

.1082      “A Wood Nymph,” by Burne Jones  (see also .1073 and .1077)

 

.1083      “Study after Mrs. Wm. Morris,” by D.G. Rossetti.

 

.1084      “Mary Magdalene at the house of Simon,” by Rossetti.

 

.1085      A study of a woman’s head, by Rossetti.

 

.1086      “Dante’s Dream,” by Rossetti.

 

.1087      “La Penserosa,” by Rossetti.

 

.1088      A woman holding a book looking at a man in a tree.

 

.1089      “Mary Magdalene,” by Rossetti (picture is torn).

 

.1090      “Love among the Ruins,” by Burne Jones.  (mat is damaged)

 

.1091      “Fiammetta,” by Rossetti

 

 

Box 28, Folio 12a: labeled “Italianate”

                       

.1092        Mother and Child with St. John the Baptist and another saint.

 

.1093        “Un Angelo del Tabernacolo,” by Angelico, in the Uffizi Gallery, Florence.

 

.1094        “La Fortezza e la Temperanza” (“Courage and Temperance”), by Perugino, in the Collegio del Cambio, Perugia.  (for companion piece, see .1114, in Box 29)

 

.1095        Bust of Dante, Museum of Naples. (view of bust from the front; see also .1097)

 

.1096        “La Madonna , divin Filgio e due Santi,” Chiesa Parracchiale, Castelfranco Veneto.

 

.1097        Bust of Dante, Museum of Naples.  (view of bust from the side; see also .1095)

 

.1098        Madonna and Child with another woman and a rabbit, by Titian?

 

.1099        “Presentazione della Vergine [?] Tempio,” by  Tiziano Veccellio.

 

.1100        Poster for the National Gallery, London, showing “La Vierge et l’Enfant avec Saint Jean-Baptiste et Sainte Catherine,” by Tiziano Vecelli, printed 1896.

 

.1101        Poster for the National Gallery, London,  showing “Bacchus et Ariadne,” by Tiziano Vecelli.

 

.1102        Poster for the National Gallery, London, showing “Portrait d’Arioste,” by Tiziano Vecelli.

 

.1103        Poster for the Prado, Madrid, showing “Vue Prise dans les Jardins de la Villa Medicis à Rome,” by Velazquez.

 

.1104        Mother and Child with saints.

 

.1105        Mother and Child with saints, and the donor?

 

.1106        Poster for the National Gallery, London, showing “La Vision d’un Chevalier” (painting and sketch for painting), by Raphael.

 

.1107        “La Nascita della Vergine,” by Andrea del Sarto.

 

 

Box 29, Folio 12b: labeled “Italianate”

 

.1109         Poster for Die Königliche Pinakothek zu München, showing “Die Hl. Jungfrau erscheint St. Bernhard,” by Perugino.

 

.1110         A seated woman with a man kneeling on the steps in front of her, both holding a book.

 

.1111         A group of angels (detail of a larger painting).

 

.1112         Portrait of “Eleonara di Toledo col figlio Ferdinando I,” by A. Bronzino.

 

.1113         “L’Adorazione dei Re Magi,” by Perugino, in the Chiesa di Santa Maria delle Lacrime, Trevi.

 

.1114         “La Prudenza e la Giustizia, in basso vari personaggi celebri,” by Perugino in the Collegio Cambio, Perugia.  (companion to .1094, in Box 28)

 

.1115         A cherub with a lute, by Fra Bartholomew?         

 

.1116         “Tobia con i tre Arcangeli,” by Botticelli.  (same as .1124)

 

.1117         Poster for the Galerie Royale des Offices à Florence, showing “Portrait de l’Artiste,” by Raphael, printed in 1900.         

 

.1118         “Sabilla Samia.”

 

.1119         Poster for the Louvre, showing “Giovanna Tornabuoni et les Trois Graces,” by Botticelli, printed in 1898.

 

.1120         Poster for the Hermitage Museum, St. Petersburg, showing “Saint George and the Dragon,” by Raphael, printed in 1898.

 

.1121         Poster for the Louvre, showing “St. George and the Dragon,” by Raphael (a different painting from the one in the Hermitage), printed in 1897.

 

.1122         “Santa Famiglia,” by Andrea del Sarto, in the Pitti Palace, Florence.

 

.1123         Poster for the Louvre, showing “La Vierge aux Rochers,” by Leonardo da Vinci, printed in 1895.

 

.1124         “Tobia con I tre Arcangeli,” by Botticelli.  (same as .1116)

 

 

                       

Box 30:          

 

.1128               Rossetti, Dante Gabriel, Pictures & Poems. Arranged by FitzRoy Carrington. New York: R.H. Russell, 1899.

 

                        This book bears the bookplate of Byrdcliffe: a Florentine lily combined with wings, with the word Byrdcliffe underneath; a faun is in one corner, an owl in an upper corner, and there is a tree growing out of the initials RW.

 

Box 31:           (.1181-.1190, .1192-.1193 photos of furniture)

                       

.1125-

.1126   “Christ Taking Leave of His Mother.”

           

.1127   Colored plate labeled “Chateau de Blois, pl. 10, Aile, dite François 1er, Tentures,”

            wallpaper samples from Alcove de la Reine and Prie-Dieu du Roi. 

 

.1181  Photograph: labeled: BFK Rives No. 74 ; depicting a carved Gothic bench.

 

.1182  Photograph  labeled: Chateau de Pau, Bahut gothique; a carved Gothic chest.  (another copy is .1190., below)

 

.1183  Photograph labeled: Compiègne, Chaises François 1er.  Two different styles of chairs.

 

.1184  Photograph labeled: Chantilly, Sièges gothique.  Two backless chairs (different styles) and a side view of an arm chair on casters.

 

.1185  Photograph labeled: Chateau d’Anet, Armoire Renaissance.  Also in the picture are two arm chairs.

 

.1186  Photograph labeled: Chateau de Pau, Bahut Louis XII, depicting a Gothic chest.

 

.1187   Photograph labeled: Chateau de Pau,  Siège gothique, depicting an arm chair.

 

.1188  Photograph labeled: Louvre, Bahut Renaissance, depicting a small cabinet on a frame with curved legs (similar in style to Chippendale).

 

.1189  Photograph labeled: Musée de Dijon, Meuble Henri II, depicting a large cabinet with tall legs.

 

.1190   Photograph labeled: Chateau de Pau, Bahut gothique.  (same as .1182, above)

 

.1191  Photograph of  the doorways of an unnamed Gothic cathedral.

 

.1192  Photograph labeled: Louvre, Bahut Louis XIII; depicting a carved chest.

 

.1193  Photograph labeled: Louvre, Porte Louis XIII; depicting a carved door (it seems to have been removed from its original location and is just on display in the museum).

 

 

Box 32:          

 

.508     Madonna and Child with four male saints and two cherubs playing instruments, by Bellinni.

 

.524     “Disputa del SS. Sagramento,”  by Raphael, in the Vatican.

 

.800     Poster, probably made from a photograph, of Notre Dame Cathedral, Paris.

 

.917     “The Cornfield,”  by Constable.

 

.924     “Madonna and Child,”  Venice.

                       

 

Box 33: in portfolio labeled   “International Chalcographical Society” (bearing the bookplate of William Horatio Crawford, Lakelands, Cork)

 

.1164   Print: “Insatiable Vampire” (a Gothic gargoyle overlooking a city, with a tower in the middle ground), printed by the Autotype Company, London 1886.

 

.1165   Lithograph: Portrait of William Penn, from the original portrait at Historical Society of Pennsylvania.

 

.1166  Print: “Lady Tennyson,” by G. F. Watts RA; printed by J. Caswall Smith, Oxford St., London.

 

.1167   Print: Soldier in armor.

 

.1168   Print: “Madonna Dei Gigli,”  by G. Mentessi Dip, Fotocalcografia Fusetti, Milano.

 

.1169   Print: Virgin Mary and Jesus, with St. John the Baptist, with a printers embossed stamp.

 

.1170   Print: “Henry Clay,” from the painting by J. Neagle, done in 1843.

 

.1171   Print: “Annunciation,” from the painting by Dante Gabriel Rossetti; published in 1889 by Thos. Agnew & Sons.

 

.1172   Print: Sun or Moon reflected in a lake (signed by artist, but the name is illegible).

 

.1173   Print: “John Randolph of Roanoke,”  engraved by John Sartain from a portrait by Catlin done in 1831, printed in 1876.

 

.1174   Print: Maiden with Pan, from the painting by E. Burne Jones, published by Robt. Dunthorne at the Rembrandt Head, 1887. Signed by Ch. W. Campbell.

 

.1175   Print: “Erminia il suo Tancredi,” printed in Rome.

 

.1176   Print: “Cathedrale De Rouen,” printed in 1885.

 

.1177   Print: “Rouen Cathedral,” printed in 1884.

 

.1178   Print: “Templum Pilati,” (Christ at the house of Pilate, being whipped by soldiers).  From the International Chalcographical Society.

 

.1179   Print: Virgin Mary and Jesus, with saints and cherubs playing instruments.  From the International Chalcographical Society.

 

.1180   Print: “Miss Bowles,”  from the original painting by Sir Joshua Reynolds, printed in 1875. Distributed by the Art for Schools Association.

 

 

Map Case C, Drawer 4: Folder 15

 

.564     A print wallpaper of trees, mostly shades of green with browns and blues.  (a rolled sample with the same number is in Box 8)

 

Map Case C, Drawer 4: Folder 16

 

.565     A floral print wallpaper, on an apricot background, marked “Furlong, Philadelphia, PA, ungrounded.” 

 

Map Case C, Drawer 4: Folder 17

 

.567a   Multicolored morning glories overprinted with small white flowers, labeled GLENFAST CONFORMS TO SPEC NO.  CS. 16-29 US DEPT OF COMMERCE.  (a rolled sample with the same number is in Box 8)

 

Map Case C, Drawer 4: Folder 18

 

.568     A floral design, mostly pink and brown, printed to look like chiné fabric, with an overprinted diamond pattern.  (a rolled sample, with the same number is in Box 8)

 

 

Map Case C, Drawer 5, Folder 11:

 

.503     Hubert and Jan Van Eck, Netherlands, detail from “The Altarpiece of the Mystic Lamb,” showing St. Cecilia playing an organ, with a small orchestra behind her.