The
The Joseph Downs Collection of Manuscripts and
Printed Ephemera
OVERVIEW OF
THE COLLECTION
Creator: Bair, Jesse William,
1898-1961
Title: Patterns of early American
furniture and business records
Dates: 1922-1962
Call No.:
Acc. No.: 63x97, 79x331
Quantity: 12 boxes (ca. 5 cu. ft.)
Location: 18 D 3-4 and 44 A 2-9
BIOGRAPHICAL
STATEMENT
Jesse William Bair was a cabinetmaker who worked in
the early American style. He had his
home and shop in Hanover, York County, Pennsylvania. Although Bair made hundreds of pieces of
furniture, most of his business activity was centered on furniture repair and
restoration. His primary clients were
Joe Kindig and Robert S. Stuart. Bair
was born in 1898, the son of Roseanne Rice and John Franklin Bair. He married Alma Bortner; they had two
children: Richard (born 1927) and Frances (born 1923). Jesse William Bair died in November 1961.
A man named John M. Bair had a cabinet shop in
Abbotstown, Adams County, Pennsylvania.
It is not known if he were related to Jesse William Bair.
SCOPE AND
CONTENT
The collection consists of 1515 drawings and
patterns of furniture, along with business records that relate to Bair's
furniture repair activities. The
patterns of early American furniture are in the William and Mary, Queen Anne,
Chippendale, Hepplewhite, Sheraton, and Duncan Phyfe styles and were made from
1922 to 1962. Forms represented include
chairs, sofas, secretaries, highboys, lowboys, clocks, mirrors, tables, stands,
etc. The drawings display intricate
attention to detail in dimensions, inlay, carving, and turning. Also included is a drawing book showing
hardware design and ball and claw feet.
A few patterns were laid in ledgers, specifically a pediment design for
a chest and book case (templates), a design for a desk and for a rosette, and
small drawings of inlay.
The business records consist of nine ledgers and/or
receipt books for the years 1928 to 1932, 1940, and 1942 to 1961; copies of
receipts kept for tax purposes from 1959 to 1961; correspondence with
customers; a letter regarding the purchase of curly maple; and a list of names
and addresses of frequent customers and suppliers. Ledger entries consist of the name of the
customer or his initials, a description of the piece of furniture to be
repaired, and either charges for restoring and refinishing or the number of
hours spent on the repair. Bair was
careful to note whether he charged sales tax; tax identification numbers for Robert
S. Stuart and Joe Kindig are found throughout the volume.
One of the volumes contains an itemized list of
income and expenses for the years from 1954 to 1960. Bair had such expenses as electricity, heat,
and fire insurance for the shop; supplies, including glue, masking tape, sandpaper,
screws, and a hand saw; and such finishing material as alcohol, linseed oil,
turpentine, wax, "dryer," and steel wool.
ORGANIZATION
The larger templates are
shelved separately from the smaller patterns and business records; many of the
patterns are arranged by form and style.
PROVENANCE
Gift of Richard J. Bair, son of Jesse William Bair.
RELATED
MATERIAL
Jesse Bair's letters to Robert S. Stuart are in the
Stuart papers at this repository, Col. 81.
ACCESS POINTS
People:
Kindig, Joe.
Stuart, Robert S.
Topics:
Furniture, Early American.
Furniture - Repairing.
Furniture
finishing.
Antiques
- Conservation and restoration.
Furniture
design.
Furniture
- Styles.
Furniture
industry and trade -
Colonial
revival (Art)
Business
records -
Sales
tax - Accounting.
Income
tax - Accounting.
Drawings.
Account
books.
Receipts.
Daybooks.
Correspondence.
Ledgers.
Patterns
(design elements).
Cabinetmakers.
Furniture
makers.
DETAILED
DESCRIPTION OF THE COLLECTION
Location: 18 D
3-4 and 44 A 2-9
Items are from
accession 63x97 unless otherwise noted; a list appended to this description gives
a few more details about what is found in the boxes]
Folders 1-2: birds
(55 pieces, mostly variations on same pattern for mirror?)
Folder 3: chairs
(8 pieces: splats, backs,
Folder 4: hairy
paw carving, rubbings (6 pieces)
Folder 5: brackets
and moldings (39 pieces, includes Myers curly maple desk)
Folders 6-7: legs
and miscellaneous carvings
(100
pieces, includes
Ima
Hogg ball and claw tea table
Folder 8: finials
and low-boy drops
(41
pieces; includes Thomas Stretch G.F. clock finial;
B.B. #125 finial
G.F. clock;
R. M. Lewis finial G.F.
clock;
Goddard style;
Peter Stretch finial;
John Wood – Phila. 1710-20
clock finial;
Ima Hogg desk finial, bombe
secretary finial – includes time to make;
John Fisher clock ornament)
Folder 9: proposed
card table carvings, rubbings (8 pieces)
Folder 10: Lewis
chair rubbings (12 pieces)
Folder 11: frets,
brackets
(28 pieces,
includes carved quarter column and R.M. Lewis low boy)
Folder 12: teapot
handles; dimensions; jewel box; pipe box;
(15 pieces, includes Richard
tea pot handle – time to make; Fox ball and claw tea table)
Folders 13-16: mirrors
(121 pieces, includes
Folder 17: aprons
(14 pieces)
Folder 18: scroll
board carving (29 pieces, including 3 for “Ewe and Lamb”)
Folder 19: low
boy shell, Prince of Wales feathers, other designs (5 pieces)
Folder 1: pie-crust
tables, tilt-top stems (8 pieces)
Folder 2: rosettes
and mirror rosettes
(22 pieces, J.
Elliott rosette; 1 priced; 2 note time to make)
Folder 3: shells,
streamers, and chair crests
(59
pieces, includes
Folders 4-5: cartouches
and urns
(56
pieces, including Gratz highboy cartouche and Reifsynder Ewe & Lamb)
Folders 6-7: marquetry
[spelled marketry] patterns; Hepplewhite urns
(86
pieces, including eagles, urns, shells)
Folders 8-10: feet
(62 pieces, mostly ogee and bracket
feet, some William & Mary, 1 “block front hairy paw”)
Folder 11: patterns
and pictures from a box labeled 1959
Folder 12: receipts,
letters, and other papers from a box labeled 1959
Folder 13: patterns
and pictures from a box labeled 1960
Folder 14: receipts,
letters, and other papers from a box labeled 1960
Folder 15: patterns
and pictures from a box labeled 1961/ 1962 tax receipt
Folder 16: receipts,
letters, and other papers from a box labeled 1961/ 1962 tax receipt
Folder 17: auction catalogs: Yorktowne Antique
Shoppe (1928); Schmuck and Strayer (1927), Estelle Berkstresser
Folder 18: correspondence,
1924, and photos
Folder 19: correspondence,
1933, 1934, 1936 (acc. 79x331)
record book,
March 1928 to
“Journal,”
records for 1930-1931 mostly
undated entries listing customer’s name, what worked on, and numbers (either
time or charges) spent for restoring and refinishing the pieces
record book,
1931-1932 contains
notes about making furniture, several patterns, and a list of furniture with
prices
record book,
from
record book,
record book,
“Daily Reminder,
1947,” but used 1954-1960 records
charges made to Kindig, Fox, Stuart, and others; specific pieces of furniture
are mentioned, but no indication of whether the charges are for repairs,
refinishing, or making
record book,
Jan.-March 1960 records
furniture with prices, also a list of the cost of materials used in a bureau
record book,
1960-1961 records
charges for furniture; also an account of materials bought for 1961, income and
expenses, time spent on certain pieces of furniture, and a pattern
record book,
undated a
few entries recording work done for Mr. Kindig [in Farmers State Bank book]
Folder 1: patterns taken from composition book,
1960: head of man, flowers, scrolls, cartouche, etc. (acc. 79x331)
Folder 2: rosette (acc. 79x331)
Folder 3: phoenixes (or eagles) (acc. 79x331)
Folder 4: tracing of egg and dart molding from a
case piece (acc. 79x331)
Folder 5: design for pediment (acc. 79x331)
Folder 6: miscellaneous templates (small; in an
envelope) (acc. 79x331)
Folder 7: patterns for plumb-pudding clock, made
for son Richard (acc. 79x331)
Folder 8: patterns for 2d order secretary, made
for son Richard (acc. 79x331)
Folder 9: patterns for low boy, made for son
Richard (acc. 79x331)
Folder 10: assorted templates, patterns, drawings (acc.
79x331)
Folders 11-12: Chippendale chairs
The
list below was made sometime after 1970.
The drawings were left on open shelves, and drawings might possibly have
been moved around by those who did not realize they were supposed to be in some
order. When the drawings were placed in
boxes in 2006, no attempt was made to check the accuracy of the list
below. Drawings for furniture may well
be in a box not labeled with that furniture form.
Tables, stands,
etc. (most are in
Leg
and side “maple stand” (pad foot) – 1 item;
Plan
of inlay for a stand or card table “see #47, page #83 Baltimore book” - Baltimore Furniture 1760-1810 - 1 item;
inlay
detail. drop leaf table "eagle faces center" - 1 item;
full
size drawing: “Small bedside table,” fox
- 1 item;
Front
“Hepplewhite dressing table” 30” wide -
1 item;
“Straight
maple – w. pine top, apron & stretchers or walnut Drawing ordered by Mrs.
R.C. Myers.” “Hand made nails ...” “The old pine I have isn't suitable for this
table..." - 5 items;
“Fox
Table $28” - 29-1/2” high - many comments erased - 1 item;
Table
leg - 1 item;
Tea
stand top 2 dishes only showing flame finial - 1 item;
Foot
- crows nest spindle - pedestal & edge trim 18” pie-crust tea table with
fluted column. Pie-crust top also detail pattern – 6 items, of which 4 are
fastened together;
Globe
& compass stand (slipper or snake foot) - 1 item;
Side of table without legs “#369” (refers to
Leg
and front also side - pad foot card table - 3 items;
Side
and end card table? without legs - 1 item;
Dimensions “B or A side-table” - also tracing
of shell - 1 item;
Top
of card or gaming table - 1 item;
Dimensions
- top and rough sketch of “bow-end table” - 1 item;
End
and leg “walnut leaf table” - 2 items;
Leg
“Web-foot side-table” - - 1 item;
Leg
and side or front showing carving detail - 1 item;
Stretcher
and shelf for “
Skirt
pattern - 2 items
“Small
walnut, center stretcher table” 23” high – 1 full size drawing;
Bow
end table – 20” on top [without leaves] - 1 item;
Side
table – 5’ long with drawers - 1 item;
One
pad foot table leg - 1 item;
(Wm.
& Mary) stretcher & leg plan - full scale drawing - also stretcher
pattern - 4 items;
“
“Hepplewhite
card table - square tapered inlaid leg. Table opens 36” x 36” - 1 item;
“for
leg for Sheraton card table” – full size drawing;
“Candle
stand stem -18” top,” 26” high – full size drawing;
Detail
corner of (Hepplewhite drop leaf table) “bell flowers” - 1 item;
Table
top - '”card table - Duncan Phyfe- Sheraton influence - turned, fluted legs -
inlaying at top... 36” x 36”.” - 1 item;
“Knee
Hole writing table ... Hepplewhite 1790” 48” long – full size drawing;
“
Table
- Federal? showing false drawer & glass top - 1 item;
47
¼” high tea stand - three tops – full size drawing;
Tea
table pedestal? - 1 item;
Stretcher
plan “
“Hepplewhite
period American oval stand" 27 ½” tall - inlaid - 2 items;
"Snake
foot music stand" – full size drawing
Leg
– “
Turned
pedestal - 1 item;
William
& Mary type stretcher - 1 item;
Spade
foot trifid stand - 2 items;
Drawing
table top - 1 item;
Patterns
for snake or slipper feet or tilt-top stable, stands, etc. – 6 items.
Chairs and sofas: Queen
Anne, Federal, and Empire chairs are in
William & Mary
or ladder back chairs:
Rounds,
posts, slats, dimensions etc. - turned maple chairs - 8 items.
Queen Anne chairs:
“P”
arm and side chairs - 13 items (tied together);
chair
pattern. “
“side
chair” or “arm chair #10,” L.K. Phreaner - 5 items;
Back
of armchair – full size drawing;
Pattern
pieces that seem to fit the above, one marked “M” arm chair - 4 items;
Front
leg & arm support - may be part of above - 1 item;
Drawing
chair back; Drawing chair back side view marked “Philadelphia Queen Ann” -
walnut web foot side chair - 7 items;
Drawing:
seat - identified as above, pattern seems to fit with the above pieces - 3 Patterns;
Drawing:
chair splat and top rail - 1 item;
Drawing:
front seat rail with shell - 1 item;
Pieces
- with seemingly related drawings of splat, legs, seat rail, side & center
stretchers, arm support - 3 items;
Chair
arm side view pattern - 1 item;
Patterns:
chair arms - top view - 6 items;
Drawing:
2 views arm support - 1 item;
Patterns:
seat blocks 2 = left and right - 3
items;
Patterns
& drawings: back splats - 5 items;
Pattern:
“side chair” stile - 1 item;
Pattern:
“Queen Ann stool” - 1 item;
Pattern:
“curly maple stool” - 1 item;
Pattern:
“291 curly maple” (refers to
Pattern:
“web foot” leg with shell - 1 item;
Pattern:
web foot “ribs” - 2 items;
Pattern:
#20
Rough
pattern - leg - 1 item;
“Queen
Ann stool in walnut (all old wood) $35.00 F.O.B. –
One
bundle containing small drawing of side view of an easy chair, other pieces
seem to be pattern pieces of the chair - 10 items (tied together);
“wing”
chair - 8 items (tied together);
Pattern
piece: “front seat rail” (easy chair?) - 1 item;
Pattern:
piece “solid seat” - 1 item;
Pattern:
“Web, Drake or Duck foot Queen Ann,
Wooden
template: part of chair back? - 1 item;
Unidentified
pieces - 2 items.
Chippendale
chairs:
“wing
block” – 1 pattern;
“Martha
Wash. Arm - 2 patterns;
“top
of' arm” - 1 pattern;
“Back
leg Phila. wing chair, (ball & claw) - (web foot) loose seat” - 1 pattern;
back
leg “solid seat wing chair” - 1 pattern;
stiles
for chairs - 4 patterns;
stiles
for
sketches
& dimensions for chairs - 4 miscellaneous sheets;
sketches
& dimensions for wing chairs - 2 miscellaneous sheets;
“loose
seat wing chair” – 4 pieces of patterns;
(side
view stile of chair back?) - 1 pattern;
part
of arm & leg of wing chair - 1 marked “wing chair (loose seat)” - 2
patterns;
wing
or corner chair arm support? – 1 pattern;
patterns
which seem to be related to arms of wing chairs – 4 items;
patterns
which seem to be parts of seats and backs of wing chair - 6 items;
carving
detail for “side chair” – 1 item;
part
of Martha Washington chair arm? - 1 pattern;
Back
splat & cresting rail – “Dalrymple Chair” - 8 full scale drawings, 7 patterns;
Splat
& cresting rail of arm chair; Side chair to match; cresting rail to match –
3 patterns;
Splat
- Myers chair – pattern, drawing (1 or 2 of each);
“M
chairs - arm ends”; “M chairs arm support” - related to arm ends? “M chair top of
arm” – 3 patterns;
Splats
– 6 patterns; 3 drawings
Cresting
rails – 5 patterns;
Corner
chair seat, arm & post of splat, end and arm – 3 drawings and patterns;
Seat
– “Chippendale pretzel back chair – “Myers” - dimensions of side chairs; Part
of stile;
Back
of chair; Slats – 7 or 11 patterns and drawings;
“L.
Fox open arm Chippendale chair upholstered seat & back” – 2 drawings;
Ball
& claw feet - 5 patterns, 1 drawing;
Ball
& claw feet for wing chair – 2 patterns;
Slat
- pretzel-back chair – 1 pattern;
“back
of slat of side chair” - 1 pattern;
“arm
chair” to match above – 1 pattern;
5
patterns, 1 marked “ball & claw chair - straight wing” – 5 items.
Hepplewhite and
Sheraton chairs:
Hepplewhite
inlaid arm chair back, etc. – 6 drawings, 5 patterns;
Side
chair to match above – 5 drawings (2 torn pieces), 3 patterns;
seat
for “Hepplewhite ‘heart-back’ armchair” –
side
chair to match above – 3 patterns;
Hepplewhite
chair – 8 patterns taped together;
inlaid
Hepplewhite shield back armchair & side chair – 9 patterns;
carving
details for chair splats – 2 patterns;
carving
detail for Hepplewhite chair splat – 1 drawing;
“Hepplewhite
(American) side-chair back. (
“Sheraton
easy chair (Martha Washington type)” – 2 patterns, 1 drawing;
arm
supports - Hepplewhite armchairs – 2 patterns;
seems
to be arm of classical period chair – 1 pattern;
slats
– ladder back chairs – 3 patterns;
slats
– ladder back chairs – 3 patterns;
classical
chair crests? – 2 patterns (3 pieces);
Sheraton
arm support – 1 pattern.
Empire chairs:
front
chair leg, back chair leg, arm - 3
patterns;
chair
seat – “Nutting 2432-2433” – drawing and small sketch;
leg
– 1 pattern;
side
view, chair back – 1 pattern;
side
view, back and leg – 1 pattern
Miscellaneous chairs:
patterns,
sketches, dimensions, etc. for miscellaneous parts of chairs of various periods
Sofas: in
end
of Chippendale sofa - variant from above – 1 pattern
Clocks: it is not
know in what box clock patterns are located:
banjo
clock – 1 drawing;
banjo
clock, including face, front of clock, shelf and details – 9 drawings (tied
together);
top
of tall clock – 1 drawing;
section
of tall clock case – 1 drawing;
pediment
trim “W. Nut 3286” – 1 pattern
Mirrors and
looking glasses – in
“Queen
Anne mirror … W. Nutting #2490 with out incised streamers in top” – showing
carving details – 1 drawing;
“Sheraton
type toilet stand” – 1 drawing;
Mirror
pediment – 1 drawing;
“Hepplewhite”
mirror - 1 drawing;
“Queen
Anne mirror walnut (base)” - 1 pattern;
Part
of “R-S Sare(?) mirror” – 1 rough drawing;
top
showing shell detail – 1 pattern;
op “eagle” inlay - 1 drawing;
part
of pediment - 1 pattern;
top
and bottom – 2 patterns;
complete
mirror? lacks fruit string? 6 patterns (tied together);
bottom
– 1 pattern;
bottom?
– 1 pattern;
top
“K-IIII” - 1 drawing;
“Bilbo
mirror top” “urn taken from 3621 [should read 3126] - 27 Nutting vol.II,” “side
drops from picture of your mirror,” “all pictures of urns in the book are about
like I have drawn it …” - 1 drawing;
pediment
scrolls - 2 patterns(?);
pediment
scroll – 1 pattern;
top
– 1 pattern;
molding,
etc. – 1 sketch with dimensions;
details
of fruit streamers - 2 drawings;
fruit
streamers – 5 patterns;
“Hepplewhite
mirror urn” – 1 pattern;
pediment
scrolls for mirrors or clocks - 4 patterns.
Ornament and
molding carving – it is not known in what box these may be found, but possible
86
drawings and patterns
Case pieces –
these are in
Low
boy – Miss Bonham - 1 drawing;
Fred.
Yost corner cupboard - 2 drawings, 1 pattern;
Reference
to #93
Leg
of William & Mary highboy with reference to Nutting nos. 333 and 341 and
note to Joe Kindig, Jr. - 1 drawing;
Myers
desk inside door - 1 drawing;
Note
to Mrs. Gitt – 1 pattern.
104
drawings and patterns, including corner cupboards, highboys, low boys, a
cellarette, and desks. Many pieces show
extensive inlaying, carving, and structural ornament.
Beds – Box 12:
When
placing the drawings in box, a group of drawings labeled beds was found. No beds were in the above list, and so no
count exists for the bed drawings and patterns.